Fenil and Bollywood

Posts Tagged ‘tamil

By Taran Adarsh, January 1, 2010 – 12:31 IST

Surprise, surprise, surprise! Sometimes, the expectations from a movie are zilch, but what unfolds on screen is beyond expectations. It surprises you, to put it simply.

On face-value, BOLO RAAM looks like it’s straight out of 1970s cinema. A movie with predictability written all over it. A movie that carries zero hype and matches it with zero content. But BOLO RAAM isn’t archaic, isn’t the usual masala, isn’t zero content.

A remake of the Tamil film RAAM [2005; starring Jeeva, Saranya, Rehman, Murali], BOLO RAAM has an interesting plot with an engaging screenplay that compels you to look at the screen for most parts of the movie. But, of course, there’re hiccups. A few non-actors and a done to death climax could’ve been avoided.

BY BOLLYWOOD HUNGAMA.COM

Raam [Rishi Bhutani] is charged with the murder of his mother Archana [Padmini Kolhapure]. Raam falls into a state of shock, brief psychotic disorder, after his mother’s death and becomes silent, refusing to talk or react in any manner.

The investigating officer, Indrajeet Singh Rathi [Om Puri] is puzzled and unable to make Raam speak. He consults a psychiatrist, Dr. Negi [Naseeruddin Shah], to determine the cause of Raam’s state of mind and the reason for his silence.

Rathi interrogates various personalities for the case, questioning Raam. Every possible motive that Raam might have for murdering his mother is explored. Furthermore, Raam’s neighbours, Sub-Inspector Sajid Khan’s [Govind Namdev] daughter Juhi [Disha Pandey] and son Sameer [Krishan Khatra], are summoned by Rathi for interrogation. Will his silence solve the puzzle?

Without wasting any time, BOLO RAAM takes off from its opening titles itself. The story goes back and forth, several new characters are introduced, but the narrative stays faithful to the main plot. The best is reserved for the second half. Layer after layer is peeled with expertise. The viewer is keen to know the identity of the killer and that’s when the film fumbles and tumbles.

The culprit’s track is sloppy and a major put off. In fact, the circumstances that lead to the murder are quite amateurish and look far from convincing. Surely, the writer could’ve thought of a better culmination. Also, the one-sided love affair is functional.

Debutante director Rakesh Chaturvedi ‘Om’ makes a confident debut, although he should’ve cast some better actors for key roles. There’s not much scope for music [Sachin Gupta] in the film and hence, just one song merits mention – ‘Maa Tere Jaisa’. The background score [Sanjay Chowdhury] deserves special mention.

Newcomer Rishi Bhutani does a commendable job. He oozes confidence, despite sharing the same frame with accomplished actors. Om Puri gets into the skin of his character and is impressive, while Padmini Kolhapure is a pleasure to watch after a long gap. She is beautifully restrained. Naseeruddin Shah has a brief role and the veteran does it well. Govind Namdev is very good.

Rajpal Yadav is wasted. Both Disha Pandey and Krishan Khatra are non-actors. Manoj Pahwa does his usual act.

On the whole, BOLO RAAM has decent merits [hence those 2 stars], but the problem is its wrong release timing. It won’t stand a chance in front of a hurricane called 3 IDIOTS.

ANY LESSONS LEARNT FROM 2009 MISTAKES?

Overall 2009 was a disappointing period for Bollywood. As what Ak_India mentioned in his DP that only 8% of films succeeded in this year which is very shocking. Many films got a nice opening and were well received by audiences as well as critics. Still, the films were hailed as Flop or Average due to their high costs. And that was one of the biggest reasons behind the debacle of many films. Films like Billu, Delhi-6, Kambakkht Ishq, Kaminey, Wake Up Sid, All The Best, London Dreams, De Dana Dan etc could had been super hits were they not produced and sold for such high prices. The problem of sky-high costs was accelerated by the wrong release time. Due to the producer-multiplex feud, no movies were released in the lucrative April and May period. As a result, as soon as strike ended, films after films started pouring every Friday. Obviously, common man cannot be expected to watch all films that release and thus, many films failed or did low business. For instance, All The Best could had been successful if it had not released with Blue. Aladin would have fared better had it not clashed with London Dreams. Jail would have got lots of audience if it had not released with the super hit Ajab Prem Ki Ghazab Kahani.

Unfortunately, there is no concrete solution for the 2nd problem. Due to the strike, there is still a huge backlog that needs to be cleared and hence, in 2010 too, one might find multiple releases on lots of Fridays. But the cost of the film can definitely be cut down and the best solution is that the actors slash their prices. Why do superstars like Akshay Kumar charge 20+ crores? And why do producers agree to pay them? Biggie actors should not be given more than 8 or 9 crores. And if this upsets them, then they should be paid more but only if their film succeeds at the box office. This kind of arrangement would benefit all. Movies that are made for 40-50 crores at present would be finished in less than 30 crores. Thus, such film will have high chances of recovering their costs too.

Sadly, no one is thinking of enforcing such an alternative. And as the chapter of 2009 closes, we could see multiple releases even in the last week. Today (i.e. last day of 2009), 3 small films are slated to release-Raat Gayi Baat Gayi (RGBG), Accident On Hill Road (AOHR) and Bolo Raam (BR). It is obvious that all 3 of these films are going to flop. If only one film had hit the screens today, it would have chances of profiting. But no film will profit in this rat race. Not to forget, the 3 Idiots craze is still going on. Hence, all these films have dug their own graves by releasing today. RGBG looks like a complete entertainer; AOHR may work if it has a well-written climax. BR may be hard hitting but it will surely have lowest collections. When will these people learn?
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MOVIES THAT WILL ROCK IN 2010-PART 1

The following are the films that have big stars and have highest chances of succeeding at the box office. 2 of them are listed below and the rest will be discussed next week [lack of space :( ]:



MY NAME IS KHAN: A winner for sure! Although the film looks serious, it has managed to arouse curiosity. And anyways, the name of Shah Rukh Khan is enough to make almost everyone sit up and take notice. Kajol being paired opp SRK is like an icing on the cake. Also it has talented actors like Jimmy Shergill which, I don’t think, will be revealed in promos till the flick releases on Feb 12. The first look of the film made people assume that it’s based on terrorism. However, it’s not! To quote SRK, “It’s a love story with an epic feel(Bombay Times). MNIK is thus expected to work not only in India but overseas too.

RAAVAN/RAVANA: Mark my words; this one would rock big big time! Unfortunately, when Bolly websites are discussing 2010 biggies, they aren’t mentioning this flick. There are many reasons as to why this film is special. Firstly, it is directed by talented-creative Mani Ratnam who never goes wrong. Secondly, it’s a present day version of Ramayana. And thirdly and the best part, the star cast and the characters that they play are just out of this world! Aishwarya Rai Bachchan plays Sita but Abhishek Bachchan isnt playing Rama! Instead, he’s Raavan in the film, i.e. the villain! Southern actor Vikram is Rama! Guess who plays Hanuman? None other than apna Govinda! Just imagine-Govinda in Mani’s film! Cool isnt it? Nikhil Dwivedi and Southern beauty Priyamani completes the main cast. The film is bi-lingual-it was shot in Tamil too but with slight change of cast. Vikram who plays Rama in Hindi version is Raavan in the Tamil version (hats off!). Prithviraj Sukumaran instead is Rama in Tamil version! Aishwariya Rai is acting in both the versions! The film is expected to release in May. Make sure you don’t miss it at any cost!

TO BE CONTINUED NEXT THURSDAY!

(AND WISHING EVERYONE A VERY HAPPY NEW YEAR!)

This post first appeared on MouthShut.com: http://www.mouthshut.com/diary/hdbhmtlmp/Fenils-Bollywood-Talk81

After closing the year with films such as PAA and 3 IDIOTS, the year 2010 sure looks bigger and brighter for Reliance BIG Pictures with a mixed bag of films ranging from mainstream and masala to regional and art house.

With maverick directors such as Shyam Benegal, Mani Ratnam, Anurag Basu, Shaji N Karun, Rituparno Ghosh and Buddhadeb Dasgupta bringing the best out of Hrithik Roshan, Barbara Mori, Abhishek Bachchan, Aishwarya Rai Bachchan, Mamootty, Boman Irani, Jishu Sengupta, Indraneil Sengupta, Kangana Ranaut amongst many others the Reliance BIG Pictures slate is sure to watch out for!

Have a sneak peek into Reliance BIG Pictures’ slate of films for the year 2010:

view KITES movie stills
KITES

KITES:

A truly international film KITES tells the story of a young con-man who lives ‘life’ in Las Vegas, always ready to make fast money in any way possible, always looking for the big score. Directed by Anurag Basu and produced by Rakesh Roshan the film stars Hrithik Roshan, Barbara Mori, Kangana Ranaut and Kabir Bedi. It is shot in Mumbai, New Mexico, Las Vegas, and Los Angeles. The film will have and Indian and international version which will release simultaneously. Brett Ratner, best known for the RUSH HOUR series, FAMILY MAN starring Nicholas Cage and X-MEN THE LAST STAND is currently at work on the English version of KITES and tailoring it to appeal it to an international audience.

view WELL DONE ABBA movie stills
WELL DONE ABBA

WELL DONE ABBA:

WELL DONE ABBA is the story of Armaan Ali, a driver working in Mumbai. He takes leave for a month to find a husband for his teenage daughter, who lives in a small locality close to Hyderabad. Armaan Ali returns to work only after 3 months. His young employer wants to sack him but is persuaded to listen to the reason why Armaan got so delayed.

Directed by Shyam Benegal stars Boman Irani, Minissha Lamba, Sammir Dattani, Ila Arun, Sonali Kulkarni, Ravi Kishen, Rajit Kapur, Ravi Jhankal and Yashpal Sharma.

RAAVAN:

Abhishek Bachchan and Aishwarya Rai Bachchan come on screen together in Mani Ratnam’s RAAVAN – a modern day adaption of the epic Ramayan, being readied in Hindi, Tamil and Telugu.

MIRCH:

Directed by Vinay Shukla MIRCH revolves around the protagonist Maanav, a committed struggling filmmaker whose girlfriend Ruchi, a successful film editor, arranges for him to meet film producer Nitin, who is not very convinced about Maanav’s script. Maanav then suggests four stories on infidelity, woven together by a common story.

The film stars Konkana Sen Sharma, Raima Sen, Shahana Goswami, Shreyas Talpade, Rajpal Yadav, Boman Irani, Sushant Singh, Arunoday Singh and Prem Chopra with special appearances by Saurabh Shukla & Tisca Chopra.

view CHALOO MOVIE movie stills
CHALOO MOVIE

CHALOO MOVIE:

The police raid a theatre where movie tickets of a very successful film are being sold in black. When Police Inspector Sher Khan interrogates Khoji, a man in his 20s, he claims that he is the director of the very film whose tickets he is selling in black. The cynical Sher Khan puts Khoji behind bars after which he receives two phone calls – one from the Police Commissioner and another from the dreaded don ‘WC’, both of whom support Khoji’s detention. A hilarious turn of events reveal who Khoji is, whether he is really the film’s director, why is he selling his film’s tickets in black and what do the Police Commissioner and don ‘WC’ want from Khoji.

Starring Rajpal Yadav, Shekhar Suman, Divya Dutta, Hrishta Bhatt and Sayali Bhagat, CHALOO MOVIE is directed by Vinod Pande.

Reliance BIG Pictures, the most committed motion picture company producing regional films in 8 Indian languages is working persistently towards taking them beyond the conventional Diaspora

The slate of films includes:

KUTTY SRANK: Shaji Karun’s Malayalam film KUTTY SRANK starring Mamooty, Kamilini Mukherjee, Padmapriya and Meenakumari brings out three distinct personalities of a dead boat-man from the perspective of three women each of whom claims to be his wife.

ABOHOMAAN
ABOHOMAAN

ABOHOMAAN: Rituparno Ghosh’s Bengali film ABOHOMAAN starring Dipankar De, Mamata Shankar, Ananya Chatterjee, Jishu Sengupta and Ria Sen brings to the screen a sensational relationship between a film-director, a young actress and a wife who swears to ruin her husband’s life and career and a son who gets caught in the cross-fire in this extravagant drama.

JANALA: Buddhabed Dasgupta’s Bengali film JANALA starring Tapas Paul, Swastika Mukherjee and Indraneil Sengupta is the journey of a solitary man against the wrath of circumstances when he decides to pursue his little impulsive dream.

IJJODU: by the maestro M S Sathyu is a film about a photo journalist who finds an interesting girl who has been exploited on the name of religion. He succeeds in breaking her blind belief but fails to accept her to give her an alternative life. This Kannada flick stars Meera Jasmine and Anirudh.

GLAMSHAM.COM

Abhay Deol to learn Tamil for Dibakar Banerjee’s next film

By Sonal Chawla (MUMBAI MIRROR; December 24, 2009)


After Oye Lucky, Lucky Oye (2008), the successful combination of director Dibakar Banerjee and Abhay Deol will be seen again. The untitled film is a political thriller involving an assassination. Abhay will play one of the protagonists.

Confirming the news, Dibakar says, “The film is based on a European novel published in the mid-1960s. We are still negotiating for the rights of the book. Ever since I read the book, I wanted to convert it into a film. Of course, I will adapt it to Indian sensibilities. The film deals with three principal characters. Abhay plays a South Indian judge, while the other characters are a journalist who sells soft porn to magazines and an expat social worker, who will be female.”

Abhay Deol Dibakar Banerjee

Currently Dibakar is talking to a few heroines who will star with Abhay. He says, “I need one girl. She will be finalised in the next few days. But the biggest challenge in this film is that Abhay Deol will have to learn Tamil. He plays a Tamilian and has to speak several lines in Tamil throughout the film. For that, he will be first learning the language,” Dibakar added.

The director will take a short break after the release of Love, Sex Aur Dhoka (LSD). He adds, “This movie has completely drained me emotionally and I need to give sometime to myself.  The script is already written and ready and will only go on floors by the end of next year. Unconventional subjects are my forte, but this film will not be bolder than LSD. Trust me, you will not have seen a bolder film than LSD in your life.”

Is this a Balaji production roo? That’s the buzz, we told him. He says, “There are no producers as such on board yet.”

By Subhash K. Jha, December 17, 2009 – 12:26 IST

Sameera Reddy What would’ve been a routine birthday bash for Sameera Reddy on Sunday night turned out to be a very special occasion when Priyadarshan, who has just given the actress her first hit since Race in De Dana Dan, turned around and said, “You’re in my next film.”

Sameera who has become very close to Priyan and his wife Lizzie and in fact spends all her free time during her frequent visits to Chennai in their house is still reeling in pleasure. “I couldn’t have got a better birthday gift. Firstly it turned out to be Priyan and Lizzie’s marriage anniversary. So we had my birthday and their anniversary party at Shristi Behl’s residence. All three of us Lizzie, Priyan and I cut a cake.”

The icing on the cake was Priyan’s impulsive offer. “I don’t need to ask him what it is or in which film. I trust him completely. He gave me a role in De Dana Dan that did justice to my presence. This, at a time when I was desperately trying to shed my sexy image.”

Not many people know this but Sameera has a secret special appearance in the Bihar based film that Priyan is shooting with Ajay Devgn, Akshaye Khanna and Bipasha Basu.

“How do you know about this?” Sameera demands to know. “So that makes it three films with Priyan. I’m really lucky to have Priyan and his wife as friends. Now when I go to Chennai is like a second home to me thanks to the work that I do. In fact my latest Tamil hit was mixed in Priyan’s studio in Chennai, so the bond thickens.”

Her prestigious film Nagesh Kukunoor’s Yeh Husla remains stuck.

Says Sameera softly, “That’s because the producers Percept have bungled. They’re in a real financial mess. They owe almost everyone associated with them quite a lot of money.”

Sameera herself remains solitary in Mumbai. “My sister Meghna is now married to a Greek and settled on the most exotic Greek island. My brother-in-law spoils me silly. They both love me because I convinced our conservative dad about the unlikely marital alliance.”

Especially after her sister’s marriage Sameera really misses a man in her life. “It gets really lonely. And I know I’m looking my best these days. Thanks to yoga, I’ve lost oodles of flesh. But what’s the point of looking good when you’ve no one to admire you?”

Age may be just a number. But in Bollywood, Sameera knows her time is numbered. “At the party at Shristi Behl’s, I just kept staring at Twinkle Khanna. She was glowing. She just keeps getting better with the years. I hope I look as radiant when I reach that age.”

BOLLYWOOD HUNGAMA.COM

By Bollywood Hungama News Network, December 5, 2009 – 00:00 IST

RGV returns with Phoonk 2

Maverick filmmaker Ram Gopal Varma is ready with the sequel of Phoonk, titled Phoonk 2. The film has been directed by Milind Gadagkar, who had written the original version.

Launching the first look of the film, RGV Said, “When Milind Gadagkar the writer of Phoonk came up with the idea of Phoonk 2, the opening sequence itself made me jump up in my seat. The moment I read the entire script I was convinced that he should direct the film as I was amazed at the clarity he had in detailing of the story.”

Comparisons between the two films are inevitable, to which he replies, “In spite of Phoonk’s hit status quite a few people say that it’s not a scary film and there is a reason for that. Scare can be of two kinds, where one is of a kind which scares you due to a completely helpless situation you catch yourself in, and the other which just plain scares your senses. Bhoot falls in the 2nd category whereas Phoonk falls in the 1st one. Phoonk 2 also falls in the 2nd category where its intention is as plain and simple – to just scare the audience’s pants off.”

On choosing the horror genre for his first film, debutante director Milind Gadagkar says, “Ever since I can remember, I have always been a huge fan of the horror genre and the psychosis of fear. Fear is such a strong emotion that it defies all logic. As small children we are scared of entering a dark room; somewhere further in life, we rather try and avoid isolated roads with no street lights.”

“It is not just ghosts that we are scared of but there are times in our lives when a strange and inexplicable incident also scares the hell out of us. Studying this phenomenon of fear has always intrigued me. All said and done, I am really thrilled that inspite of me not having liked Phoonk, Ramu liked Phoonk 2,” Milind concludes.

When asked if he was satisfied with Milind’s treatment of the film, RGV said, “When I saw the 1st cut of what Milind showed me of the film, I told him that it’s not only far better than Phoonk but I think it is the scariest film Bollywood has ever made and it is miles above all my so-called scary films like Bhoot, etc and I mean every word of it from my spine onwards….. Chilling!”

RGV even lets out a bit of the story, “If the entire Phoonk story was about how this evil woman who practices black magic was bent upon torturing and killing a little girl in order to make her father suffer and how the father after desperately trying every measure manages to get a tantrik who kills the evil woman, Phoonk-2 starts off with the spirit of the evil woman coming back from the dead and brutally murdering the tantrik.”

The film has been made in three languages, Hindi, Tamil (Bommai-2) and Telugu (Aavaham). Looks like audiences can await one chilly ride with Phoonk 2.

Just when movie enthusiasts across the globe are eagerly awaiting the release of James Cameron’s magnum opus ‘Avatar’ on Dec 18, multiplexes across India are gearing up to encash on the extraordinary buzz around its release.

Made with a fusion camera developed by Cameron himself, ‘Avatar’ is expected to revolutionize the film-watching experience and multiplexes are investing huge sums in upgrading their infrastructure to bring this extravaganza to moviegoers.

While Avatar will be released in 2D as well as 3D formats, theatre owners are particularly expecting a huge demand for the 3D version.

In the past, 3D Hollywood films like ‘Ice Age 3’, ‘& ‘Final Destination’ have done good business in India.

From the time producers Fox Star Studios screened 20 mins footage of Cameron’s film in August this year, the number of 3D screens in India has increased from around 12 to 40, and 60-70 screens by 18th December.

This covers cities across India including major markets like Mumbai, Delhi, Pune, Bangalore, Chennai & Hyderabad as well as smaller centers like Coimbatore, Amritsar, Kerala, Jaipur and Ahmedabad (which is considered a small market for Hollywood films).

Aditya Shroff, AVP – Distribution, Programming and Corporate Sales for Fame Cinemas reaffirms, “I believe that the 3D version of Avatar is going to be the revolutionary movie for this generation & hence Fame is trying to go as wide as possible with the 3D release. Avatar will do to 3D what Reliance did to mobile phone usage in India.

While most multiplexes in Pune and Bangalore are going 3D, single screens like ‘Central Plaza’ in Mumbai and ‘Urvasi’ in Bangalore are also going 3D before the release of release Avatar.

Interestingly, Avatar will be released in 3D in Hindi also.

Cinemax in Andheri (Mumbai) has updated its biggest auditorium that has the capacity of 377 with 3D facility for AVATAR.

Inox will have 3D screens in Pune, Baroda, Bangalore, Hyderabad, Chennai, Nagpur, Raipur, Rajasthan, Indore, and Kolkata before the release of AVATAR.

Commenting on the hype around ‘Avatar’, Mr. Vijay Singh, CEO, Fox Star Studios India says; “There is an incredible buzz building up for Avatar across the India media, our theatrical partners and the core audiences. The dramatic increase in the no. of 3D screens, as well as the strong interest that we are getting from the Hindi, Tamil and Telegu language markets reaffirms the strong buzz for the film.”

Ranjit Thakur, CEO of Scrabble Entertainment says “The demand for 2K Digital & 3D Systems is from all corners of the county. Even the single screen exhibitors want to capitalize on the opportunity of screening Avatar in 3D. “

Thakur adds “The demand for the film has created a worldwide shortage of digital equipment and even silver screens for 3D are hard to get”.

‘Avatar’ is an epic action adventure film made on a whopping budget of Rs 1200 crores. It is the story of a wounded ex-marine, thrust unwillingly into an effort to settle and exploit an exotic planet rich in bio-diversity, who eventually crosses over to lead the indigenous race in a battle for survival.

Avatar releases worldwide on Dec 18 in 2D & 3D. In India, the film will also be dubbed in Hindi, Tamil & Telugu.

BOXOFFICEINDIA.COM

LAUGHING ALL THE WAY TO THE BANK: Bollywood hit producer Boney Kapoor prepares for his next blockbuster,
Milenge Milenge, starring Kareena Kapoor and Shahid Kapoor

Boney Kapoor is buoyed by the success of Wanted and the future prospects of the last Kareena-Shahid film together

MARK MANUEL Times News Network (BOMBAY TIMES; November 9, 2009)

Boney Kapoor is maha excited. Not over Wanted, his September blockbuster that got close to Rs 40 crore billing, but by his January release Milenge Milenge — which is the last time you will see Kareena Kapoor and Shahid Kapoor romantically paired on screen. I don’t have to tell you the film’s been in the making for a while, but Boney is confident it will be successful. “I can feel it in my bones,” he said emphatically, “why should it not work, it’s a good love story, it’s got fantastic music.” But what about the chemistry between Kareena and Shahid, I asked. “That’s there,” Boney declared, “besides, once the lights are off in the theatre, you forget whether they are a couple or not, and they become characters.”
He’s been a major player in Bollywood for 33 years now, and has always been big on ideas, and bigger on executing them. Which accounts for some 30 successes over the 80s, 90s and so far into the 2000s. Now he rattled off their names to me not in any order but as they came to mind. “There was Judaai in 1997 with Anil Kapoor and Sridevi which was a major hit but not a blockbuster,” he began, “Company, Pukar in 2000 — that won the National Award, and Loafer which was very successful, also Run in 2004… Abhishek Bachchan’s cleansing began with this film, and Sirf Tum in which Sushmita Sen had the superhit song Dilbar… then No Entry, the biggest commercial success of 2005, and Wanted now, which I would rate as one of the Top 10 films of all time. It’s still running! And it’s a case study to the business that has evolved now. When people talk of a film raking in Rs 200 crore… that’s a western concept to lure eyeballs. What you get in hand is what matters. I gave you the Indian boxoffice figures for Wanted. The overseas, satellite, home video/audio, branding rights are separate.”
He’s had some lemons at the box office as well, films like Roop Ki Rani Choron Ka Raja in 1993 that I wasn’t reminding him about. However, Boney said on his own, “I’m a complete hands-on filmmaker, I’ve been through it all, I’ve done so many films, and several for my brothers Anil and Sanjay too, that I’ve got to know the complete and detailed aspects of filmmaking and distribution. With today’s invasion of corporates, the role of the producer is not underlined, there’s just a mad rush to put the package together. That’s why you’ve seen so many packages falling like nine pins! The control of the project is the engine… and it’s important to have a producer driving it with passion. Yes, the corporates brought in discipline where the business of filmmaking is concerned, and they streamlined the revenue mode, but they took away the passion.” That Boney has passion, there is no doubt. “I’ve been through the highs and lows, I’ve had a fractured financial status, but even then… if I can still churn out a blockbuster, what magic might I have done with a complete back-up,” he asked. The answer to that, perhaps, is in the films his production house BSK Network and Entertainment Pvt. Ltd. is making. I’ve already told you about Milenge Milenge. Then there’s the Anees Bazmee directed It’s My Life with Genelia, Harman Baweja and Nana Patekar, a remake of the successful South Indian film Bombraillu in Telugu and Santosh Subramaniam in Tamil. Isn’t Hurman bad news in Bollywood, I asked. “Wasn’t Amitabh bad news until Zanjeer,” Boney shot back. And he’s got three more films in mind for which Boney Kapoor can already hear the cash tills at the box office ringing. They are all sequels. “I’m starting Mr. India 2 — Be Positive,
there’s a strong possibility of Anil and Sridevi being the
lead pair, plus a new, young couple, and somebody big playing the major and unusual role of the villain. Then I’ve got a fix for No Entry 2. And somebody suggested a good idea for Most Wanted. Everything depends on the viability of the projects and availability of the main crew. I’m a strong believer in the need for a good support system. My cast is always according to the need of the film. What works is not a package, but the product.”

Multi National Award winner Prakash Raj is in town to celebrate his Best Actor award. For the Mumbaikar who has just got familiar with him via his villain act in Wanted, Sudipta Basu profiles the prolific and multilingual actor

By Sudipta Basu (MUMBAI MIRROR; September 23, 2009)

The first is always special, but you can never really get used to winning a National Award,” says Prakash Raj, who won his fourth National Award; this year being in the best actor category for Priyadarshan’s Tamil film Kanchivaram. He had earlier won the National Award for best supporting actor in Iruvar. In Kanchivaram Raj enacts the role of a silk weaver named Vengadan; the film depicts the lives of silk weavers in pre-Independence India.

Raj is one of the best loved villains in the South, although the role that has fetched him the award is distinct from the roles that have fetched him the fans. Was there a special preparation for the role? “I pretty much go empty handed when I walk into a film. I may be enacting the role of a Communist in a certain generation, with no idea about the constraints in the country at the time. Just as in Iruvar I had to understand the Dravidian culture to go into the depths of the personality of the protagonist. You need to unlearn much when you break away from a particular genre. And your reward is what you take away as the residue, which feeds your work in commercial cinema only to make it more nuanced,” says the actor. Through his run as the mainstream villain he was exposed to a school of acting that emphasised on loudness – pitched decibel levels, protruding eyes, all the trappings of a villain down south. But an opportunity to play certain off-beat roles freed him from the familiar trappings. “It is a human task to come out of it, and eventually your reflexes become used to it.”

It also has ramifications on the personal front. “My house in Bangalore is 35 kilometers from the airport, and whenever I’ve had to catch a flight in the past, I have sped through at over 150; now I feel driving at a 100 is also fine. So your life acquires a balance as well,” he says. “The comfort of the so-called intense actor falls by the wayside very easily eventually. And surely, it expresses in your own life too. It wasn’t hard therefore to move from the robustness of villain to an understated performance, as in Kanchivaram.”

Mumbaikars’ newest exposure to Prakash Raj’s brand of villainy has been in the film Wanted. “My approach to any role is touched with wit. It is almost as if I acquire my  own identity that way. And indeed, I stand out because of this approach, as was evident in Wanted,” he says. “Apart from this, Prabhu Deva’s direction takes you up by a few notches; he choreographs his films.”

Kanchivaram

The actor has now donned the mantle of a director in a Kannada film, yet untitled, based on the relationship of a father and a daughter. “I found myself thinking once that ten years down the line if my daughter, who is 13 now, calls me from Miami to say that she is set to marry someone from a completely unfamiliar race, would I be able to accept it? It’s a film about the fact that daughters grow up but fathers don’t,” he says. “When music leaves a flute does the flute have any hold over the music? Give them wings and let them fly. In the film, the protagonist’s daughter falls in love with a young Sikh, which leads to conflict given the contrasts of the north and south cultures. “My daughter already knows that it is ‘our’ film and when I speak to her casually about it, she has valuable inputs to offer.”

Back in the day the actor used to be known as a confirmed family man, but since his divorce from wife Lalitha Kumari recently, he has been branded quite the ladies man. “It’s nice to be a wonderful guy,” he laughs out aloud. “I am nice to women and they call me a womaniser.”

By Taran Adarsh, September 17, 2009 – 19:15 IST

This is for fans and foes of Salman Khan…
Fans, rejoice, Salman is back with a vengeance with WANTED. This is his deadliest performance to date. Yes, you read it right!
Foes, sorry, you won’t be able to lash out at him or pick on him or launch a vicious tirade this time. The spate of flops should come to a grinding halt with WANTED.

Let’s get this straight. WANTED rides on Salman Khan’s star power. He may not be the best actor in town, but in a film like WANTED, in a role that seems like an extension of his personality, you can’t think of anyone else enacting this role with flourish.

BY BOLLYWOOD HUNGAMA.COM

A remake of POKIRI [made in Telugu and Tamil versions], WANTED is a full on masala film. Recall the successful potboilers of yore. Recall how the good guy would reduce 10 hoodlums to pulp in a fraction of seconds. Recall how heroism prevailed in the end, no matter how adverse the circumstances were or how powerful the villains would be. Recall those movies in which logic took a backseat since the focus was on entertainment… You relive those moments as reel after reel of WANTED unfolds.

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A departure from candyfloss movies and diabetic-sweet characters that most Hindi movies boast of, WANTED takes you back to those days when popular cinema reigned supreme, when the sole motive of the film-maker was to entertain.

The daring hero and his herogiri, the naïve girlfriend, the corrupt cop, the dreaded don, the don’s moll, the fist-clinching henchmen… WANTED is for those who seek unabashed entertainment and relish masala films. Damn the indomitable critics, pseudo intellectuals and connoisseurs of parallel cinema, this one’s not for them. WANTED is for the aam junta.

Radhe [Salman Khan] is a hardcore gangster. A sharpshooter with a sharp brain, he works for Gani Bhai [Prakash Raj], the dreaded Mafioso, but on his own terms. Totally fearless, Radhe single-handedly eliminates Gani Bhai’s enemies one by one; making more enemies in the process.

He’s astounded when the young and pretty Jahnvi [Ayesha Takia Azmi] professes her liking for him. Inspector Talpade’s [Mahesh Manjrekar] lustful eyes fall on Jahnvi. He doesn’t know that Jahnvi has developed a soft corner for Radhe.

Whether it’s the Golden Gang or Data Pawle’s Gang, everybody wants the biggest piece of the lucrative cake that is Mumbai and the only way to get it is to eliminate whoever gets in the way. As Mumbai reels under bloody gang wars, Commissioner Ashraf Khan [Govind Namdeo] vows to make the city crime free.

Director Prabhu Dheva serves a hardcore masala fare that’s not inventive or path-breaking by any standard, but the execution of several scenes as also of stunts takes the graph of the film Northward. In fact, if at all there’s any film that competes with GHAJINI as far as raw appeal goes, it’s WANTED. Every action/stunt/chase here is choreographed with aplomb.

Watch out for the action sequence at the interval point or the penultimate half-an-hour. The climax is sure to send scores of action lovers in frenzy, as Salman bashes the evil forces black and blue. It wouldn’t be erroneous to state that the climax is worth the price of the ticket, samosa, sandwich, popcorn, nachos and cola put together.

Not that this 18 reeler abounds in mindless action. As mentioned earlier, this one’s a hardcore masala film and the narrative has its share of light moments and romantic sequences. Even the bad man here makes you laugh intermittently [when he's not spewing venom], especially in the sequence when the Commissioner of Police holds him captive in the middle of the sea. Even the romance between Salman and Ayesha charms its way into your heart. It’s very likable.

But WANTED is not without its share of flaws. The film stands on a thin storyline and the viewer can guess what’s in store next, which means that there’s not much novelty in the plot. Besides, WANTED could’ve done without a song or two, thereby keeping its length in check.

Director Prabhu Dheva has presented Salman like never before. Most actors have drifted away from roles that hold tremendous mass appeal, that cater to the desi audience, like they did in the 1980s. SRK did it in OM SHANTI OM, Aamir Khan did it in GHAJINI and Salman does it so effortlessly in WANTED. The screenplay [Shiraz Ahmed] may not be foolproof, but it has its share of shining moments. Dialogues are clapworthy, especially those delivered by Salman.

Sajid-Wajid’s music is of a mixed variety. ‘Jalwa’ is the best of the lot and the star presence of Anil Kapoor, Govinda and also Prabhu Dheva in this track will send the viewers into raptures. The remaining tracks oscillate between good and strictly okay. This review would be incomplete without the invaluable contribution by the action director. It deserves brownie points. Cinematography too is top notch.

Salman is like a ferocious lion who roars with all his might. The show belongs to the actor, who scorches the screen every time he displays the manic anger. Without doubt, Salman gives the power to WANTED. It’s his best work to date.

Ayesha Takia Azmi is very good and the pairing with Salman looks wonderful. Vinod Khanna is sidelined. He deserved more footage. Mahesh Manjrekar is excellent. He’s only getting better with every film. Prakash Raj is first-rate. The accomplished actor adds yet another feather to his cap. Govind Namdeo is perfect.

Mahek Chahal radiates oomph. Aseem Merchant is alright. Raju Mavani is effective. Inder Kumar and Sajid are okay. Manoj Pahwa tries hard to make you laugh. Prateeksha Lonkar is as usual.

On the whole, WANTED rides on Salman, Salman and only Salman Khan’s star power. A masala film that’s aimed at the masses, WANTED is backed by tremendous hype and hoopla, which will result in the film taking an earth-shattering start at the ticket window. The Idd celebrations in the coming days will only enhance the business of the film, which means that the film will have a solid Week 1. The holidays in Week 2 should also be bountiful, thereby ensuring a strong place in the ‘Hit’ category.


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