Fenil and Bollywood

Posts Tagged ‘archana

By Taran Adarsh, January 1, 2010 – 12:31 IST

Surprise, surprise, surprise! Sometimes, the expectations from a movie are zilch, but what unfolds on screen is beyond expectations. It surprises you, to put it simply.

On face-value, BOLO RAAM looks like it’s straight out of 1970s cinema. A movie with predictability written all over it. A movie that carries zero hype and matches it with zero content. But BOLO RAAM isn’t archaic, isn’t the usual masala, isn’t zero content.

A remake of the Tamil film RAAM [2005; starring Jeeva, Saranya, Rehman, Murali], BOLO RAAM has an interesting plot with an engaging screenplay that compels you to look at the screen for most parts of the movie. But, of course, there’re hiccups. A few non-actors and a done to death climax could’ve been avoided.

BY BOLLYWOOD HUNGAMA.COM

Raam [Rishi Bhutani] is charged with the murder of his mother Archana [Padmini Kolhapure]. Raam falls into a state of shock, brief psychotic disorder, after his mother’s death and becomes silent, refusing to talk or react in any manner.

The investigating officer, Indrajeet Singh Rathi [Om Puri] is puzzled and unable to make Raam speak. He consults a psychiatrist, Dr. Negi [Naseeruddin Shah], to determine the cause of Raam’s state of mind and the reason for his silence.

Rathi interrogates various personalities for the case, questioning Raam. Every possible motive that Raam might have for murdering his mother is explored. Furthermore, Raam’s neighbours, Sub-Inspector Sajid Khan’s [Govind Namdev] daughter Juhi [Disha Pandey] and son Sameer [Krishan Khatra], are summoned by Rathi for interrogation. Will his silence solve the puzzle?

Without wasting any time, BOLO RAAM takes off from its opening titles itself. The story goes back and forth, several new characters are introduced, but the narrative stays faithful to the main plot. The best is reserved for the second half. Layer after layer is peeled with expertise. The viewer is keen to know the identity of the killer and that’s when the film fumbles and tumbles.

The culprit’s track is sloppy and a major put off. In fact, the circumstances that lead to the murder are quite amateurish and look far from convincing. Surely, the writer could’ve thought of a better culmination. Also, the one-sided love affair is functional.

Debutante director Rakesh Chaturvedi ‘Om’ makes a confident debut, although he should’ve cast some better actors for key roles. There’s not much scope for music [Sachin Gupta] in the film and hence, just one song merits mention – ‘Maa Tere Jaisa’. The background score [Sanjay Chowdhury] deserves special mention.

Newcomer Rishi Bhutani does a commendable job. He oozes confidence, despite sharing the same frame with accomplished actors. Om Puri gets into the skin of his character and is impressive, while Padmini Kolhapure is a pleasure to watch after a long gap. She is beautifully restrained. Naseeruddin Shah has a brief role and the veteran does it well. Govind Namdev is very good.

Rajpal Yadav is wasted. Both Disha Pandey and Krishan Khatra are non-actors. Manoj Pahwa does his usual act.

On the whole, BOLO RAAM has decent merits [hence those 2 stars], but the problem is its wrong release timing. It won’t stand a chance in front of a hurricane called 3 IDIOTS.

Priyadarshan has always come up with zany comedies but De Dana Dan takes away the cake. In your entire life, you would have not seen such complicated and bizarre film ever, nor would you see it in future! There are some 25 characters; the entire action takes place inside a luxurious hotel and misunderstandings galore in the film. In fact, the flick thrives on misunderstandings and mistaken identities! However, like many other pathetic comedy flicks attempted this year, this doesn’t disappoint all thanks to Priyadarshan’s excellent handling and execution!

The story of the movie: Nitin Bankar (Akshay Kumar) works for Archana (Archana Puran Singh), a rich lady in Singapore and who loves her pet dog named Moolchandji the most! Nitin’s only friend is Ram (Suniel Shetty). While Nitin is in love with Anjali (Katrina Kaif), Ram loves Manpreet (Sameera Reddy). However, both Anjali and Manpreet are born and brought up in rich families and their families would not like their daughters to marry financially unstable men. So Nitin and Ram come up with plan to get quick money-they decide to kidnap Moolchandji in exchange of a huge ransom from Archana! Without realizing that the kidnapping has gone awry, both hide in the luxurious Pan Pacific Hotel waiting for the ransom. Unfortunately, there are more colourful, anti-social, gadbad-types people in the hotel at that time! And then starts the mother of all misunderstandings, mistaken identities and unlimited, uninterrupted laughter for the viewers!

There is absolutely no logic whatsoever in De Dana Dan. There are some big big loopholes in the story too! But if you are lover of masala Hindi comedies, then you won’t mind at all as there is so much fun happening in the film every second! Except during the songs, you won’t get a chance to yawn or check out the time in your watch or look anywhere else than the screen!

The first half is where the characters are introduced and established which is perfectly done. The asli mazaa begins when Nitin and Ram hatch the kidnap plan. The actual kidnapping and the events that follow was brilliant! Also, there are lots of tracks going on in the film, each one which is well written and worked upon. There is Harbans Chadda (Paresh Rawal) who is deep in debt and who wants to marry off his son Nonny (Chunky Pandey) to the best amir khandaan ki ladki; there is Brij Mohan Oberoi (Manoj Joshi) who is happy to marry off her manglik daughter Manpreet to Nonny; then there is smart theif cum club dancer (Neha Dhupia), Harban’s unfaithful wife Pammi (Aditi Govitrikar), a killer on a mission Peshawarwala (Johny Lever), an oversmart waiter Duggu (Rajpal Yadav), an Indian ambassador Paramjeet Lamba (Vikram Gokhale) and her wife (Supriya Karnik), Anjali’s dad Kakkad (Tinu Anand), Anti-corruption cop (Sharat Saxena) and a letch (Shakti Kapoor) (I hope I haven’t left anyone). Whew! With so many characters with interesting characteristics, Priyadarshan and the writing team excellently links up unrelated characters creating multiple mistaken identities, all which provide laughter unlimited!

The first half is laced with 4 songs but still the flick didn’t turn boring. However, it was the 2nd half where at a point, everything gets too monotonous and you want the flick to end. In fact, the film is close to 2 hrs 45 minutes. However, the climax again takes the film up and it was the most weird and bizarre climax I have ever witnessed! Once again, I state that don’t watch the flick if you can’t stand any nonsense in films. Or else you’ll surely faint watching the nonsense climax! But for those who love comedies, the climax will surely entertain!

With so many characters, it becomes difficult to decide who the best was. In fact all put their best foot forward and contribute well. Akshay Kumar was like everytime rocking! His films may not entertain everytime but he always impresses. In fact, it was so great to see a fantastic Akshay Kumar film after so long (the last such film was Welcome, 2 years back). Keep rocking Akki! Suniel Shetty gives an amazing performance and it was great to see him after a long time! Watch out for him in his next, Red Alert!

From the rest, the ones who impress and provide maximum laughs are Paresh Rawal, Archana Puran Singh, Johny Lever and Vikram Gokhale. Vikram Gokhale particularly entertains a lot! The rest-Asrani, Chunky Pandey (he had no role at all!), Manoj Joshi, Rajpal Yadav, Supriya Karnik, Tinu Anand and Sharat Saxena also did a nice job but it got overshadowed in presence of so many actors. Producer Ratan Jain is also there in the film!

As for the heroines, Katrina Kaif has the meatiest role and sizzles full on in the song Gale Lag Ja. Neha Dhupia gives a bindass performance. Sameera Reddy looks charming but hardly has any dialogues. Aditi Govitrikar’s performance was flawless.

Music was fine. Baamulaiza, Gale Lag Ja and Rishte Naate are the best songs of the lot. K Ahambaram’s cinematography was too shaky in some scenes which didn’t work. Salim-Suliaman’s background score, as usual, was flawless. Sabu Cyril’s production design deserves special appreciation especially for the climax where the entire hotel gets flooded. Some parts of the hotel were recreated in Mumbai, it was flooded and shot and it was so accurately done that it’s impossible to distinguish the actual hotel in Singapore from the set! Great work! But at the same time, disappointed to see enormous quantity of water wasted under the guise of entertainment!

Finally, we come to the writers and director. Suresh Krisshnan’s story was unusual. Jay Master’s dialogues were amazing and also contribute to the entertainment quotient in the film! And this is undoubtedly Priyadarshan’s one of the finest works! It requires guts and courage to screenwrite a film with so many complicated and tangled scenes and then directing it and also giving it a proper conclusion. Any other director would have either failed miserably or would have run away midway! So hats off to Priyan….keep giving us such films!

This time, there would be no section of Best Scenes….there are some 3 to 4 dozen memorable scenes, half of which I can’t even recollect now but enjoyed while watching! So please excuse this time!

On the whole, De Dana Dan is one of the most complicated comedies of all time. Those who love Priyadarshan and his slapstick comedies should not even think of missing it!

My rating-**** out of 5!

This review first appeared on Mouthshut.com: http://www.mouthshut.com/review/De_Dana_Dan-181702-1.html



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