Fenil and Bollywood

Posts Tagged ‘maid

Paresh Rawal’s new serial Lagi Tujhse Lagan is based on a true-life incident

By Kunal M Shah (MUMBAI MIRROR; December 21, 2009)


Paresh Rawal is ready with his TV serial, Lagi Tujhse Lagan, which is inspired by a real-life incident. It is the story of a good-looking girl Nakusha, whose mother makes her look ugly to shield her from unwanted attention from men. In the process the girl gets ill-treated by everyone because she is dark and ugly.

Paresh had witnessed a similar situation with a relative’s maid, when he was 13 years old.

Talking about the incident which he has translated onto the small screen, Paresh says, “I wanted to tell this story for a long time. I remember this maid who was working with a relative of mine. She was not good-looking and everyone made her life miserable because of it. She was not allowed to get married as they feared she would go away and they would have no one to work at their home. Although my relative had four daughters, they were too lazy to do housework. I am intrigued that in our country where Lord Krishna is not fair-complexioned, why does everyone want to look fair? And why is the definition of good looks only associated with fair complexion? Being dark is one of the biggest stigmas in our country. I wanted to tell this story to the world and bounced the idea to my production partner Hemal Thakker. Although I could do nothing to help the poor maid, as I was 13 then, I now want to tell her story to the world.”


By Subhash K Jha (MUMBAI MIRROR; November 11, 2009)


Acclaimed actor Om Puri is enormously upset with his wife, journalist-columnist Nandita for highlighting some of his most private sexual incidents to market her biography, Unlikely Hero: The Story Of Om Puri. A discernibly upset Om said, “I don’t care  if she’s my wife. I won’t let her get away with it.

I am in Chandigarh shooting for a film. On Monday I heard Nandita speaking about the biography she has written on me. I was shocked by her revelations. It was so cheap. She was talking about my sexual encounters as though those were my biggest achievements!”

Om’s main reason for being upset is Nandita’s revelation that he had sex with his maid Shanti at the age of 14. She has also exposed Om’s longstanding liaison with a woman named Laxmi with whom Om was sexually and emotionally involved.

Om is livid. “My wife has reduced a very important and sacred part of my life to cheap and lurid gossip. I had shared these dark secrets with my wife as all husbands do. If she chose to make them public at least she should’ve made sure to maintain a dignity about experiences that are a valuable part of my life. Has she forgotten that I have a standing in society and I’ve worked hard to achieve all that I have today? I won’t allow her to throw it all away for the sake of sensationalism.”

Om says that Laxmi was one of the most important women in his life. “This lady whom Nandita talks in such an undignified manner was Laxmi, who raised me and my brother’s orphaned children. My relationship with this wonderful woman was a homage to her loyalty for looking after me unconditionally.” Om doesn’t deny he had sex with Laxmi. “But it was not  a furtive and sleazy experience. It was beautiful. Why make such a tamasha out of these very sensitive moments? Mahatma Gandhi spoke of his experiences with sexuality in The Story of My  Experiments With Truth. But was that all there was to his life? Why highlight these aspects when there’s so much more to me? Do you know, when I was a child, I was travelling by train with my destitute mother. The entire compartment collected money to feed us. That incident remains etched in my mind. I was working in a teashop when I was seven years old. When I came to  the FTII, Pune I didn’t have a decent shirt to wear. I had to borrow one  from Naseeruddin Shah. I had hoped when my life was chronicled it would be an inspirational story.”

Om says his wife insisted on  writing his biography. “I was aware that another lady (Aparajita Krishna) was writing my biography. When Nandita expressed  a desire to write about me I couldn’t stop her because she’s my wife but she has forgotten who she is,” added Om.

The actor complains that Nandita didn’t allow him to read the  manuscript. “Not once did she let me read even one page of the manuscript. How was I to know how she would use the incidents from my life to sell her book?”

When we promised to be discreet in putting forward his anguish and humiliation, Om retorted, “Please don’t be discreet. Has she exercised any discretion in talking about my personal experiences? The final decision to put my life up as a tamasha was Nandita’s. I can’t forgive her.”

Om and Nandita Puri

When we asked Nandita for her side of the story, she said, “This is all such a mistake. My book on  my husband is a biography, not  bl***y pornography. The book is about Om, the man and the actor. Om has all the human foibles, just like all of us. He had sex as an adolescent with his maid and then he had a long liaison with the other lady who was also a maid. This was his way of coming out of his other relationships and demolishing class differences. If Om has any objection to her being called a maid he’s just being unrealistic.”

So are his sexual experiences an integral part of the book? “They are,” admitted Nandita. “But that’s not all.” Apparently, the broadcast journalist who interviewed Nandita picked up excerpts from a weekly news magazine. “She called me on her show and for 20 minutes she spoke only about Om’s sexual escapades. When I thought she’d  question me about other aspects of Om’s life in the book, the show was over. I was horrified. I was even more  horrified when I saw the show,” added Nandita.

Yesterday morning, Nandita received a very angry call from Om who is in Chandigarh .“He was livid. The double escapades with the two maid servants has made Om feel he’ll be compared to Shiney Ahuja. Now my husband is angry, my publishers are upset and so  am I,” said Nandita.

Shiney Ahuja’s wife Anupam is ecstatic on the actor being granted bail after serving prison term for three months for allegedly raping his maid

By Vickey Lalwani (MUMBAI MIRROR; October 02, 2009)

Shiney Ahuja

Did you anticipate that Shiney would get bail yesterday?

Honestly, I always went with a positive and open mind. Every time I used to feel ki ho jayega.What was special about yesterday that made it happen?

I would attribute it to our daughter, Arshiya. We hadn’t seen her since a long time as she was in Delhi. It was only six days ago, on September 27 that she came to Mumbai. It was her second birthday on September 28. She brought luck and her father was freed.

How did you react when you heard that Shiney has been granted bail?

I was overwhelmed, I started crying. I can’t tell you how happy and relieved I am feeling right now.

How are you planning to meet Shiney — with a hug or a kiss?

(Laughs) We will definitely hug. I imagine it will be a family picture with my daughter, parents and parents-in-law also being there.

Has the ordeal brought you and Shiney closer?

Yes, but that would have happened to any couple. There were funny stories about us and Shiney bore the brunt of it.

Are you not planning to return to the US (where she works). Will you continue staying in India with Shiney?

US can wait. That’s not a priority. I will be with Shiney — be it in Delhi or Mumbai.

Did you pray fervently for your husband’s freedom?

Of course, I used to go to Siddhivinayak every Tuesday and did many other things. My prayers have been answered. I want to thank the people from the film industry and everybody who stood by me. Ashoke Pandit, in particular, was like a rock by my side. I would also like to thank my lawyers — Shrikant Shivde, Neha Bhide, Manoj Mohite and Shirish Gupte.

Anupam Ahuja

How is Shiney’s health now?

He had a severe back problem on September 25. That was the last time I met him. He will be out of jail on Saturday. I am just dying to meet him.

Do you feel dejected that Shiney has been directed to stay out of Mumbai?

Not at all. I respect the law and have faith in the judiciary system. We will be fine in Delhi where our parents reside.

Will Shiney return to films?

Of course. Why would he go anywhere else? He will abide by the law and work wherever the law permits him to go.

Swati Deshpande | TNN (THE TIMES OF INDIA; October 2, 2009)


Mumbai: Three-and-a-half months after he was arrested for allegedly raping his maid in his own bedroom, actor Shiney Ahuja won bail from the Bombay high court on Thursday after his lawyer argued that there were inconsistencies in the rape complaint. He was, however, asked to leave Mumbai and stay in Delhi until he is required for the trial.


The 36-year-old actor’s jail stay will not end for at least another day. As the court order and the subsequent paperwork was not complete by the end of office hours and thanks to the holiday for Gandhi Jayanti on Friday, Shiney will finally step of Arthur Road jail only on Saturday, said his lawyers.


Apart from setting a bail amount of Rs 50,000 and a surety of the same amount, Justice A P Deshpande said the actor should surrender his passport and warned him against offering inducement to witnesses, directly or indirectly, and tampering with evidence.

By Mumbai Mirror Bureau (MUMBAI MIRROR; September 26, 2009)

Actor Shiney Ahuja outside the court on Friday

The Sewri fast-track court on Friday directed jail authorities to provide immediate medical relief to actor Shiney Ahuja, who is behind bars for allegedly raping his maid, after his application seeking treatment.

Following a slip disc, Ahuja was seen crying and wincing in pain when produced in court. Thirty-six-year-old Ahuja, who was unable to walk, was assisted into the courtroom by two constables. He was later brought outside and made to sit on a bench where he lay down, quivering, following which his lawyer Sameer Nangre moved a plea seeking medical treatment at the earliest.

The court directed jail authorities to provide the actor immediate medical relief and shift him to J J Hospital, if necessary, for further treatment. The court was expected to pass an order on Friday on an application filed by Ahuja’s lawyer seeking copies of the forensic report, but the matter was adjourned to October 7.

Very often in life the people whom we love the most let us down the most. In ‘Shob Charitro Kalponik’, sensitive storytelling wizard from Kolkata, Rituparno Ghosh takes his protagonist, the unhappy wife Radhika, on a journey that opens doors within her heart that she would have liked to remain closed.

'Shob Charitro Kalponik': Sensitive marital drama

Review

Ghosh occupies the two mutually exclusive yet inseparable world of art and reality with a fluency and effortlessness that takes his characters far beyond the cartel of prototypes.

We see Radhika, trapped in state of marital unhappiness, as not just woman struggling to keep her home and heart together, but also as an individual trying to find her identity against odds that are created mainly in her own mind.

Orson Welles style, the ‘real’ personality of the dead poet emerges in flashbacks that are more cursory than comprehensive. But when has life ever offered complete solutions to the riddle of marriage that has puzzled man and woman for centuries?

Echoes that reach back to the very core of humanity reverberate across this miniature masterpiece on marriage and fidelity. Ghosh’s forte is the unspoken word. The bonds that form between Radhika and her maid and between Radhika and her colleague (Jisshu Sengupta) rely on resonances beyond the rhetoric of interactive art. The director creates room in cramped spaces.

'Shob Charitro Kalponik': Sensitive marital drama

Most of Ghosh’s narrative are vibrant vignettes behind closed doors done up in deep shades of anguish and bitterness. The progression towards a mellower comprehension of the tenderness behind the seeming spousal insensitivity begins after the husband’s death. The irony of loving a spouse after he’s gone is far from lost.

Radhika’s tormented understanding of her dead poet husband’s inner world is laced with luminous moments of revelatory tragedy, leading up to a finale that’s surreal and introspective. The hallucinogenic conclusion where Radhika enters her husband’s poetic world is charming, controlled and yet frightening.

Ghosh’s cinematographer Soumik Haldar shoots the interior of Radhika’s home as a manifestation of her innermost turmoil. She paces the bedroom, speaks to her dead husband, scolds and accuses him, as the family’s silently-observant maid tries to come to terms with the enormity of Radhika’s self-recrimination and loss.

The film is a work suffused with longing for a world that has slipped out of the protagonist’s fingers while she was counting the money in her purse. It’s the illuminating story of a woman’s voyage into the dimmed light of a yesterday that she thought was wretched.

But it was just life.

'Shob Charitro Kalponik': Sensitive marital drama

Finally, the impact of the marital tale depends completely on the central performance. As the working wife who feels her husband has let down their marriage, Bipasha pulls out all stops to deliver her career’s best performance. Her moments of anguish before and after her husband’s deaths are expressed in tones of cathartic conviction that we never knew existed within Bipasha.

In the scene where she shouts against her imaginary husband on his favourite chair, Bipasha furnishes the proceedings with the anguished portrayal of bereavement that perhaps only a Shabana Azmi can equal.

This despite the fact that Bipasha’s voice has been dubbed by a woman who doesn’t really have a say in the character’s portrayal.

But then in an ironic way, isn’t that what the character is all about? The disembodied voice is a reminder of Radhika’s dissociation from her own identity.

Somewhere in finding the centre to her marriage, Radhika lost it. And loss, as we all know, is one helluva upper for art.

Savour the delicacy of Ghosh’s poetic work. And never mind the spoken language. In a true work of art, the sound is the least important component. Listen carefully. You can hear the muffled sound of a broken heart in this film.

Rating-4/5

Source: IANS

By Bollywood Hungama News Network, June 23, 2009 – 12:10 IST

Shankar Mahadevan, Ehsaan Noorani, Loy Mendonca This year, the date 14th June seemed to be jinxed for Bollywood. On one hand, while Shiney Ahuja got accused of raping his maid, there was yet another crime that took place, but didn’t quite make it to the newspapers’ headlines. This was about a robbery that took place at the ultra-tech studios of the musical trio Shankar, Ehsaan and Loy.

This incident shocked the trio, as they had stored most of their unrecorded tunes in the studios computers which were stolen. The only solace of news in this entire incident was that some of the recorded yet unreleased tracks of the Karan Johar’s much awaited film My Name Is Khan remained untouched.

When Bollywood Hungama contacted Loy Mendonsa to get more information on the incident, he did confirm the theft, but refused to give any further details. All that he said was, “The police have swung into action and have asked the three of us to remain tight lipped and not disclose anything as the investigation is currently underway.”


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