Fenil and Bollywood

Posts Tagged ‘telegu

After closing the year with films such as PAA and 3 IDIOTS, the year 2010 sure looks bigger and brighter for Reliance BIG Pictures with a mixed bag of films ranging from mainstream and masala to regional and art house.

With maverick directors such as Shyam Benegal, Mani Ratnam, Anurag Basu, Shaji N Karun, Rituparno Ghosh and Buddhadeb Dasgupta bringing the best out of Hrithik Roshan, Barbara Mori, Abhishek Bachchan, Aishwarya Rai Bachchan, Mamootty, Boman Irani, Jishu Sengupta, Indraneil Sengupta, Kangana Ranaut amongst many others the Reliance BIG Pictures slate is sure to watch out for!

Have a sneak peek into Reliance BIG Pictures’ slate of films for the year 2010:

view KITES movie stills
KITES

KITES:

A truly international film KITES tells the story of a young con-man who lives ‘life’ in Las Vegas, always ready to make fast money in any way possible, always looking for the big score. Directed by Anurag Basu and produced by Rakesh Roshan the film stars Hrithik Roshan, Barbara Mori, Kangana Ranaut and Kabir Bedi. It is shot in Mumbai, New Mexico, Las Vegas, and Los Angeles. The film will have and Indian and international version which will release simultaneously. Brett Ratner, best known for the RUSH HOUR series, FAMILY MAN starring Nicholas Cage and X-MEN THE LAST STAND is currently at work on the English version of KITES and tailoring it to appeal it to an international audience.

view WELL DONE ABBA movie stills
WELL DONE ABBA

WELL DONE ABBA:

WELL DONE ABBA is the story of Armaan Ali, a driver working in Mumbai. He takes leave for a month to find a husband for his teenage daughter, who lives in a small locality close to Hyderabad. Armaan Ali returns to work only after 3 months. His young employer wants to sack him but is persuaded to listen to the reason why Armaan got so delayed.

Directed by Shyam Benegal stars Boman Irani, Minissha Lamba, Sammir Dattani, Ila Arun, Sonali Kulkarni, Ravi Kishen, Rajit Kapur, Ravi Jhankal and Yashpal Sharma.

RAAVAN:

Abhishek Bachchan and Aishwarya Rai Bachchan come on screen together in Mani Ratnam’s RAAVAN – a modern day adaption of the epic Ramayan, being readied in Hindi, Tamil and Telugu.

MIRCH:

Directed by Vinay Shukla MIRCH revolves around the protagonist Maanav, a committed struggling filmmaker whose girlfriend Ruchi, a successful film editor, arranges for him to meet film producer Nitin, who is not very convinced about Maanav’s script. Maanav then suggests four stories on infidelity, woven together by a common story.

The film stars Konkana Sen Sharma, Raima Sen, Shahana Goswami, Shreyas Talpade, Rajpal Yadav, Boman Irani, Sushant Singh, Arunoday Singh and Prem Chopra with special appearances by Saurabh Shukla & Tisca Chopra.

view CHALOO MOVIE movie stills
CHALOO MOVIE

CHALOO MOVIE:

The police raid a theatre where movie tickets of a very successful film are being sold in black. When Police Inspector Sher Khan interrogates Khoji, a man in his 20s, he claims that he is the director of the very film whose tickets he is selling in black. The cynical Sher Khan puts Khoji behind bars after which he receives two phone calls – one from the Police Commissioner and another from the dreaded don ‘WC’, both of whom support Khoji’s detention. A hilarious turn of events reveal who Khoji is, whether he is really the film’s director, why is he selling his film’s tickets in black and what do the Police Commissioner and don ‘WC’ want from Khoji.

Starring Rajpal Yadav, Shekhar Suman, Divya Dutta, Hrishta Bhatt and Sayali Bhagat, CHALOO MOVIE is directed by Vinod Pande.

Reliance BIG Pictures, the most committed motion picture company producing regional films in 8 Indian languages is working persistently towards taking them beyond the conventional Diaspora

The slate of films includes:

KUTTY SRANK: Shaji Karun’s Malayalam film KUTTY SRANK starring Mamooty, Kamilini Mukherjee, Padmapriya and Meenakumari brings out three distinct personalities of a dead boat-man from the perspective of three women each of whom claims to be his wife.

ABOHOMAAN
ABOHOMAAN

ABOHOMAAN: Rituparno Ghosh’s Bengali film ABOHOMAAN starring Dipankar De, Mamata Shankar, Ananya Chatterjee, Jishu Sengupta and Ria Sen brings to the screen a sensational relationship between a film-director, a young actress and a wife who swears to ruin her husband’s life and career and a son who gets caught in the cross-fire in this extravagant drama.

JANALA: Buddhabed Dasgupta’s Bengali film JANALA starring Tapas Paul, Swastika Mukherjee and Indraneil Sengupta is the journey of a solitary man against the wrath of circumstances when he decides to pursue his little impulsive dream.

IJJODU: by the maestro M S Sathyu is a film about a photo journalist who finds an interesting girl who has been exploited on the name of religion. He succeeds in breaking her blind belief but fails to accept her to give her an alternative life. This Kannada flick stars Meera Jasmine and Anirudh.

GLAMSHAM.COM

By Bollywood Hungama News Network, December 5, 2009 – 00:00 IST

RGV returns with Phoonk 2

Maverick filmmaker Ram Gopal Varma is ready with the sequel of Phoonk, titled Phoonk 2. The film has been directed by Milind Gadagkar, who had written the original version.

Launching the first look of the film, RGV Said, “When Milind Gadagkar the writer of Phoonk came up with the idea of Phoonk 2, the opening sequence itself made me jump up in my seat. The moment I read the entire script I was convinced that he should direct the film as I was amazed at the clarity he had in detailing of the story.”

Comparisons between the two films are inevitable, to which he replies, “In spite of Phoonk’s hit status quite a few people say that it’s not a scary film and there is a reason for that. Scare can be of two kinds, where one is of a kind which scares you due to a completely helpless situation you catch yourself in, and the other which just plain scares your senses. Bhoot falls in the 2nd category whereas Phoonk falls in the 1st one. Phoonk 2 also falls in the 2nd category where its intention is as plain and simple – to just scare the audience’s pants off.”

On choosing the horror genre for his first film, debutante director Milind Gadagkar says, “Ever since I can remember, I have always been a huge fan of the horror genre and the psychosis of fear. Fear is such a strong emotion that it defies all logic. As small children we are scared of entering a dark room; somewhere further in life, we rather try and avoid isolated roads with no street lights.”

“It is not just ghosts that we are scared of but there are times in our lives when a strange and inexplicable incident also scares the hell out of us. Studying this phenomenon of fear has always intrigued me. All said and done, I am really thrilled that inspite of me not having liked Phoonk, Ramu liked Phoonk 2,” Milind concludes.

When asked if he was satisfied with Milind’s treatment of the film, RGV said, “When I saw the 1st cut of what Milind showed me of the film, I told him that it’s not only far better than Phoonk but I think it is the scariest film Bollywood has ever made and it is miles above all my so-called scary films like Bhoot, etc and I mean every word of it from my spine onwards….. Chilling!”

RGV even lets out a bit of the story, “If the entire Phoonk story was about how this evil woman who practices black magic was bent upon torturing and killing a little girl in order to make her father suffer and how the father after desperately trying every measure manages to get a tantrik who kills the evil woman, Phoonk-2 starts off with the spirit of the evil woman coming back from the dead and brutally murdering the tantrik.”

The film has been made in three languages, Hindi, Tamil (Bommai-2) and Telugu (Aavaham). Looks like audiences can await one chilly ride with Phoonk 2.

Just when movie enthusiasts across the globe are eagerly awaiting the release of James Cameron’s magnum opus ‘Avatar’ on Dec 18, multiplexes across India are gearing up to encash on the extraordinary buzz around its release.

Made with a fusion camera developed by Cameron himself, ‘Avatar’ is expected to revolutionize the film-watching experience and multiplexes are investing huge sums in upgrading their infrastructure to bring this extravaganza to moviegoers.

While Avatar will be released in 2D as well as 3D formats, theatre owners are particularly expecting a huge demand for the 3D version.

In the past, 3D Hollywood films like ‘Ice Age 3’, ‘& ‘Final Destination’ have done good business in India.

From the time producers Fox Star Studios screened 20 mins footage of Cameron’s film in August this year, the number of 3D screens in India has increased from around 12 to 40, and 60-70 screens by 18th December.

This covers cities across India including major markets like Mumbai, Delhi, Pune, Bangalore, Chennai & Hyderabad as well as smaller centers like Coimbatore, Amritsar, Kerala, Jaipur and Ahmedabad (which is considered a small market for Hollywood films).

Aditya Shroff, AVP – Distribution, Programming and Corporate Sales for Fame Cinemas reaffirms, “I believe that the 3D version of Avatar is going to be the revolutionary movie for this generation & hence Fame is trying to go as wide as possible with the 3D release. Avatar will do to 3D what Reliance did to mobile phone usage in India.

While most multiplexes in Pune and Bangalore are going 3D, single screens like ‘Central Plaza’ in Mumbai and ‘Urvasi’ in Bangalore are also going 3D before the release of release Avatar.

Interestingly, Avatar will be released in 3D in Hindi also.

Cinemax in Andheri (Mumbai) has updated its biggest auditorium that has the capacity of 377 with 3D facility for AVATAR.

Inox will have 3D screens in Pune, Baroda, Bangalore, Hyderabad, Chennai, Nagpur, Raipur, Rajasthan, Indore, and Kolkata before the release of AVATAR.

Commenting on the hype around ‘Avatar’, Mr. Vijay Singh, CEO, Fox Star Studios India says; “There is an incredible buzz building up for Avatar across the India media, our theatrical partners and the core audiences. The dramatic increase in the no. of 3D screens, as well as the strong interest that we are getting from the Hindi, Tamil and Telegu language markets reaffirms the strong buzz for the film.”

Ranjit Thakur, CEO of Scrabble Entertainment says “The demand for 2K Digital & 3D Systems is from all corners of the county. Even the single screen exhibitors want to capitalize on the opportunity of screening Avatar in 3D. “

Thakur adds “The demand for the film has created a worldwide shortage of digital equipment and even silver screens for 3D are hard to get”.

‘Avatar’ is an epic action adventure film made on a whopping budget of Rs 1200 crores. It is the story of a wounded ex-marine, thrust unwillingly into an effort to settle and exploit an exotic planet rich in bio-diversity, who eventually crosses over to lead the indigenous race in a battle for survival.

Avatar releases worldwide on Dec 18 in 2D & 3D. In India, the film will also be dubbed in Hindi, Tamil & Telugu.

BOXOFFICEINDIA.COM

LAUGHING ALL THE WAY TO THE BANK: Bollywood hit producer Boney Kapoor prepares for his next blockbuster,
Milenge Milenge, starring Kareena Kapoor and Shahid Kapoor

Boney Kapoor is buoyed by the success of Wanted and the future prospects of the last Kareena-Shahid film together

MARK MANUEL Times News Network (BOMBAY TIMES; November 9, 2009)

Boney Kapoor is maha excited. Not over Wanted, his September blockbuster that got close to Rs 40 crore billing, but by his January release Milenge Milenge — which is the last time you will see Kareena Kapoor and Shahid Kapoor romantically paired on screen. I don’t have to tell you the film’s been in the making for a while, but Boney is confident it will be successful. “I can feel it in my bones,” he said emphatically, “why should it not work, it’s a good love story, it’s got fantastic music.” But what about the chemistry between Kareena and Shahid, I asked. “That’s there,” Boney declared, “besides, once the lights are off in the theatre, you forget whether they are a couple or not, and they become characters.”
He’s been a major player in Bollywood for 33 years now, and has always been big on ideas, and bigger on executing them. Which accounts for some 30 successes over the 80s, 90s and so far into the 2000s. Now he rattled off their names to me not in any order but as they came to mind. “There was Judaai in 1997 with Anil Kapoor and Sridevi which was a major hit but not a blockbuster,” he began, “Company, Pukar in 2000 — that won the National Award, and Loafer which was very successful, also Run in 2004… Abhishek Bachchan’s cleansing began with this film, and Sirf Tum in which Sushmita Sen had the superhit song Dilbar… then No Entry, the biggest commercial success of 2005, and Wanted now, which I would rate as one of the Top 10 films of all time. It’s still running! And it’s a case study to the business that has evolved now. When people talk of a film raking in Rs 200 crore… that’s a western concept to lure eyeballs. What you get in hand is what matters. I gave you the Indian boxoffice figures for Wanted. The overseas, satellite, home video/audio, branding rights are separate.”
He’s had some lemons at the box office as well, films like Roop Ki Rani Choron Ka Raja in 1993 that I wasn’t reminding him about. However, Boney said on his own, “I’m a complete hands-on filmmaker, I’ve been through it all, I’ve done so many films, and several for my brothers Anil and Sanjay too, that I’ve got to know the complete and detailed aspects of filmmaking and distribution. With today’s invasion of corporates, the role of the producer is not underlined, there’s just a mad rush to put the package together. That’s why you’ve seen so many packages falling like nine pins! The control of the project is the engine… and it’s important to have a producer driving it with passion. Yes, the corporates brought in discipline where the business of filmmaking is concerned, and they streamlined the revenue mode, but they took away the passion.” That Boney has passion, there is no doubt. “I’ve been through the highs and lows, I’ve had a fractured financial status, but even then… if I can still churn out a blockbuster, what magic might I have done with a complete back-up,” he asked. The answer to that, perhaps, is in the films his production house BSK Network and Entertainment Pvt. Ltd. is making. I’ve already told you about Milenge Milenge. Then there’s the Anees Bazmee directed It’s My Life with Genelia, Harman Baweja and Nana Patekar, a remake of the successful South Indian film Bombraillu in Telugu and Santosh Subramaniam in Tamil. Isn’t Hurman bad news in Bollywood, I asked. “Wasn’t Amitabh bad news until Zanjeer,” Boney shot back. And he’s got three more films in mind for which Boney Kapoor can already hear the cash tills at the box office ringing. They are all sequels. “I’m starting Mr. India 2 — Be Positive,
there’s a strong possibility of Anil and Sridevi being the
lead pair, plus a new, young couple, and somebody big playing the major and unusual role of the villain. Then I’ve got a fix for No Entry 2. And somebody suggested a good idea for Most Wanted. Everything depends on the viability of the projects and availability of the main crew. I’m a strong believer in the need for a good support system. My cast is always according to the need of the film. What works is not a package, but the product.”

By Subhash K Jha (MUMBAI MIRROR; October 09, 2009)

Almost overnight, Vivek Oberoi who’s doing Ram Gopal Varma’s two-part marathon bio-pic Rakta Charitra, has slipped into the Telugu version of the film as well. Earlier, Vivek was slated to do only the Hindi version, while a new Telugu actor Aadhi was supposed to act in the Telugu version with veteran Mohan Babu as NT Rama Rao. But then Ram Gopal Varma did a look test with Vivek Oberoi.

A source close to Vivek says, “When Ramu did a look test, he immediately decided that Vivek was the right actor to play the role in both the versions. The only problem was, Vivek didn’t know how to speak Telugu… Or so Ramu thought. Actually, Vivek knows better Telugu than Ramu, although the latter is from Andhra Pradesh.” Vivek’s father Suresh Oberoi is from Andhra Pradesh and Vivek is familiar, though not fluent, in Telugu. The source adds, “Vivek has now employed a Telugu tutor in Hyderabad who is teaching the actor the nuances of the language. Fortunately, Vivek is a fast learner. He also insists on talking only in Telugu to everyone in Hyderabad, including his director who can barely speak his mother tongue.”

Vivek Oberoi

Ram Gopal Varma

By Subhash K. Jha, September 29, 2009 – 09:29 IST

Madhu Mantena Aamir Khan and Hrithik Roshan!

These are two of the names being seriously considered for the Hindi remake of the Telugu super-blockbuster Magadheera directed by S.S Rajamouli.

Released in July this year, the film has already grossed over Rs. 65 crores in India alone and is said to be the second-biggest Telugu hit after Ghajini which holds the record for being the biggest hit ever in Andhra Pradesh.

With this Telugu remake into Hindi that is expected to take off early next year, producers Allu Arvind and Madhu Mantena who also co-produced Ghajini in both Telugu and Hindi, hope to raise the bars for action-drama cinema in Hindi once again.

The remake, to be budgeted at Rs. 70 crores, is deeply ambitious. The Hindi version of Magadheera is expected to star Aamir Khan and Hrithik Roshan.

While in the original Telugu film which is set in 17th century and in today’s times, the hero Ram Charan Teja plays a double role, the remake, it is reliably learnt, will split the hero’s personality into two parts. Apparently, Hrithik will play the 17th century Samurai while Aamir will play his present-day avatar.

Says Madhu Mantena, “Yes. Allu Arvind and I are remaking Magadheera in Hindi. As for the cast, it’s too early to talk about it. But Magadheera is definitely planned to be bigger than Ghajini.”

BOLLYWOOD HUNGAMA.COM

By Subhash K Jha (MUMBAI MIRROR; September 24, 2009)

Shatrughan Sinha will play NT Rama Rao, Telugu Desam party’s chief, in Ram Gopal Varma’s Rakta Charitra. The bio-pic is based on the alleged outlaw Paritala Ravindra, who was wanted for several serious cases, but he contested and won elections on a Telugu Desam ticket. The film will go on the floors in Hyderabad shortly.

Shatrughan Sinha

Ram Gopal Varma confirmed and said, “I chose Shatruji because he has a larger-than-life personality, which is required to play NT Rama Rao. NTR played a very important part in the life and political career of Paritala Ravi.” Talking about the film, Shatrughan Sinha said, “Rakta Charita is more like the Mahabharata in spirit than the Ramayana. The film’s tone is similar to that of The Godfather.” The film will be made in Hindi and Telugu and veteran actor Mohan Babu will play the role of NT Rama Rao in the Telugu version.

By Taran Adarsh, September 17, 2009 – 19:15 IST

This is for fans and foes of Salman Khan…
Fans, rejoice, Salman is back with a vengeance with WANTED. This is his deadliest performance to date. Yes, you read it right!
Foes, sorry, you won’t be able to lash out at him or pick on him or launch a vicious tirade this time. The spate of flops should come to a grinding halt with WANTED.

Let’s get this straight. WANTED rides on Salman Khan’s star power. He may not be the best actor in town, but in a film like WANTED, in a role that seems like an extension of his personality, you can’t think of anyone else enacting this role with flourish.

BY BOLLYWOOD HUNGAMA.COM

A remake of POKIRI [made in Telugu and Tamil versions], WANTED is a full on masala film. Recall the successful potboilers of yore. Recall how the good guy would reduce 10 hoodlums to pulp in a fraction of seconds. Recall how heroism prevailed in the end, no matter how adverse the circumstances were or how powerful the villains would be. Recall those movies in which logic took a backseat since the focus was on entertainment… You relive those moments as reel after reel of WANTED unfolds.

//

A departure from candyfloss movies and diabetic-sweet characters that most Hindi movies boast of, WANTED takes you back to those days when popular cinema reigned supreme, when the sole motive of the film-maker was to entertain.

The daring hero and his herogiri, the naïve girlfriend, the corrupt cop, the dreaded don, the don’s moll, the fist-clinching henchmen… WANTED is for those who seek unabashed entertainment and relish masala films. Damn the indomitable critics, pseudo intellectuals and connoisseurs of parallel cinema, this one’s not for them. WANTED is for the aam junta.

Radhe [Salman Khan] is a hardcore gangster. A sharpshooter with a sharp brain, he works for Gani Bhai [Prakash Raj], the dreaded Mafioso, but on his own terms. Totally fearless, Radhe single-handedly eliminates Gani Bhai’s enemies one by one; making more enemies in the process.

He’s astounded when the young and pretty Jahnvi [Ayesha Takia Azmi] professes her liking for him. Inspector Talpade’s [Mahesh Manjrekar] lustful eyes fall on Jahnvi. He doesn’t know that Jahnvi has developed a soft corner for Radhe.

Whether it’s the Golden Gang or Data Pawle’s Gang, everybody wants the biggest piece of the lucrative cake that is Mumbai and the only way to get it is to eliminate whoever gets in the way. As Mumbai reels under bloody gang wars, Commissioner Ashraf Khan [Govind Namdeo] vows to make the city crime free.

Director Prabhu Dheva serves a hardcore masala fare that’s not inventive or path-breaking by any standard, but the execution of several scenes as also of stunts takes the graph of the film Northward. In fact, if at all there’s any film that competes with GHAJINI as far as raw appeal goes, it’s WANTED. Every action/stunt/chase here is choreographed with aplomb.

Watch out for the action sequence at the interval point or the penultimate half-an-hour. The climax is sure to send scores of action lovers in frenzy, as Salman bashes the evil forces black and blue. It wouldn’t be erroneous to state that the climax is worth the price of the ticket, samosa, sandwich, popcorn, nachos and cola put together.

Not that this 18 reeler abounds in mindless action. As mentioned earlier, this one’s a hardcore masala film and the narrative has its share of light moments and romantic sequences. Even the bad man here makes you laugh intermittently [when he's not spewing venom], especially in the sequence when the Commissioner of Police holds him captive in the middle of the sea. Even the romance between Salman and Ayesha charms its way into your heart. It’s very likable.

But WANTED is not without its share of flaws. The film stands on a thin storyline and the viewer can guess what’s in store next, which means that there’s not much novelty in the plot. Besides, WANTED could’ve done without a song or two, thereby keeping its length in check.

Director Prabhu Dheva has presented Salman like never before. Most actors have drifted away from roles that hold tremendous mass appeal, that cater to the desi audience, like they did in the 1980s. SRK did it in OM SHANTI OM, Aamir Khan did it in GHAJINI and Salman does it so effortlessly in WANTED. The screenplay [Shiraz Ahmed] may not be foolproof, but it has its share of shining moments. Dialogues are clapworthy, especially those delivered by Salman.

Sajid-Wajid’s music is of a mixed variety. ‘Jalwa’ is the best of the lot and the star presence of Anil Kapoor, Govinda and also Prabhu Dheva in this track will send the viewers into raptures. The remaining tracks oscillate between good and strictly okay. This review would be incomplete without the invaluable contribution by the action director. It deserves brownie points. Cinematography too is top notch.

Salman is like a ferocious lion who roars with all his might. The show belongs to the actor, who scorches the screen every time he displays the manic anger. Without doubt, Salman gives the power to WANTED. It’s his best work to date.

Ayesha Takia Azmi is very good and the pairing with Salman looks wonderful. Vinod Khanna is sidelined. He deserved more footage. Mahesh Manjrekar is excellent. He’s only getting better with every film. Prakash Raj is first-rate. The accomplished actor adds yet another feather to his cap. Govind Namdeo is perfect.

Mahek Chahal radiates oomph. Aseem Merchant is alright. Raju Mavani is effective. Inder Kumar and Sajid are okay. Manoj Pahwa tries hard to make you laugh. Prateeksha Lonkar is as usual.

On the whole, WANTED rides on Salman, Salman and only Salman Khan’s star power. A masala film that’s aimed at the masses, WANTED is backed by tremendous hype and hoopla, which will result in the film taking an earth-shattering start at the ticket window. The Idd celebrations in the coming days will only enhance the business of the film, which means that the film will have a solid Week 1. The holidays in Week 2 should also be bountiful, thereby ensuring a strong place in the ‘Hit’ category.

MAKING THE RIGHT MOVES: Prabhu Devaa and (right) Boney Kapoor
… and cine goers wait for the big ticket of Eid!

Meena Iyer TIMES NEWS NETWORK (BOMBAY TIMES; September 9, 2009)

In his 20-year-span as film producer Boney Kapoor has only seen mega-size dreams. “It won’t be wrong to describe my next film Wanted that releases on September 18, as my most ambitious project to date,’’ says Boney. He’s left no stone unturned to make this Salman Khan-Ayesha Takia Azmi Eid offering a big ticket venture. The film produced under the banner Sahara One Motion Pictures and SK Films Enterprises, has been directed by India’s most wanted choreographer, Prabhu Devaa, and is carrying the right buzz. Boney confesses he has a smell for hit plots. Through the years, he has kept his ear to the ground about South Indian films that have proved to be super-hits. And, he has usually ended up bidding for the rights even before Bollywood can say, well, “Want it.” And so, Wanted is the remake of the Tamil super-hit Pokiri, a film that is described as the Sholay of Tamil Nadu. Talking of his association with Prabhu, who shot to fame as director of two superhit South films — Nuvvostanante Nenoddantana (Telugu) and Pokiri (Tamil), Boney says, “Prabhu choreographed a song with Sridevi in Roop Ki Rani Choron Ka Raja and subsequently did songs for my films Pukar, Shakti and Khushi. When I heard he had directed Pokiri, I decided to go ahead and make Wanted with him. Prabhu is hot property in the South and I hope he’ll be equally sought-after in Bollywood.’’ On his part, Prabhu is more sceptical. “I’m nervous, I’m opening my account in Mumbai with this one and I’m quite anxious about the film’s fate. I’ll only breathe easy after it has been declared a success.’’ Boney adds, “I was to purchase the rights of Pokiri and Ghajini simultaneously because both are action flicks. However, I heard that Allu Arvind the producer of Ghajini was keen to do the Hindi remake as well. So I settled for just one film.’’ Excited because he has been getting fantastic response to his trailers, Boney says, “This will be one of Salman’s most watched films. Not only has he excelled in the action sequences, he has even danced like a dream. With Prabhu… naturally Salman has got the right guidance.’’ Incidentally, the dancing legend of the South has a blink-and-you-will-miss-it move in the film… watch out for him.

SIX HINDI FILMS THIS FRIDAY!

There would be no biggies for the next four weeks. The Ramzan month has commenced, during which a sizeable chunk of audience stay away from the theatres. Taking advantage of this, every year, a number of small and medium budget films hit the theatres in this holy month. The producers of such films hope that their film would do a good business in the absence of any biggie. Last year, ‘A Wednesday!’, 1920 and Welcome To Sajjanpur released during Ramzan and became hits.

And this year too, lots of small-budget films are all set to hit the screens. These films failed to get a proper release before the Ramzan as all weeks were booked by the biggies, owing to the producer’s strike which happened in summer. And this has resulted in a chaotic situation as around 20 films are planning to release in this month! 2 of them released last Friday-Shadow and Sikandar. In fact, tomorrow, as many as 6 films are all set to hit the theatres. These films are Daddy Cool, Kisaan, Quick Gun Murugun, Toss, Yeh Mera India and Love Khichdi!

Any layman can understand that it is indeed foolish for 6 films to release on a single day. And we should not forget the 2 Hollywood films that are also releasing tomorrow- Race To Witch Mountain and The Taking of Pelham 123. So this takes the number of films arriving tomorrow to 8! Madness!

But if observed, then producers don’t have much of a choice. If they won’t release their films now, then they won’t be able to do so till the end of 2009. Once the month of Ramzan ends, biggies will start releasing week after week. And releasing a small budget film with a biggie can be suicidal. So, they prefer releasing it with half-a-dozen other small films. Still, I fail to understand why only two films released last week and 6 films are releasing this Friday. What I mean is-2 of the films releasing tomorrow could have instead released last week. This would have made the situation less chaotic.

QGMOut of these 6, Quick Gun Murugan surely has an edge over the others. It is a spoof of western cowboy and Rajanikant films and its promos have been impressive. The film is releasing in 4 languages-English, Hindi and Tamil and Telegu. Kisaan (*Sohail Khan, Arbaaz Khan, Jackie Shroff, Dia Mirza, Nauheed Cyrusi and Rahul Dev) has the ability to do a great job in the North. Daddy Cool doesn’t have much chance. It is an official remake of the popular Hollywood film Death At a Funeral and is backed by Big Pictures. There are hardly any promos on TV which show as to what the film is actually about. Toss is the popular Ranvijay’s debut film, Yeh Mera India looks hard hitting while Love Khichdi’s promos started just a week ago! But these three films have dim chances of succeeding in this rat race due to no hype.

There’s a possibility that the next two weeks will also see 4/5/6 films releasing. God save all these films!
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DHAN TE NAN IS NOT ORIGINAL!

dhan te nanThe song which has taken the entire nation by storm, Kaminey’s Dhan Te Nan is not an original song! Yes, you read it right! It was used around a decade back in Gubbare, a popular serial at that time on Zee TV comprising of short comedy stories. But before you blame composer Vishal Bharadwaj of being Pritam-2, here’s the entire truth-Vishal Bharadwaj himself had composted the Gubbare’s Dhan Te Nan! In fact, he was also the director of the episode in which the song is played. And even the lyricist for both the songs is the same (Gulzar)!

Although Bharadwaj did some changes in Kaminey’s Dhan Te Nan, there are many similarities in both of these versions. Even the line ‘Teli ka tel’ was incorporated in the original song. I wonder, why no one’s sentiments were hurt at that time?! Anyways, I’ve uploaded the original below. Do watch it and have a laugh! DO NOT MISS IT!

P.S.: The actor in red coloured shirt…is he Sharman Joshi?




  • shaziya: Vidhu Vinod Chopra remained unavailable for comment. But we wonder, has he forgotten his Munnabhai Gandhigiri lesson?
  • shaziya: The team of Eros International’s Veer has been looking forward to this day with great anticipation as the mega project finally hits the big screens
  • hitesh patel: glad came to know that we indians have developed something amaging.I urge the govt to take step in making people study who are not financially capable
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