Posts Tagged ‘fanaa’
By Joginder Tuteja, December 21, 2009 – 12:52 IST
Get set for an epic take in the offing. This year’s most anticipated release, 3 Idiots, has a running length of close to 3 hours. Taking audiences through different locations in the country and across time zones, this Rajkumar Hirani film is in fact his longest ever when compared to his earlier two efforts – Munnabhai MBBS and Lage Raho Munnabhai.
“That’s true,” confirms Hirani. “Both the films in the Munnabhai series were under 2.5 hours. However, 3 Idiots required a longer duration. I am not worried about the length factor though.”
Well, even for audiences it should be pretty much the case of ‘ all izzz well‘. Longer stories, if told well, have traditionally worked quite well at the box office. Some of the biggest classics in the history of Indian cinema like Lagaan, Sholay and Mughal E Azam have all crossed the 3 hour mark. Yes, those were the times when only single screens ruled and hence the revenue earned through a larger number of shows wasn’t a criteria for a film’s length. However, the fact remains that the biggest ever grosser in the history of Indian cinema, Ghajini, lasted for a couple of minutes over 3 hours.
Says a trade follower, “I am aware of people’s expectations where they want to see more of an actor or a director, if their body of work over the years has been impressive enough. Remember those Amitabh Bachchan films in the 80’s? Or the ones directed by Subhash Ghai? Each of them was mandated to be magnum opus and it was an unwritten rule that their films have a running length of at least 3 hours. Similar are the expectations from an Aamir Khan film today.”
His comments do see good validation if one looks at every film that Aamir has done in the current decade. The running length of Dil Chahta Hai (180 mins), Lagaan (225 mins), Mangal Pandey (165 mins), Rang De Basanti (150 mins), Fanaa (170 mins), Taare Zameen Par (165 mins) and Ghajini (180 mins) has been close to 3 hours or even more.
“At the end of the day, it’s the story and the story telling that does the trick, not the film’s length. Yes, we have seen audiences rejecting What’s Your Raashee? due to its length of close to 3.5 hours but also because the film dragged at places. Seeing Hirani’s work over the years, the length is a non-issue and one truly believes and hopes that the screenplay holds audience’s attention. 3 Idiots is carrying great vibes, the holiday season is on and the festivities would be in progress well into the New Year. I don’t see any reason why anyone would even think about the length factor,” concludes the trade expert.
By Taran Adarsh, November 19, 2009 – 15:14 IST
Post 9/11, there’s anger, distrust, suspicion, uneasiness all around. Not a day passes when you don’t hear of terrorists killing civilians in the name of religion.
Many storytellers have, in the past, narrated stories about terrorists and their nefarious and despicable plans. But let me state one thing categorically. You haven’t watched a more profound, a more thought-provoking, a more dramatic story on this subject before KURBAAN. It’s not just the most powerful film to come out of Dharma Productions, it’s the most powerful film to come out of the Hindi film industry this year, thus far.
|BY BOLLYWOOD HUNGAMA.COM
KURBAAN tries to penetrate into the psyche of not just the terrorist, but also someone who has been a helpless spectator all this while. This film is sure to spark off discussions and debates, although it must also be noted that it doesn’t take sides or gets preachy.
Rensil D’Silva has chosen a burning issue for his directorial debut, which is a complete departure from Karan Johar’s earlier films. For some inexplicable reasons, parallels are being drawn with FANAA [Aamir Khan, Kajol] and NEW YORK [John Abraham, Neil Nitin Mukesh, Katrina Kaif], but the fact remains that barring the backdrop of terrorism, there’s no similarity with those films.
I’ve often felt that certain films are beyond box-office. Movies are not meant to merely entertain, but enlighten and educate as well. They need to prick your conscience and in the process, make an attempt to make this world a better place. KURBAAN does just that and for this very reason, it deserves a double thumbs up.
Final word? Drop everything else you’re doing to watch KURBAAN. Movies like these need to be made, encouraged and lauded.
Avantika [Kareena Kapoor] is a teacher at a university in Delhi. She has come back from New York where she teaches, because her father [Aakash Khurana] has suffered a heart attack. During this period, she meets a Professor called Ehsaan Khan [Saif Ali Khan]. Soon, they begin seeing each other and love blossoms.
A few months later, Avantika receives a call from her university in New York, asking her to come back. Avantika breaks the news to Ehsaan. He, in turn, tells her he doesn’t mind coming to the States with her. But first they need to get married.
Soon after the marriage, they leave to start a new life in New York. They buy a house in an Indian neighbourhood and move in. Just as they are setting up home, their conservative Muslim neighbours invite them over for dinner. The next morning, Salma [Nauheed Cyrusi], one of the women Avantika met the night before at the dinner, visits her under the pretext of gifting her sweets.
When Avantika invites her in, Salma tells her that she is in grave danger. Nothing is what it seems. Salma pleads with Avantika to help her. What follows next is a series of incidents that sucks Avantika into a vortex of danger and intrigue. As her life spirals out of control, Avantika realizes that she is a pawn in a huge game.
KURBAAN has two stories running concurrently – the love story between Saif and Kareena and the story of Islamic terrorists. Rensil sets the stage in the initial 15 minutes itself, after which there’s a twist in the tale every 15-20 minutes, which catches you completely unaware. Rensil doesn’t borrow from the past, which makes the proceedings thoroughly captivating.
The highpoint is the 35-minute climax, which leaves you spellbound. The culmination to the story shakes you completely, largely because it’s pragmatic and has been executed most logically as well. In fact, filming the climax at the various underground tube stations must’ve been the toughest challenge for the director.
On the flip side, KURBAAN caters more to the intelligentsia or the thinking viewer and might not be lapped up whole-heartedly by those who survive on the staple diet of hardcore masala fares.
Some of the finest technicians in the business are associated with KURBAAN. Hemant Chaturvedi’s cinematography is super. The film bears an international look all through. Salim-Sulaiman’s music is well integrated in the narrative. At least two tracks merit a mention – ‘Shukran Allah’ and ‘Ali Maula’. Anurag Kashyap and Niranjan Iyengar’s dialogue are superb. The lines enhance the impact of several sequences. Thrills are, again, in sync with the mood of the film.
KURBAAN is embellished with superlative performances. Saif is extra-ordinary in a role that only proves his versatility once again. If he won your heart with a winning performance in LOVE AAJ KAL a few months ago, you need to watch this supremely talented actor underplay his part so beautifully in KURBAAN. As for Kareena, KURBAAN reiterates one fact yet again: She’s the best in the business. No two opinions on that! Watch her get those emotional sequences right, it’s incredible. Here’s a performance that truly merits the highest praise and admiration, besides fetching her awards and accolades.
Vivek Oberoi is fantastic. Matching Saif and Kareena at every step, KURBAAN should be the turning point in Vivek’s career. It’s a difficult role to portray and only an actor with a wide range could’ve portrayed this part so effectively. Om Puri is top notch and so is Kirron Kher. Kirron is marvellous, especially in the penultimate scene. Dia Mirza, Nauheed Cyrusi and Kulbhushan Kharbanda lend credibility to their brief roles.
On the whole, KURBAAN is the most powerful film to come out of the Hindi film industry in 2009, so far. The film has a captivating plot, gripping screenplay, super performances and a climax that shakes you up completely. Watching this movie should be on top of your agenda this week.
The Jimmy Shergill-Kim Sharma starrer Khaffa, which has been lying in the cans for over five years will tentatively release on November 27 with a new title, Marega Saala.
After his newfound success as a prominent director with A Wednesday, the film’s scriptwriter Neeraj Pandey refuses to be associated with it because the producers tampered with the original script. When the filmmakers added Neeraj’s name to the credits as the scriptwriter he firmly turned them down.
A source said, “Marega Saala was Neeraj’s first film and he was entirely involved in the direction process. The film was shot in Mumbai and Neeraj was always there as the creative director but he had major differences with the producers. He moved on after the success of A Wednesday.”
Devang Dholakia will now be credited as the director of the film. However, Devang denied any such altercation and said, “Neeraj is a friend and we have been associated for seven to eight years. He had written the story, screenplay and dialogue, for which he has been given credit. There is no issue between us.”
Neeraj though had a completely different story to tell. “God knows what changes the film has gone through in all these years. When I had written this film, it was called Fanaa. The makers changed it to Khaffa and now it is called something else. Now, I am not associated with the film at all as the producers and the director have made several changes. I moved on as I could not adjust. I don’t like to work where I have no creative control. I have not even seen the film,” said Neeraj.
The film’s lead actor Jimmy Shergill said, “I have no issues with anyone associated with the film. Neeraj had initially offered creative help but then he got involved in the making of A Wednesday. I have no clue what went wrong between them.”
MEENA IYER Times News Network (BOMBAY TIMES; November 9, 2009)
After Kambakkht Ishq and Main Aur Mrs Khanna this year, both of which didn’t do anything for her, Kareena’s performances in Kurbaan and 3 Idiots are generating a deafening buzz already… and Bollywood’s most powerful actress is literally running between real life beau Saif Ali Khan (Kurbaan) and good friend Aamir (3 Idiots) between November 9-15 … because that’s how her dates have been allotted for promotions.
Says Bebo, “Both Saif and Aamir are very dear to me. I think I’ve created magic with both co-stars and it is impossible for me to choose one over the other.” She recently shot a supererotic, romantic number with Aamir in artificial rain. Insiders say that though the focal point in 3 Idiots is not the Aamir-Kareena romance, it is still a very endearing part of it. While Saif maintains that there is a tremendous curiosity about his pairing with Kareena because they are a real life couple too, Aamir says, “Kareena is one of the most beautiful actresses that we have today. She is also a very good friend and we have both worked very hard on this rain song. I hope people like it.” He’s done wet songs before with Sonali Bendre in Sarfarosh and in Fanaa with Kajol, in which his chemistry with both actresses was highly appreciated… but with Kareena, well, Aamir feels the chemistry is combustible. Any wonder Bebo is smiling like a Cheshire cat that has got the cream.
Just when Kunal Kohli thought that the male lead of his untitled forthcoming romantic comedy had been finalised, he has been left in the lurch. Akshay Kumar, who had earlier agreed to do his film, has backed out. Buzz is that the star was unhappy with Kunal shouting from the rooftops about him doing the film.
A source says, “Akshay was livid when he heard that Kunal had told his close aides and even some sections of the media that he had found the male lead. Kunal got carried away when Akshay showed interest in the subject in their initial talks.”
A couple of days ago, Akshay finally told Kunal that he is not doing the film. The source adds, “Kunal is still clueless about what went wrong. It is said that when Akshay read the script in totality, he found many loopholes. That’s when his interest started waning. Now Kunal will have to begin a fresh hunt. But one thing is sure, the next time he will surely not open his mouth in haste.”
Ever since Kunal broke off all ties with Yash Raj Films, after Thoda Pyaar Thoda Magic, he has been facing a tough time in finding an A-lister male lead for his next film. First, Saif Ali Khan refused to do his film. Then, he went to Ranbir Kapoor, who asked for changes in the script as he found the plot too hackneyed. Then, Shahid Kapoor and Imran Khan also turned him down. Looks like people are not willing to forget the fate of his last release, Thoda Pyaar Thoda Magic (2008), which was a box office disaster. One dud has washed away the success of Hum Tum (2004) and Fanaa (2006) and changed his equation in Bollywood.
Kunal Kohli remained unavailable for comment.
WILL IMRAN, SHRUTI AND SOHAM BE ‘LUCK’Y?!
Imran Khan, the latest heartthrob of the nation, is all ready with his 3rd flick, Luck, which releases tomorrow. The promos are slick and the film looks like a fabulous action flick. What also catches one’s eye is its unusual cast. Newbie Imran Khan is casted alongside veterans Mithun Chakraborthy, Danny Denzogpa, Chak De girl Chitrashi Rawat, Sanjay Dutt, Bhojpuri actor Ravi Kishen and Kamal Haasan’s singer turned actress daughter, Shruti Haasan! Moreover, the film is directed by Soham Shah, who made a successful debut with Kaal, 4 years back.
Luck is surely an acid test for Imran Khan, Shruti Haasan and Soham Shah. Imran Khan became an instant craze among the youth as soon as the promos of his debut film, Jaane Tu…Ya Jaane Na started airing. Hardly any newcomer had created such a huge hype. Its opening was excellent and fortunately, the film turned out to be good too which resulted in its successful run at the BO. However, his second film, Kidnap, bombed at the BO even though Imran was hailed as the ‘next superstar’. Luck has to succeed for Imran Khan so that he can regain his prestige, which had suffered a dent after Kidnap’s failure.
Shruti Haasan had earlier done a cameo in Hey Ram but Luck is her first feature film as a full-fledged actor. She looks impressive in the promos but one has to see the film to know whether she is a good actor. And being Kamal Haasan’s daughter, her performance will be closely monitored.
Soham Shah’s Kaal may have received lot of flak but one can’t deny the fact that he did succeed in making a decent thriller. Unfortunately, after getting appreciated for Kaal, Soham Shah (see pic) suffered some problems and had to begin afresh. There were reports of a fall out between Soham Shah and the producer of his first film, Karan Johar. Finally, he managed to stand on his legs and make Luck. However, not many remember him today. Moreover, the hoardings do not even mention that he is the director of Kaal. The success of Luck is all what Soham Shah needs.
Although the promos of this film are electrifying and the film has several A-listers, the film has failed to arouse curiosity. Many moviegoers have adopted a wait-and-watch situation for Luck-they shall go for it only if the film gets a good response. So, one might expect a low opening for Luck. But no sooner good reviews start coming in, then the film would surely go a long way.
Tomorrow, there is also a flood-scare in Mumbai. If it rains heavily here in the city, waterlogging is bound to take place due to the 5.5 m high tide tomorrow. And if it happens, hardly anyone will venture to see Luck. Let’s hope Luck doesn’t result in ‘bad luck’ for its makers!
CHAND SIFARISH FROM FANAA LIFTED?
We all love the song ‘Chand Sifarish’ from Fanaa, don’t we? The soulful music, Shaan’s fine singing and not to forget Kailash Kher chanting ‘Subhan Allah’ makes it a beautiful song, isn’t it? So it’ll be a surprise if I’ll announce that this song maybe a lifted one. Yes, Jatin-Lalit copied this song, a la Pritam style!
Check the video clip uploaded below to hear the original version. It is a Pakistani song and has exactly the same tune as Chand Sifarish (however the antara is very different)! However, it is not sure whether the song was created before Fanaa’s release. There’s a possibility it can be other way round-the composers of this song may have got inspired from Chand Sifarish. Whoever may be the original composer, the Pakistani version is very amusing. Don’t forget to watch it and let me know your views on it!
This post first appeared on MouthShut.com:http://www.mouthshut.com/diary/jijftromo/Fenils-Bollywood-Talk58
When Shiney Ahuja, who was playing lead roles, went against the norm and accepted a small role in Kunal Kohli’s Fanaa, he famously explained that his reason for doing so was that the character was called Major Suraj Ahuja, which was also his father’s name in real life. Evidently the young man was proud of being his father’s son.
Unfortunately today, the same son has brought much shame to his father and his family, having been accused of raping his maid servant while his wife and daughter were away.
The film industry and all those who worked with him are incredulous. Mahesh Bhatt, for whom Shiney did Gangster and Woh Lamhe, put the shock in perspective when he said, “I am not an entertaining man and do not generally invite people home, but Shiney is one of the few who has not only come home with his wife but who charmed my entire family. He was courteous, dignified and proper. Even my Pakistani friends from The Dawn, who met him, thought the same.”
Professionally though, Shiney and Mahesh had their differences which Mahesh easily quelled. On the sets of Woh Lamhe when Shiney continuously acted snooty with Mohit Suri, the director, and reports of this misbehaviour reached Mahesh’s ears he summoned Shiney and told him off. “We will throw you out, we don’t work with people who give us attitude,” he said and thereafter work progressed smoothly.
Stories of Shiney’s arrogance and mood swings on sets abound. Kangna Ranaut who worked with him in three films, Gangster, Woh Lamhe and Life In A Metro recalls that though they didn’t speak to each other all through their second film, he never made her feel uncomfortable as a girl, did not pile onto any of the many girls on the sets and never revealed a cheesy/sleazy side. “I cannot associate the Shiney I know with the sick monster a rapist is,” she said aghast.
Not an easy man to work with and one who irritated most of his co-stars and directors with his suggestions of how they should do a scene, Shiney was a man in a hurry. “In his mind, he had achieved a lot,” said Vinod Pande who recently shot with him for a few days for his film Chalu Movie, after having given Shiney his first release Sins. “And people who achieve a lot, sometimes develop a self-destructive streak.”
Shiney’s career, despite his rush, was slowly grinding to a halt which explains his recent attempts at rapprochement with directors with whom he had done his best work. Sudhir Mishra (Hazaron Khwaishein Aisi, Kal) and Mahesh Bhatt were both willing to give him another chance to resurrect his career. He should have seized the chance with both hands. Instead, one wrong choice, and Shiney Ahuja now finds himself on the fast track to nowhere.