Fenil and Bollywood

Posts Tagged ‘Aditi Govitrikar

Priyadarshan has always come up with zany comedies but De Dana Dan takes away the cake. In your entire life, you would have not seen such complicated and bizarre film ever, nor would you see it in future! There are some 25 characters; the entire action takes place inside a luxurious hotel and misunderstandings galore in the film. In fact, the flick thrives on misunderstandings and mistaken identities! However, like many other pathetic comedy flicks attempted this year, this doesn’t disappoint all thanks to Priyadarshan’s excellent handling and execution!

The story of the movie: Nitin Bankar (Akshay Kumar) works for Archana (Archana Puran Singh), a rich lady in Singapore and who loves her pet dog named Moolchandji the most! Nitin’s only friend is Ram (Suniel Shetty). While Nitin is in love with Anjali (Katrina Kaif), Ram loves Manpreet (Sameera Reddy). However, both Anjali and Manpreet are born and brought up in rich families and their families would not like their daughters to marry financially unstable men. So Nitin and Ram come up with plan to get quick money-they decide to kidnap Moolchandji in exchange of a huge ransom from Archana! Without realizing that the kidnapping has gone awry, both hide in the luxurious Pan Pacific Hotel waiting for the ransom. Unfortunately, there are more colourful, anti-social, gadbad-types people in the hotel at that time! And then starts the mother of all misunderstandings, mistaken identities and unlimited, uninterrupted laughter for the viewers!

There is absolutely no logic whatsoever in De Dana Dan. There are some big big loopholes in the story too! But if you are lover of masala Hindi comedies, then you won’t mind at all as there is so much fun happening in the film every second! Except during the songs, you won’t get a chance to yawn or check out the time in your watch or look anywhere else than the screen!

The first half is where the characters are introduced and established which is perfectly done. The asli mazaa begins when Nitin and Ram hatch the kidnap plan. The actual kidnapping and the events that follow was brilliant! Also, there are lots of tracks going on in the film, each one which is well written and worked upon. There is Harbans Chadda (Paresh Rawal) who is deep in debt and who wants to marry off his son Nonny (Chunky Pandey) to the best amir khandaan ki ladki; there is Brij Mohan Oberoi (Manoj Joshi) who is happy to marry off her manglik daughter Manpreet to Nonny; then there is smart theif cum club dancer (Neha Dhupia), Harban’s unfaithful wife Pammi (Aditi Govitrikar), a killer on a mission Peshawarwala (Johny Lever), an oversmart waiter Duggu (Rajpal Yadav), an Indian ambassador Paramjeet Lamba (Vikram Gokhale) and her wife (Supriya Karnik), Anjali’s dad Kakkad (Tinu Anand), Anti-corruption cop (Sharat Saxena) and a letch (Shakti Kapoor) (I hope I haven’t left anyone). Whew! With so many characters with interesting characteristics, Priyadarshan and the writing team excellently links up unrelated characters creating multiple mistaken identities, all which provide laughter unlimited!

The first half is laced with 4 songs but still the flick didn’t turn boring. However, it was the 2nd half where at a point, everything gets too monotonous and you want the flick to end. In fact, the film is close to 2 hrs 45 minutes. However, the climax again takes the film up and it was the most weird and bizarre climax I have ever witnessed! Once again, I state that don’t watch the flick if you can’t stand any nonsense in films. Or else you’ll surely faint watching the nonsense climax! But for those who love comedies, the climax will surely entertain!

With so many characters, it becomes difficult to decide who the best was. In fact all put their best foot forward and contribute well. Akshay Kumar was like everytime rocking! His films may not entertain everytime but he always impresses. In fact, it was so great to see a fantastic Akshay Kumar film after so long (the last such film was Welcome, 2 years back). Keep rocking Akki! Suniel Shetty gives an amazing performance and it was great to see him after a long time! Watch out for him in his next, Red Alert!

From the rest, the ones who impress and provide maximum laughs are Paresh Rawal, Archana Puran Singh, Johny Lever and Vikram Gokhale. Vikram Gokhale particularly entertains a lot! The rest-Asrani, Chunky Pandey (he had no role at all!), Manoj Joshi, Rajpal Yadav, Supriya Karnik, Tinu Anand and Sharat Saxena also did a nice job but it got overshadowed in presence of so many actors. Producer Ratan Jain is also there in the film!

As for the heroines, Katrina Kaif has the meatiest role and sizzles full on in the song Gale Lag Ja. Neha Dhupia gives a bindass performance. Sameera Reddy looks charming but hardly has any dialogues. Aditi Govitrikar’s performance was flawless.

Music was fine. Baamulaiza, Gale Lag Ja and Rishte Naate are the best songs of the lot. K Ahambaram’s cinematography was too shaky in some scenes which didn’t work. Salim-Suliaman’s background score, as usual, was flawless. Sabu Cyril’s production design deserves special appreciation especially for the climax where the entire hotel gets flooded. Some parts of the hotel were recreated in Mumbai, it was flooded and shot and it was so accurately done that it’s impossible to distinguish the actual hotel in Singapore from the set! Great work! But at the same time, disappointed to see enormous quantity of water wasted under the guise of entertainment!

Finally, we come to the writers and director. Suresh Krisshnan’s story was unusual. Jay Master’s dialogues were amazing and also contribute to the entertainment quotient in the film! And this is undoubtedly Priyadarshan’s one of the finest works! It requires guts and courage to screenwrite a film with so many complicated and tangled scenes and then directing it and also giving it a proper conclusion. Any other director would have either failed miserably or would have run away midway! So hats off to Priyan….keep giving us such films!

This time, there would be no section of Best Scenes….there are some 3 to 4 dozen memorable scenes, half of which I can’t even recollect now but enjoyed while watching! So please excuse this time!

On the whole, De Dana Dan is one of the most complicated comedies of all time. Those who love Priyadarshan and his slapstick comedies should not even think of missing it!

My rating-**** out of 5!

This review first appeared on Mouthshut.com: http://www.mouthshut.com/review/De_Dana_Dan-181702-1.html

By Taran Adarsh, November 27, 2009 – 10:52 IST

Be forewarned. DE DANA DAN is the most bizarre film from the maharaja of laughathons, Priyadarshan. Not even in your wildest dream you’d think that Priyadarshan would place almost an entire film in a hotel and have its entire cast, comprising of 26 [or is it 27?] characters, most of them weirdos, interacting with each other. Brings back memories of BLAME IT ON THE BELLBOY? May be!

But Priyadarshan needs to be credited for pulling it off. There are times when you laugh hysterically at the most outlandish jokes and situations. There are times when a raised eyebrow or a wide-open jaw makes you break into a guffaw.

BY BOLLYWOOD HUNGAMA.COM

Be cautioned. DE DANA DAN is a loud film, with each and every character screaming on top of his/her voice, with the characters shouting, running, even floating and swimming in the end.

But what do you expect in a Priyadarshan film that has a title like DE DANA DAN? The promos never promised path-breaking or thought-provoking cinema that would give birth to debates and discussions. So why look for logic in this one?

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DE DANA DAN makes no qualms of narrating a story you haven’t heard before. Here, the story is non-existent and it’s left on Priyadarshan to mix-n-match those two dozen characters and keep the momentum alive for the next 2.45 hours.

DE DANA DAN promises laughter and entertainment and sticks to its promise. This one’s not for the hard-nosed types, but for those who worship escapist cinema. Who want to chuckle, giggle and chortle at those mindless jokes. In short, DE DANA DAN is a pure dhamaal entertainer!

Nitin [Akshay Kumar] is a butler, cook, driver, watchman, gardener to a wealthy female industrialist [Archana Puran Singh] in Singapore. Like any young man, Nitin too dreams of a better life. He desperately wants to become rich and marry the love of his life, Anjali [Katrina Kaif], who supports him financially.

Ram [Suniel Shetty], Nitin’s best friend, also came to Singapore with the dream of striking it rich, but ended up a courier delivery man. He falls for Manpreet [Sameera Reddy], but her high society parents will never approve of marriage, not unless Ram has lots and lots of money.

In the midst of all this is Harbans [Paresh Rawal], a shrewd businessman, who’s looking for ways to multiply his income and avoid his debtors. He decides the best way would be to marry his son [Chunky Pandey] off to a girl whose parents can give him a large dowry. He is introduced to Manpreet’s parents at a function and is impressed by their social status. He introduces himself as a well-established businessman, impresses them and they decide to get Manpreet and Harbans’ son married.

With several factors working against them, Nitin and Ram soon reach a dead end in their relationships. When both receive ultimatums from their girlfriends, they realize that only a life of vice can help them out of their misery. They come up with an audacious plan to kidnap someone important and demand a ransom.

The kidnapping goes awry and both hide at a local hotel while waiting for the ransom money. But misfortune is never far and the kidnapping spirals out of control.

Meanwhile, Manpreet’s wedding reception is being held at the same hotel that Nitin and Ram are hiding in. Soon, they are joined by a motley set of characters including a Chinese Don [Asrani], a hired assassin [Johny Lever], a ACB police inspector [Sharat Saxena], a club dancer [Neha Dhupia], an ambassador [Vikram Gokhale], a young frustrated double crossing wife [Aditi Govitrikar], a letch [Shakti Kapoor], a drunken waiter [Rajpal Yadav] and a dead body nobody wants to check into the hotel.

DE DANA DAN is atypical Priyadarshan film that has the unmistakable stamp all over it. But, at the same time, DE DANA DAN is erratic and uneven – energetic at times, lethargic at places. Also, the culmination to the film is very similar to the director’s earlier works, with the entire cast running helter-skelter.

On the flip side, you miss Akshay’s presence in the second hour. He disappears [gets locked in a cupboard] for at least 20 minutes and the focus, hence, shifts to the other characters. His fans will miss his presence, for sure. Besides, the film tends to get very lengthy towards the second half and overtly verbose too.

Director Priyadarshan is synonymous with comedies and the ace storyteller promises laughter in abundance. Handling so many characters, plus making a film on mistaken identities could be very tough, but the director gets it right. Pritam’s music is alright, while the RDB track, ‘Paisa’, is the pick of the lot. Salim-Sulaiman’s background score is energetic. K. Ahambaram’s cinematography is alright.

The review would be incomplete if one ignored the dialogue writer’s [Jay Master] contribution to the film. The lines are laced with wit and soaked in humour and bring the house down on several occasions.

DE DANA DAN has so many characters that it gets difficult to pinpoint or single out any one actor. Akshay is at his best in a Priyadarshan film and DE DANA DAN proves it. Suniel is natural to the core. Paresh is incredible; he pitches in a superb act. Katrina and Sameera don’t have much to do. Amongst the plethora of actors, Johny Lever, Neha Dhupia, Manoj Joshi, Asrani, Vikram Gokhale and Archana Puransingh deserve special mention.

On the whole, DE DANA DAN is targeted at the masses and it delivers laughter in abundance. Leave your brains behind to enjoy this madcap entertainer!

MAKING A MARK: (From top) Dia Mirza, Konkona SenSharma, Neil Nitin Mukesh; (below) Abhay Deol and Shabana Azmi. For more pictures of the stars, visit

Twenty stars to do the catwalk for a good cause

NICOLE DASTUR Times News Network (BOMBAY TIMES; October 23, 2009)


When Naresh Goyal’s 20-year-old daughter Namrata Goyal, who is Shabana Azmi’s godchild, went to the village Mijwan in UP with the actress-cum-activist for the first time, she came back with an idea. Such was the life transforming experience for her.

To rewind a bit — Shabana Azmi’s NGO Mijwan Welfare Society (MWS), which was started by her father Kaifi Azmi, has been doing noteworthy work for the betterment of the villagers of Mijwan. When Namrata was amidst the villagers, she too was inspired to do something for their welfare. And that’s how
‘Mijwan — Sonnets in Fabric’, a fashion show with a difference was born, to raise funds to set up a District Learning Centre in the village. “I have always believed in the power of youth to act as catalysts for change. Fifty percent of India is under 25 years, they can change the world if they are motivated to get involved and tap into their own reserves of strength,” says Shabana.

SA The fashion contest-cum-show will
also serve as a platform for fashion designing students to showcase their talent. Students from five fashion and design institutes will take part in an inter-collegiate contest where shortlisted students will be mentored by designers Manish Malhotra and Anita Dongre, and their creations will be showcased by top stars and models including Karan Johar, Neil Nitin Mukesh, Abhay Deol, Malaika Arora-Khan, R Madhavan, Konkana SenSharma, Dia Mirza, Prachi Desai, Raima Sen, Boman Irani, Arshad Warsi, Sandhya Mridul, Mona Singh, Tupur and Tapur Chatterjee, Aditi Govitrikar, Diandra Soares, Alesia Raut and Dipannita Sharma. The show, to be held in December, will be compered by Mandira Bedi, styled by Manish and Anita and judged by eminent names. “These stars are youth icons and it will be a huge boost for these students to have their creations showcased by them,” says Shabana, adding that she is grateful to all the stars and designers for being a part of this venture absolutely free of cost. ad