Posts Tagged ‘money’
Chetan Bhagat, whose book Five Point Someone, was the starting point of 3 Idiots, is not only amazed that Vinod Chopra and Aamir Khan have not read the book but also that they have been repeatedly saying that the film is only five per cent like the book.
“Those that haven’t read the book (read Vinod and Aamir) should not be opinionating on it. Those that have read the book and seen the film put the contribution at around 70 per cent,” he says.
Though he has blogged about his disappointment at length, he insists it isn’t about suing them or about the money.
“I have truth on my side,” he says, “Even when Gandhi took on the mighty British Empire with just a small band of followers, he had truth on his side.”
He is just happy that the film has been to the movies what his book was to the book trade… a super hit.
Has it soured Bollywood for him? His answer is an emphatic no. “There are many good people around too.” Chetan’s third book, 3 Mistakes of My Life, is currently being adapted for film by Abhishek Kapoor (Rock On!!) and his fourth, 2 States is being widely courted by directors. “I took the heat when Hello (based on One Night at a Call Centre) failed,” he says, not saying but obviously meaning, why shouldn’t he get the credit for 3 Idiots?
Raghubir Yadav, aka Mungerilal, is wanted for constantly remaining absent in court. Cops haven’t been able to nab him, though he was shooting till a month ago
While actor Raghubir Yadav may be a known face in every household, thanks to the popular TV serials Mungerilal Ke Haseen Sapne and Chacha Chaudhary, for the police he remains untraceable for the past two months. This, despite him having been involved in shooting of a film right up to last month.
|Meanwhile, Yadav’s estranged wife Purnima says he has been shooting for Aamir Khan Productions’ Peepli Live and will be attending the Sundance Film Festival in US soon|
Yadav is wanted by the police after a warrant was issued against him for constantly remaining absent in court.
On the lookout for Yadav, the Aarey police visited the address mentioned by the family court in Bandra. But not finding him there, they submitted a report to the court stating that they have failed to locate him.
On September 19, the family court which is hearing a case against Yadav filed by his estranged wife Purnima, had issued an arrest warrant against Yadav. The court had earlier issued summons to Yadav for failing to appear in court for some time.
“We went to the given address of Roshini Archreja, who worked with Yadav in TV serials, and whose residence Yadav was said to live at. But she denied he ever lived there,” said Inspector Ashok Duliye of Aarey Police Station. “On Monday, we informed the court that he is not available at the given address,” Duliye added.
“I have been fighting for maintenance for a long time,” said Purnima. “He has been shooting for Aamir Khan Productions’ Peepli Live and will be attending the Sundance Film Festival in US soon.
How come the police say they cannot trace him? I got married to him in 1988, and we have not been living together since 1996. I don’t have money to educate my son Achal. I’ve done odd jobs at the National School of Drama, but they were all on contract basis, and today I don’t have a job. Even my rent is paid by my friends and old neighbours,” said Purnima.
When contacted, Anusha Rizvi, director of Peepli Live, confirmed that she had done some dubbing with Yadav for her film about a month ago.
However, a police officer said, “In court cases, we usually search only the address given to us by the court authority, as problems can arise in identifying a person. On the other hand, if it’s a police case, we hunt for the accused everywhere.”
Despite repeated attempts, Raghubir Yadav could not be contacted.
MEENA IYER Times News Network (BOMBAY TIMES; December 24, 2009)
ROCKET SINGH GOES THE ‘THE HANGOVER’ WAY!
I always believe that promotion is of utmost importance for a film to succeed. It helps to create hype and arouse curiosity which in turn helps the film get a good opening. But some producers don’t stress too much on promotion, presumably for two reasons:
-> The producer doesn’t have enough money to publicize his product. Or maybe, the budget of the film went so high that the producer couldn’t afford to spend additional 2-3 crores on promotion
-> The producer is supremely confident of his product. He is confident that he has come up with a winner and come what may, it will attract audiences and do a great job commercially.
The second reason seems applicable as to why Rocket Singh-Salesman Of The Year, releasing tomorrow, isn’t promoted much. Obviously, YRF aren’t short on funds so first reason can be ruled out. And going by Ranbir Kapoor’s confident declaration that Rocket Singh is his best film till date, it seems that the film will turn out to be a great entertainer. In his words, “I can proudly say that Rocket Singh… is not just my greatest film till date but also one of the greatest films made in the recent times. Believe me, it belongs to a different world altogether”.
Maybe, Ranbir did this as a personal publicity campaign on his part; after all, actors always do this, isn’t it? But it’s a fact that whenever the Chopras adopt a negligible promotional strategy for their film, then that film works wonders. ‘Chak De! India’ was also badly promoted and many trade pundits had predicted that it’ll fail. It even took an average opening. But the response was extremely positive and from the 2nd day, the film began attracting audiences in large numbers. It later turned out to be one of the biggest blockbusters of that year, 2007. Similarly, last year, Chopras went slow in promoting Rab Ne Bana Di Jodi which was very successful at the BO.
Another classic example is the case of The Hangover. How many of were aware of this film or had planned to see it when it released? The film had no famous stars and it also wasn’t promoted well across the world. In India, it released with a Hindi biggie, New York and Hollywood biggie, Terminator Salvation. The first day collections were pathetic. But the critics’ positive response and equally satisfying response of junta compelled moviegoers to catch this flick. In big cities, it ran for as many as 6-7 weeks (a rarity for Hollywood films) and was running with 70%+ occupancy even in weekdays!
So the point is-promotion is most vital but when your product is top-class and you are confident about its success, it’s okay to not promote the product much. Even ‘A Wednesday!’ and Mumbai Meri Jaan weren’t marketed well but later turned out to be two of the most loved films of 2008.
Coming back to Rocket Singh, the other reason why its promotion is low is because of Ranbir Kapoor’s presence in the film. He has received immense appreciation from his last 2 films, Wake Up Sid and Ajab Prem Ki Ghazab Kahani and is already on his way to become superstar. So maybe, YRF is of the opinion that Ranbir’s presence is now enough to get people to theatres. Also the title of the film, title song and the fact that it’s directed by Shimit Amin (director of Chak De and Ab Tak Chappan) has created some curiosity. If the film really turns out to be exciting as Ranbir has said, then he would be immediately crowned as the superstar for sure! Let’s hope for the best!
CELINA’S AWARD WINNING FLICK NOT RELEASING IN INDIA
Many moviegoers and even those in industry were shocked to hear that Celina Jaitly got the Best Female Actor award for her New Zealand flick Love Has No Language at the Cairo International Film Festival (CIFF)! A popular Bollywood screenwriter’s status on Facebook read, “Celina has won the Best Actor Award at CIFF. I’m trying to find out whether Stevie Wonder, Ravindra Jain and Nasser Khan (of Shadow fame) were the judges”! Such reactions were expected as Celina was never considered as an ‘actor’ anytime by majority. So this news came as 440 volt ka jakta!
Talking about the film, it has released in several countries but it still hasn’t got a release here in India and now Celina has confessed that the film won’t see a theatrical release here-it would come directly on DVDs. It pains to see inferior treatment being meted out to India so many times. The lead actress in the film is from India, she has even bagged a prestigious award and yet the film won’t release here-doesn’t sound fair, does it? Even Slumdog Millionaire got a very late release in India and it didn’t do a great job as people had already seen the film by downloading from the internet. Somewhere, this should stop!
(Ranbir and Celina’s quotes taken from Bollywood Hungama.com)
This post first appeared on MouthShut.com: http://www.mouthshut.com/diary/chidprllp/Fenils-Bollywood-Talk78
Vijay V Singh | TNN (THE TIMES OF INDIA; November 13, 2009)
By Taran Adarsh, October 23, 2009 – 13:54 IST
FRUIT & NUT, directed by Kunal Vijaykar, is one of those films that succeed in making you giggle intermittently. But how one wishes the film had a strong story in the first place. This one is a senseless comedy and the sad part is, the absurdities here are not too amusing.
FRUIT & NUT is about Jolly Maker, who is a simple, hard working middle class struggling bachelor in search of love, money, friends and success. He works as a clerk/accountant in the office of a greedy and corrupt builder named Khandar. He is typically nerdy and un-stylish. He is also accident-prone and leaves a trail of disaster behind him.
|BY BOLLYWOOD HUNGAMA.COM
One fine day, Jolly Maker’s beautiful, sexy, smart and snobbish colleague, Monica, gets mysteriously kidnapped. Through a roller coaster ride and series of comical mishaps, Jolly Maker finds himself in the middle of a plot that has been hatched by an insane Ex-Maharaja to destroy Mumbai.
Whether the poor, adorable, accident-prone Jolly Maker finally falls in love or not, gets his girl or not and above all, is able to save Mumbai or not, makes for rest of the film.
Director Kunal Vijaykar tries hard to keep you entertained, but the writing is just not captivating. Sure, you do laugh at a few jokes/situations, but there are times when the jokes aren’t too funny and also tend to get repetitive.
The performances are over-the-top, but go well with the mood of the film. Boman Irani glides into the character effortlessly. Cyrus Broacha is perfect. Mahesh Manjrekar is first-rate. Dia Mirza does a fine job.
On the whole, FRUIT & NUT has some funny moments, that’s it! A film like this holds very limited appeal.
RANBIR KAPOOR’S earliest memories of his grandfather Raj Kapoor make him smile as he gets ready for his first shot for the day in Bhopal where he’s shooting for Prakash Jha’s Rajneeti.
“I was his favourite grandchild. Whenever my mom shouted at me I would call him up and he would fire her. I, being his first grandson, was special. Every weekend, the grandkids used to go to his home in Chembur. He kept a bag of toffees and gave us one every time we salomed him. I once asked him for a suit when he was visiting Russia. He got back two bags of suits in every colour possible. He never shopped for anyone else.” Wonder if the suits had anything to do with it, but Ranbir became an ardent fan of Raj Kapoor’s cinema in school. “It was during my last days of school. That’s when I realised I wanted to be part of the film industry. The first RK film I saw was Sri 420. It influenced me deeply.”
Ranbir’s father Rishi Kapoor wanted his son to get a formal education before he became an actor. “I completed my Standard 12 in Mumbai. Then I went to film school in America although everyone suggested I go to business school. But I don’t think I ever could do anything apart from movies. My father supported that and agreed to send me to acting school.”
Ranbir loved the experience of living alone in the US. “I learnt to value my family and my money. I missed my parents. I met them three times a year in Mumbai. In New York, my friends and I would take a train to Queens to see new Hindi films. Being in touch with Hindi films and music during my stay in the US made me determined to turn a director at the earliest.”
‘I’M REALISTIC ABOUT LOVE’
Ranbir didn’t have a girlfriend in the US. “But I had my first girlfriend before that in school in Mumbai when I was in Class 7. I was really naïve then. I didn’t understand love. When that relationship ended I went into depression. I thought I would never fall in love again. Now I think I’ve become more realistic about love. Love is a beautiful feeling. It almost equals cinema in my list of passions.”
Ranbir’s parents have been married for over 30 years. “I firmly believe in marriage. Marriages today go wrong for temporary pleasure and lust. My marriage will be for keeps.”
The Wake Up Sid actor has seen his parents’ marriage go through turbulent times. “That’s what makes any relationship stronger. My sister and I were never kept in the dark about my parents’ fights. If after marriage, God forbid, my wife and I fight, I’d make sure our children don’t feel insecure.”
Ranbir feels Rishi Kapoor and Neetu Singh make the best ever pair on and off screen. “Just as Raj Kapoor made the best onscreen pair with Nargisji. Me? I think I make the best pair with Konkona Sen-Sharma.”
He admits, “Yup, I think I have a wonderful life. But I want more. Much more. I don’t want my life to get perfect. Because then there’d be nothing more to strive for.”
The way he’s handling his career would have made his grandfather Raj Kapoor proud. If Sanjay Leela Bhansali’s Saawariya brought Ranbir instant notice, his new film Wake Up Sid has given the young actor a cult status.
Ranbir isn’t taking the rave reviews seriously. He pushes on doing his work, sometimes to the exclusion of a personal life. Girlfriend Deepika Padukone recently had to fly in to Bhopal to spend time with the country’s latest heartthrob. But when he’s shooting, Ranbir detests distractions. He’s so focussed on his work the people close to him feel left out.
For Shimit Amin’s Rocket Singh Salesman Of The Year, which releases next, Ranbir learnt to speak fluent Punjabi. “Rocket Singh made me a better human being. Not too many roles do that. Though my mother is Sikh, I didn’t speak fluent Punjabi. But I started speaking Punjabi for the role of the Sikh. I wore a kadaa throughout the making of the film. I had a beard and turban. I read the Guru Granth. This film made me know and respect the Sikh culture and religion.”
‘ACTORS ARE OVERRATED’
Ranbir is all set to buy himself a home, “It’s just property acquisition. I’ll never live in it, not even when I get married. I can’t stay away from my parents.”
He also has a wishlist of 40 directors he wants to work with. It’s not just in his head. The names are diligently written down and being ticked off one by one. “For me, cinema and not just acting is a passion. I love filmmakers. Actors are generally just tools, and overrated.”
Ranbir reveals his plans as a director. “It sounds too pompous to say I’m already directing a film. But I’ve been inspired by the work of Raj Kapoor, Guru Dutt, Mehboob Khan, Bimal Roy. My father made me watch their works. I’m not influenced by actors. I’m influenced by these directors. They made me passionate about cinema. I’ve a number of ideas for what I want to make. But I’m not a good writer. I would definitely like to cast myself because I know my film would be about a boy my age. And I’d like to believe no one else would fit the bill better.”
He lights up when he speaks about his father Rishi Kapoor. “I loved my father in Love Aaj Kal. He’s a source of inspiration. His passion for any film, good or bad, is exemplary.”
He has signed only one new film. “I want to take a month off. On the other hand, these are the best years of my life and I might as well make the best of them. Truth is, I feel guilty when I’m not working. I would rather be on a film set than anywhere else.”
By Joginder Tuteja, September 30, 2009 – 12:26 IST
‘Slumgirl Dreaming’ is a very well written book. And for a celebrity, who is just a 9 year old, this book could perhaps be the first to come out in India. The girl in question is Rubina Ali, one of the many stars in Slumdog Millionaire who hasn’t quite enjoyed a fairy tale outing. From a poor life in slum to international adulation to charges being put against her father for selling her off to being back in a shanty and barely surviving, Rubina has lived a life which doesn’t quite justify a Cindrella reference.
Yes, she has enjoyed her months of glory but before and after that, this star has lived a slumgirl life that has seen dreams coming her way, though momentarily. ‘Slumgirl Dreaming’ gives a blow by blow account of this spirited girl who narrates her journey over the years, especially her experience of shooting for the film, the film’s Oscar run and life post that.
What actually works a masterstroke for this autobiographical tale is the coming together of writers Anne Berthod and Divya Dugar who interact with Rubina to translate her thought and statements into the printed words. They do well in sticking to Rubina’s innocence and childish antics and tell the world from her point of view rather than bringing to fore what they thought of her as a kid who became a star. So the entire narration of this 175 page book happens with Rubina telling her story and writers merely presenting it to the readers by refining it and smoothening the rough edges.
Anne and Divya do add their bit while keeping the essence of Rubina’s world intact. So while bringing to fore the kid’s point of view, they also get into finer details about the slums, the inhabitants there, the shooting experience, the coming together of an international crew, the wide eyed reactions of all the slum kids who were a part of the shoot, the five star hospitality, the return to India, the adulation, media pressure, a change in outlook of people and finally a regular day in the life of Rubina after coming face to face with the world pre-Slumdog Millionaire.
The thoughts remain intact; it’s just that the emotions are projected clearly to make a connection with the reader.
It is this connection factor that makes ‘Slumgirl Dreaming’a difficult book to keep down. 10 pages into this really handy and comfortable book and you want it finish it in two hours flat. One of the major reasons for this is the simplistic writing which would make even a 10 year old connect with the chapters that follow. In fact the book’s target audience is, as the cliché goes, from 6 to 60, as the story moves ahead in a highly engaging manner with just about everything for everyone.
The book aims (and pretty much succeeds) in ‘not’ romanticizing the episodes in Rubina’s life, whether good, bad or ecstatic. Picture this: When the pages take viewer into the filthy surroundings of a slum, you cringe in your seat, get a bad taste in the mouth but still do not get turned away from checking what is in store next. Credit must go to Rubina here who doesn’t paint a sorry picture of herself and plain and simple explains what this world means to her ever since she was born.
On the other hand, the moments of ecstasy too are kept under the control. Whether it is Rubina’s shooting experience or the Oscar celebrations or the luxurious life that she enjoyed for those few days after the ceremony, you know that it is all going to end soon. Even Rubina is shown to be pretty much in check without allowing her emotions go overboard. It is this fair balance that ‘Slumgirl Dreaming’ maintains throughout its journey which helps in the entire ‘connection’ factor, as highlighted earlier.
Some of the many highlights in the book are:
- What had actually transpired when stories about Rubina’s father willing to sell her off to a Sheikh were making the rounds
– Rubina’s love-hate relationship with another slumkid Azhar
– A middle man cheating her of the money that she was promised for Slumdog Millionaire
– The first audition that just required her to run around the room along with other children
– Her fear for the much famous train scene that actually got canned in a single take
– The actual story behind her real mother coming back to take her custody post Slumdog Millionaire fame
One time and again complains that there are no books worthy enough being written for children today. Well, ‘Slumgirl Dreaming’ could pretty much be a gift for your young ones. And for the elderly who want to explore deeper into the past of Rubina and how she has managed to keep a stable head in spite of a roller coaster ride in the couple of years gone by, ‘Slumgirl Dreaming’ has enough meat in it to grab your attention.
Price: Rs. 195/=
AR Rahman stops accepting Indian assignments; is trying to do the right things demanded by public appearances in the West
|So full are Rahman’s hands with current assignments in the West that he has decided not to accept any new films. “At the moment, I’m racing against time to complete the Indian projects I’ve on hand and that includes Mani Ratnam’s Raavana, Rajnikanth’s animation film Sultan and Tony D’Souza’s Blue. The last new assignment I accepted was Abbas Tyrewala’s 1:800-LOVE. I’ve stopped taking on anymore for now.”
Rahman is going through a schizophrenic phase. He says, “In the studio, my outer self has to be completely switched off. But when I’m at international public events, I’ve to be all there, shaking hands, making friendly talk. I’ve to ensure that I am saying the right things. I’ve to prepare myself physically, look into the mirror and make sure my hair and tie are in place.”
Rahman doesn’t mind letting his ‘outer self’ look dapper. But people around him don’t seem that comfortable with his upgraded look. Chuckles Rahman, “My south Indian friends say, ‘Oh look at him… he’s changed!’ And that makes me uncomfortable. I realise I have to go out there with a certain amount of dignity and even style. I know I’m representing my country and everyone is watching.”
It’s not easy being India’s brand ambassador in the West. And Rahman, shy and reclusive at the best of times, finds it tough to assume his new gregarious, well-groomed persona with international brands vying to dress him up from head to toe.
“It’s all new to me. I’ve just begun to get a hang of it. But I’m not uncomfortable,” he says. At the moment, Rahman is fighting off the temptation of taking on too many international assignments. He explains, “I take on what is physically possible. Money is not the main criteria. If I did anything for money, everything will fall flat. I want to do only those assignments to which I can give my fullest.”
However Rahman admits money is important. He says, “Money is not my dream. But it fulfils my dreams. The way I travel and accompanying expenses are costly. It is, for me, my family and my children’s future.”
With success, come the riders. He says, “My wife dreamt that one day I’d win an Oscar which I did. But after that I’ve been constantly traveling. The kids are growing up now and one of us has to look after them. I’m spending as much time with them as I can. Or trying to make them part of what I do so they can be with me.”
At the moment, Rahman has only one ambition. “I want to be happy.”