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Posts Tagged ‘ACTION REPLAY

Badly Burnt In Year Gone By, Industry Looks To Strong Content

Bharati Dubey | TNN (THE TIMES OF INDIA; January 3, 2010)


Pursue excellence and success will pursue you,’’ was what Aamir Khan’s character philosophised in 3 Idiots. But when the lights dimmed and audiences sat down after the National Anthem, what greeted them on screens for most part of the year was average, even poor fare, making 2009 the annus horribilis of the first decade of the 21st century. More than 200 films, with Rs 1500 crore at stake, released last year but almost Rs 1000 crore sank in the sea of mediocrity without a bubble, the sharks-andsexy bikini Blue leading the pack.
Added to it was the multiplex strike which cost around Rs 350 crore, upset release dates forcing films to share Fridays and dent each others’ collections. A multiplex source said, “Cannibalisation caused by big films’ release dates clashing could have been avoided.’’


The year began with Chandni Chowk To China that lost 50% of its Rs 65-crore budget. And marketing blitzkreigs couldn’t save a Blue and Kambakkht Ishq and the audience clearly showed content was king with surprise hits like DevD, New York, WaKe Up Sid and Ajab Prem ki Gajab Kahani. DevD made Rs 6 crore, collected Rs 25 crore at the box office while its ancillary rights made another Rs 5 crore and there are still more satellite runs to be sold. Trade experts also put films like Love Aaj Kal, Ajab Prem ki Gajab Kahani, Wanted among the certified hits, followed by profitable films like Paa, All The Best, De Dana Dan and Raaz 2.


But Bollywood’s loss was Hollywood’s gain, with films like 2012 and Avatar (that collected a whopping Rs 50 crore so far) filling the void for good entertainment.


It was left to And Aamir Khan to play Santa Claus third year in a row, with 3 Idiots the biggest hit of the year. It grossed a phenomenal Rs 100 crore in India in the first four days, and Rs 175 crore worldwide till December 31, even denting into collections of Avatar. Trade analyst Amod Mehra said, “What Ghajini collected in a week, this film has done in three days.


Corporates didn’t really have a great year in 2009 and after the bloodbath in the first half of the year, most of them avoided buying films outright, with even 3 Idiots being released on commission.


Thus 2010 dawns to vastly altered realities — purse strings have tightened by cautious corporates; big banners are no guarantee for success and may dish out big turkeys instead; marketing and stars don’t sell, a good story does; and the days of astronomical fees are over.


“Audiences are very smart, the content ultimately will guide their choices and approval. Marketing and hype will only work if content supports that hype. We may not have a Blue this year but projects like Veer and Prince are costly and prima facie look difficult in terms of recoveries,’’ says a trade expert.


So when Akshay Kumar, blamed for soaring star prices, announced towards the end of 2009 that he would not charge any fee for Farah Khan’s Tees Maar Khaan, it was a lifeline for the industry that had almost gone into the ICU.


Says Amod Mehra, “It is not that people did not come to watch Akshay Kumar films in 2009, it is just that the budgets of the films were so high and his remuneration was almost 40% of those budgets, so recoveries were not possible despite a good opening. But now that the actors are looking at sharing profit with the producer after the cost of the film has been recovered like in the case of Aamir Khan’s 3 Idiots then it will be fair enough. Cutting down of star prices will definitely reduce the budget of films and they will become viable and that is definitely going to be the trend in 2010.”


The year thankfully doesnt have a Rs 100-crore Blue in its line-up. Last year most production houses scrapped films as star prices were not viable. In fact, it is learnt Saif Ali Khan is reworking the budget of his next film Agent Vinod starring Kareena and himself. In fact, 2010 is short on mega projects as budget constraints ensured very few got on the floors in 2009.


The first biggie of 2010 will be Veer,
followed by Rann, My Name is Khan, Action Replay, Kites and House Full in the first half of the year. The second half of the year would have Sanjay Leela Bhansali’s Guzarish and Patiala House.


The action in 2010 seems definitely more in mid-size and multiplex projects that would have strong and clutterbreaking content. “There are a lot of films this year that may not topline the Khans or Hrithik Roshan but still have a decent line-up of names and would be thematically different. Tight budgets and good content seem to be the mantra in the decision making corridors of Bollywood. Each company is carefully evaluating its options and are not getting carried away,’’ says Priti Shahni of Indian Films. Corporates, for instance, have decided to take films only on commission, and not buy them outright.


Shahid Kapoor’s Chance Pe Dance, Striker starring Rang De Basanti’s Siddharth, Aamir Khan Productions’ Peepli Live, Vishal Bharadwaj’s Ishqiya would release in the first half of 2010.


Generation-next too would be making its presence felt with Ranbir Kapoor in Anjana Anjani and Rajneeti, Imran Khan in I Hate Love Stories, Sonam Kapoor in Ayesha, and Deepika Padukone in House Full.


As the record breaking run of 3 Idiots that has spilled over to 2010 has shown, great content along with great pre-release buzz make the perfect mix.


2010: Coming Soon
RAJNEETI (Naseeruddin Shah, Nana Patekar, Ajay Devgn, Katrina Kaif and Ranbir Kapoor) BUDGET: 50 cr


DHOBI GHAT (Aamir Khan, Prateik Babbar) BUDGET: 15 cr


RAAVANA (Abhishek Bachchan, Aishwarya Rai Bachchan) BUDGET: 50 cr


TEEN PATTI (Amitabh Bachchan, Sir Ben Kingsley) BUDGET: 35 cr


VEER (Salman Khan, Zarine Khan) BUDGET: 50 cr


RANN (Amitabh Bachchan) BUDGET: 25 cr


ISHQIYA (Vidya Balan, Naseeruddin Shah, Arshad Warsi) BUDGET: 20 cr


MY NAME IS KHAN (Shah Rukh Khan, Kajol) BUDGET: 50 cr


KITES (Hrithik Roshan, Barbara Mori) BUDGET: 50 cr


ACTION REPLAY (Akshay Kumar, Aishwarya Rai) | BUDGET: 35 cr


GUZAARISH (Hrithik Roshan, Aishwarya Rai Bachchan) BUDGET: 50 cr


ANJAANA ANJAANI (Ranbir Kapoor, Priyanka Chopra) BUDGET: 40 cr


AGENT VINOD (Saif Ali Khan, Kareena Kapoor) BUDGET: 40 cr

Figures are an approximate estimation

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Here’s what we suggest you bring out the popcorn for
MUMBAI MIRROR; January 01, 2010

Karthik Calling Karthik

Farhan Akhtar’s next film is a story of a lovable loser whose chance meeting with his namesake changes his life forever. Karthik Calling Karthik has a star-studded credit list which includes Deepika Padukone, Javed Akhtar and Shankar, Ehsaan and Loy. Considering Farhan acts in the movies he either directs or produces, it seems like he is bent on wanting to typecast himself as the underdog. Weird but true!


My name is Khan

Bollywood’s biology lessons continue with My Name Is Khan. With 9/11 as the backdrop, the movie follows Rizwan Khan (SRK) who suffers from Asperger’s Syndrome. This is an autistic disease that makes the victim devoid of empathy. This, of course will give rise to many comical situations, just like Paa did. The film brings together the electrifying pair of Shah Rukh Khan and Kajol back on the silver screen. Add Karan Johar to the mix and you have a surefire hit. But come on, what is the film industry going to explore next, the common cold?


Raajneeti

A modern-day political rendition of the Mahabharata, Raajneeti boasts of an A-list star cast – Ajay Devgan, Arjun Rampal, Ranbir Kapoor, Nana Patekar, Vivek Oberoi, Manoj Bajpai and Katrina Kaif. The movie will use the dilemmas the characters in the book went through, and draw parallels with it in reel life. Katrina Kaif is reportedly playing the role of Sonia Gandhi in the movie. After all both of them are quite similar: accent – check; powerful woman – check; foreign descent – check; relationship with Salman Khan – no one really knows.


Kites

Kites follows the story of Hrithik Roshan, a salsa dancer who falls in love with his student. Language barriers don’t matter here, love conquers almost all. But ‘something’ happens and it’s up to another student Kangna Ranaut to save the day. Maybe Sussanne walks into the movie or some other terrifying event occurs, we don’t know yet. But we hope the movie does better than Hrithik’s personal life.


Raavana

A modern day rendition of the mythological text, Raavana will get Aishwariya and Abhishek on the silver screen together for the first time after getting hitched. The movie has been plagued with problems – floods, elephants stomping around the set, maybe a higher power is sending a message through all of this. We won’t say anything, let the box-office decide.


Action replay

In Action Replay, a man ages backwards… Hmm, let’s see where have we heard this story before? A clear rip-off of the Hollywood hit, Benjamin Button, the film will feature Akshay Kumar and Aishwarya Rai. Director Vipul Shah is back with Akshay Kumar and hopes his dream run will continue.


Teen Patti

As much as producer Ambika Hinduja denies it, Teen Patti’s plot seems like a rip-off of the Hollywood blockbuster 21. The film features three ace actors, Ben Kingsley (supposedly not doing a cameo), Big B and Madhavan. With the help of a unique algorithm, Amitabh who plays a mathematical genius leads a team of college students to make a lot of money. Does Amitabh hold the algorithm for the movie’s success or will this be just another failed spin-off?


Houseful

Akshay Kumar has a slew of releases lined up next year and Houseful, the laugh-riot is one of them. The story follows Akshay who is very unlucky in life and is trying to find true love. The women helping him achieve this goal are Deepika Padukone, Lara Dutta and Jiah Khan. In real life, however, we think it’s the other way around. Akshay will end up teaching Deepika more than two expressions, Lara how to sign movies and Jiah Khan how not to be dropped from the one-odd film she has signed.


No Problem

Anees Bazmee has three mega comedy films lined up next year. One of them is No Problem which has quite a star cast – Anil Kapoor, Sanjay Dutt, Akshaye Khanna, Sushmita Sen, Kangna Ranaut, Paresh Rawal and Sunil Shetty. The film is a love story of impossible proportions. Another impossible proposition is Kangna actually makes people laugh after making them weep all these years.


Well Done Abba

Shyam Benegal has been travelling the world with his latest film, Well Done Abba. The satirical movie sees Boman Irani play two roles. Fitting two Bomans in one shot is a feat in itself and a testament to Benegal’s directorial skills. The movie follows the journey of Armaan Ali, a driver from Mumbai, who is out to find his daughter’s (Minissha Lamba) beau. Minissha, who has been alternating between commercial and semi-art house cinema, is reportedly playing a strong role in the film.


Guzaarish

The film that is loosely based on Whose Life is it Anyway? has Hrithik playing a paraplegic radio jockey.  The film seems like a cry-till-your-tearbuds-dry-out movie – it explores the dilemma of euthanasia. Hrithik who believes in challenging himself till the cows come home, reportedly, spent hours in the wheelchair when not required to shoot, to get into the head of the character. Hrithik and Aishwarya reunite after Dhoom 2, and with Sanjay Leela Bhansali directing, it becomes one of the most awaited films in 2010, never mind Saawariya.


Road, Movie

Indian cinema has been through many fascinating twists and turns but none quite as romantic as touring cinemas.  Essentially this means that the owner of one mounts the film projector on the back of a truck and the projectionist travels the length and breadth of a state with the truck, stops wherever there is a pilgrimage or a mela and projects the films he is carrying onto a white curtain which is then viewed by the locals sitting on both sides of the screen. Dev Benegal has made Road, Movie about one such projectionist (Satish Kaushik) and the young owner (Abhay Deol) and the adventures they have as they show their movies. The film has been very well received on the festival circuit.


Anjaana Anjaani

After playing twelve characters in What’s Your Raashee?, we’re sure Priyanka Chopra has become a stranger to herself, especially after the film tanked. Siddharth Anand, director of Ta Ra Rum Pum and Salaam Namaste, tries a romcom with Anjaana Anjaani. Starring Ranbir Kapoor and Priyanka, the film shows two strangers who fall in love and the journey they take together.


Aisha

Abhay Deol’s love for Delhi continues with his Bollywood release, Aisha where he plays another spoilt, rich Delhi brat. His character is modelled on Mr Knightly from Jane Austen’s novel, Emma. The movie is a romantic comedy that explores horrible mismatches. It also has a strong female role that has been bagged by Sonam Kapoor.  Whether Sonam is strong enough for the film after two failed films (read: Saawariya and    Delhi-6) is another matter.


Khelein hum jee jaan sey

Ashutosh Gowariker is no stranger to large canvasses (think Lagaan, Swades, Jodhaa Akbar) so it’s no surprise that he is now filming another humongous project, Khelein Hum Jee Jaan Sey, which revolves around the Chittagong Uprising in the pre Independence days. After What’s Your Raashee?, this is another film adapted from a book, Do and Die by Manini Chatterjee. Abhishek Bachchan and Deepika Padukone lead the star cast and Nitin Chandrakant Desai leads the crew. Hopefully Ashutosh’s version of history will not be challenged,  the way Jodhaa Akbar was.


Knock out

Inspired’ from the Hollywood masterpiece Phone Booth, Mani Shankar will look to re-create the magic in Bollywood. A man is trapped inside a phone booth, not because the door is stuck, but an assassin has a sniper rifle trained on him.  Kangna plays the role of a journalist, Irrfan plays a cop and Sanjay Dutt the assassin.


I Hate Luv Storys

A true-blue rom-com, I Hate Luv Storys brings together the very glamourous Sonam Kapoor and the man with the melting eyes, Imran Khan. Described as a love story not meant to happen but which does happen, it is the story of a man who does not believe in love and a girl who does. They meet on a film set; a milieu the director Punit Malhotra is very familiar with, having cut his teeth on Karan Johar’s sets as an assistant director; and sparks fly.


1-800-Love

When you have a tag line that says, ‘From the makers of Ghajini and Jaane Tu…’ you know you’re in for a commercial roller-coaster. Abbas Tyrewala dons the director’s hat for 1-800-LOVE again and the music score is Rahman’s handiwork. A telephone call connects two people – one who wants to die, the other who is searching for meaning in life. They meet, fall in love, yada yada… If you are watching the movie and you get bored of John Abraham’s three expression repertoire, close your eyes and maybe the music will do the trick for you.


Tees Maar Khan

Tees Maar Khan has gotten more publicity that it ever dreamed of just because Shah Rukh Khan is not playing a role in Farah Khan’s film. But it does seem like SRK has rubbed off on the new lead actor, Akshay Kumar. Kumar plays a ‘stylish’ (metrosexual) conman in the film. He will be joined by Akshaye Khanna, but the female lead has not yet been confirmed.


Hook Ya Crook

Finally, Bollywood gets a movie that shows hope in combining two things that Indians love best – cinema and cricket. Viraj Pradhan (John Abraham) dreams of being a cricketer but is a repeat offender who gets thrown into a maximum security prison. The jail is a haven for cricket players, but Viraj wants much more, he wants to be part of the men in blue. The film has reportedly roped in Indian cricketers for the movie but going by the ads on TV, the word ‘acting talent’ isn’t part of the Indian cricket team’s vocabulary.


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Bollywood is coming out with creative, out of the box films and the year 2009 is a witness to it. Paa is one such film that can also be safely termed as ‘most unique film of 2009’. Of course, the USP is undoubtedly Amitabh Bachchan’s wonderful portrayal as a 12/13 year old kid. But that alone isn’t the only thing that makes the flick special. The execution by R Balki is marvelous and the film would have surely fallen like a pack of cards if the treatment wasn’t appropriate. Paa, thus, works well and is definitely a must watch!

The story of the movie: Auro (Amitabh Bachchan) is a 12 year old suffering from a rare genetic disease, progeria which results in accelerated ageing. So although he’s just 12, his body age is 5 times more. But Auro is witty, mischievous and intelligent and just like any other school going student of his age. He lives with his mother, Vidya (Vidya Balan), a gynecologist and Vidya’s mom (Arundhati Nag). All three are living happily but one day their world turns upside down when Auro comes to face to face with his own father, MP Amol Atre (Abhishek Bachchan). But both Auro and Amol are unaware of each other’s ‘connection’.

Paa is simply made and the film grips you from the first scene itself. Auro and Amol’s entry in the narrative is highly impressive. The innovative projects made by the students and Amol’s beautiful speech in the school instantly put a smile on your face. Also note how very less time is reserved for the flashback portions and the focus of the story is entirely on the star of the film-Auro and his paa!

However, the film deviates from the main plot in the first half in the slum redevelopment track. But trust me, it was damn interesting and you’ll silently wish if the politicians of our country were such visionaries and witty.

However, the second half won’t give any reason to complain. Auro’s reaction after finding out the truth and the time he spends with his paa in Delhi is supremely rocking! The pre-climax, when one of the main characters finds out the truth could have been more impactful. But the final 10 minutes which is beautifully directed and leaves the strongest mark, compensates for it.

Although the film is titled Paa, the film doesn’t only focus on the father-son relationship. It wonderfully showcases the child’s relations with his mom, grandmom and also with his classmates, the latter being the cutest! Also, the film isn’t made to only evoke sympathy on progeric patients. Throughout the film, Auro is being treated as any other normal child by everyone around him and this also works a lot in the favour of the film.

There is not a drop of doubt about Amitabh Bachchan’s performance. He was marvelous and outstanding-even this doesn’t justify his well performed job! One forgets that one is actually watching Amitabh Bachchan on screen. The way he speaks like an adolescent and also behaves like one is just amazing and leaves you in awe and shock. And the look given to him is actually quite cute! However, the performance wouldn’t have worked solely with great work by make-up artistes. It was Amitabh’s great work that makes the character believable and lovable. Kudos to Big B-keep shining, keep rocking!

The characterization of Big B as Auro is so strong that you even forget all the past performances of other actors. Abhishek Bachchan simply rocks as the young cool politician and builds up a strong position to himself throughout the film. After Guru and Dostana, this is yet another memorable performance of Abhishek. Watch out for him in another rocking performance in his next, Raavana!

Vidya Balan is a relevation. She gives a brilliant performance, of the same level that she delivered in Parineeta. Watch her in Paa and you’ll forget all about her disastrous period that she faced 2 years back. She is expected to please everyone in her next Ishqiya too!

Arundhati Nag was perfect. Paresh Rawal was fine in his miniscule role. Pratik, who plays Auro’s buddy Vishnu, was excellent and provides laughter in some scenes. Taruni Sachdev, the girl who terrified Auro throughout the film was amazing! Also, Kiran Shah, who played the 5 year old Auro did a great job in his one scene. Kudos to Vidya for lifting this 53 kg old on his shoulder in one of the scenes!

Ilaiyaraja’s music was soulful and melodious. Songs are there in the film but doesn’t hamper the pace of the film-the story moves during the film too. Mudi Mudi is the best song of the lot. Mere Paa, sung by Big B deserved to get a better focus in the film. Background score was cute and mischievous, just like Auro!

P C Sreeram’s cinematography was top notch. Christien Tinsley and Domini Till, the makeup artistes, deserve the highest praise for transforming a 66 year old actor into a 12 year old child! Hats off!

Finally, R Balki deserves the highest praise for coming up with such a wonderful film and making complete use of the opportunity provided to him. As a director he was perfect and it was nice to see the quick editing done in certain scenes so that the film doesn’t drag at any moment. But as a writer, he could have done a better job, especially in the flashback portions of Abhishek and Vidya. But he impresses most as the dialogue writer. Dialogues and wittiest one-liners are the best part of the enterprise! Also, the toilet jokes which are a complete put-off at times are hugely funny in the film!

There were reports that Paa is a copy of The Curious Case Of Benjamin Button and a section of moviegoers even believed this. By now, the truth is out Paa is miles away from the Hollywood flick. But it’s really sad to see our media and some moviegoers are always waiting for an opportunity to thrash Bollywood and its films. Our industry churns pathetic films at times but it also comes up with sweet films like Paa. Let’s not always act and think so negatively about Bollywood. And now there are reports that Akshay Kumar and Aishwarya Rai’s next, Action Replay, is Benjamin Button’s rip off without even knowing a single line of the plot of the film. Alas, some people don’t want to grow up ever!

Some of the best scenes of the film:
1. Amol at the school, looking at the projects and delivering a speech
2. Auro orders pickle from grandmom
3. Amol’s slum redevelopment track
4. Amol and Auro’s video chat
5. Auro all set to go to Delhi (you really feel sad for the poor kid here)
6. The intermission point
7. Vidya’s Hichki-ous justification
8. Amol and Auro’s trip to Delhi
9. The last 30 minutes

On the whole, Paa is a beautiful film, written wonderfully and performed outstandingly! Undoubtedly, it’s a must watch! Go for it, if you haven’t seen it yet!

My rating-**** out of 5!

This review first appeared on MouthShut.com: http://www.mouthshut.com/review/Paa-181639-1.html

By Bollywood Hungama News Network, December 10, 2009 – 15:59 IST

After Amitabh Bachchan’s ground breaking transformation to Auro in Paa, its now the turn of daughter-in-law Aishwarya Rai-Bachchan to undergo a drastic makeover.

Buzz has it that Aishwarya will be playing an old lady in a few scenes in Vipul Shah’s forthcoming film Action Replay, for which she will have intensive make up sessions with Hollywood make up artists.

Besides Ash, Action Replay also stars Akshay Kumar and Randhir Kapoor. The film is currently under production and is expected to release in April 2010.

By Subhash K Jha (MUMBAI MIRROR; November 19, 2009)


 

Aishwarya Rai Bachchan

Farhan Akhtar and Ritesh Sidhwani’s production Crooked is set to go on the floors from January 14 next year. However, the Abhishek Bachchan starrer has no lead actress as Aishwarya, who was supposed to do the film, opted out citing date problems.

Her dates for Crooked were colliding with Vipul Shah’s Action Replay. Since Action Replay is inching towards completion, Aishwarya had to give it priority, leaving her with no choice but to opt out of Crooked, directed by Abhinay Deo. It is a thriller which will be shot at different foreign locales.

Meanwhile, Farhan’s other production directed by Zoya Akhtar featuring Hrithik Roshan, Farhan and Abhay Deol is also stuck as it has no lead actress. The film’s shooting starts from April 5 in Spain. Ritesh says, “We are now looking for a completely new face in Crooked, which actually requires three new girls. We also need a fresh face either from London or New York for Hrithik in Zoya’s film.”

Farhan says, “Hrithik has been a true friend. I start directing Don 2 from September 2010, so Zoya’s film had to be completed before that. Hrithik adjusted his dates accordingly.”

Akshay Kumar immediately agrees to star in a film to be made by his mentor Pramod Chakravarthy’s son and grandson

By Kunal M Shah (MUMBAI MIRROR; October 05, 2009)

In Bollywood where relationships are based on one’s successes and failures, Akshay Kumar, despite being a superstar, certainly believes in standing by those who had helped him when he was a struggler. This is precisely why Akshay has agreed to star in Pramod Chakravarthy’s son Pradeep’s film, which will be directed by Pradeep’s son Prateek.

It was Pramod Chakravarthy who had given Akshay his Bollywood break with Deedar in 1992 opposite Karisma Kapoor. Akshay was a struggling actor for a long time till Pramodda gave him his first break in the film industry. Over the years, Akshay has always acknowledged the fact that whatever he is today it is because of Pramodda. Akshay has done two films with him, Deedar and Barood.

A source said, “Last week, Pramodda’s son, Pradeep had come to Mumbai from the US and that’s when he discussed the forthcoming film with Akshay who immediately agreed to star in it. Incidentally Pradeep’s son Prateek is filmmaker Vipul Shah’s assistant. It was Akshay who had introduced Prateek to Vipul after which he has been assisting Vipul for the last two years.”

Another source close to Akshay confirmed the news and said, “Akshay is known to do this for friends and he is definitely part of Pradeep and Prateek Chakravarthy’s film.”

Vipul Shah confirmed the news about Prateek and said, “Yes, Akshay had introduced me to Prateek about two years ago. Akshay told me that I must make Prateek my assistant and I immediately agreed. Prateek has assisted me in London Dreams and Action Replay.”

Despite repeated calls and text messages, Akshay Kumar remained unavailable for comment.

Veteran actress Kirron Kher speaks to Mumbai Mirror Online about her frustration with stereotypical roles, her son Sikandar’s career and what she’s looking forward to as an actress
By Debarati Sen (MUMBAI MIRROR; September 22, 2009)

Kirron Kher

Bollywood tends to have this fixation with certain character artistes and they tend to get recast in similar roles endlessly. The doting, loud and aggressive Punjabi mother which has been played oh-so-well by Kirron Kher has been accepted and applauded by Indian audiences. She has gone on to become a favourite in films like Hum Tum, Rang de Basanti, Om Shanti Om, Kabhi Alvida Na Kehna and in Dostana.

Fans have loved the spirited, loud, over-the-top at times, yet ever-affectionate and loving mother played by Kirron Kher. We have actually come to a point when we can only think of her when it comes to the Bollywood Punjabi mother.

However, Kirron is not very happy with this. “I’m really fed up of the Punjabi mother roles I have been playing,” says this National Award winning actress who would love to do something more, something different.

Her screen sons have included the likes of Saif Ali Khan, Aamir Khan, Shah Rukh Khan, Abhishek Bachchan, and even a Sunny Deol. Ask her who among them is her favourite son and she promptly replies, “I do not have any favourites. Everyone is a professional, and they are all good colleagues. I have even played mother to actors who are just a few years younger to me, but then that is how the Hindi film industry works.”

While she may reserve her comments on playing ‘mommy’ to heroes in her age group, Kirron does have her wish list of heroes that she would like to play mom to. “I don’t mind playing to mom to the younger lot. Like Ranbir, whom I’ve seen as a child,” she says.

Kirron’s favourite roles have been the ones she played in Bariwali and Khamosh Paani – which won National and International awards, and received critical acclaim across the world. But she has her favourites in popular cinema too. “My role in Devdas and Rang De Basanti are amongst my favourites in commercial cinema,” says the gifted actress.

Her son Sikandar’s career has still to take off as he’s yet to get a hit to his credit. But his talented parents are making sure to leave no stone unturned to make sure he makes a niche for himself in the industry. “We (Anupam and I) are planning to produce a film with him in the lead,” she shares.

She’s also excited about a film she’s doing with Homi Adjania (who directed Being Cyrus). Her eyes sparkle when she gushes, “I have high hopes from the film. I have always wanted to do films laced with black humour.No one has offered something like this to me before.”

Her other forthcoming releases include much-talked-about films like Kurbaan with Dharma Productions and Action Replay with Vipul Shah.


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