Fenil and Bollywood

Posts Tagged ‘twists

Actor Sakshi Tanwar decides to move behind the camera, is now Creative Consultant for Samman: Ek Adhikar

By Vickey Lalwani (MUMBAI MIRROR; January 05, 2010)


For all those who have been wondering what Sakshi Tanwar is up to these days, here is the dope. Saakshi, who had disappeared from the television scene after playing Parvati in Kahaani Ghar Ghar Kii, has moved ahead in her professional life. She has become the Creative Consultant of the show, Samman: Ek Adhikar.

Interestingly, the channel which broadcasts Samman…, has stopped most of its other weekly shows. Naturally, the TRPs of Samman Ek Adhikar are satisfying enough for the channel to have retained it as one of their few shows.

A source (name withheld on request) from the production house, says, “Sakshi’s presence on the show is one of the main reasons why Samman… is doing well. Her degree of involvement in the show is very high. Sakshi is primarily responsible for the twists and turns in the storyline. She also visits the sets very often.”

Associate Creative of Samman Ek Adhikar, Lavesh Ahairajani confirmed the news. He says, “As the head of the creative team on our show, Sakshi brings in a lot of energy. She is the answer to all our day-to-day problems. She has even come up with very catchy dialogue on the spur of the moment.”

Despite repeated attempts, Sakshi Tanwar remained unavailable for comment.

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BLUE WILL GIVES YOU BLUES!!

No matter how grand a film is, how wonderfully it has been promoted or which big names associated are with it, if its content is bad, then nothing can save the film. Blue comes in this category. The film was so nicely publicized, the promos looked rocking, Akki-Sanju pairing seemed electrifying and Lara Dutta’s bikini scenes had sent the youth in frenzy. Unfortunately, the film’s story is pathetic and thus, the film disappoints…big time!

The story of the movie: Sagar (Sanjay Dutt) is an honest guy staying in Bahamas and has a girlfriend, Mona (Lara Dutta). His best friend is Aarav (Akshay Kumar), a rich and over ambitious businessman. One fine morning, Sagar’s younger brother, Sameer aka Sam (Zayed Khan) arrives at Sagar’s place after staying in Bangkok for 5 years. Sam hasn’t come there just to meet his folks for a few days-he had ran away from Bangkok after taking panga with a gangster Gulshan (Rahul Dev) there. On the other hand, there is a treasure lying deep under the sea, somewhere near Bahamas, and Aarav persuades Sagar to join him in finding the treasure. But Sagar has reservations about it which is connected to his past.

In just 15 minutes, you get a hint that the director is unfit and doesn’t know his job well. The opening credits scene was brilliant. But the following scenes and also the boxing sequence hold attention initially but the interest soon wears off. The movie then focuses on Zayed Khan which was the best part of the first hour. But the story hardly moves once Zayed comes to Bahamas and joins Sanju and his team and this happens till the intermission point. In between, there two songs are thrown in, ‘Chiggy Wiggy’ and Blue Theme, which serve no purpose to the main storyline.

The actual treasure hunting begins in the last 30 minutes and you expect fireworks right till the climax. But alas…it was plain lackluster. The director could have included added more thrills or at least some twists and surprises. Sure, there is a twist in the end but that doesn’t work big time. Also the climax was so lame!

Talking about flaws, there are plenty. What is striking is-the treasure is part of India’s wealth and was coming to India in a ship in 1949. But when the ship sank, no effort was made by the Indian Govt or for that matter, any adventurer to get hold of it. Although there were stories that the captain of the ship took away the treasure, still no one tried even investigating this case and that too for 5 decades! Very hard to digest!

However, the film scores at a few places. The bike race and the following chase scene involving Zayed Khan rocks! Another bike scene post-interval, which also involved a train, was also well-shot. And the best scene of the film was when the goons attack Sanjay’s place. Simply outstanding! So you can see, only the action sequences hold attention. And the film, overall, is a damp squib!

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It’s a treat to see Sanjay Dutt in every film and in Blue too, he does a great job. Although he looked a bit fat places, overall, he gives a smashing performance. Akshay Kumar steals the show. He also raises a few laughs in between and was perfect for this role. However, it’s really disappointing to see Akshay Kumar in pathetic films lately. Let’s hope De Dana Dan (his next with Priyadarshan) works. Zayed Khan looked dashing and charming. The world may denounce him but I feel that he has the potential and can reach the top, if given an opportunity.

I really feel bad for Lara Dutta. When she signed Blue, she didn’t know swimming and she dedicatedly learnt how to swim in just three months and became a pro. However, she hardly has any contribution to the main plot of the film. In fact, one can argue that there was no need for her character in the film at all! Really very unfortunate! Rahul Dev was okay and Kabir Bedi doesn’t have a single dialogue in the film. Katrina Kaif is stunning while Kylie Minogue oozes oomph!

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A R Rahman’s music was good, but nothing special. The Blue Theme, Chiggy Wiggy and Aaj Dil are the best songs of the lot. Rahman’s background score sounded modern and fresh.

Laxman Utekar’s cinematography was eye-catching. The underwater cinematography by Pete Zuccarini was outstanding and the underwater scenes really looked stunning. Oscar winner Resul Pookutty strikes a sixer with his marvelous sound designing. Fantastic job! The locales (Bahamas) are excellent.

Some of the dialogues (Mayur Puri) stand out. While the crew did their job wonderfully, the story and the script (Anthony D’Souza and Jasmine D’Souza) spoil and ruin the show. Same goes for direction by Anthony. He had everything-a producer who was ready to invest large amounts of money, top actors of the current period, an excellent crew (including some from Hollywood) and what not. But alas! Did Anthony feel that people are going to praise his film just by showing them some wonderful underwater scenes and handful of action sequences? The producer, Dhilin Mehta, is equally to blame. What was he thinking when he invested 90 crs+ on such a flawed script and on a debutant director? My blood boils to see huge amounts of money going waste, which could had been utilized in a better way. We are a pro when it comes to lifting/copying/inspiring from Hollywood flicks. Then why can’t we have a Hollywood-like terrific direction and screenplay? Really very very disappointing!

Some of the best scenes in the film:
1. Sam in Bangkok
2. Sagar and Aarav having a drink at the edge
3. Sam being chased in Bahamas
4. Gulshan’s attack on Sagar
5. Sam, Sagar and Aarav searching for treasure
6. The final scene

On the whole, Blue is a big time disappointment. The film’s cast and crew have done a brilliant job but the film fails to impress because of its faulty script. Blue should fail (and it will, for sure, keeping in mind its high cost) at the Box office so that it gives a lesson to all producers in Bollywood that investing large amounts of money on faulty scripts and taking audiences for granted will result in big losses and disaster.

My rating-** out of 5!

This review first appeared on MouthShut.com: http://www.mouthshut.com/review/Blue-177340-1.html

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