Fenil and Bollywood

Posts Tagged ‘Abhishek Bachchan

Priyanka Chopra wants to be cast opposite Abhishek Bachchan again, extends the olive branch through messages to Rohan Sippy

By Sonal Chawla (MUMBAI MIRROR; January 05, 2010)


Priyanka Chopra is a sharp woman with a firm business head on her shoulders. Knowing that her jodi with Abhishek Bachchan had proved to be popular, she sees no reason to let a little tiff come in the way of another hit together. So, she has decided to extend the olive branch to Bachchan Jr. The actress has been sending feeler messages to Rohan Sippy to be cast in his next opposite Abhishek Bachchan.

The Abhishek-Priyanka jodi became quite a hit in Rohan Sippy’s Bluffmaster. The duo worked in a couple of movies thereafter and was appreciated. But it may be recalled that the friendly bonding between the two had been strained last year at a film award event when the two wanted to dance to the same number and a misunderstanding ensued.

Abhishek, who had even jokingly called Priyanka his heartthrob on national television in the past, hadn’t taken kindly to Priyanka’s obstinate behaviour at the event, and thereafter the two never crossed paths again.

A source reveals, “Priyanka has sent feelers to Rohan and is keen to work on this project. She has heard the gist of the script and she liked it. Moreover, Abhishek Bachchan’s presence has attracted her to the film. She finds him fabulous as an actor and loves their on-screen pairing.”

The director, of course, takes the diplomatic route. Rohan says, “I would definitely love to work with Priyanka, as she is a fabulous actress and I really enjoyed working with her. However, I have not yet approached anyone for the female lead for this film till I lock in some other critical casting.”

Even if he hasn’t made up his mind, has Priyanka been artfully bringing herself to his attention? He says, “That’s totally flattering. She is one of my favourite actors.”

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Rani Mukerji to work with filmmaker Deepa Mehta in the screen adaptation of Salman Rushdie’s Midnight’s Children

By Subhash K Jha (MUMBAI MIRROR; January 04, 2010)


Last month, Rani Mukerji had a secret, productive and extremely encouraging meeting with author Salman Rushdie and director Deepa Mehta in Toronto. Rushdie and Mehta are coming together for a screen adaptation of the former’s celebrated Booker-winning novel Midnight’s Children. According to reliable sources, Rani met the author and the filmmaker for a good two hours and is now part of the screen adaptation. The buzz is Rushdie took a great fancy to her.

Rani Mukerji

Deepa is evasive about confirming Rani’s presence in Midnight’s Children. She says, “Yes, Salman Rushdie and I met her informally in Toronto, but nothing has been finalised.”

However, reliable sources insist Rani is part of the coveted project which already has Shabana Azmi, Seema Biswas and Nandita Das in its cast.

Hinting at the possibility of working with Rani, Deepa says, “I don’t know about Rani’s current box-office status but I have always wanted to work with her. I saw her work in Hey Ram, Black, Bunty Aur Babli and Veer-Zaara and loved it. She is among the best talent in India today. Whether it is Preity Zinta (Heaven On Earth), Shabana Azmi (Fire) or Seema Biswas (Water), I have always enjoyed working with strong, female actors.”

Rani too is on the lookout for a challenge that will take her beyond the roles she has done in Hindi cinema so far. Interestingly, she has never worked with a female director in her entire career. She came close to working with Mira Nair in The Namesake. She lost the prized role to Tabu because she didn’t want to play Abhishek Bachchan’s mother. Later, Abhishek too opted out of the project.

Deepa Mehta Salman Rushdie
IN TELLYLAND: Shah Rukh Khan, AkshayKumar and (top) Rani Mukerji with guest Shahid Kapoor, Salman Khan and Karisma Kapur on their TV shows
How worthwhile has it been for channels putting Bollywood stars on TV?

ROSHNI K OLIVERA Times News Network (BOMBAY TIMES; January 4, 2010)

Abhishek Bachchan is stepping into his father’s shoes by hosting a game show on TV. What prompted Bachchan Jr. to give a nod to the small screen? Was it a lucrative offer? Perhaps, because it’s money that draws film stars to television. Shah Rukh Khan, Salman Khan, Akshay Kumar, Rani Mukerji, Karisma Kapur… the list is endless of Bollywood stars who made the big crossover.

Akshay, reports said, was paid a whopping Rs 2.5 crore per episode to host the second season of Khatron ke Khiladi. And Salman Khan was apparently given Rs 89 crore for the first season of Dus Ka Dum! It’s big money all right for the stars, but is it worthwhile for the channels to shell out such big bucks for the star value?

Statistics prove that shows with Bollywood stars have never topped the overall Television Rating Points (TRP) charts. Only Amitabh Bachchan’s Kaun Banega Crorepati, that changed the face of Indian television years ago, saw TRP success. All other shows hosted or judged by stars have raked in average or dismal TRPs. Yes, there is a fair amount of curiosity and people are bound to watch the show at least once for the star’s sake, but after that it’s content that sells. Meanwhile, TV actors are unhappy with the ‘filmi’ invasion but will not complain openly for fear of antagonising the channels. “Does it make any sense to pay film stars in crores? No show has zoomed up the TRP charts,” said a popular TV actress. “The TRPs that these stars have got, after the initial few episodes and special episodes, is the same that any other anchor has got! Did Rani’s presence lift the show up so much… wouldn’t it have been the same if it was somebody else? And what big difference did Karisma make?” Another veteran actor added, “In the name of recession TV actors had to go through paycuts, but film stars on TV continued to rake in the moolah!”

Channels have their reasoning. Programming head Ashvini Yardi explained, “We go in for film stars for three reasons: It boosts perception… the brand image of the star rubs on to the channel. For instance, having Akshay’s show gives the channel a fresh, adventurous and risk-taking image. Second, reality shows help bring in a fresh audience, especially the men and youth, who are not regular soap watchers. Also, shows with film stars rake in huge money in terms of advertisements.” What’s important though, pointed out Ashvini, is to make the right choice while choosing a film star. “The show has to go with the star’s brand,” she said. TV serial producers, however, believe that since it’s serials that hold the top slot in the number game, more attention should be paid to them. “Instead of cutting down on our budgets, channels should cut down on paying so much to film stars,” grumbled a TV director. Producer-director Rajan Shahi’s glad that top film stars are now also TV stars. “I hope TV stars get the same treatment in films,” he said. Talking about B-town’s foray on the small screen, he added, “I’m sure taking film stars has some benefit that channels see. In the past film stars have given huge TRPs… may be the magic will work again. For me, Rakhi Sawant has been the most successful film actor in terms of success on TV.”

Badly Burnt In Year Gone By, Industry Looks To Strong Content

Bharati Dubey | TNN (THE TIMES OF INDIA; January 3, 2010)


Pursue excellence and success will pursue you,’’ was what Aamir Khan’s character philosophised in 3 Idiots. But when the lights dimmed and audiences sat down after the National Anthem, what greeted them on screens for most part of the year was average, even poor fare, making 2009 the annus horribilis of the first decade of the 21st century. More than 200 films, with Rs 1500 crore at stake, released last year but almost Rs 1000 crore sank in the sea of mediocrity without a bubble, the sharks-andsexy bikini Blue leading the pack.
Added to it was the multiplex strike which cost around Rs 350 crore, upset release dates forcing films to share Fridays and dent each others’ collections. A multiplex source said, “Cannibalisation caused by big films’ release dates clashing could have been avoided.’’


The year began with Chandni Chowk To China that lost 50% of its Rs 65-crore budget. And marketing blitzkreigs couldn’t save a Blue and Kambakkht Ishq and the audience clearly showed content was king with surprise hits like DevD, New York, WaKe Up Sid and Ajab Prem ki Gajab Kahani. DevD made Rs 6 crore, collected Rs 25 crore at the box office while its ancillary rights made another Rs 5 crore and there are still more satellite runs to be sold. Trade experts also put films like Love Aaj Kal, Ajab Prem ki Gajab Kahani, Wanted among the certified hits, followed by profitable films like Paa, All The Best, De Dana Dan and Raaz 2.


But Bollywood’s loss was Hollywood’s gain, with films like 2012 and Avatar (that collected a whopping Rs 50 crore so far) filling the void for good entertainment.


It was left to And Aamir Khan to play Santa Claus third year in a row, with 3 Idiots the biggest hit of the year. It grossed a phenomenal Rs 100 crore in India in the first four days, and Rs 175 crore worldwide till December 31, even denting into collections of Avatar. Trade analyst Amod Mehra said, “What Ghajini collected in a week, this film has done in three days.


Corporates didn’t really have a great year in 2009 and after the bloodbath in the first half of the year, most of them avoided buying films outright, with even 3 Idiots being released on commission.


Thus 2010 dawns to vastly altered realities — purse strings have tightened by cautious corporates; big banners are no guarantee for success and may dish out big turkeys instead; marketing and stars don’t sell, a good story does; and the days of astronomical fees are over.


“Audiences are very smart, the content ultimately will guide their choices and approval. Marketing and hype will only work if content supports that hype. We may not have a Blue this year but projects like Veer and Prince are costly and prima facie look difficult in terms of recoveries,’’ says a trade expert.


So when Akshay Kumar, blamed for soaring star prices, announced towards the end of 2009 that he would not charge any fee for Farah Khan’s Tees Maar Khaan, it was a lifeline for the industry that had almost gone into the ICU.


Says Amod Mehra, “It is not that people did not come to watch Akshay Kumar films in 2009, it is just that the budgets of the films were so high and his remuneration was almost 40% of those budgets, so recoveries were not possible despite a good opening. But now that the actors are looking at sharing profit with the producer after the cost of the film has been recovered like in the case of Aamir Khan’s 3 Idiots then it will be fair enough. Cutting down of star prices will definitely reduce the budget of films and they will become viable and that is definitely going to be the trend in 2010.”


The year thankfully doesnt have a Rs 100-crore Blue in its line-up. Last year most production houses scrapped films as star prices were not viable. In fact, it is learnt Saif Ali Khan is reworking the budget of his next film Agent Vinod starring Kareena and himself. In fact, 2010 is short on mega projects as budget constraints ensured very few got on the floors in 2009.


The first biggie of 2010 will be Veer,
followed by Rann, My Name is Khan, Action Replay, Kites and House Full in the first half of the year. The second half of the year would have Sanjay Leela Bhansali’s Guzarish and Patiala House.


The action in 2010 seems definitely more in mid-size and multiplex projects that would have strong and clutterbreaking content. “There are a lot of films this year that may not topline the Khans or Hrithik Roshan but still have a decent line-up of names and would be thematically different. Tight budgets and good content seem to be the mantra in the decision making corridors of Bollywood. Each company is carefully evaluating its options and are not getting carried away,’’ says Priti Shahni of Indian Films. Corporates, for instance, have decided to take films only on commission, and not buy them outright.


Shahid Kapoor’s Chance Pe Dance, Striker starring Rang De Basanti’s Siddharth, Aamir Khan Productions’ Peepli Live, Vishal Bharadwaj’s Ishqiya would release in the first half of 2010.


Generation-next too would be making its presence felt with Ranbir Kapoor in Anjana Anjani and Rajneeti, Imran Khan in I Hate Love Stories, Sonam Kapoor in Ayesha, and Deepika Padukone in House Full.


As the record breaking run of 3 Idiots that has spilled over to 2010 has shown, great content along with great pre-release buzz make the perfect mix.


2010: Coming Soon
RAJNEETI (Naseeruddin Shah, Nana Patekar, Ajay Devgn, Katrina Kaif and Ranbir Kapoor) BUDGET: 50 cr


DHOBI GHAT (Aamir Khan, Prateik Babbar) BUDGET: 15 cr


RAAVANA (Abhishek Bachchan, Aishwarya Rai Bachchan) BUDGET: 50 cr


TEEN PATTI (Amitabh Bachchan, Sir Ben Kingsley) BUDGET: 35 cr


VEER (Salman Khan, Zarine Khan) BUDGET: 50 cr


RANN (Amitabh Bachchan) BUDGET: 25 cr


ISHQIYA (Vidya Balan, Naseeruddin Shah, Arshad Warsi) BUDGET: 20 cr


MY NAME IS KHAN (Shah Rukh Khan, Kajol) BUDGET: 50 cr


KITES (Hrithik Roshan, Barbara Mori) BUDGET: 50 cr


ACTION REPLAY (Akshay Kumar, Aishwarya Rai) | BUDGET: 35 cr


GUZAARISH (Hrithik Roshan, Aishwarya Rai Bachchan) BUDGET: 50 cr


ANJAANA ANJAANI (Ranbir Kapoor, Priyanka Chopra) BUDGET: 40 cr


AGENT VINOD (Saif Ali Khan, Kareena Kapoor) BUDGET: 40 cr

Figures are an approximate estimation

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Here’s what we suggest you bring out the popcorn for
MUMBAI MIRROR; January 01, 2010

Karthik Calling Karthik

Farhan Akhtar’s next film is a story of a lovable loser whose chance meeting with his namesake changes his life forever. Karthik Calling Karthik has a star-studded credit list which includes Deepika Padukone, Javed Akhtar and Shankar, Ehsaan and Loy. Considering Farhan acts in the movies he either directs or produces, it seems like he is bent on wanting to typecast himself as the underdog. Weird but true!


My name is Khan

Bollywood’s biology lessons continue with My Name Is Khan. With 9/11 as the backdrop, the movie follows Rizwan Khan (SRK) who suffers from Asperger’s Syndrome. This is an autistic disease that makes the victim devoid of empathy. This, of course will give rise to many comical situations, just like Paa did. The film brings together the electrifying pair of Shah Rukh Khan and Kajol back on the silver screen. Add Karan Johar to the mix and you have a surefire hit. But come on, what is the film industry going to explore next, the common cold?


Raajneeti

A modern-day political rendition of the Mahabharata, Raajneeti boasts of an A-list star cast – Ajay Devgan, Arjun Rampal, Ranbir Kapoor, Nana Patekar, Vivek Oberoi, Manoj Bajpai and Katrina Kaif. The movie will use the dilemmas the characters in the book went through, and draw parallels with it in reel life. Katrina Kaif is reportedly playing the role of Sonia Gandhi in the movie. After all both of them are quite similar: accent – check; powerful woman – check; foreign descent – check; relationship with Salman Khan – no one really knows.


Kites

Kites follows the story of Hrithik Roshan, a salsa dancer who falls in love with his student. Language barriers don’t matter here, love conquers almost all. But ‘something’ happens and it’s up to another student Kangna Ranaut to save the day. Maybe Sussanne walks into the movie or some other terrifying event occurs, we don’t know yet. But we hope the movie does better than Hrithik’s personal life.


Raavana

A modern day rendition of the mythological text, Raavana will get Aishwariya and Abhishek on the silver screen together for the first time after getting hitched. The movie has been plagued with problems – floods, elephants stomping around the set, maybe a higher power is sending a message through all of this. We won’t say anything, let the box-office decide.


Action replay

In Action Replay, a man ages backwards… Hmm, let’s see where have we heard this story before? A clear rip-off of the Hollywood hit, Benjamin Button, the film will feature Akshay Kumar and Aishwarya Rai. Director Vipul Shah is back with Akshay Kumar and hopes his dream run will continue.


Teen Patti

As much as producer Ambika Hinduja denies it, Teen Patti’s plot seems like a rip-off of the Hollywood blockbuster 21. The film features three ace actors, Ben Kingsley (supposedly not doing a cameo), Big B and Madhavan. With the help of a unique algorithm, Amitabh who plays a mathematical genius leads a team of college students to make a lot of money. Does Amitabh hold the algorithm for the movie’s success or will this be just another failed spin-off?


Houseful

Akshay Kumar has a slew of releases lined up next year and Houseful, the laugh-riot is one of them. The story follows Akshay who is very unlucky in life and is trying to find true love. The women helping him achieve this goal are Deepika Padukone, Lara Dutta and Jiah Khan. In real life, however, we think it’s the other way around. Akshay will end up teaching Deepika more than two expressions, Lara how to sign movies and Jiah Khan how not to be dropped from the one-odd film she has signed.


No Problem

Anees Bazmee has three mega comedy films lined up next year. One of them is No Problem which has quite a star cast – Anil Kapoor, Sanjay Dutt, Akshaye Khanna, Sushmita Sen, Kangna Ranaut, Paresh Rawal and Sunil Shetty. The film is a love story of impossible proportions. Another impossible proposition is Kangna actually makes people laugh after making them weep all these years.


Well Done Abba

Shyam Benegal has been travelling the world with his latest film, Well Done Abba. The satirical movie sees Boman Irani play two roles. Fitting two Bomans in one shot is a feat in itself and a testament to Benegal’s directorial skills. The movie follows the journey of Armaan Ali, a driver from Mumbai, who is out to find his daughter’s (Minissha Lamba) beau. Minissha, who has been alternating between commercial and semi-art house cinema, is reportedly playing a strong role in the film.


Guzaarish

The film that is loosely based on Whose Life is it Anyway? has Hrithik playing a paraplegic radio jockey.  The film seems like a cry-till-your-tearbuds-dry-out movie – it explores the dilemma of euthanasia. Hrithik who believes in challenging himself till the cows come home, reportedly, spent hours in the wheelchair when not required to shoot, to get into the head of the character. Hrithik and Aishwarya reunite after Dhoom 2, and with Sanjay Leela Bhansali directing, it becomes one of the most awaited films in 2010, never mind Saawariya.


Road, Movie

Indian cinema has been through many fascinating twists and turns but none quite as romantic as touring cinemas.  Essentially this means that the owner of one mounts the film projector on the back of a truck and the projectionist travels the length and breadth of a state with the truck, stops wherever there is a pilgrimage or a mela and projects the films he is carrying onto a white curtain which is then viewed by the locals sitting on both sides of the screen. Dev Benegal has made Road, Movie about one such projectionist (Satish Kaushik) and the young owner (Abhay Deol) and the adventures they have as they show their movies. The film has been very well received on the festival circuit.


Anjaana Anjaani

After playing twelve characters in What’s Your Raashee?, we’re sure Priyanka Chopra has become a stranger to herself, especially after the film tanked. Siddharth Anand, director of Ta Ra Rum Pum and Salaam Namaste, tries a romcom with Anjaana Anjaani. Starring Ranbir Kapoor and Priyanka, the film shows two strangers who fall in love and the journey they take together.


Aisha

Abhay Deol’s love for Delhi continues with his Bollywood release, Aisha where he plays another spoilt, rich Delhi brat. His character is modelled on Mr Knightly from Jane Austen’s novel, Emma. The movie is a romantic comedy that explores horrible mismatches. It also has a strong female role that has been bagged by Sonam Kapoor.  Whether Sonam is strong enough for the film after two failed films (read: Saawariya and    Delhi-6) is another matter.


Khelein hum jee jaan sey

Ashutosh Gowariker is no stranger to large canvasses (think Lagaan, Swades, Jodhaa Akbar) so it’s no surprise that he is now filming another humongous project, Khelein Hum Jee Jaan Sey, which revolves around the Chittagong Uprising in the pre Independence days. After What’s Your Raashee?, this is another film adapted from a book, Do and Die by Manini Chatterjee. Abhishek Bachchan and Deepika Padukone lead the star cast and Nitin Chandrakant Desai leads the crew. Hopefully Ashutosh’s version of history will not be challenged,  the way Jodhaa Akbar was.


Knock out

Inspired’ from the Hollywood masterpiece Phone Booth, Mani Shankar will look to re-create the magic in Bollywood. A man is trapped inside a phone booth, not because the door is stuck, but an assassin has a sniper rifle trained on him.  Kangna plays the role of a journalist, Irrfan plays a cop and Sanjay Dutt the assassin.


I Hate Luv Storys

A true-blue rom-com, I Hate Luv Storys brings together the very glamourous Sonam Kapoor and the man with the melting eyes, Imran Khan. Described as a love story not meant to happen but which does happen, it is the story of a man who does not believe in love and a girl who does. They meet on a film set; a milieu the director Punit Malhotra is very familiar with, having cut his teeth on Karan Johar’s sets as an assistant director; and sparks fly.


1-800-Love

When you have a tag line that says, ‘From the makers of Ghajini and Jaane Tu…’ you know you’re in for a commercial roller-coaster. Abbas Tyrewala dons the director’s hat for 1-800-LOVE again and the music score is Rahman’s handiwork. A telephone call connects two people – one who wants to die, the other who is searching for meaning in life. They meet, fall in love, yada yada… If you are watching the movie and you get bored of John Abraham’s three expression repertoire, close your eyes and maybe the music will do the trick for you.


Tees Maar Khan

Tees Maar Khan has gotten more publicity that it ever dreamed of just because Shah Rukh Khan is not playing a role in Farah Khan’s film. But it does seem like SRK has rubbed off on the new lead actor, Akshay Kumar. Kumar plays a ‘stylish’ (metrosexual) conman in the film. He will be joined by Akshaye Khanna, but the female lead has not yet been confirmed.


Hook Ya Crook

Finally, Bollywood gets a movie that shows hope in combining two things that Indians love best – cinema and cricket. Viraj Pradhan (John Abraham) dreams of being a cricketer but is a repeat offender who gets thrown into a maximum security prison. The jail is a haven for cricket players, but Viraj wants much more, he wants to be part of the men in blue. The film has reportedly roped in Indian cricketers for the movie but going by the ads on TV, the word ‘acting talent’ isn’t part of the Indian cricket team’s vocabulary.


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The Chetan Bhagat-3 Idiots spat is playing out like a typical old-fashioned masala Bollywood film

By Mumbai Mirror Bureau (January 02, 2010)


Chetan Bhagat, whose book Five Point Someone, was the starting point of 3 Idiots, is not only amazed that Vinod Chopra and Aamir Khan have not read the book but also that they have been repeatedly saying that the film is only five per cent like the book.

Chetan Bhagat

“Those that haven’t read the book (read Vinod and Aamir) should not be opinionating on it. Those that have read the book and seen the film put the contribution at around 70 per cent,” he says.

Though he has blogged about his disappointment at length, he insists it isn’t about suing them or about the money.

“I have truth on my side,” he says, “Even when Gandhi took on the mighty British Empire with just a small band of followers, he had truth on his side.”

He is just happy that the film has been to the movies what his book was to the book trade… a super hit.

Has it soured Bollywood for him? His answer is an emphatic no. “There are many good people around too.” Chetan’s third book, 3 Mistakes of My Life, is currently being adapted for film by Abhishek Kapoor (Rock On!!) and his fourth, 2 States is being widely courted by directors. “I took the heat when Hello (based on One Night at a Call Centre) failed,” he says, not saying but obviously meaning, why shouldn’t he get the credit for 3 Idiots?

Telugu star Rana Daggubati to make his Bollywood debut in Rohan Sippy’s film on the drug racket in Goa

By Subhash K Jha (MUMBAI MIRROR; January 02, 2010)


Producer-director Rohan Sippy’s gritty, hard-hitting film on the drug racket in Goa, inspired by Hollywood’s Traffic, has finally found a second hero.

The role, which was initially offered to Farhan Akhtar and Emraan Hashmi, has now gone to Rana Daggubati, the Telugu star-on-the-rise, based in Hyderabad. Abhishek Bachchan is playing the lead role in the film.

Rana is a rage in the Telugu film industry after he made his acting debut with the hard-hitting political thriller, Leader. He was chosen to play Abhishek Bachchan’s co-star because he fit the bill.

A source says, “It is the character of a Goan musician. When Rohan saw Rana’s picture, he was stuck by how Goan the Telugu actor looked. The Sippys saw Rana’s film, Leader, and knew he was right. The role is as powerful as Abhishek’s.”

The formalities were completed last week. Incidentally, Rana is not new to the film world. He comes from an illustrious film family. His grandfather is Andhra-based producer D Rama Naidu (who has produced 110 films including superhits in Hindi like Prem Nagar and Tohfa). His father is a distinguished producer Suresh Babu, while his uncle is the popular Telugu star Venkatesh.

Rana will now be another South Indian actor trying his luck in Hindi films after the likes of Kamal Haasan. Rajnikant, Chiranjeevi and Rana’s uncle, Venkatesh (who was launched opposite Karisma Kapoor in Anari by his father D Rama Naidu in 1993).

Rohan Sippy confirmed the casting, “Yes, I have signed Rana for the film I am directing.”