Fenil and Bollywood

Posts Tagged ‘Abbas Tyrewala

NO PAIN, NO GAIN: John Abraham pushes himself an extra mile

John Abraham believes if you want to achieve something, you’ve got to go through pain…

MARK MANUEL Times News Network (BOMBAY TIMES; January 5, 2010)

It is true that a picture speaks a thousand words. But this stark and screaming one of John Abraham pumping 140 lbs dumbells in the gym, does 473 actually. The Bollywood hunk himself believes it is a “wild, crazy and ugly” picture. “But it speaks the state of my mind,” he is quick to explain. He is at an inbetween stage. In between films. He’s finished Abbas Tyrewala’s 1-800 Love and has Nishikant Kamath’s
(Mumbai Meri Jaan) untilted action project lined up next. Then there’s Dostana 2 starting in June. Before which he has four months to himself. “To look at life, to introspect, to ask myself questions about things I’ve done and which need to be done, to solve 10,000 problems, my mind is caught in a melee,” carries on the actor, “there’s a lot of nervous energy, there’s tension waiting to be relieved, and the gym is my release. I’m not lifting heavy weights to prove a point. The gym is like my church and working out is like praying…”
He’s umindful of the fact that, like Aamir Khan and Shah Rukh Khan, he’s stuck to doing one film a year only. There was Dostana in 2008 and New York in 2009. That’s it. “Like everybody else, I get offers all the time, but you’ll never hear I refused a film… I don’t take pride in saying that. The point is not to do everything you get… but to do the right thing,” says John. And right now, he’s not doing anything. Yet he’s the only actor, apart from SRK and Akshay Kumar, with a non-filmi lineage who’s hanging in there. Perhaps that’s because John has a huge and loyal fan following that’s got nothing to do with the success or failure of his films.
But it doesn’t worry him who’s doing what in Bollywood. “I’ve studied economics, so I know that if somebody else’s film works, so will I as an industry,” he says. And he’s busy benchpressing in the gym towards his own benchmarks. He’s got severe tendonitis in both elbows, shin splints, he fractured the bones, severed the veins in his left foot in a 2006 bike accident, he broke the navicular bone in his right foot last year… yet, as his T-shirt suggests, John Abraham is aware that pain is temporary, pride is forever. “If you want to achieve something, you’ve got to go through pain,” he warns. “I’m trying to reach a pinnacle, at the gym, in films and life itself. I want to get to a point where I can say, yes, I’ve got what it takes.”
Here’s what we suggest you bring out the popcorn for
MUMBAI MIRROR; January 01, 2010

Karthik Calling Karthik

Farhan Akhtar’s next film is a story of a lovable loser whose chance meeting with his namesake changes his life forever. Karthik Calling Karthik has a star-studded credit list which includes Deepika Padukone, Javed Akhtar and Shankar, Ehsaan and Loy. Considering Farhan acts in the movies he either directs or produces, it seems like he is bent on wanting to typecast himself as the underdog. Weird but true!


My name is Khan

Bollywood’s biology lessons continue with My Name Is Khan. With 9/11 as the backdrop, the movie follows Rizwan Khan (SRK) who suffers from Asperger’s Syndrome. This is an autistic disease that makes the victim devoid of empathy. This, of course will give rise to many comical situations, just like Paa did. The film brings together the electrifying pair of Shah Rukh Khan and Kajol back on the silver screen. Add Karan Johar to the mix and you have a surefire hit. But come on, what is the film industry going to explore next, the common cold?


Raajneeti

A modern-day political rendition of the Mahabharata, Raajneeti boasts of an A-list star cast – Ajay Devgan, Arjun Rampal, Ranbir Kapoor, Nana Patekar, Vivek Oberoi, Manoj Bajpai and Katrina Kaif. The movie will use the dilemmas the characters in the book went through, and draw parallels with it in reel life. Katrina Kaif is reportedly playing the role of Sonia Gandhi in the movie. After all both of them are quite similar: accent – check; powerful woman – check; foreign descent – check; relationship with Salman Khan – no one really knows.


Kites

Kites follows the story of Hrithik Roshan, a salsa dancer who falls in love with his student. Language barriers don’t matter here, love conquers almost all. But ‘something’ happens and it’s up to another student Kangna Ranaut to save the day. Maybe Sussanne walks into the movie or some other terrifying event occurs, we don’t know yet. But we hope the movie does better than Hrithik’s personal life.


Raavana

A modern day rendition of the mythological text, Raavana will get Aishwariya and Abhishek on the silver screen together for the first time after getting hitched. The movie has been plagued with problems – floods, elephants stomping around the set, maybe a higher power is sending a message through all of this. We won’t say anything, let the box-office decide.


Action replay

In Action Replay, a man ages backwards… Hmm, let’s see where have we heard this story before? A clear rip-off of the Hollywood hit, Benjamin Button, the film will feature Akshay Kumar and Aishwarya Rai. Director Vipul Shah is back with Akshay Kumar and hopes his dream run will continue.


Teen Patti

As much as producer Ambika Hinduja denies it, Teen Patti’s plot seems like a rip-off of the Hollywood blockbuster 21. The film features three ace actors, Ben Kingsley (supposedly not doing a cameo), Big B and Madhavan. With the help of a unique algorithm, Amitabh who plays a mathematical genius leads a team of college students to make a lot of money. Does Amitabh hold the algorithm for the movie’s success or will this be just another failed spin-off?


Houseful

Akshay Kumar has a slew of releases lined up next year and Houseful, the laugh-riot is one of them. The story follows Akshay who is very unlucky in life and is trying to find true love. The women helping him achieve this goal are Deepika Padukone, Lara Dutta and Jiah Khan. In real life, however, we think it’s the other way around. Akshay will end up teaching Deepika more than two expressions, Lara how to sign movies and Jiah Khan how not to be dropped from the one-odd film she has signed.


No Problem

Anees Bazmee has three mega comedy films lined up next year. One of them is No Problem which has quite a star cast – Anil Kapoor, Sanjay Dutt, Akshaye Khanna, Sushmita Sen, Kangna Ranaut, Paresh Rawal and Sunil Shetty. The film is a love story of impossible proportions. Another impossible proposition is Kangna actually makes people laugh after making them weep all these years.


Well Done Abba

Shyam Benegal has been travelling the world with his latest film, Well Done Abba. The satirical movie sees Boman Irani play two roles. Fitting two Bomans in one shot is a feat in itself and a testament to Benegal’s directorial skills. The movie follows the journey of Armaan Ali, a driver from Mumbai, who is out to find his daughter’s (Minissha Lamba) beau. Minissha, who has been alternating between commercial and semi-art house cinema, is reportedly playing a strong role in the film.


Guzaarish

The film that is loosely based on Whose Life is it Anyway? has Hrithik playing a paraplegic radio jockey.  The film seems like a cry-till-your-tearbuds-dry-out movie – it explores the dilemma of euthanasia. Hrithik who believes in challenging himself till the cows come home, reportedly, spent hours in the wheelchair when not required to shoot, to get into the head of the character. Hrithik and Aishwarya reunite after Dhoom 2, and with Sanjay Leela Bhansali directing, it becomes one of the most awaited films in 2010, never mind Saawariya.


Road, Movie

Indian cinema has been through many fascinating twists and turns but none quite as romantic as touring cinemas.  Essentially this means that the owner of one mounts the film projector on the back of a truck and the projectionist travels the length and breadth of a state with the truck, stops wherever there is a pilgrimage or a mela and projects the films he is carrying onto a white curtain which is then viewed by the locals sitting on both sides of the screen. Dev Benegal has made Road, Movie about one such projectionist (Satish Kaushik) and the young owner (Abhay Deol) and the adventures they have as they show their movies. The film has been very well received on the festival circuit.


Anjaana Anjaani

After playing twelve characters in What’s Your Raashee?, we’re sure Priyanka Chopra has become a stranger to herself, especially after the film tanked. Siddharth Anand, director of Ta Ra Rum Pum and Salaam Namaste, tries a romcom with Anjaana Anjaani. Starring Ranbir Kapoor and Priyanka, the film shows two strangers who fall in love and the journey they take together.


Aisha

Abhay Deol’s love for Delhi continues with his Bollywood release, Aisha where he plays another spoilt, rich Delhi brat. His character is modelled on Mr Knightly from Jane Austen’s novel, Emma. The movie is a romantic comedy that explores horrible mismatches. It also has a strong female role that has been bagged by Sonam Kapoor.  Whether Sonam is strong enough for the film after two failed films (read: Saawariya and    Delhi-6) is another matter.


Khelein hum jee jaan sey

Ashutosh Gowariker is no stranger to large canvasses (think Lagaan, Swades, Jodhaa Akbar) so it’s no surprise that he is now filming another humongous project, Khelein Hum Jee Jaan Sey, which revolves around the Chittagong Uprising in the pre Independence days. After What’s Your Raashee?, this is another film adapted from a book, Do and Die by Manini Chatterjee. Abhishek Bachchan and Deepika Padukone lead the star cast and Nitin Chandrakant Desai leads the crew. Hopefully Ashutosh’s version of history will not be challenged,  the way Jodhaa Akbar was.


Knock out

Inspired’ from the Hollywood masterpiece Phone Booth, Mani Shankar will look to re-create the magic in Bollywood. A man is trapped inside a phone booth, not because the door is stuck, but an assassin has a sniper rifle trained on him.  Kangna plays the role of a journalist, Irrfan plays a cop and Sanjay Dutt the assassin.


I Hate Luv Storys

A true-blue rom-com, I Hate Luv Storys brings together the very glamourous Sonam Kapoor and the man with the melting eyes, Imran Khan. Described as a love story not meant to happen but which does happen, it is the story of a man who does not believe in love and a girl who does. They meet on a film set; a milieu the director Punit Malhotra is very familiar with, having cut his teeth on Karan Johar’s sets as an assistant director; and sparks fly.


1-800-Love

When you have a tag line that says, ‘From the makers of Ghajini and Jaane Tu…’ you know you’re in for a commercial roller-coaster. Abbas Tyrewala dons the director’s hat for 1-800-LOVE again and the music score is Rahman’s handiwork. A telephone call connects two people – one who wants to die, the other who is searching for meaning in life. They meet, fall in love, yada yada… If you are watching the movie and you get bored of John Abraham’s three expression repertoire, close your eyes and maybe the music will do the trick for you.


Tees Maar Khan

Tees Maar Khan has gotten more publicity that it ever dreamed of just because Shah Rukh Khan is not playing a role in Farah Khan’s film. But it does seem like SRK has rubbed off on the new lead actor, Akshay Kumar. Kumar plays a ‘stylish’ (metrosexual) conman in the film. He will be joined by Akshaye Khanna, but the female lead has not yet been confirmed.


Hook Ya Crook

Finally, Bollywood gets a movie that shows hope in combining two things that Indians love best – cinema and cricket. Viraj Pradhan (John Abraham) dreams of being a cricketer but is a repeat offender who gets thrown into a maximum security prison. The jail is a haven for cricket players, but Viraj wants much more, he wants to be part of the men in blue. The film has reportedly roped in Indian cricketers for the movie but going by the ads on TV, the word ‘acting talent’ isn’t part of the Indian cricket team’s vocabulary.


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By Subhash K. Jha, December 31, 2009 – 11:35 IST

Abbas Tyrewala Abbas Tyrewala who directed one of 2008’s biggest successes is also a writer of great repute, having written among other things, the prophetic dialogues of Munnabhai MBBS and the screenplay of Maqbool.

Abbas went to see the latest Yashraj production Rocket Singh Salesman Of The Year not only as a writer and director but also as an eager fan of the films that the banner comes out of.

“I love Jaideep Sahni’s writing and Shimit Amin’s direction. But what were they thinking while doing Rocket Singh? Where is the payoff in the screenplay? Where is the hero? Ranbir plays a timid Sardar who steals phone lines and computer hardware from his work-place to start his own business. And we are supposed to accept him as a man of integrity! Would he be able to start his own business if it wasn’t for the nefarious support he gets from his work-place? In other words the ‘hero’ resorts to those very underhand tactics that he claims to abhor and takes the help of that very organization which has disgraced him!”

Most damaging of all, Abbas couldn’t see a hero in Ranbir’s character. “The boss (Manish Chowdhary) is so over-the-top he belongs to another sensibility altogether, calls Ranbir a ‘bastard’ several times, humiliates and disgraces him publicly. We wait for our hero to have his revenge on the boorish boss. I completely believe in the old-fashioned Hindi film formula where the hero gives his tormentor tit for tat. But Boss, where’s the comeuppance for the villain? In fact the story comes across more as the boss’ redemption story as the hero’s.”

Abbas is now more than sure what he wants to do with his own hero John Abraham in 1-800-Love at the end. “I want my hero to either win or die at the end. Not a hero whose fight for the right simply peters out to a dead-end.”

In fact Abbas’s disappointment with Rocket Singh Salesman Of The Year has given him a renewed creative strength. “I now know exactly how my hero’s journey to end. I’m an old-fashioned storyteller. And we’ve at heart a very traditional audience. They want to see the hero triumph at the end, not walk away from the villain as he makes an apology speech.”

BOLLYWOOD HUNGAMA.COM

GAME FOR IT: John Abraham
John Abraham joins the Indian cricket team to play opposite South Africa in his sporty film

SUBHASH K JHA Times News Network (BOMBAY TIMES; December 2, 2009)

John Abrahan’s ankle’s more or less healed now and his doctor’s told him to go ahead and play for David Dhawan’s Hook Ya Crook. So Dhawan has decided to rope in the Indian and the South African cricket teams to play against one another for the grand climax of the sporty film.

A source from the production house said, “We will shoot as soon as we get the dates of certain members of the Indian team.” John, of course, will be part of the Indian team. “I’ve always been a sporty guy. I love all kinds of athletic activity. I’ve always loved football and now cricket. But my favourite sport is the Motorcycle Grand Prix. Some day I hope to do an entire film based on mo’bike racing,” said the actor.

At the moment, the only work he has on hand is the cricket match. “Abbas Tyrewala’s film 1-800-Love is over and after we shoot the climax of Hook Ya Crook, my slate is going to be clean except for a film with Nishikant Kamath,” he said.

By Sonal Chawla (MUMBAI MIRROR; November 12, 2009)


For all you know, you may not have the opportunity to dial the toll free line to love. 1-800-LOVE will not be the title of the film if producer Madhu Mantena manages to get his way. Director Abbas Tyrewala and Madhu are having constant fights over the title of the film.

Our source reveals, “Madhu Mantena is dissatisfied with the title and is adamant on changing it. He has had several arguments with the director and wants to change the title because he feels that the Indian audience will not be able to understand and connect to 1-800-LOVE. They have had their fair share of heated arguments in the past over locations too. Recently, at the film’s wrap-up party, Madhu walked out after another one of their tiffs over the title.” Lead actor John Abraham had to then smooth things out between the two.

Madhu explains, “We rarely use toll free numbers in India. It is very important that the audience also connects to the film’s name for commercial success.” But isn’t it too late to realise this as the title 1-800-LOVE is already registered in people’s minds, we ask him. “We have ample amount of time to change and promote it, even though 1-800-LOVE has gained popularity. I love this film and Abbas too much to let this mistake happen.”

Abbas, firm about the current title, says, “For the longest time, I wanted 1-800-LOVE as my title. But Madhu wants a different one now. As Madhu says, it does happen that people refer to it as ‘One thousand eight hundred love’, which is not what the film is about. But I thought people will understand it. Madhu and I had a conflict and I understand his point, but need something more convincing.”

Laughing off his walk-out from the wrap-up party, Madhu says, “Abbas and I are very close friends and feel passionately about the film. We make it a point to show off our aggression. I am sure we’ll settle with a final title soon. And yes, on the other hand, John likes another title.”

Madhu Mantena Abbas Tyrewala
Abbas Tyrewala considers the first week of July lucky, will wait patiently with an almost ready-for-release, 1-800-LOVE, till July 2010

By Subhash K Jha (MUMBAI MIRROR; October 30, 2009)

 

John Abraham and Abbas Tyrewala

1-800-LOVE, Abbas Tyrewalas’s next film after Jaane Tu… Ya Jaane Na is nearly complete, but you will see no sign of it till July 2010. And that’s because Abbas wants to make sure that the magic of the lucky July week that worked with Jaane Tu… holds true for 1-800-LOVE too. Jaane Tu was released in July last year and was a sensational success. Abbas now plans to release all his films in July and is convinced that they’ll work.

Surprisingly, 1-800-LOVE’s producer is willing to bear the mounting costs of the post-production delay. “I guess I’m lucky,” Abbas says. “Even though the shoot is done and there’s just one song left, my producer is with me in the decision to release the film in the same week as Jaane Tu… Actually, I would love to release 1-800-LOVE on July 4, the same date as Jaane Tu… but it isn’t a Friday.”

They are to choose between July 2 and 9, 2010, as the release date. “And if I had my way, I would release all my films in the same week, depending on how accommodating my producers are in the future.”

And as we wonder if we can pass this off as superstition, Abbas protests, “Look, even otherwise, the first quarter of 2010 is clogged with exams and other stuff. I would rather release my films when schools and colleges are shut because they are the audience for all my films.”

Just for Abbas’s information both schools and colleges in Mumbai re-open by July.”

BRIDGING THE GAP: John Abraham near the Tower Bridge
…by stopping traffic in London for Abbas Tyrewala’s film

AAKANKSHA NAVAL-SHETYE Times News Network (BOMBAY TIMES; September 30, 2009)

Bollywood hunk John Abraham did what Hollywood biggies like Nicholas Cage, Matt Damon and Brendan Fraser could not… he brought the traffic in London to a halt!

The story goes that John was shooting for Abbas Tyrewala’s 1-800-Love in London and, miraculously, the director managed to get permission to shoot on the iconic Tower Bridge for four nights. Which is astonishing, because many Hollywood films including Bourne Ultimatum and National Treasure were denied permission to shoot there. And even The Mummy, which has the famous chase sequence on the Tower Bridge, was allowed to shoot for only one night.

But for John and Abbas’s unit of seven cameras, the Tower Bridge and also the historical London Bridge — both of which cross the River Thames — were readily
made available. The authorities even had the boat traffic on the Thames shut down for one night. An excited John reported, “I was reminded regularly for two months that Tower Bridge would be blocked off, but that night, as the clock struck 9.30 pm, and four police bikes escorted my car on to the middle of the bridge, I was over awed! The grandeur of virtually owning one of London’s greatest land marks — what an experience!” aakanksha.navalshetye@timesgroup.com