Fenil and Bollywood

Posts Tagged ‘jaane tu…ya jaane na

Here’s what we suggest you bring out the popcorn for
MUMBAI MIRROR; January 01, 2010

Karthik Calling Karthik

Farhan Akhtar’s next film is a story of a lovable loser whose chance meeting with his namesake changes his life forever. Karthik Calling Karthik has a star-studded credit list which includes Deepika Padukone, Javed Akhtar and Shankar, Ehsaan and Loy. Considering Farhan acts in the movies he either directs or produces, it seems like he is bent on wanting to typecast himself as the underdog. Weird but true!


My name is Khan

Bollywood’s biology lessons continue with My Name Is Khan. With 9/11 as the backdrop, the movie follows Rizwan Khan (SRK) who suffers from Asperger’s Syndrome. This is an autistic disease that makes the victim devoid of empathy. This, of course will give rise to many comical situations, just like Paa did. The film brings together the electrifying pair of Shah Rukh Khan and Kajol back on the silver screen. Add Karan Johar to the mix and you have a surefire hit. But come on, what is the film industry going to explore next, the common cold?


Raajneeti

A modern-day political rendition of the Mahabharata, Raajneeti boasts of an A-list star cast – Ajay Devgan, Arjun Rampal, Ranbir Kapoor, Nana Patekar, Vivek Oberoi, Manoj Bajpai and Katrina Kaif. The movie will use the dilemmas the characters in the book went through, and draw parallels with it in reel life. Katrina Kaif is reportedly playing the role of Sonia Gandhi in the movie. After all both of them are quite similar: accent – check; powerful woman – check; foreign descent – check; relationship with Salman Khan – no one really knows.


Kites

Kites follows the story of Hrithik Roshan, a salsa dancer who falls in love with his student. Language barriers don’t matter here, love conquers almost all. But ‘something’ happens and it’s up to another student Kangna Ranaut to save the day. Maybe Sussanne walks into the movie or some other terrifying event occurs, we don’t know yet. But we hope the movie does better than Hrithik’s personal life.


Raavana

A modern day rendition of the mythological text, Raavana will get Aishwariya and Abhishek on the silver screen together for the first time after getting hitched. The movie has been plagued with problems – floods, elephants stomping around the set, maybe a higher power is sending a message through all of this. We won’t say anything, let the box-office decide.


Action replay

In Action Replay, a man ages backwards… Hmm, let’s see where have we heard this story before? A clear rip-off of the Hollywood hit, Benjamin Button, the film will feature Akshay Kumar and Aishwarya Rai. Director Vipul Shah is back with Akshay Kumar and hopes his dream run will continue.


Teen Patti

As much as producer Ambika Hinduja denies it, Teen Patti’s plot seems like a rip-off of the Hollywood blockbuster 21. The film features three ace actors, Ben Kingsley (supposedly not doing a cameo), Big B and Madhavan. With the help of a unique algorithm, Amitabh who plays a mathematical genius leads a team of college students to make a lot of money. Does Amitabh hold the algorithm for the movie’s success or will this be just another failed spin-off?


Houseful

Akshay Kumar has a slew of releases lined up next year and Houseful, the laugh-riot is one of them. The story follows Akshay who is very unlucky in life and is trying to find true love. The women helping him achieve this goal are Deepika Padukone, Lara Dutta and Jiah Khan. In real life, however, we think it’s the other way around. Akshay will end up teaching Deepika more than two expressions, Lara how to sign movies and Jiah Khan how not to be dropped from the one-odd film she has signed.


No Problem

Anees Bazmee has three mega comedy films lined up next year. One of them is No Problem which has quite a star cast – Anil Kapoor, Sanjay Dutt, Akshaye Khanna, Sushmita Sen, Kangna Ranaut, Paresh Rawal and Sunil Shetty. The film is a love story of impossible proportions. Another impossible proposition is Kangna actually makes people laugh after making them weep all these years.


Well Done Abba

Shyam Benegal has been travelling the world with his latest film, Well Done Abba. The satirical movie sees Boman Irani play two roles. Fitting two Bomans in one shot is a feat in itself and a testament to Benegal’s directorial skills. The movie follows the journey of Armaan Ali, a driver from Mumbai, who is out to find his daughter’s (Minissha Lamba) beau. Minissha, who has been alternating between commercial and semi-art house cinema, is reportedly playing a strong role in the film.


Guzaarish

The film that is loosely based on Whose Life is it Anyway? has Hrithik playing a paraplegic radio jockey.  The film seems like a cry-till-your-tearbuds-dry-out movie – it explores the dilemma of euthanasia. Hrithik who believes in challenging himself till the cows come home, reportedly, spent hours in the wheelchair when not required to shoot, to get into the head of the character. Hrithik and Aishwarya reunite after Dhoom 2, and with Sanjay Leela Bhansali directing, it becomes one of the most awaited films in 2010, never mind Saawariya.


Road, Movie

Indian cinema has been through many fascinating twists and turns but none quite as romantic as touring cinemas.  Essentially this means that the owner of one mounts the film projector on the back of a truck and the projectionist travels the length and breadth of a state with the truck, stops wherever there is a pilgrimage or a mela and projects the films he is carrying onto a white curtain which is then viewed by the locals sitting on both sides of the screen. Dev Benegal has made Road, Movie about one such projectionist (Satish Kaushik) and the young owner (Abhay Deol) and the adventures they have as they show their movies. The film has been very well received on the festival circuit.


Anjaana Anjaani

After playing twelve characters in What’s Your Raashee?, we’re sure Priyanka Chopra has become a stranger to herself, especially after the film tanked. Siddharth Anand, director of Ta Ra Rum Pum and Salaam Namaste, tries a romcom with Anjaana Anjaani. Starring Ranbir Kapoor and Priyanka, the film shows two strangers who fall in love and the journey they take together.


Aisha

Abhay Deol’s love for Delhi continues with his Bollywood release, Aisha where he plays another spoilt, rich Delhi brat. His character is modelled on Mr Knightly from Jane Austen’s novel, Emma. The movie is a romantic comedy that explores horrible mismatches. It also has a strong female role that has been bagged by Sonam Kapoor.  Whether Sonam is strong enough for the film after two failed films (read: Saawariya and    Delhi-6) is another matter.


Khelein hum jee jaan sey

Ashutosh Gowariker is no stranger to large canvasses (think Lagaan, Swades, Jodhaa Akbar) so it’s no surprise that he is now filming another humongous project, Khelein Hum Jee Jaan Sey, which revolves around the Chittagong Uprising in the pre Independence days. After What’s Your Raashee?, this is another film adapted from a book, Do and Die by Manini Chatterjee. Abhishek Bachchan and Deepika Padukone lead the star cast and Nitin Chandrakant Desai leads the crew. Hopefully Ashutosh’s version of history will not be challenged,  the way Jodhaa Akbar was.


Knock out

Inspired’ from the Hollywood masterpiece Phone Booth, Mani Shankar will look to re-create the magic in Bollywood. A man is trapped inside a phone booth, not because the door is stuck, but an assassin has a sniper rifle trained on him.  Kangna plays the role of a journalist, Irrfan plays a cop and Sanjay Dutt the assassin.


I Hate Luv Storys

A true-blue rom-com, I Hate Luv Storys brings together the very glamourous Sonam Kapoor and the man with the melting eyes, Imran Khan. Described as a love story not meant to happen but which does happen, it is the story of a man who does not believe in love and a girl who does. They meet on a film set; a milieu the director Punit Malhotra is very familiar with, having cut his teeth on Karan Johar’s sets as an assistant director; and sparks fly.


1-800-Love

When you have a tag line that says, ‘From the makers of Ghajini and Jaane Tu…’ you know you’re in for a commercial roller-coaster. Abbas Tyrewala dons the director’s hat for 1-800-LOVE again and the music score is Rahman’s handiwork. A telephone call connects two people – one who wants to die, the other who is searching for meaning in life. They meet, fall in love, yada yada… If you are watching the movie and you get bored of John Abraham’s three expression repertoire, close your eyes and maybe the music will do the trick for you.


Tees Maar Khan

Tees Maar Khan has gotten more publicity that it ever dreamed of just because Shah Rukh Khan is not playing a role in Farah Khan’s film. But it does seem like SRK has rubbed off on the new lead actor, Akshay Kumar. Kumar plays a ‘stylish’ (metrosexual) conman in the film. He will be joined by Akshaye Khanna, but the female lead has not yet been confirmed.


Hook Ya Crook

Finally, Bollywood gets a movie that shows hope in combining two things that Indians love best – cinema and cricket. Viraj Pradhan (John Abraham) dreams of being a cricketer but is a repeat offender who gets thrown into a maximum security prison. The jail is a haven for cricket players, but Viraj wants much more, he wants to be part of the men in blue. The film has reportedly roped in Indian cricketers for the movie but going by the ads on TV, the word ‘acting talent’ isn’t part of the Indian cricket team’s vocabulary.


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Punit Malhotra wants a rugged look for Imran Khan in his directorial debut, mama Manish Malhotra is reluctant to give up the glam quotient

By Sonal Chawla / Deepak Tubhekar (MUMBAI MIRROR; December 09, 2009)


A mama-bhanja fight has been brewing… and no, we’re not referring to Aamir Khan and Imran Khan. It’s Manish Malhotra and his nephew Punit Malhotra who are quarrelling over Imran’s costumes for Punit’s directorial debut I Hate Luv Storys.

Imran plays an assistant director in the film and needs to have a rugged, carefree look according to his director Punit, who has been an AD in real life. But Manish, who is styling him, is sticking to the glam look he gives all his stars. A source from the unit reveals, “Manish bought a white Calvin Klein backpack for Imran as well as 20 pairs of trendy shoes and denims.Seeing this, Punit freaked out and explained that Imran needs to have a very casual, rugged look since he is playing an AD. They finally narrowed it down to five pairs of denims and two pairs of shoes to be worn through the movie.”

The makeover includes a weight-gain program for Imran as well. The source continues, “Punit has given a lot of tips to Imran in terms of dressing up since he has been around and been an assistant director himself. Imran has gained considerable amount of weight for the movie but at the same time is looking lean. He now weighs 70 kgs as compared to his debut film Jaane Tu Yaa Jaane Na where he weighed only 59 kgs.”

Imran, amused by the exchange between the director and stylist, says, “Manish had got a white pair of shoes and Punit asked him to put small stains on them, to go with my character. Manish freaked out and grabbed the shoes. It took a long time for Manish to understand that I am playing an assistant director and not one of the pretty glam actors he normally dresses up. But eventually Manish did a fab job with my styling.”

(R): Manish Malhotra (pic: Deepak Tubhekar)

RARING TO GO: Pratik

Smita Patil’s son Pratik, who turns 23 today, opens his heart to BT

MEENA IYER Times News Network (BOMBAY TIMES; November 28, 2009)

Pratik who shot to fame with Aamir Khan’s Jaane Tu… Ya Jaane Na last year, has been signed by filmmakers Sanjay Leela Bhansali for a comedy and Rohan Sippy for a thriller respectively. Clearly Raj Babbar and Smita Patil’s son is now in the A-league. For the boy who is described “as a natural born actor” by Rohan, there was a sense of deja vu when he signed on the Sippys’s film. “It was only after I met Ramesh Sippy (Rohan’s dad) did I know that he had directed my mother and Amitabh Bachchan in Shakti. I just watched Shakti and I must say, not only was it a brilliant film, the chemistry between Mom and Mr Bachchan was amazing.” While Rohan adds that his coming together with Pratik is a small moment in film history because as Gen-Now both he and Pratik have the responsibility of a legacy to carry forward.
Pratik says, “My filmmakers be it Sanjay Leela or Rohan will do all the talking about their films. I’m under a contract and unable to say much.”

The star son, however, clears the air about a controversy that said he kept Bollywood superstar Aamir Khan waiting on the sets of Kiran Rao’s Dhobi Ghat because he was holidaying in Goa. “I haven’t been to Goa in five years,” says Pratik. “I may be young, restless and even stupid but I would never keep a senior actor like Aamir waiting.” Brickbats be damned, then. It will rain bouquets in Pratik’s backyard on his birthday, today!
Amitabh Bachchan and Aamir Khan had a closed door meeting on Sunday; discussed promoting Paa and 3 Idiots together

By Meena Iyer (MUMBAI MIRROR; November 17, 2009)


Amitabh Bachchan and Aamir Khan’s yo-yoing rapport has again taken a good turn. On November 15, they had private meeting at Bachchan’s residence.

Sources revealed that Amitabh expressed a desire to meet Aamir, so Aamir went over to meet him.

Although, this recent meeting may have been a personal call; but the agenda was definitely professional. Those related to the two felt that it would be a good idea for Aamir to promote Paa and the Bachchans could do the same for 3 Idiots.

On his blog, Amitabh created a post stating that a meeting was scheduled with Aamir on Sunday. An insider said, “Aamir wished Amitabh all the best for Paa. Later, the status on Aamir’s blog said ‘Pucca Idiot will definitely see Paa’.”

 

Aamir Khan Amitabh Bachchan


The same source added, “The actual cross promotion plan may not work. The production team of 3 Idiots already has a blueprint of their promotion campaign in place. It may not be possible to alter it.”

Amitabh and Aamir have often had ups and downs, though in all fairness there have been more ups than downs. At one point Aamir was committed to doing a film for AB Corp as he has always held the senior actor in the highest regard. When Aamir released Taare Zameen Par in December 2007, Amitabh and he had a slight altercation over some candid remarks that Aamir made on Amitabh’s Black. The two superstars eventually made up. Bachchan later made it to the premiere of Aamir’s Jaane Tu Ya… Jaane Na in July 2008.

Although, the blogs say it all, Aamir and Amitabh refused to comment.

Pratik, who chooses not to use his parents’ surname, Patil or Babbar, (that’s how his maternal grandmother wants it),
By Meena Iyer (MUMBAI MIRROR; September 25, 2009)
On Sunday night, the Jaane Tu Ya Jaane Na scene-stealer created a flutter when he appeared as the showstopper for designer Kunal Rawal at the Fashion Week. Mumbai Mirror caught up with the young actor for an exclusive chat.Kiran Rao’s Dhobi Ghat is your next release?
Yes, the movie is complete but it will release sometime next year. Kiran recently had a traumatic incident (a miscarriage) and at present things are on hold. I guess the film should come around July next year. The experience of working with Aamir Khan was great.

You’ve also been signed by Sanjay Leela Bhansali?
Yes. The film should start in December.

There’s an element of mystery around you. You are hardly seen?
Even I keep thinking about it. I’m wondering if everyone is all over the place, why am I not there. If everyone is running a rat race, I keep asking myself why I am not doing the same. Anyway, I’m happy I walked the ramp. Kunal Rawal is a friend. When he broached the subject of me walking the ramp, I was hesitant. Now I’m happy we nailed it.

Post Jaane Tu… Imran Khan and Genelia D’Souza created quite a stir. What happened to you?
I retreated into my shell for some reason. Then I got around to reading scripts. Out of 10, I found five exciting, five awful. If the first 10 pages  don’t excite me, then I can’t read further. I’m a passion-driven guy. I’d love to play super-hero in a film.

Currently, what is a normal day in your life like?
I wake up at 6am and hit the gym by 7am. I like exercising because I’m excited about the results. I like the way my body looks now. When I get home, I shower and eat my head off. Then it is two hours of Hindi lessons from my tutor, Prakash Bhardwaj. After that it is two hours of yoga. At 9pm, I’m pooped and don’t want to do anything more.

Would you like to do theatre?  Your sister Juhi is into theatre.
I love the stage. I do follow the work Juhi does.

Do you meet Juhi and Arya often?
No. I only go there when my dad (Raj Babbar) is in town. He is hardly in Mumbai these days. As I said earlier, my days are so packed. I don’t get a chance to do much else.

Surprising, because once upon a time you were  a party animal.
For a year, I partied hard. I would stay out of the house for 4-5 days in a row and would not take calls. And my aunt (Manya Patil) and my grandmother would be exasperated. They were like, ‘what are you up to, kid?’ Now I hate going out. In Mumbai, every place is so crowded. At a nightclub, you have to hold your drink in the air and try squeezing your way around. There are people sticking to you from all sides. Sometimes it gets terrible.

What is the weirdest rumour you heard about yourself recently?
Ha, I read somewhere that I was dating an 18-year-old girl from South Mumbai. I don’t know any 18-year-old girls. I have to find out the girl I’m supposed to be dating.

And what is your latest indulgence?
My latest buy and passion is my silver (C-class) Mercedes. It has black interiors. Ideally I’d have liked a black Merc. But a black one comes with beige interiors. Beige feels old.  On second thoughts, I should have got myself an Audi A-4.

Smita Patil’s son Prateik Babbar may have refused Saawariya, but now he’s on board Sanjay Leela Bhansali’s next production, My Friend Pinto
By Subhash K Jha (MUMBAI MIRROR; August 30, 2009)

Prateik Babbar

One of Sanjay Bhansali’s desires, of working on a film with Smita Patil, was never fulfilled, but the director has signed her son Prateik Babbar to do a film with him. Prateik will be featuring in a film produced by Sanjay later this year.

Titled My Friend Pinto, the film will be directed by Raghav Dar who assisted Mani Ratnam on Guru and also worked as the associate assistant to Abbas Tyrewala on Jaane Tu Ya… Jaane Na.

And it was during the filming of JTYJN that the Prateik and Raghav decided to work together.

My Friend Pinto will be Prateik’s first lead role. He had an appreciated cameo in JTYJN and Aamir Khan plays the lead in his next, Kiran Rao’s Dhobi Ghat. Prateik’s aunt Manya Patil is only too happy for Prateik.

A thrilled Manya said, “Do you know Prateik was offered Saawariya at the very initial stage of the film when Sanjay was undecided about who to cast as the lead? But back then, Prateik was not interested in acting. He was at a stage in life where he was not sure which way to go next.

Then Abbas offered him JTYJN. It seemed too small a role to me, but Abbas asked me to trust him with the role, he said was tailor-made for Prateik. And just like he had assured me, the role was good and Prateik’s career is shaping up well.”

Prateik said, “I’m happy to work with Mr Bhansali.”

Manya Patil

Sanjay Leela Bhansali

Love Aaj Kal2

Very rarely do you come across a film which fulfills all your expectations and in fact, provides more than expected. This year, however, we were mostly bombarded with some pathetic flicks. But behold as Love Aaj Kal has arrived! The film sees love and relationships in a new light but what works big time is its terrific execution and smart storytelling. Love Aaj Kal is surely one of the most refreshing romantic flicks to come out of Bollywood!

The story of the movie: Jai (Saif Ali Khan) and Meera (Deepika Padukone) is a modern-day couple based in London. They are always together but are clueless whether they can be categorized as ‘boyfriend-girlfriend’! Meera gets an opportunity to move to Delhi which she doesn’t want to miss while Jai is soon going to be at San Francisco. Jai and Meera conclude that their long-distance relationship won’t work and thus, decide to break-up (happily). At this point, Jai comes across veteran Veer Singh (Rishi Kapoor) who is shocked to see how Jai treats relationships and break them so easily. He is of the view that the present generation can’t understand love. Love is that trap in which he got entangled 4 decades back when he was the dashing and cool Delhiite Veer (played by Saif again) and when he came across Harleen Kaur (Giselle Monteiro). Jai laughs at Veer as to how he had travelled thousand kilometers from Delhi to Calcutta just to catch a glimpse of Harleen.

Jai-MeeraVeer-Harleen-both these ‘love stories’ were poles apart and of different generations. But love is the same as it was 4 decades back. Jai soon realizes that he’s having the same feeling and experience that Veer must have gone through when he fell in love with Harleen!

Love Aaj Kal3

The opening scenes give a strong indication that Love Aaj Kal is a different and unique film. During the opening credits, the glimpse of the scenes to follow is shown but yet, you won’t be able to guess what’s going to happen in the film! The execution and editing really works wonders in this film!

The first half of this film is very interesting and surprising. The way the couple break-up was indeed hilarious! Jai and Meera keeping in touch with all modern-day means of communication (sms, call, internet, Mobile Internet) makes you smile. And the eternal Jai-Harleen cute love story also flashes a smile on one’s face, albeit for a different reason!

Telling two stories that run parallel in a film is not easy but Imtiaz executes them with élan and even intersects them wonderfully, a la Rang De Basanti style! Also, the film, especially in the 2nd half reminds one of Jaane Tu…Ya Jaane Na.

The film gets slow and drags at few places in the 2nd half. But the final 30 minutes compensates for the cons. The film manages to show a true picture of today’s confused individuals who fail to think rationally before taking big decisions and denounce and detest love.

When it comes to performances, each one is brilliant in their place. Saif Ali Khan shines wonderfully and manages to come up with one of the outstanding performances of his career. He had two diverse roles in the film and he performed both of them perfectly. It was a treat to see Saif as Jai getting confused, irritated, sad, shocked-all at once in a couple of sequences. At the same time, he looked like a convincing Sikh and was extremely likeable as Veer Singh too. It’s great to see Saif in another modern and fresh love story (after Salaam|Namaste) and this time, he scores as the producer too. He’s definitely on a roll!

Deepika Padukone was simply outstanding and gives a charming performance. Her brilliant job will surely put an end to all speculation regarding why Kareena was not casted in her place. Deepika was perfect for her role and she and Saif look excellent together. Love Aaj Kal would surely be another feather in her cap. Great going, Deepika!

Rishi Kapoor also manages to impress as much as Saif and Deepika. Everyone will surely love him in the still-young-at-heart role. After Luck By Chance, this is surely another brilliant performance from this actor. The one who enacted the role of Harleen is actually a Brazlian, Giselle Monteiro. Yet, she is likeable as the Punjabi kudi of the 60s. Only someone like Imtiaz Ali can extract such fine desi performance from a firangi! Rahul Khanna is as usual charming. It’ll be great if he gets the role of protagonist too! Neetu Kapoor comes in unexpectedly! Raj Zutshi and others were okay.

Love Aaj Kal5

One can argue that songs weren’t necessary in the film. Quite true, since many songs crop up unexpectedly and the film could have been a romantic songless flick! However, although songs at several places weren’t necessary, it doesn’t bore or put a brake on the narrative. And the songs itself are so good that one doesn’t mind! Pritam scores a sixer with this album and is surely one of his best compositions. Also, songs are also very well picturised, esp ‘Mein Kya Hoon’. It was just outstanding and also impactful. ‘Ajj Din Chadeya’, the best song of the film in my view, also brings a smile on one’s face, even though only the initial part of the song is played in the film. Rest of the songs, ‘Twist’, ‘Dooriyaan’, ‘Chor Bazaari’ and ‘Thoda Thoda Pyaar’ are brilliant too!

Irshad Kamil’s lyrics also deserve a special mention. The way he has used some unusual words in songs is extraordinary. For instance, in Chor Bazaari, the word ‘ghatna’, which is never before heard in any song before, is used here!

N Natarajan Subramaniam’s cinematography was flawless. It’s great to see the lensman didn’t show the popular landmarks of the city in which film is shot. For instance, in scenes of London, not even a single scene or frame show Tower Bridge, Piccadilly Circus, Trafalgar Square or any other popular London landmark. Similarly, Red Fort and India Gate are missing in the Delhi sequences! It is little things like these that make Love Aaj Kal special!

Salim-Sulaiman’s background score, as expected, was top-notch. Aarti Bajaj’s editing was sharp, slick and brilliant. Watch the film and you’ll get my point! Production design was marvelous and eye-catching, especially in the sepia coloured 60’s scenes!

Finally, Imtiaz Ali, the writer and director, comes out with flying colours! His debut film, Socha Na Tha flopped but it was noticed and appreciated by moviegoers. His second offering, Jab We Met, succeeded across the country. And now with his third flick, he has surely been hailed as the one of the finest directors of our country. The way he treated both the diverse stories and found out striking similarities is worth appreciating and extra ordinary! Also, it’s fabulous to see Imtiaz comparing Calcutta and San Francisco. Both the cities have a tram network and if SF has the iconic Golden Gate Bridge, Calcutta have the rustic Howrah Bridge! Hats off Imtiaz for your wonderful effort!

Some of the best scenes of the film:

  1. All songs (well shot and picturised)
  2. Jai and Meera’s break-up
  3. Jai and Veer Singh’s conversations (damn interesting!)
  4. Jai and Meera at the airport
  5. All scenes of Veer-Harleen’s love story
  6. Drunk Jai escorting drunk Meera to her home
  7. The New Year’s eve at Delhi
  8. The marriage
  9. The last 30 mins, including the SF scenes!

On the whole, Love Aaj Kal is a very interesting take on the modern relationships and surely emerges as one of the best films of the year. Performances, songs, cinematography rocks but it is Imtiaz Ali’s touch which works wonders! Highly recommended!

My rating-**** ½ out of 5!

Love Aaj Kal6



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