Fenil and Bollywood

Posts Tagged ‘shahana goswami

The dusky actor has made Mumbai her home – and Subodh Maskara her husband

By Subhash K Jha (MUMBAI MIRROR; January 05, 2010)


There aren’t very many Delhi-based Bollywood actors, but Nandita Das certainly figured high on the list. Even Aamir Khan – her co-star in 1947 Earth – had tried to convince her to move from Delhi to Mumbai to pursue her acting career, but she held strong. Now, Nandita has finally made Mumbai her home, post her recent marriage to environment entrepreneur Subodh Maskara.

Confirming the news, she sighs, “What I resisted doing for 13 long years has finally been done. I couldn’t imagine shifting to Mumbai for my career, but love did it.”

Nandita Das and Subodh Maskara

Subodh was introduced to Nandita by her friend Shahana Goswami (whom she directed last year in Firaq) and her boyfriend Milind Soman. “Milind and Shahana kept urging me to meet Subodh. But I’m the last person to believe in blind dates. But look at destiny, now I completely believe in instant love. When I was hesitant about meeting him, Subodh sent me a lovely e-mail. And I said, ‘Why not? Just have coffee with him?’ So we met. And immediately I knew this was it. Within five months of meeting him, I knew I wanted to marry him. We became soul mates seamlessly,” she recalls.

Nandita and Subodh got married according to Ashram Vidhi rites on January 2 at Subodh’s residence in Worli, which is now their marital home. “Only our parents – his parents and brother, my parents and my brother were there for the marriage. And of course, Shahana and Milind, who brought us together. We couldn’t possibly get married without them,” adds Nandita.

Meanwhile, friends like Paresh Rawal have been urging Nandita to direct another film. However, at the moment, she is content playing Mrs Nandita Maskara at her new home in Mumbai. So does she cook for her husband? Nandita gasps, “That would really be going too far, even further than my move from Delhi to Mumbai.”

By Bollywood Hungama News Network, December 31, 2009 – 12:22 IST

Best Film
3 Idiots
Dev D
Kaminey
Love Aaj Kal
Paa

Best Director
Anurag Kashyap – Dev D
Imtiaz Ali – Love Aaj Kal
R Balki – Paa
Rajkumar Hirani – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Actor (Male)
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Ranbir Kapoor – Ajab Prem Ki Ghazab Kahani
Ranbir Kapoor – Rocket Singh – Salesman Of The Year
Saif Ali Khan – Love Aaj Kal
Shahid Kapoor – Kaminey

Best Actor (Female)
Deepika Padukone – Love Aaj Kal
Kareena Kapoor – 3 Idiots
Katrina Kaif – New York
Priyanka Chopra – Kaminey
Priyanka Chopra – What’s Your Raashee?
Vidya Balan – Paa

Best Actor in a Supporting Role (Male)
Abhimanyu Singh – Gulaal
R Madhavan – 3 Idiots
Rishi Kapoor – Love Aaj Kal
Rishi Kapoor – Luck By Chance
Sharman Joshi – 3 Idiots

Best Actor in a Supporting Role (Female)
Arundhati Naag – Paa
Divya Dutta – Delhi-6
Gauhar Khan – Rocket Singh – Salesman Of The Year
Neha Dhupia – Raat Gayi Baat Gayi
Shahana Goswami – Firaaq

Best Actor in a Negative Role
Amole Gupte – Kaminey
Boman Irani – 3 Idiots
Kay Kay Menon – Gulaal
Mahesh Manjrekar – Wanted
Manish Choudhary – Rocket Singh – Salesman Of The Year

Best Actor in a Comic Role
D Santosh – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots
Paresh Rawal – De Dana Dan
Sanjay Mishra – All The Best
Vinay Pathak – Raat Gayi Baat Gayi

Best Background Music
Amit Trivedi – Dev D
Ilaiyaraja – Paa
Salim-Sulaiman – Rocket Singh – Salesman Of The Year
Shantanu Moitra, Atul Raninga, Sanjay Wandrekar – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Music
A R Rahman – Delhi-6
Pritam – Ajab Prem Ki Ghazab Kahani
Pritam – Love Aaj Kal
Pritam – Tum Mile
Vishal Bhardwaj – Kaminey

Best Playback Singer Female
Kavita Seth – Iktara – Wake Up Sid
Rekha Bhardwaj – Genda Phool – Delhi-6
Shreya Ghoshal – Zoobi Doobi – 3 Idiots
Shilpa Rao – Mudi Mudi – Paa
Sunidhi Chauhan – Mere Sang – New York

Best Lyrics
Amitabh Bhattacharya – Emosanal Attyachaar – Dev D
Irshad Kamil – Chor Bazari – Love Aaj Kal
Javed Akhtar – Sapnon Se Bhare Naina – Luck By Chance
Piyush Mishra – Ranaji – Gulaal
Prasoon Joshi – Man Ko Ati Bhavey – London Dreams

Best Story
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Anurag Kashyap, Aparna Malhotra, Raj Singh Chaudhary, Sanjay Maurya – Gulaal
Imtiaz Ali – Love Aaj Kal
Nandita Das, Shuchi Kothari – Firaaq
R Balki – Paa

Best Screenplay
Abhijat Joshi, Rajkumar Hirani, Vidhu Vinod Chopra – 3 Idiots
Anurag Kashyap, Vikramaditya Motwane – Dev D
Imtiaz Ali – Love Aaj Kal
Pankaj Advani – Sankat City
R Balki – Paa

Best Dialogue
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Imtiaz Ali – Love Aaj Kal
Anurag Kashyap, Vikramaditya Motwane – Dev D
R Balki – Paa
Vishal Bhardwaj – Kaminey

Best Editing
Aarti Bajaj – Dev D
Aarti Bajaj – Love Aaj Kal
Anil Naidu – Paa
Meghna Manchanda Sen, Sreekar Prasad – Kaminey
Rajkumar Hirani – 3 Idiots

Best Sound
Bishwadeep Chatterjee, Nihar Ranjan Samel – 3 Idiots
Dileep Subramaniam – Love Aaj Kal
Sanjay Maurya, Allwin Rego – Dev D
Shajith Koyeri, Subhash Sahu, P M Satheesh – Kaminey
Tapas Nayak – Paa

Best Special Effects
Charles Darby – Aladin
Prime Focus Ltd – Blue

Best Cinematography
C.K. Muraleedharan – 3 Idiots
P.C. Sreeram – Paa
Rajeev Ravi – Dev D
Shankar Raman – Frozen
Tassaduq Hussain – Kaminey

Best Art Directon
Acropolis, Rajnish Hedaa, Sumit, Snigdha Basu – 3 Idiots
Sabu Cyril – Aladin
Samir Chanda – Delhi-6
Samir Chanda – Kaminey
Sukanta Panigrahy, Helen Jones – Dev D

Best Choreography
Ahmed Khan – Prem Ki Naiiyya – Ajab Prem Ki Ghazab Kahani
Avit Dias – Aal Izz Well – 3 Idiots
Bosco- Caesar – Zoobi Doobi – 3 Idiots
Prasanna – Marjaani – Billu
Baawre – Vaibhavi Merchant – Luck By Chance

Best Action
James D Bomalick – Blue
Huan-Chiu Ku – Chandni Chowk To China
Shyam Kaushal – Kaminey
Tinu Verma – Acid Factory
Vijayan Master – Wanted

Most Promising Newcomer (Male)
Amole Gupte – Kaminey
Chandan Roy Sanyal – Kaminey
Navin Kaushik – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots

Most Promising Newcomer (Female)
Gauhar Khan – Rocket Singh – Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jesse Randhawa – Gulaal
Kalki Koechlin – Dev D
Mahie Gill – Dev D

Most Promising Debut Director
Ayan Mukerji – Wake Up Sid
Nandita Das – Firaaq
Pankaj Advani – Sankat City
Shivajee Chandrabhushan – Frozen
Zoya Akhtar – Luck By Chance

Best Child Artiste
Jahan Bativala – Little Zizou
Iyanah Bativala – Little Zizou
Rahul Kumar – 3 Idiots
Parzan Dastur- Sikandar
Pratik Katare – Paa

Best Ensemble Cast
Delhi-6
Firaaq
Gulaal
Luck By Chance
Sankat City

BOLLYWOOD HUNGAMA.COM

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After closing the year with films such as PAA and 3 IDIOTS, the year 2010 sure looks bigger and brighter for Reliance BIG Pictures with a mixed bag of films ranging from mainstream and masala to regional and art house.

With maverick directors such as Shyam Benegal, Mani Ratnam, Anurag Basu, Shaji N Karun, Rituparno Ghosh and Buddhadeb Dasgupta bringing the best out of Hrithik Roshan, Barbara Mori, Abhishek Bachchan, Aishwarya Rai Bachchan, Mamootty, Boman Irani, Jishu Sengupta, Indraneil Sengupta, Kangana Ranaut amongst many others the Reliance BIG Pictures slate is sure to watch out for!

Have a sneak peek into Reliance BIG Pictures’ slate of films for the year 2010:

view KITES movie stills
KITES

KITES:

A truly international film KITES tells the story of a young con-man who lives ‘life’ in Las Vegas, always ready to make fast money in any way possible, always looking for the big score. Directed by Anurag Basu and produced by Rakesh Roshan the film stars Hrithik Roshan, Barbara Mori, Kangana Ranaut and Kabir Bedi. It is shot in Mumbai, New Mexico, Las Vegas, and Los Angeles. The film will have and Indian and international version which will release simultaneously. Brett Ratner, best known for the RUSH HOUR series, FAMILY MAN starring Nicholas Cage and X-MEN THE LAST STAND is currently at work on the English version of KITES and tailoring it to appeal it to an international audience.

view WELL DONE ABBA movie stills
WELL DONE ABBA

WELL DONE ABBA:

WELL DONE ABBA is the story of Armaan Ali, a driver working in Mumbai. He takes leave for a month to find a husband for his teenage daughter, who lives in a small locality close to Hyderabad. Armaan Ali returns to work only after 3 months. His young employer wants to sack him but is persuaded to listen to the reason why Armaan got so delayed.

Directed by Shyam Benegal stars Boman Irani, Minissha Lamba, Sammir Dattani, Ila Arun, Sonali Kulkarni, Ravi Kishen, Rajit Kapur, Ravi Jhankal and Yashpal Sharma.

RAAVAN:

Abhishek Bachchan and Aishwarya Rai Bachchan come on screen together in Mani Ratnam’s RAAVAN – a modern day adaption of the epic Ramayan, being readied in Hindi, Tamil and Telugu.

MIRCH:

Directed by Vinay Shukla MIRCH revolves around the protagonist Maanav, a committed struggling filmmaker whose girlfriend Ruchi, a successful film editor, arranges for him to meet film producer Nitin, who is not very convinced about Maanav’s script. Maanav then suggests four stories on infidelity, woven together by a common story.

The film stars Konkana Sen Sharma, Raima Sen, Shahana Goswami, Shreyas Talpade, Rajpal Yadav, Boman Irani, Sushant Singh, Arunoday Singh and Prem Chopra with special appearances by Saurabh Shukla & Tisca Chopra.

view CHALOO MOVIE movie stills
CHALOO MOVIE

CHALOO MOVIE:

The police raid a theatre where movie tickets of a very successful film are being sold in black. When Police Inspector Sher Khan interrogates Khoji, a man in his 20s, he claims that he is the director of the very film whose tickets he is selling in black. The cynical Sher Khan puts Khoji behind bars after which he receives two phone calls – one from the Police Commissioner and another from the dreaded don ‘WC’, both of whom support Khoji’s detention. A hilarious turn of events reveal who Khoji is, whether he is really the film’s director, why is he selling his film’s tickets in black and what do the Police Commissioner and don ‘WC’ want from Khoji.

Starring Rajpal Yadav, Shekhar Suman, Divya Dutta, Hrishta Bhatt and Sayali Bhagat, CHALOO MOVIE is directed by Vinod Pande.

Reliance BIG Pictures, the most committed motion picture company producing regional films in 8 Indian languages is working persistently towards taking them beyond the conventional Diaspora

The slate of films includes:

KUTTY SRANK: Shaji Karun’s Malayalam film KUTTY SRANK starring Mamooty, Kamilini Mukherjee, Padmapriya and Meenakumari brings out three distinct personalities of a dead boat-man from the perspective of three women each of whom claims to be his wife.

ABOHOMAAN
ABOHOMAAN

ABOHOMAAN: Rituparno Ghosh’s Bengali film ABOHOMAAN starring Dipankar De, Mamata Shankar, Ananya Chatterjee, Jishu Sengupta and Ria Sen brings to the screen a sensational relationship between a film-director, a young actress and a wife who swears to ruin her husband’s life and career and a son who gets caught in the cross-fire in this extravagant drama.

JANALA: Buddhabed Dasgupta’s Bengali film JANALA starring Tapas Paul, Swastika Mukherjee and Indraneil Sengupta is the journey of a solitary man against the wrath of circumstances when he decides to pursue his little impulsive dream.

IJJODU: by the maestro M S Sathyu is a film about a photo journalist who finds an interesting girl who has been exploited on the name of religion. He succeeds in breaking her blind belief but fails to accept her to give her an alternative life. This Kannada flick stars Meera Jasmine and Anirudh.

GLAMSHAM.COM

Abhay Deol will soon launch Basra, a movie that deals with drugs and human trafficking

By Sonal Chawla (MUMBAI MIRROR; December 22, 2009)


Abhay Deol’s production house, Forbidden Films, is ready to take off and will start shooting its first film, Basra, in January 2010. It is an out-and-out action film based on the drug racket and human trafficking. Navdeep Singh, who directed Manorama-Six Feet Under, will direct the film.

Abhay plays the lead and Chitrangada Singh puts in a guest appearance. Soniya Mehra (Victoria No 203) has also been roped in for an important part. Shahana Goswami is paired with Nikhil Dwivedi.

A source reveals, “Basra is an edgy and dark film. Soniya will play a teenage hippie who is involved in drugs and eventually becomes a victim of human trafficking after being kidnapped. Shahana plays a journalist, while Nikhil is a cop. It is an ensemble cast and script.”

(L) Soniya Mehra (R) Abhay Deol

The source continues, “As the film is an action thriller, Abhay is building his body. His role is that of a secret agent. You can call him an undercover cop who exposes the entire racket. The movie has its base in Basra, a city in Iraq, notorious for its involvement in drugs. It will be shot in Dubai, Kuwait, Delhi and Mumbai.”

Director Navdeep confirms, “The film deals with drug rackets and we have signed Soniya and Nikhil. The title Basra was chosen as it is a city in Iraq which is apt to the subject of the film.” Probably the film will also be shot in one of the cities in Iraq. Navdeep says, “Yes, we are looking for locations in Iraq, probably Kuwait. The movie will go on the floors in January and most probably release by the end of next year.”

Cast: NEIL NITIN MUKESH, SOHA ALI KHAN, KAY KAY MENON, SHAHANA GOSWAMI, KARAN NATH

Producer: TUTU SHARMA

Director: SUDHIR MISHRA

Source: BOLLYWOOD HUNGAMA.COM

By Subhash K. Jha, December 11, 2009 – 19:00 IST

Post the grand international success of Danny Boyle’s Slumdog Millionaire, Mumbai slums have become fashionable and popular visiting places for international audiences. Just how much so, Sudhir Mishra discovered when he took his long-delayed film on slum life Tera Kya Hoga Johnny (featuring Neil Nitin Mukesh, Soha Ali Khan, Shahana Goswami and Karan Nath along with a real street-child Sikandar) to New York’s South Asian Film Festival held from October 28 to November 3.

At the festival American critics reacted to Sudhir Mishra’s Tera Kya Hoga Johnny as another Slumdog Millionaire.

Now Sudhir will release the film in a dubbed English version. “After Slumdog Millionaire, the West is looking with much curiosity at the slum culture of Mumbai. I had no plans of doing an English version of Tera Kya Hoga Johnny. But everyone who saw it in New York suggested I do it. Every frame in my film has been shot in the lanes and gullies of South Mumbai in Colaba.”

With Tutu Sharma now taking over as co-producer of Tera Kya Hoga Johnny, the film is all set for an early January 2010 release.

Thus ends the blame game whereby Neil Nitin Mukesh was being accused of trying to stall the film by not dubbing for it.

Defends Sudhir Mishra, “First of all most of the film is in sync sound. There was just about a day’s dubbing to be done by Neil. He finished it long ago. Why blame the poor guy?”

BOLLYWOOD HUNGAMA.COM

By Subhash K. Jha, July 17, 2009 – 10:06 IST

Anjana Sukhani
A N J A N A  S U K H A N I

Why was Anjana Sukhani’s role increased in Jashnn?

According to the buzz Anjana was initially the ‘looker’ while Shahana Goswami was designated the ‘performer’ in Jashnn, quite like John Abraham and Abhishek Bachchan in Dostana.

Then somewhere along the way the tables turned. The looker’s role was suddenly expanded.

Could Anjana’s warm friendship with Adhyayan have a hand in this?

The girl shrugs off the insinuation. “Why only Adhyayan? Shahana and I are also buddies. All three of us have bonded beyond petty rivalry.”

Anjana admits her role has been increased drastically. “To begin with I was only supposed to play Adhyayan’s love interest while Shahana playing his sister had all the meaty scenes. Then Mahesh Bhatt Saab saw a portion of what I had done and decided to increase my role. He called me aside and said, ‘Anjana we thought we’d use you only for the romance. But there’s so much more that you seem to be conveying.’ He told me they had changed their mind about my role.”

Anjana’s role was re-written by Mahesh Bhatt. “Now my character is much more contoured and substantial. Earlier I was just this girl cheering and encouraging Adhyayan. Now I’m his character’s backbone and support system.”

Wonder where that leaves Shahana ‘the performer.’

Anjana says her co-star is very happy for her. “All three of us are supporting one another’s dreams. We’d rather rock together than rock the boat. Strangely both Shahana and I are being linked with Adhyayan. I’m also supposed to be responsible for Adhyanan’s breakup with Kangna. Have a heart! I’m here to act, not break relationships.”

Anjana is also appalled by hushed whispers about her other co-star Rehaan Khan in Kabir Sadanand’s Tum Milo Toh Sahi. “At this rate no man would want to come close to me thinking I’m already in another relationship.”

By Taran Adarsh, July 17, 2009 – 10:00 IST

Jashnn The Bhatts have often told stories that seem straight out of everyday life. Their new outing JASHNN also mirrors the thoughts of zillions of hopefuls. It’s about a nobody who wants to achieve success in life, wants to live his dreams, wants to become a somebody some day. In that respect, JASHNN, with director duo Raksha Mistry and Hasnain Hyderabadwala in the driving seat, drives home the point convincingly.

You can’t deny the fact that JASHNN brings back memories of the immensely likable ROCK ON!!, for JASHNN is also about a boy band, about dreams, about defeat and about success. Like ROCK ON!!, JASHNN also looks at relationships, but the relationships here are poles apart.

In this case, the protagonist [Adhyayan Suman] is living off his sister [Shahana Goswami], who is reduced to being the mistress of a wealthy entrepreneur [Humayun Saeed] and who loathes the protagonist. Actually, the relationship between the siblings and also the volatile relationship between Adhyayan and Humayun are the mainstay of the film. Sequences between them expose the stark reality of life.

BY BOLLYWOOD HUNGAMA.COM

But JASHNN is not without its share of hiccups. The romantic track could’ve been as intense as the volatile ones. Also, it gets long drawn towards the second hour and robs the film of its sheen to an extent. But the climax more than compensates for the blemishes. Thankfully!

All said and done, JASHNN is yet another compelling tale from the house of Bhatts. Super music coupled with bravura performances from its principal cast makes JASHNN an interesting watch.

Akash [Adhyayan Suman] thirsts to become a singing icon. But though he has dreams in his heart, he is unable to find that distinctive voice that he can call his own, that will propel him to the top. Only when he confronts a bitter truth – that he is freeloading off his elder sister Nisha [Shahana Goswami], who, in order to offer him a decent lifestyle, has become the mistress of a rich businessman Aman Bajaj [Humayun Saeed] – is he is able to touch his inner core.

Jashnn Call it irony or a twist of fate, but the person who sees him through this dark night and mentors him when he’s down and out is none other than the sister of the person who he hates most in the world – Aman Bajaj. It is Sara [Anjana Sukhani], Aman’s sister, who makes him realize that he is an extremely talented man and is simply going through a bad phase.

In the end, he not only touches his inexhaustible potential and becomes an overnight star, but also humbles his biggest detractor Aman Bajaj and in the process, lives up to the faith that his sister and Sara had in him all along.

Director duo Raksha and Hasnain step into a different domain [emotions], after attempting thrillers. And the relationships here are too complex. Some instances…

  • Watch out for the tiff between Adhyayan and Humayun, when the latter abuses Shahana. The subsequent sequence, when Adhyayan apologises to Humayun at his office, is heart-breaking.
  • Here’s another. Adhyayan and Shahana enter Anjana’s party and the confrontation that ensues with Humayun there. Another master stroke!
  • Note another sequence. In the post-interval portions, Adhyayan’s demo is rejected by the music company baron and his outburst at this point. It breaks your heart!
  • The same night, he takes refuge in drinks and even robs money from another guest at the hotel. What happens thereafter is astonishing.
  • In the climax, Adhyayan calls his sister on stage and makes her accept the trophy from Humayun. Clapworthy, but deeply emotional!
// <![CDATA[// // <![CDATA[// // <![CDATA[//

But, as mentioned earlier, JASHNN loses its grip during the romantic sequences. The film dips in the second hour, which is long drawn and half as convincing at times. The low phase that Adhyayan goes through could’ve been more effective and shorter.

Jashnn Director duo Raksha and Hasnain show sparks of brilliance in the above-mentioned scenes and they get solid help from writer Shagufta Rafique, whose screenplay is watertight, barring the portions mentioned above. You expect every Bhatt movie to be embellished with melodious and soulful music and the songs in JASHNN are seeped in melody, especially the final track. Dialogues are powerful and dipped in acid at times. Camerawork is up to the mark.

All four actors shine in their respective roles. Adhyayan Suman takes giant strides. Note the helplessness, the sorrow, the dejection and the eventual exhilaration. This is Adhyayan’s showreel. Humayun Saeed, from across the border, is brilliant. This film makes you wake up to this talent, which gives the film a rich texture. Here’s an actor to watch. Shahana Goswami is already going from strength to strength and JASHNN only proves that she’s matchless. She handles her part with amazing understanding. Anjana Sukhani is a revelation. Again, this film should act as a showreel for her. She’s excellent.

On the whole, JASHNN is a moving tale with three USPs – its music, the emotional quotient and the performances by its four actors. Despite some loose ends, it should slowly and steadily win over cinegoers based on these three factors.

SK2 REMAKES OF SOUTH FILMS FAIL IN BOLLYWOOD!

The previous two Fridays saw the release of two biggies-Kambakkht Ishq on July 3 and Short Kut on July 10. What was common in both the films apart from the fact that both were comic entertainers was these 2 films were remakes of Southern films. While Kambakkht Ishq was a remake of the 2002 Kamal Hasan’s hit Tamil film, Pammal K Sambandam, Short Kut was a remake of a Roshan AndrewsMalayalam movie Udayananu Tharam. Don’t mistake it for a copy-the rights of both the films were acquired by the producers before remaking it.

Both these South films were big hits but surprisingly, their remakes have failed to impress the audiences. Short Kut took a bad opening and the collections didn’t improve in the weekend due to so many negative reports. Kambakkht Ishq (KI), on the other hand, did a great job in the weekend but the negative reviews prevented it from becoming a big hit. Some trade pundits are trying to save the film by mentioning that KI took a bigger opening than Singh Is Kinng and was at par at Ghajini. In its 1st week, Ghajini collected 64.41 crores and Singh Is Kinng made 39.72 crores. KI, on the other hand, manage to collect 33.42 crores (acc to boxofficeindia.com)! Figures speak for themselves! And the film has fallen greatly in the 2nd week and it’s difficult to say if it’ll recover its costs.

Coming back, Bollywood has since a long time got inspired from Southern films and churned out successful films. One of the biggest hits of 2002, Saathiya, was originally a Tamil film, Alai Payuthey, directed by Mani Ratnam. The Hindi remake was Shaad Ali’s first film. One of the finest directors, Priyadarshan has made successful Hindi films by legally lifting Southern hits. Bhool Bhulaiyaa was inspired from Manichithrathazu, in which Priyan had worked as a second unit director. His hilarious film, Dhol, was a remake of 1980 Malayalam film, In Harihar Nagar.

It is also seen that the Southern directors themselves direct the remakes. Recent example is Ghajini. Both the Tamil and Hindi versions were directed by A R Murugadoss. The Hindi version went on to become the biggest Hit of Bollywood ever! One of the most remembered films of the 80s, Ek Duuje Ke Liye, was a remake of 1978 film Maro Charithra and it was directed by K Balachander. Tamil film Minnale was remade as Rehna Hai Terre Dil Mein by Gautham Menon and it became one of the most loved youthful films. Shankar’s first Hindi film, Nayak-The Real Hero, was a remake of his film Mudhalvan. Priyadarshan has also directed some excellent Malayalam movies and remade some of them in Hindi.

In all the remakes, some changes were made but the directors were cautious enough to retain the same magic in the remake which led to the success of the original. But the directors of Kambakkht Ishq and Short Kut failed to do so and that’s why they failed to impress the audience.

Wanted

Two upcoming Hindi films are also remakes of Southern hits. Salman Khan’s next, Wanted(see pic), is a remake of Tamil blockbuster, Pokkiri. Like the Tamil version, the Hindi version is also directed by Prabhu Deva. Wanted is all set to release on September 18 and it’s expected to be an excellent action thriller. And some days ago, Arshad Warsi bought the rights of 2006 acclaimed Malayalam film, Notebook and is planning to produce its remake. Notebook was directed by Roshan Andrews, who also directed Udayananu Tharam, from where Warsi’s Short Kut was remade. Let’s hope Notebook remake doesn’t turn out to be a damp squib like Short Kut!
———————————–
WHY ARENT BHATTS PROMOTING JASHNN?

Many good films have failed at the BO due to lack of promotion. Last week’s Sankat City failed to attract audiences as it was not well promoted. And Jashnn, releasing tomorrow, may also suffer a similar fate. Produced by Mukesh and Mahesh Bhatt, the film stars Adhyayan Suman, Anjana Sukhani and Shahana Goswami and is directed by Hasnain-Raksha, who directed The Killer. Jashnn is a musical film and seems to be meaningful and interesting. Its songs managed to become somewhat popular. Promos of the film aren’t shown much throughout the day on TV and Shahana is not yet revealed in the teasers. Shahana, who won awards and appreciation for her role in ‘Rock On!!’, has an important role in the film and yet, is being sidelined.

Moreover, the film is releasing with a Hollywood biggie, Harry Potter and the Half Blood Prince. Thus, the film has almost no chance to succeed. Since Bhatts aren’t promoting the film properly, let me only do some promotion for Jashnn! I managed to find the theatrical trailer of the film and have uploaded below. Do check!

This post first appeared on MouthShut.com:http://www.mouthshut.com/diary/fgijoptlo/Fenils-Bollywood-Talk57

New York4

Although Yash Raj Films is considered by many as a production house churning out only romantic and goody-goody films, the fact is that they too have taken the less-trodden path and came up with fantastic and meaningful hatke films (Kabul Express and Chak De! India are the classic examples). Their new offering, New York, too is another hatke flick from this production house. What is impressive about New York is its narrative-it deals with serious topics like terrorism and post-9/11 scenario but at the same time, its impact doesn’t limit itself only to niche audiences. It’s a meaningful film, which caters to all kinds of audiences. And that’s its biggest achievement!

The story of the movie: Omar (Neil Mukesh) arrives at New York to pursue a Master’s Degree at New York State University. Here he meets Sameer aka Sam (John Abraham) and Maya (Katrina Kaif) who become his best buddies. Time flies fast and it was soon time for college to get over. At this point of time, the 9/11 attack occurs which forever changes the lives of these three friends. How this incident affects them adversely and what steps they take to resurrect is what the film is about.

New York strikes a fine balance-it is dealt with maturity and yet manages to strike a chord with audiences of all ages. It is not at all formulaic and the story is narrated in a not-so-usual and interesting style. Also the film doesn’t waste time at all-the story begins from the first scene itself. There are no unnecessary songs, no unwanted scenes-the focus is just on the three main characters.

There are several scenes in the film that would remain etched in one’s mind. The most unforgettable sequence of the film is undoubtedly John Abraham’s flashback. This wonderfully shot and enacted scene will astonish everyone for sure. Even globally acclaimed Khuda Kay Liye failed to give such an outstanding description of the torture cells.

The only flaw was that the film, particularly in the 2nd half, got a little bit confusing at places but still this can be overlooked. However, the film succeeds in giving a powerful message and also an excellent insight about the chaotic situation post 9/11 created by the Bush administration. It also raises a question about the terrorists who were responsible for the 9/11 attacks-what did they achieve by those cowardly attacks which they considered as great? In the name of jihad, they ended up devastating the lives of so many people in US who were detained as terrorist suspects.

The climax of the film may seem unacceptable to many. However, the final scene of the film is very impressive.

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All the four main actors of the film manage to give one of the best performances of their respective careers! No matter how hard John Abraham tried to give a brilliant performance in the past, he always ended up receiving appreciation for his fab body. This was evident especially during Dostana. However for New York, he would surely be liked by everyone for his brilliant performance only! He rocks the screen from the first scene itself and manages to give a praiseworthy performance. Watch out for him in the torture scenes and in the climax. Keep rocking, John!

As expected, Neil Mukesh gives yet another outstanding performance after Johnny Gaddaar! In fact, it was Neil who dominates the first half and does a great job. Like John, he too impresses a lot in the climax. Katrina Kaif surprises! She was always accused of not being to able to act and speak in Hindi. Post-New York, she would be considered not only as a glam-doll but also as a wonderful actor.

Irrfan Khan as FBI Agent Roshan as usual comes up with an outstanding performance. He also provides some comic moments in between! Nowaz, who played Shahana Goswami’s husband in Firaaq, has a small but an important role in the film and he does a fine job.

Pritam’s music is good, but not as great as his other works. Two songs stand out-Hai Junoon and Mere Sang. In addition, the film also has two instrumentals composed by Julius Packiam which are intriguing and haunting. Mere Sang is probably one of the best picturised songs of the year. Watch out for the scene in the song when John is walking down the street and a group of protestors pass by carrying textual posters of ‘Buck Fush’!

Aseem Mishra’s cinematography was perfect. The lensman performs better in the detention scenes. Rameshwar Bhagat’s editing was flawless.

Aditya Chopra surprises as the writer of the film. It’s great to see a person like him coming up with such out-of-the-box stories. Sandeep Shrivastava, who earlier wrote the screenplay of Ab Tak Chappan, excels through his screenplay and dialogues. Screenplay was unique since the film doesn’t pace ahead in the typical way.

Kabir Khan had already proved himself with his first feature film, Kabul Express. However, the film failed to do a terrific job at the BO since it was more of a docu-drama. However, in New York, he manages to come up with a sensitive, intelligent film that caters to a large audience.

Some of the best scenes of the film:
1.   Omar detained by Roshan
2.   Sam’s entry
3.   The 9/11 attack
4.   The intermission point
5.   Sam’s flashback
6.   The song ‘Mere Sang’
7.   All scenes of Nowaz
8.   The last 20 minutes of the film

On the whole, New York is a brilliant film to say the least. It not only gives a message, but throws a light on the wrong-doings of the Bush administration which devastated the lives of many. At the same time, it raises many questions. Brilliantly executed, wonderfully performed, New York will surely be remembered for a long time!

My rating-**** out of 5!

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  • shaziya: Vidhu Vinod Chopra remained unavailable for comment. But we wonder, has he forgotten his Munnabhai Gandhigiri lesson?
  • shaziya: The team of Eros International’s Veer has been looking forward to this day with great anticipation as the mega project finally hits the big screens
  • hitesh patel: glad came to know that we indians have developed something amaging.I urge the govt to take step in making people study who are not financially capable
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