Posted by: fenilseta on: November 22, 2009


Posted by: fenilseta on: November 21, 2009
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Posted by: fenilseta on: November 21, 2009
Neetu Chandra’s father Umesh Chandra Shrivastava passed away last evening.

He was 60 years old and was suffering from cancer since a long time. He was admitted to a hospital in Mumbai where he breathed his last.
He is survived by his daughter, Neetu, and two sons.
Posted by: fenilseta on: November 21, 2009
Looks like love has come calling again for Nandita Das.The winsome actress who has won much national and international acclaim both as an actress and director is now seeing Subodh Maskara, an industrialist based out of Mumbai.

Nandita married her long time friend Saumya Sen some years back but is now divorced from him. Subodh has been married earlier too.
The couple is looking to buy a home together and have been spotted looking at flats in the Madhuli Building at Worli, itself famous as the building in which Harshad Mehta had several flats.
The 40-year-old Nandita has always been unconventional in her choice of films and has never shied away from controversial roles like Fire (1996).
Posted by: fenilseta on: November 21, 2009
Rumour has it that Priyanka Chopra and Shahid Kapoor, who were “good friends” during the making of Kaminey, are no longer on talking terms. But destiny continues to play cruel games with them.
In Madhur Bhandarkar’s Fashion, Priyanka, who played a model, displayed a mobile number on screen at every audition. Now, Shahid, who plays a film aspirant in Ken Ghosh’s Chance Pe Dance, was also spotted displaying the same mobile number in the theatrical trailer, which is being aired with Kurbaan.
Guess neither Priyanka nor Shahid wanted it this way but as luck would have it, both the films Fashion and Chance Pe Dance are being presented by the same film corporation (UTV). The unimaginative creative team must have taken the liberty of passing of what was once Priyanka’s to Shahid.
So, who does this number belong to? Shahid or Priyanka?
When we probed further, it was revealed that the number displayed on both Shahid and Priyanka’s audition board actually belongs to Ram Mirchandani, who was once working in UTV and is now with another corporate.
Soon after Fashion released, Ram had made his displeasure known about getting a hundred phone calls a day from people who thought that it was Priyanka’s number in real life.
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Now one wonders whether Ram will still continue to get as many phone calls after people see the number displayed by Shahid, who is currently riding a wave.
A source says, “If it had struck Shahid that the number he was holding on the slate is the the same one that Priyanka had used in Fashion, he would probably have asked the writers to change it. Now he has just to live with the fact that what was once Priyanka’s is now his by default, if not by design.”
Commenting on the story, Ram says, “I didn’t know that Shahid was going to be displaying my number on a slate for Chance Pe Dance. Ken Ghosh and Shahid told me about it after they had shot the scene. They told me it was done in good faith and I should be a sport. I don’t think Shahid or Ken knew that Priyanka has used the same number in Fashion. It is just one of those coincidences.”
Posted by: fenilseta on: November 21, 2009
If Salman Khan hadn’t been alert and physically strong, actor Bunny Anand, who co-stars with him in Vijay Galani’s forthcoming film Veer, wouldn’t have been alive. Salman saved Bunny’s life on the sets of the film a few days ago.
While shooting for a train robbery sequence for the film in Rajasthan, Bunny and actor Vicky Mehra were riding their respective horses and Salman was supposed to balance himself keeping one leg each on the two horses. There were many other actors on their horses around Salman, Bunty and Vicky with a train fast approaching to their left.
Director Anil Sharma called ‘action’ and everything was proceeding smoothly until Bunny accidentally lost his balance and was about to fall off the horse he was riding. A source said, “Salman immediately realised that Bunny would seriously hurt himself. He grabbed Bunny by his collar and pulled him up. If Salman had acted even a fraction of a second late, Bunny would have not only fallen off his horse but also would have been crushed to death by the horses that were running at breakneck speed behind them.”
Bunny was so shaken up after the incident, that he was unable to give a retake.
Bunny confirmed the news and said, “Salman bhai saved my life. I don’t know how to repay him.”
“When I first heard about the incident, a shiver ran up my spine. Thanks to Salman, we did not have any untoward accident on the sets that day. I will never forget how he saved Bunny,” said producer Galani.
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| A still from Veer, Bunny Anand (circled) |
Posted by: fenilseta on: November 21, 2009

Posted by: fenilseta on: November 20, 2009
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| Abrar Alvi with his niece | Sahib Bibi Aur Ghulam |
Abrar Alvi, who passed away on Wednesday due to a stomach complication, lived most of his life as Guru Dutt’s resident writer. He was 82 years old. His health gradually deteriorated after he suffered a paralytic attack four years ago.
Though he wrote some films outside Guru Dutt’s banner including four back-to-back Vyjanthimala starrers Suraj, Chotisi Mulaqat, Sungharsh and Saathi between 1966-68, his name remained associated with Guru Dutt for whom he directed the classic Sahib Bibi Aur Ghulam and wrote the dialogue and/or screenplay for Aar Paar, Mr & Mrs 55, Pyaasa, Kaagaz Ke Phool and Chaudvin Ka Chand.
Gulzar saab had a very interesting encounter with Abrar Alvi in 1968 .”Abrar Alvi saab was the uncle of one my favourite protégés Salim Arif. I was asked to write from scratch a screenplay earlier written by Abrar Ali Saab for HS Rawaail’s Sungharsh. The screenplay and dialogue had to be re-written from scratch by me, on the behest of the film’s leading man Dilip Kumar as they just couldn’t see eye-to-eye. It was one of my first writing assignments in films. We spent a lot of time together during those days. He was a very warm, humane and cultured man. He remained associated with Guru Dutt’s cinema. He hardly wrote for anybody except for Guru Dutt and his brother Atma Ram. I’d never pass by his home in Janki Kutir without stopping by to pay my respects. Another pillar has fallen,” says Gulzar.
Asha Parekh got to know Abrar Alvi during the making of Shikar in 1968. “Shikar was directed by Guru Dutt’s brother Atma Ram. Abrar Alvi wrote that film. I’d sit and chat with Abrar saab. He knew so much about many things besides cinema. He was a very sensible, refined , cultured and educated man. One by one all the stalwarts are going away,” says Asha.
Abrar Alvi is survived by his wife, two daughters and three sons.