Posts Tagged ‘Bombay Times’
MARK MANUEL Times News Network (BOMBAY TIMES; January 5, 2010)
(Mumbai Meri Jaan) untilted action project lined up next. Then there’s Dostana 2 starting in June. Before which he has four months to himself. “To look at life, to introspect, to ask myself questions about things I’ve done and which need to be done, to solve 10,000 problems, my mind is caught in a melee,” carries on the actor, “there’s a lot of nervous energy, there’s tension waiting to be relieved, and the gym is my release. I’m not lifting heavy weights to prove a point. The gym is like my church and working out is like praying…”
WHERE ARE THE ROLES? Lara Dutta, Bipasha Basu, Sonam and (above) Vidya Balan
MEENA IYER Times News Network (BOMBAY TIMES; January 5, 2010)
MEENA IYER Times News Network (BOMBAY TIMES; January 4, 2010)
Like a cat that has swallowed the cream, Kareena smacked her luscious lips and said, “There I was licking my wounds when God above answered my prayers. Honestly, I’m delirious. To think that I started 2009 with a whimper and ended it with a bang. Someone up there heard me.’’
Just before she set off on a tour of England with Saif Ali Khan, the incorrigible Bebo said, “2010 has a lot of promise. I sincerely wish the Midas touch continues. I’ll start the year with my idol, Shah Rukh Khan, with whom I’m travelling to Miami for RA 1. Then I’m going to be traipsing the globe with Saif in Agent Vinod. And, if Aamir keeps up his promise to me, the two of us will end up in a romantic film by the end of the year.’’ Jumping like a child, she asked, “Listen, is it wrong to love more than one Khan at a time? I’m guilty of just that. Shah Rukh and Gauri are my close friends. I love Saifu. And as for Aamir, well, what can I say? He’s the new Khan on my block.’’
Gamely she takes the blame for her duds. She knows the critics dipped their pens in poison when she did KI and MAMK. “My funda is simple,’’ said Bebo. “Actors should be like scientists, always willing to experiment. I experimented and I failed. That doesn’t take away from my acting abilities. If I don’t experiment, the same guys will write — she’s a plastic doll on screen. One does take chances with one’s roles and if the films fail, I’m more heartbroken than anyone else. Don’t forget films are all I live for. I give my films everything I have. So failure does affect me. But to write me off each time I have a flop is unfair.’’
Maybe, but that’s the way things in Bollywood work. One Friday you’re a handmaiden, the next Friday you’re the Queen. And, if you’re lucky, you can get an extended lease at the box-office. Like Bebo just managed. email@example.com
MEENA IYER Times News Network (BOMBAY TIMES; January 3, 2010)
The fortunate few who have already heard the track sung by Rahat Fateh Ali Khan, Shankar Mahadevan and Richa Sharma say it holds the promise of becoming the anthem of 2010. Karan Johar says, “I’m glad Sajda has got an ovation.’’ He adds that working with Shankar-Ehsaan-Loy on this track was indeed different from the previous experiences of Kal Ho Na Ho and Kabhi Alvida Na Kehna — both chartbusters in their own right…but both more similar to each other in a way.
“On the other hand, for MNIK, we decided to have music which is a sharp contrast to the visuals that may dominate the screen. The music has a rustic and soulful feel; the songs aren’t your regular lipsynced numbers, as is the normal practise, yet each track is a haunting melody and will leave behind an indelible mark.’’
Candidly Karan admits, “I’m besura, I can’t sing to save my life, I can’t play a single music instrument, yet if my films do throw up songs that find a following, it is simply because God has blessed me with the ability to say yes or no to a track that is suggested to me by my composers.’’
Explaining how Bollywood film music has been his raison de etre for 30-odd years, Karan says, “I’m obsessed with Hindi film music. Be it on my radio or my iPod you will find me listening only to Hindi film songs. I have grown up listening to music from the 40s until now; and in a way, I can say I have developed a keen ear for it.’’ Praising his composers Shankar, Ehsaan and Loy, the filmmaker says, “I don’t know how the three of them work in such perfect tandem. But they do. If I had to have a co-director, I’d probably kill the person. But these guys are amazing.’’ The trade also has given Sajda a thumbs up. This track which has a sufiana kind of feel climbed to the eighth spot on the charts within minutes of it being aired. Of his lead pair, Shah Rukh Khan and Kajol, on who the MNIK tracks have been picturised, Karan says, “If Kajol loves a song, she’ll say so instantly. As for Shah Rukh, most of the songs he vocalises seem like they are owned by him because he is one actor who gives 300 per cent to every song he sings. SRK’s tracks have that evergreen quality because when he is on screen singing them you just feel the song was made for him and none other.’’
BINA TRIVEDI Times News Network (BOMBAY TIMES; January 2, 2010)
The film’s leading lady Sushmita Sen says DMG is a passionately told story and it has a delightful plot line. For her fans it is important because she teams up with Bollywood Badshah Shah Rukh Khan after their last super-hit
Main Hoon Na.
SUBHASH K JHA Times News Newtwork (BOMBAY TIMES; January 2, 2010)
Rahman, meanwhile, is unhappy with the outcome of his first Hollywood soundtrack. “The music of Couples Retreat got a good response. But I feel my music was not used properly. It was a comedy. I guess you can’t expect music to have much of a place in a comedy. They were more into laughter than music,” he complained, adding, “The music has all been used. But not the way my fans would expect. I was prepared for the outcome when I entered this project.” So he’s not really disappointed by his first foray into Hollywood. “If I had waited for the perfect Hollywood vehicle, I might have had to wait endlessly. It’s not easy for an Asian to enter into Hollywood camps. It’s a new beginning for me. I got great reviews.”
He’s got a lot of offers but also has a tough schedule this year to be able to give any more time to new commitments. And, contrary to rumours, acting is not one of Rahman’s forthcoming commitments. “That’s completely false news,” he said shocked. “I am not going into acting. I’m going to be speaking in a documentary on my friend, the musician P. J. Mortan. We’ve known each other for some time. He collaborated with me for a track in Couples Retreat. That’s it. It’s not a feature film. I’ve no aspirations to go into acting. God has given me one skill and I’m very happy with it.”
MEENA IYER Times News Network (BOMBAY TIMES; January 2, 2010)
Yet, the reality of the matter is something else. It is usually who is available; and sometimes who is more saleable.
Take the latest: Aamir Khan was never meant to be playing the idiot in his latest film. It was to be Shah Rukh Khan. Since SRK and producer Vidhu Vinod Chopra had a difference of opinion, the Bollywood Badshah was replaced by Aamir. And while the rest is history, there are innumerable such examples in the film industry.
History knows that Amitabh Bachchan was not Prakash Mehra’s first choice for Zanjeer. It was meant to be Dev Anand or Raaj Kumar. When both actors said no, the Big B stepped in. Jaya Bachchan even thanked Dev saab for refusing the Zanjeer role. The film gave her — her real life husband and it gave Bollywood one of its most revered screen couples.
Today you wonder how Dev saab would ever have fit into the angry young man mould. But that’s an after-thought.
Hrishikesh Mukherjee wanted Raj Kapoor to play Anand. When he couldn’t, Hrishida sent for Shashi Kapoor but Rajesh Khanna wormed his way in. And till today Anand is synonymous with the 70s phenomenon.
Shatrughan Singh continues to smart that it was he who was to be Jai in the Jai-Veeru jodi of Sholay but because he was riding a crest of super-success then, he didn’t want to do a twohero film. Amitabh Bachchan got the role instead.
Aamir had been pencilled in for Yash Chopra’s Darr but at that point he ‘accused’ Yash of playing games. And SRK made a permanent place for himself in the YRF camp.
Saif Ali Khan had qualms about playing a pansy in Dostana so John Abraham was brought in. John got male and female temperatures rising with this fun flick and is now a part of its sequel.
Kareena Kapoor asked for too much money for Kal Ho Na Ho; result — Preity Zinta landed this memorable film. Shah Rukh was meant to be playing Munnabhai but since he walked out after some miscommunication, Sanjay Dutt became Munna. Aishwarya Rai Bachchan was in Chalte Chalte till Salman dropped in as an uninvited guest forcing SRK to call Rani Mukerji to replace her… and Rekha and Jaya would never have had their screen face-off in Silsila had Parveen Babi and Smita Patil done their roles.
Unlike real history, reel history is often made by default.
Okay, Bollywood’s first big rumour of 2010 is that Priyanka Chopra and Akshay Kumar are going to reunite on screen in Farah Khan’s Tees Maar Khan. The buzz is that Priyanka, riding high on the success of Kaminey, is keen on being cast opposite the Khiladi again. Akshay, you remember, was the hero who galvanized her into the big league at the start of her career with Andaaz, Aitraaz and Mujhse Shaadi Karogi before the two decided not to work together. The buzz is that Priyanka has sent feelers to Farah for the female lead role in her film. The choreographer-director is herself said to be game for this hot-and saleable pairing. And Akshay, who was recently asked if he had any problems working with Priyanka again, had replied, “I’d love to work with her… provided the right script comes along.”
While none of the three involved parties are willing to comment on the Akshay-Priyanka pairing in Tees Maar Khan, Farah did reluctantly say, “By mid-January we have to decide. It will either be an absolutely new girl or a very established actress… go do your math!”