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Posts Tagged ‘A R Rahman

FINGERS CROSSED: A R Rehman
A R Rahman has got two nominations for Slumdog Millionaire

SUBHASH K JHA Times News Newtwork (BOMBAY TIMES; January 2, 2010)

A R Rahman, the most talked about Indian of last year, is counting down to the 52nd Grammy Awards. They’re being held on January 31, at LA, and the Oscar-winning music composer has won two nominations for his soundtrack from Slumdog Millionaire. The song Jai Ho – which fetched Rahman two Academy awards and a Golden Globe – has been nominated for ‘Best Song Written for Motion Picture, Television or Other Visual Media’ and also for ‘Best Compilation Soundtrack Album for Motion Picture, Television or Other Visual Media’. Rahman, naturally, is pleased. While he’s aware the Oscar Awards for Slumdog Millionaire required a whole lot of lobbying, the Grammy needs no such push. “All I’ve to do is wait and watch what happens. The Grammy is as exciting as the Oscar. It’s the ultimate music award, isn’t it? Although it’s a nomination for a film song, the Grammy is still another shot in the arm for Jai Ho. Any recognition is welcome. Jai Ho is an important song.” Not strangely, he feels a huge sense of responsibility. “I hope I never let down my country, my people, my music, my family and myself,” said the music genius who has just returned home after being in his “other base” — Los Angeles.

Rahman, meanwhile, is unhappy with the outcome of his first Hollywood soundtrack. “The music of Couples Retreat got a good response. But I feel my music was not used properly. It was a comedy. I guess you can’t expect music to have much of a place in a comedy. They were more into laughter than music,” he complained, adding, “The music has all been used. But not the way my fans would expect. I was prepared for the outcome when I entered this project.” So he’s not really disappointed by his first foray into Hollywood. “If I had waited for the perfect Hollywood vehicle, I might have had to wait endlessly. It’s not easy for an Asian to enter into Hollywood camps. It’s a new beginning for me. I got great reviews.”

He’s got a lot of offers but also has a tough schedule this year to be able to give any more time to new commitments. And, contrary to rumours, acting is not one of Rahman’s forthcoming commitments. “That’s completely false news,” he said shocked. “I am not going into acting. I’m going to be speaking in a documentary on my friend, the musician P. J. Mortan. We’ve known each other for some time. He collaborated with me for a track in Couples Retreat. That’s it. It’s not a feature film. I’ve no aspirations to go into acting. God has given me one skill and I’m very happy with it.”

By Bollywood Hungama News Network, December 31, 2009 – 12:22 IST

Best Film
3 Idiots
Dev D
Kaminey
Love Aaj Kal
Paa

Best Director
Anurag Kashyap – Dev D
Imtiaz Ali – Love Aaj Kal
R Balki – Paa
Rajkumar Hirani – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Actor (Male)
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Ranbir Kapoor – Ajab Prem Ki Ghazab Kahani
Ranbir Kapoor – Rocket Singh – Salesman Of The Year
Saif Ali Khan – Love Aaj Kal
Shahid Kapoor – Kaminey

Best Actor (Female)
Deepika Padukone – Love Aaj Kal
Kareena Kapoor – 3 Idiots
Katrina Kaif – New York
Priyanka Chopra – Kaminey
Priyanka Chopra – What’s Your Raashee?
Vidya Balan – Paa

Best Actor in a Supporting Role (Male)
Abhimanyu Singh – Gulaal
R Madhavan – 3 Idiots
Rishi Kapoor – Love Aaj Kal
Rishi Kapoor – Luck By Chance
Sharman Joshi – 3 Idiots

Best Actor in a Supporting Role (Female)
Arundhati Naag – Paa
Divya Dutta – Delhi-6
Gauhar Khan – Rocket Singh – Salesman Of The Year
Neha Dhupia – Raat Gayi Baat Gayi
Shahana Goswami – Firaaq

Best Actor in a Negative Role
Amole Gupte – Kaminey
Boman Irani – 3 Idiots
Kay Kay Menon – Gulaal
Mahesh Manjrekar – Wanted
Manish Choudhary – Rocket Singh – Salesman Of The Year

Best Actor in a Comic Role
D Santosh – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots
Paresh Rawal – De Dana Dan
Sanjay Mishra – All The Best
Vinay Pathak – Raat Gayi Baat Gayi

Best Background Music
Amit Trivedi – Dev D
Ilaiyaraja – Paa
Salim-Sulaiman – Rocket Singh – Salesman Of The Year
Shantanu Moitra, Atul Raninga, Sanjay Wandrekar – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Music
A R Rahman – Delhi-6
Pritam – Ajab Prem Ki Ghazab Kahani
Pritam – Love Aaj Kal
Pritam – Tum Mile
Vishal Bhardwaj – Kaminey

Best Playback Singer Female
Kavita Seth – Iktara – Wake Up Sid
Rekha Bhardwaj – Genda Phool – Delhi-6
Shreya Ghoshal – Zoobi Doobi – 3 Idiots
Shilpa Rao – Mudi Mudi – Paa
Sunidhi Chauhan – Mere Sang – New York

Best Lyrics
Amitabh Bhattacharya – Emosanal Attyachaar – Dev D
Irshad Kamil – Chor Bazari – Love Aaj Kal
Javed Akhtar – Sapnon Se Bhare Naina – Luck By Chance
Piyush Mishra – Ranaji – Gulaal
Prasoon Joshi – Man Ko Ati Bhavey – London Dreams

Best Story
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Anurag Kashyap, Aparna Malhotra, Raj Singh Chaudhary, Sanjay Maurya – Gulaal
Imtiaz Ali – Love Aaj Kal
Nandita Das, Shuchi Kothari – Firaaq
R Balki – Paa

Best Screenplay
Abhijat Joshi, Rajkumar Hirani, Vidhu Vinod Chopra – 3 Idiots
Anurag Kashyap, Vikramaditya Motwane – Dev D
Imtiaz Ali – Love Aaj Kal
Pankaj Advani – Sankat City
R Balki – Paa

Best Dialogue
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Imtiaz Ali – Love Aaj Kal
Anurag Kashyap, Vikramaditya Motwane – Dev D
R Balki – Paa
Vishal Bhardwaj – Kaminey

Best Editing
Aarti Bajaj – Dev D
Aarti Bajaj – Love Aaj Kal
Anil Naidu – Paa
Meghna Manchanda Sen, Sreekar Prasad – Kaminey
Rajkumar Hirani – 3 Idiots

Best Sound
Bishwadeep Chatterjee, Nihar Ranjan Samel – 3 Idiots
Dileep Subramaniam – Love Aaj Kal
Sanjay Maurya, Allwin Rego – Dev D
Shajith Koyeri, Subhash Sahu, P M Satheesh – Kaminey
Tapas Nayak – Paa

Best Special Effects
Charles Darby – Aladin
Prime Focus Ltd – Blue

Best Cinematography
C.K. Muraleedharan – 3 Idiots
P.C. Sreeram – Paa
Rajeev Ravi – Dev D
Shankar Raman – Frozen
Tassaduq Hussain – Kaminey

Best Art Directon
Acropolis, Rajnish Hedaa, Sumit, Snigdha Basu – 3 Idiots
Sabu Cyril – Aladin
Samir Chanda – Delhi-6
Samir Chanda – Kaminey
Sukanta Panigrahy, Helen Jones – Dev D

Best Choreography
Ahmed Khan – Prem Ki Naiiyya – Ajab Prem Ki Ghazab Kahani
Avit Dias – Aal Izz Well – 3 Idiots
Bosco- Caesar – Zoobi Doobi – 3 Idiots
Prasanna – Marjaani – Billu
Baawre – Vaibhavi Merchant – Luck By Chance

Best Action
James D Bomalick – Blue
Huan-Chiu Ku – Chandni Chowk To China
Shyam Kaushal – Kaminey
Tinu Verma – Acid Factory
Vijayan Master – Wanted

Most Promising Newcomer (Male)
Amole Gupte – Kaminey
Chandan Roy Sanyal – Kaminey
Navin Kaushik – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots

Most Promising Newcomer (Female)
Gauhar Khan – Rocket Singh – Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jesse Randhawa – Gulaal
Kalki Koechlin – Dev D
Mahie Gill – Dev D

Most Promising Debut Director
Ayan Mukerji – Wake Up Sid
Nandita Das – Firaaq
Pankaj Advani – Sankat City
Shivajee Chandrabhushan – Frozen
Zoya Akhtar – Luck By Chance

Best Child Artiste
Jahan Bativala – Little Zizou
Iyanah Bativala – Little Zizou
Rahul Kumar – 3 Idiots
Parzan Dastur- Sikandar
Pratik Katare – Paa

Best Ensemble Cast
Delhi-6
Firaaq
Gulaal
Luck By Chance
Sankat City

BOLLYWOOD HUNGAMA.COM

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Shekhar’s Paani is ready to roll in Spain

By Subhash K Jha (MUMBAI MIRROR; December 16, 2009)


Shekhar Kapoor flew into Chennai earlier this month to record his first song for Paani, officially flagging off his first feature film undertaking since the sequel to Elizabeth two years ago.

Says Shekhar, “Paani is now completely on. We start shooting in April 2010. We’re at a pre-visualisation stage. And I needed Rahman’s song for that. Since it is located in a futuristic city, I’ve artistes in Los Angeles, Singapore and India creating my city.”

While the film is set in futuristic Mumbai, Shekhar plans to shoot in Spain. “I’ve had a big offer from Spain to shoot the film in their country. They too are fascinated by the water theme. It’s a massive project. Otherwise it wouldn’t interest me.”

The film will star newcomers in the lead. Says Shekhar, “The girl has to be a 17-year old French-Canadian who lives in the Upper City (the posh area) of  Mumbai. And the young Indian boy is a desi Leonardo DiCaprio who’s a water revolutionary.”

The film is a forbidden love story. “The girl’s father is the global head of a water company. We need another girl, a smouldering entertainer like Shakira, who’s a big star in the Upper and the Lower City. Then there’s an Oracle called Amma.”

Shekhar will cast the hero from India while the girl will be cast internationally. He swears he hasn’t decided a single member of the vast cast as yet. “You know I had planned whole schedules of Elizabeth and I hadn’t found the actress to play the lead. And since Elizabeth wasn’t cast, no one else was. The studios were getting frantic with worry. We tested a hundred actresses. I wasn’t the least worried. I knew I’d find my Elizabeth. I saw two shots of Cate Blanchett in a film no one had seen and I decided on her. The most difficult actor to cast was Richard Attenborough. Likewise I’m not worried about Paani.”

The spoken language of Paani would be English. But there will be a dubbed Hindi version. “Even the characters of the Lower City would be speaking English. Slumdog Millionaire has proved that language is no barrier. Even though all the Indians spoke English, the language didn’t come in the way of credible self-expression. I will have a dubbed Hindi version too.”

Paani will be readied in time for the Venice Film Festival in 2011.

blue3

BLUE WILL GIVES YOU BLUES!!

No matter how grand a film is, how wonderfully it has been promoted or which big names associated are with it, if its content is bad, then nothing can save the film. Blue comes in this category. The film was so nicely publicized, the promos looked rocking, Akki-Sanju pairing seemed electrifying and Lara Dutta’s bikini scenes had sent the youth in frenzy. Unfortunately, the film’s story is pathetic and thus, the film disappoints…big time!

The story of the movie: Sagar (Sanjay Dutt) is an honest guy staying in Bahamas and has a girlfriend, Mona (Lara Dutta). His best friend is Aarav (Akshay Kumar), a rich and over ambitious businessman. One fine morning, Sagar’s younger brother, Sameer aka Sam (Zayed Khan) arrives at Sagar’s place after staying in Bangkok for 5 years. Sam hasn’t come there just to meet his folks for a few days-he had ran away from Bangkok after taking panga with a gangster Gulshan (Rahul Dev) there. On the other hand, there is a treasure lying deep under the sea, somewhere near Bahamas, and Aarav persuades Sagar to join him in finding the treasure. But Sagar has reservations about it which is connected to his past.

In just 15 minutes, you get a hint that the director is unfit and doesn’t know his job well. The opening credits scene was brilliant. But the following scenes and also the boxing sequence hold attention initially but the interest soon wears off. The movie then focuses on Zayed Khan which was the best part of the first hour. But the story hardly moves once Zayed comes to Bahamas and joins Sanju and his team and this happens till the intermission point. In between, there two songs are thrown in, ‘Chiggy Wiggy’ and Blue Theme, which serve no purpose to the main storyline.

The actual treasure hunting begins in the last 30 minutes and you expect fireworks right till the climax. But alas…it was plain lackluster. The director could have included added more thrills or at least some twists and surprises. Sure, there is a twist in the end but that doesn’t work big time. Also the climax was so lame!

Talking about flaws, there are plenty. What is striking is-the treasure is part of India’s wealth and was coming to India in a ship in 1949. But when the ship sank, no effort was made by the Indian Govt or for that matter, any adventurer to get hold of it. Although there were stories that the captain of the ship took away the treasure, still no one tried even investigating this case and that too for 5 decades! Very hard to digest!

However, the film scores at a few places. The bike race and the following chase scene involving Zayed Khan rocks! Another bike scene post-interval, which also involved a train, was also well-shot. And the best scene of the film was when the goons attack Sanjay’s place. Simply outstanding! So you can see, only the action sequences hold attention. And the film, overall, is a damp squib!

blue2

It’s a treat to see Sanjay Dutt in every film and in Blue too, he does a great job. Although he looked a bit fat places, overall, he gives a smashing performance. Akshay Kumar steals the show. He also raises a few laughs in between and was perfect for this role. However, it’s really disappointing to see Akshay Kumar in pathetic films lately. Let’s hope De Dana Dan (his next with Priyadarshan) works. Zayed Khan looked dashing and charming. The world may denounce him but I feel that he has the potential and can reach the top, if given an opportunity.

I really feel bad for Lara Dutta. When she signed Blue, she didn’t know swimming and she dedicatedly learnt how to swim in just three months and became a pro. However, she hardly has any contribution to the main plot of the film. In fact, one can argue that there was no need for her character in the film at all! Really very unfortunate! Rahul Dev was okay and Kabir Bedi doesn’t have a single dialogue in the film. Katrina Kaif is stunning while Kylie Minogue oozes oomph!

blue

A R Rahman’s music was good, but nothing special. The Blue Theme, Chiggy Wiggy and Aaj Dil are the best songs of the lot. Rahman’s background score sounded modern and fresh.

Laxman Utekar’s cinematography was eye-catching. The underwater cinematography by Pete Zuccarini was outstanding and the underwater scenes really looked stunning. Oscar winner Resul Pookutty strikes a sixer with his marvelous sound designing. Fantastic job! The locales (Bahamas) are excellent.

Some of the dialogues (Mayur Puri) stand out. While the crew did their job wonderfully, the story and the script (Anthony D’Souza and Jasmine D’Souza) spoil and ruin the show. Same goes for direction by Anthony. He had everything-a producer who was ready to invest large amounts of money, top actors of the current period, an excellent crew (including some from Hollywood) and what not. But alas! Did Anthony feel that people are going to praise his film just by showing them some wonderful underwater scenes and handful of action sequences? The producer, Dhilin Mehta, is equally to blame. What was he thinking when he invested 90 crs+ on such a flawed script and on a debutant director? My blood boils to see huge amounts of money going waste, which could had been utilized in a better way. We are a pro when it comes to lifting/copying/inspiring from Hollywood flicks. Then why can’t we have a Hollywood-like terrific direction and screenplay? Really very very disappointing!

Some of the best scenes in the film:
1. Sam in Bangkok
2. Sagar and Aarav having a drink at the edge
3. Sam being chased in Bahamas
4. Gulshan’s attack on Sagar
5. Sam, Sagar and Aarav searching for treasure
6. The final scene

On the whole, Blue is a big time disappointment. The film’s cast and crew have done a brilliant job but the film fails to impress because of its faulty script. Blue should fail (and it will, for sure, keeping in mind its high cost) at the Box office so that it gives a lesson to all producers in Bollywood that investing large amounts of money on faulty scripts and taking audiences for granted will result in big losses and disaster.

My rating-** out of 5!

This review first appeared on MouthShut.com: http://www.mouthshut.com/review/Blue-177340-1.html

blue4

By Taran Adarsh, October 14, 2009 – 08:08 IST

Roll out the red carpet.
Blow the conch shells.
Beat the drums.
It’s time to pop champagne…

BLUE, the most awaited movie of the year, with its canvas as huge as the ocean, comes alive on the Hindi screen this Friday. Like every biggie, this one also comes with the baggage of monumental expectations. With tremendous hype surrounding it, the inescapable question that crosses your mind is, will BLUE live up to those colossal expectations?

BY BOLLYWOOD HUNGAMA.COM

Let me keep it concise and to the point. You haven’t watched something like this on the Hindi screen before. Never ever!

//

It requires courage, willpower, fortitude, vision and of course, the financial backing to accomplish a project of this magnitude. And debutante director Anthony D’Souza puts his skills and the financial resources to best use. BLUE is not merely a stunning looking film, it’s also a well structured film. Most importantly, it’s a solid entertainer that packs in so much in those 1.58 hours.

Final word? Go, grab a ticket, if you haven’t booked one yet. This under-sea treasure hunt is a kickass film. A must-see for all those who love adventure flicks.

BLUE is set in the sun-soaked white sand beaches of Bahamas. Sagar [Sanjay Dutt] is a simpleton, while his friend Aarav [Akshay Kumar] is a rich, ambitious businessman.

Sagar’s brother Sameer aka Sam [Zayed Khan] has inadvertently managed to rankle the mafia in Bangkok [Rahul Dev]. He flees Bangkok and arrives in Bahamas. But the dangerous men reach Bahamas too. Sagar is the sole person who can bail him out from this crisis, but to save his brother, Sagar has to wrestle with the ghost of his dead father.

If you’re a die-hard moviegoer, you’d draw parallels with a lot of international projects [especially THE DEEP] that were set in the ocean. In Bollywood, flashes of the Dharmendra – Jeetendra starrer SAMRAAT cross your mind instantaneously, but comparing the two is akin to comparing chalk and cheese.

BLUE grabs your attention from its opening titles itself. The marine life, which you may’ve watched on National Geographic Channel or Animal Planet, comes alive in all splendour at the start itself.

The story is uncomplicated and Anthony D’Souza garnishes it beautifully. If the aquatic life keeps your eyes wide open, the action sequences are sure to make your jaws drop to your knees. The bike chase at the start, yet another chase subsequently, the chase soon after the interval [atop a running train] is simply astounding.

Anthony’s expertise comes to the fore in several sequences. One sequence that needs to be singled out is when Sanju narrates the tragic past, how he was responsible for his father’s death. It’s simply incredible!

Major portions of the film have been filmed in the ocean and you can’t stop admiring and appreciating the enormous contribution of the underwater cinematographer [Pete Zuccarini]. The lighting in those sequences deserves special mention. Also, the underwater sequences, which feature aquatic life like puffer fish, stingrays and sharks, hold tremendous appeal. Cinematography [Laxman Utekar] is gorgeous.

On the flip side, the climax could’ve been more impactful. The villain’s track looks clichéd, but you tend to overlook the minor aberration since the film never falls prey to mediocrity.

Anthony D’Souza is a director to watch. This film has style as well as substance. Also, it requires courage and conviction to think out of the box and most importantly, execute the material with panache. There’s not much scope for music in an action thriller, yet A.R. Rahman’s score suits the requirements. The Kylie Minogue track – ‘Chiggy Wiggy’ – is already popular. Sanju and Lara’s romantic track – ‘Aaj Dil’ – is sensuous. The song at the end credits – ‘Fiqrana’ – has a lot of energy.

Sound design [Resul Pookutty] is fantastic. Action scenes [James D. Bomalick and R.P. Yadav] are a treat and, in fact, one of the mainstays of the film. Dialogues [Mayur Puri] are effective, while the screenplay [Anthony D’Souza and Jasmine D’Souza] is well thought-out, especially towards the second hour.

Sanjay Dutt carries his part well, although he looks very well-fed in some scenes. Akshay Kumar steals the show with a sterling performance. This would easily classify amongst his best works. Zayed Khan is highly competent. This, despite the fact that he’s sharing the screen space with two hugely experienced actors.

Lara Dutta has never looked so good before. Though the story revolves around the guys, you can’t overlook Lara’s small but significant contribution to the film. Katrina Kaif [sp. app.] looks gorgeous and performs exceedingly well. The feminine charm [at the start specifically] would send the youth in a frenzy. Rahul Dev is first-rate. Kabir Bedi is hardly there.

On the whole, BLUE has style as well as substance. The film has everything going in its favour, right from its incredible star cast to the superb action scenes to the hitherto unseen marine life to the tremendous hype and hoopla. At the box-office, BLUE will strike like a hurricane in the festive week. It should set new benchmarks in days to come. In short, the business will be humungous.

After Blue, director Tony D’Souza to make his next, an aerial action film with Akshay Kumar and John Abraham
By Subhash K Jha (MUMBAI MIRROR; September 22, 2009)

Akshay Kumar

John Abraham

After going underwater in Blue, director Tony D’Souza is all set to go midair for breathtaking stunts with hotties Akshay Kumar and John Abraham for his next action film.

This film will be set in the deserts of Las Vegas. Tony has already convinced Blue producers Ashtavinayak, to produce his next film too. Even though several factors have already been finalised, the film will go into pre-production only next year.

After showcasing some stunning underwater scenes in Blue, for his next film, Tony will indulge in hardcore action with his macho star cast. “Akshay was on board for this project right from the start. After Blue, I couldn’t dream of making a film without him. As for John, with his physique and body language, it’s strange for him to have not done a full-on action film in all these years,” said Tony.

Music director AR Rahman, despite his choc-a-block schedule, has agreed to compose the film’s music.

September 5, 2009 1:21:25 PM IST
Bollywood Trade News Network

view BLUE videos

BLUE

The OVERSEAS division of Shemaroo Entertainment, in association with Shree Ashtavinayak Cine Vision Ltd., will be distributing the film BLUE worldwide.

Directed by Anthony D’Souza, BLUE has a star cast that any film would love to embrace – Sanjay Dutt, Akshay Kumar, Zayed Khan, Lara Dutta and Katrina Kaif.

For promoting the film worldwide, BLUE is planned to be premiered in Dubai, London and New York. The film will not only be exhibited in the ethnic territories, but will also be distributed and seen in the non-ethnic territories like Mexico, Scandinavian countries, etc. It is expected to be released in 650 screens around the world, making it one of the biggest Bollywood releases in the overseas market.

Hiren Gada, Director, Shemaroo Entertainment shares his thoughts, ”With the international appeal the film has, the first look of BLUE got a tremendous response from non-ethnic territories. We are glad to be associated with Shree Ashtavinayak Cine Vision Ltd. for this huge project and are really looking forward to taking it worldwide. Our subsidiaries in US & UK will be handling key territories of North America & Europe. With a catalog of more than 750 Indian films distributed by us in international territories, this is the next logical step for our international business.”

Dhilin Mehta, Director, Shree Ashtavinayak Cine Vision Ltd. shares his thoughts, ”BLUE is an ambitious project in terms of style, production values, standards, creativity etc… It’s a team effort as not only the production team, but also the captain of the ship, the director, his crew along with the Hollywood technicians and the experienced cast of the film. We are trying to release BLUE in maximum number of screens, to get an international appeal and target people of all ages. Technically and visually this film will be one of the best Bollywood has never seen before, it’s the first time in India movie has been shot 250 feet deep in the sea this is the USP of our film.”

Our Oscar Winners A R Rahman and Resul Pookutty have given the Music/ Background Score and the Sound Design respectively. To add to this, one of the dance numbers has been performed by the famous international pop star Kylie Minogue.

The film has been shot in ‘Bahamas’ – the country of islands, in the Atlantic Ocean & Bangkok -Thailand. The best Hollywood Technicians have worked on the film giving it an absolutely international look and feel. The Cinematography has been done by Laxman Utekar and underwater Cinematography by Pete Zuccarini which is the highlight of the film.

Apart from the casting, BLUE certainly has a lot to talk about and hope for the best.

GLAMSHAM.COM