Fenil and Bollywood

Posts Tagged ‘Aladin

By Bollywood Hungama News Network, December 31, 2009 – 12:22 IST

Best Film
3 Idiots
Dev D
Kaminey
Love Aaj Kal
Paa

Best Director
Anurag Kashyap – Dev D
Imtiaz Ali – Love Aaj Kal
R Balki – Paa
Rajkumar Hirani – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Actor (Male)
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Ranbir Kapoor – Ajab Prem Ki Ghazab Kahani
Ranbir Kapoor – Rocket Singh – Salesman Of The Year
Saif Ali Khan – Love Aaj Kal
Shahid Kapoor – Kaminey

Best Actor (Female)
Deepika Padukone – Love Aaj Kal
Kareena Kapoor – 3 Idiots
Katrina Kaif – New York
Priyanka Chopra – Kaminey
Priyanka Chopra – What’s Your Raashee?
Vidya Balan – Paa

Best Actor in a Supporting Role (Male)
Abhimanyu Singh – Gulaal
R Madhavan – 3 Idiots
Rishi Kapoor – Love Aaj Kal
Rishi Kapoor – Luck By Chance
Sharman Joshi – 3 Idiots

Best Actor in a Supporting Role (Female)
Arundhati Naag – Paa
Divya Dutta – Delhi-6
Gauhar Khan – Rocket Singh – Salesman Of The Year
Neha Dhupia – Raat Gayi Baat Gayi
Shahana Goswami – Firaaq

Best Actor in a Negative Role
Amole Gupte – Kaminey
Boman Irani – 3 Idiots
Kay Kay Menon – Gulaal
Mahesh Manjrekar – Wanted
Manish Choudhary – Rocket Singh – Salesman Of The Year

Best Actor in a Comic Role
D Santosh – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots
Paresh Rawal – De Dana Dan
Sanjay Mishra – All The Best
Vinay Pathak – Raat Gayi Baat Gayi

Best Background Music
Amit Trivedi – Dev D
Ilaiyaraja – Paa
Salim-Sulaiman – Rocket Singh – Salesman Of The Year
Shantanu Moitra, Atul Raninga, Sanjay Wandrekar – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Music
A R Rahman – Delhi-6
Pritam – Ajab Prem Ki Ghazab Kahani
Pritam – Love Aaj Kal
Pritam – Tum Mile
Vishal Bhardwaj – Kaminey

Best Playback Singer Female
Kavita Seth – Iktara – Wake Up Sid
Rekha Bhardwaj – Genda Phool – Delhi-6
Shreya Ghoshal – Zoobi Doobi – 3 Idiots
Shilpa Rao – Mudi Mudi – Paa
Sunidhi Chauhan – Mere Sang – New York

Best Lyrics
Amitabh Bhattacharya – Emosanal Attyachaar – Dev D
Irshad Kamil – Chor Bazari – Love Aaj Kal
Javed Akhtar – Sapnon Se Bhare Naina – Luck By Chance
Piyush Mishra – Ranaji – Gulaal
Prasoon Joshi – Man Ko Ati Bhavey – London Dreams

Best Story
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Anurag Kashyap, Aparna Malhotra, Raj Singh Chaudhary, Sanjay Maurya – Gulaal
Imtiaz Ali – Love Aaj Kal
Nandita Das, Shuchi Kothari – Firaaq
R Balki – Paa

Best Screenplay
Abhijat Joshi, Rajkumar Hirani, Vidhu Vinod Chopra – 3 Idiots
Anurag Kashyap, Vikramaditya Motwane – Dev D
Imtiaz Ali – Love Aaj Kal
Pankaj Advani – Sankat City
R Balki – Paa

Best Dialogue
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Imtiaz Ali – Love Aaj Kal
Anurag Kashyap, Vikramaditya Motwane – Dev D
R Balki – Paa
Vishal Bhardwaj – Kaminey

Best Editing
Aarti Bajaj – Dev D
Aarti Bajaj – Love Aaj Kal
Anil Naidu – Paa
Meghna Manchanda Sen, Sreekar Prasad – Kaminey
Rajkumar Hirani – 3 Idiots

Best Sound
Bishwadeep Chatterjee, Nihar Ranjan Samel – 3 Idiots
Dileep Subramaniam – Love Aaj Kal
Sanjay Maurya, Allwin Rego – Dev D
Shajith Koyeri, Subhash Sahu, P M Satheesh – Kaminey
Tapas Nayak – Paa

Best Special Effects
Charles Darby – Aladin
Prime Focus Ltd – Blue

Best Cinematography
C.K. Muraleedharan – 3 Idiots
P.C. Sreeram – Paa
Rajeev Ravi – Dev D
Shankar Raman – Frozen
Tassaduq Hussain – Kaminey

Best Art Directon
Acropolis, Rajnish Hedaa, Sumit, Snigdha Basu – 3 Idiots
Sabu Cyril – Aladin
Samir Chanda – Delhi-6
Samir Chanda – Kaminey
Sukanta Panigrahy, Helen Jones – Dev D

Best Choreography
Ahmed Khan – Prem Ki Naiiyya – Ajab Prem Ki Ghazab Kahani
Avit Dias – Aal Izz Well – 3 Idiots
Bosco- Caesar – Zoobi Doobi – 3 Idiots
Prasanna – Marjaani – Billu
Baawre – Vaibhavi Merchant – Luck By Chance

Best Action
James D Bomalick – Blue
Huan-Chiu Ku – Chandni Chowk To China
Shyam Kaushal – Kaminey
Tinu Verma – Acid Factory
Vijayan Master – Wanted

Most Promising Newcomer (Male)
Amole Gupte – Kaminey
Chandan Roy Sanyal – Kaminey
Navin Kaushik – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots

Most Promising Newcomer (Female)
Gauhar Khan – Rocket Singh – Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jesse Randhawa – Gulaal
Kalki Koechlin – Dev D
Mahie Gill – Dev D

Most Promising Debut Director
Ayan Mukerji – Wake Up Sid
Nandita Das – Firaaq
Pankaj Advani – Sankat City
Shivajee Chandrabhushan – Frozen
Zoya Akhtar – Luck By Chance

Best Child Artiste
Jahan Bativala – Little Zizou
Iyanah Bativala – Little Zizou
Rahul Kumar – 3 Idiots
Parzan Dastur- Sikandar
Pratik Katare – Paa

Best Ensemble Cast
Delhi-6
Firaaq
Gulaal
Luck By Chance
Sankat City

BOLLYWOOD HUNGAMA.COM

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ANY LESSONS LEARNT FROM 2009 MISTAKES?

Overall 2009 was a disappointing period for Bollywood. As what Ak_India mentioned in his DP that only 8% of films succeeded in this year which is very shocking. Many films got a nice opening and were well received by audiences as well as critics. Still, the films were hailed as Flop or Average due to their high costs. And that was one of the biggest reasons behind the debacle of many films. Films like Billu, Delhi-6, Kambakkht Ishq, Kaminey, Wake Up Sid, All The Best, London Dreams, De Dana Dan etc could had been super hits were they not produced and sold for such high prices. The problem of sky-high costs was accelerated by the wrong release time. Due to the producer-multiplex feud, no movies were released in the lucrative April and May period. As a result, as soon as strike ended, films after films started pouring every Friday. Obviously, common man cannot be expected to watch all films that release and thus, many films failed or did low business. For instance, All The Best could had been successful if it had not released with Blue. Aladin would have fared better had it not clashed with London Dreams. Jail would have got lots of audience if it had not released with the super hit Ajab Prem Ki Ghazab Kahani.

Unfortunately, there is no concrete solution for the 2nd problem. Due to the strike, there is still a huge backlog that needs to be cleared and hence, in 2010 too, one might find multiple releases on lots of Fridays. But the cost of the film can definitely be cut down and the best solution is that the actors slash their prices. Why do superstars like Akshay Kumar charge 20+ crores? And why do producers agree to pay them? Biggie actors should not be given more than 8 or 9 crores. And if this upsets them, then they should be paid more but only if their film succeeds at the box office. This kind of arrangement would benefit all. Movies that are made for 40-50 crores at present would be finished in less than 30 crores. Thus, such film will have high chances of recovering their costs too.

Sadly, no one is thinking of enforcing such an alternative. And as the chapter of 2009 closes, we could see multiple releases even in the last week. Today (i.e. last day of 2009), 3 small films are slated to release-Raat Gayi Baat Gayi (RGBG), Accident On Hill Road (AOHR) and Bolo Raam (BR). It is obvious that all 3 of these films are going to flop. If only one film had hit the screens today, it would have chances of profiting. But no film will profit in this rat race. Not to forget, the 3 Idiots craze is still going on. Hence, all these films have dug their own graves by releasing today. RGBG looks like a complete entertainer; AOHR may work if it has a well-written climax. BR may be hard hitting but it will surely have lowest collections. When will these people learn?
——————————-
MOVIES THAT WILL ROCK IN 2010-PART 1

The following are the films that have big stars and have highest chances of succeeding at the box office. 2 of them are listed below and the rest will be discussed next week [lack of space 😦 ]:



MY NAME IS KHAN: A winner for sure! Although the film looks serious, it has managed to arouse curiosity. And anyways, the name of Shah Rukh Khan is enough to make almost everyone sit up and take notice. Kajol being paired opp SRK is like an icing on the cake. Also it has talented actors like Jimmy Shergill which, I don’t think, will be revealed in promos till the flick releases on Feb 12. The first look of the film made people assume that it’s based on terrorism. However, it’s not! To quote SRK, “It’s a love story with an epic feel(Bombay Times). MNIK is thus expected to work not only in India but overseas too.

RAAVAN/RAVANA: Mark my words; this one would rock big big time! Unfortunately, when Bolly websites are discussing 2010 biggies, they aren’t mentioning this flick. There are many reasons as to why this film is special. Firstly, it is directed by talented-creative Mani Ratnam who never goes wrong. Secondly, it’s a present day version of Ramayana. And thirdly and the best part, the star cast and the characters that they play are just out of this world! Aishwarya Rai Bachchan plays Sita but Abhishek Bachchan isnt playing Rama! Instead, he’s Raavan in the film, i.e. the villain! Southern actor Vikram is Rama! Guess who plays Hanuman? None other than apna Govinda! Just imagine-Govinda in Mani’s film! Cool isnt it? Nikhil Dwivedi and Southern beauty Priyamani completes the main cast. The film is bi-lingual-it was shot in Tamil too but with slight change of cast. Vikram who plays Rama in Hindi version is Raavan in the Tamil version (hats off!). Prithviraj Sukumaran instead is Rama in Tamil version! Aishwariya Rai is acting in both the versions! The film is expected to release in May. Make sure you don’t miss it at any cost!

TO BE CONTINUED NEXT THURSDAY!

(AND WISHING EVERYONE A VERY HAPPY NEW YEAR!)

This post first appeared on MouthShut.com: http://www.mouthshut.com/diary/hdbhmtlmp/Fenils-Bollywood-Talk81

Amitabh Bachchan looks back on the hits and misses in his life over 2009

SUBHASH K JHA Times News Network (BOMBAY TIMES; December 14, 2009)

When Amitabh Bachchan was asked to describe what 2009 meant to him, the great actor said, “Gosh, what a year this has been — a few ups, and a few downs… more downs really! Years, months, days… they rush through at such speed, it’s impossible to keep an account of them.” He’s right, he’s had ups and down all right, but what’s there to complain about? If his Aladin was a disaster, then look at what a thumping success Paa has become; these are the only two films the Big B has had in 2009. He wrapped up work on Johnny Mastana, Rann and Teen Patti by June because he wanted to be by the side of his ailing friend Amar Singh. Now all these films await delayed releases because of the multiplex strike earlier. It’s been six months since Bachchan took on any new film or faced the camera. But he kept himself busy with television, with the Bachchan Sandhya on the occasion of his father’s 102nd birth anniversary, with the promotions of Paa. Here the Big B reflects back on 2009…
Aladin was a disaster, Paa a success…
• Aladin failed and Paa moves in a direction that looks to be one of success, both critical and commercial. Modesty prevents me from disclosing what reactions we are getting. But no amount of prudence prevents me from admitting that Auro has been embraced in a manner that I have never seen before. The other noticeable factor has been the will of the people. They want Auro and this film to succeed. No amount of sophisticated marketing will ever stand in the way of the choice and demands of the masses and this is why all traditional assumptions on the business trends for Paa are falling short. Auro is dictating an unique box office attitude all by himself and the so-called pundits are wrapping up their janam patris and shifting base.
You’re back on television, a new experience…
• It is different from KBC and gets more intricate as we move along. The medium and those that are attached to it, work diligently round the clock, and it is a marvel to see the amount of thinking and labour that goes on behind the scenes to create something like this. I feel very saddened when I have to announce the person who has been voted out and then later to spend time with them after their eviction. It’s much like what I used to feel when on KBC I had to inform the participant that his answer was wrong. You’d think KBC was harder because that was my first time on television. But no. Every time I do anything new and that means starting a new film too, I get butterflies in my stomach.
The year zipped by for you…
• I really have no recollection of what went by. I know what I am doing now. Age does have this adverse effect on one and I am no different from any other. It may seem power packed for you but for me, it is just another day, another job. I endeavour to do what is assigned to me to the best of my ability.
You’re 67 and still going superstrong…
• I don’t know if I am still going strong, but yes, I am alive and I exist. I have never wished for any fancy recognition or accolade. I am grateful for the jobs that I get and am thankful that I am given opportunity for work.
Your thoughts on the world around…
• I wish for there to be peace and harmony. For humans to understand that we are all one and that we all have common characteristics. To understand that all faiths need to be respected, for none of them are different in their beliefs. That we are one nation, united by our independence and our sovereignty. That this world we live in belongs to all of us and we need to protect it for its survival. That a kind word and a smile never did harm anyone.
The most significant occurrence in your life this year…
• That I am still alive!

John and director Sabal reconsider their decision to cast Jacqueline Fernandez

By Sonal Chawla (MUMBAI MIRROR; November 25, 2009)


 

Jacqueline Fernandez John Abraham

 

Jacqueline Fernandez, who  made her Bollywood debut in Aladin, was signed for a film by Sabal Shekhawat opposite John Abraham. Now it seems that John and Sabal, who are close friends, are having second thoughts about having Jacqueline as their lead actress.
A source said, “Jacqueline was finalised for this untitled film before Aladin released. At that time, Sabal was still in the scripting process and thought that Jacqueline was suitable for the role. John too thought that she was the right choice.”

“Sabal’s film is a thriller and requires a glamorous and sporty actress. Although Jacqueline fits the bill, Sabal and John are now considering other options.” added the source.

Sabal said, “Nothing has been finalised yet. We had a couple of meetings with Jacqueline but we haven’t arrived at a conclusion.” Is he looking for a younger face? “No. On the contrary, we are looking for an older face,” he replied.

“We had finalised Jacqueline but there are several other aspects to look into, like the film’s budget. We are in talks with several studios  and only once that is settled, we can talk about finalising the lead actress,” said Sabal.

By Joginder Tuteja, November 2, 2009 – 15:43 IST

Anthony D'Souza This has becomes a trend of sorts. No sooner does a film hit the screens or is ready for release, stories start floating around how its maker is ready with the plans of making his next. It may be mere speculation, a PR plug or a confirmed report but the fact that it does get the film (which is about to get released) noticed. In certain instances a filmmaker knows the origin of the news. However, there also have been cases where he himself is flabbergasted with such information floating around. What may just turn be a thought over a mug of coffee is elevated to the scale of being confirmed to such an extent that it appears as if the film would get on floors within a week of the news making headlines.

Diwali releases went through the same syndrome with glowing announcements around the next projects of Rohit Shetty (All The Best) and Prem Soni (Main Aurr Mrs Khanna). While Rohit was said to be caught in a dilemma of choosing his next film between the sequel to Golmaal and All The Best, Prem confirmed that Salman Khan had green lighted another project for him.

Something similar happened to Anthony D’Souza as well who happened to share certain thoughts about his next assignments with a few associates. The next thing he heard, there were projects like airborne thriller Aerial and a sequel to Blue all set to be kick started. What’s more, he had apparently also signed one of his favourite actors from the industry and close friends – John Abraham.

However, a fortnight after the release of Blue, Anthony D’Souza a.k.a. Tony is ready to term this information as sheer rumour that doesn’t come with any basis. He denies working on either Blue 2 or Aerial and also dispels the theory that he has signed John for his next.

“All of these are mere speculations and I have no clue from where have they originated. All I said was that I would love to work with John since he is a close friend. He is the one who got me in the industry and I owe him a lot. Tomorrow if a project works out well for both of us then we would be game for working together. However, this isn’t something that I am stating today after Blue; I have maintained this for a year now. If this admiration and gratitude of mine is sensationalised by some and posted as twisted headlines, then I can’t help it, right? On a lighter note, I have always been forthcoming in admitting my love for Hollywood. However, that doesn’t mean that Francis Ford Coppola has sanctioned a film for me”, jokes Tony.

There have also been talks that other than John, the principal cast of Blue is coming together with him again. What does the filmmaker has to say about that?

Anthony D'Souza “As much as I love John and would want him in my films, there is no project for which he has signed on the dotted line yet. Neither is that the case with Mr. Akshay Kumar, Mr. Sanjay Dutt, Zayed, Lara or Katrina. They are all great actors and I would love to work with all of them together again. But no, there is no film which is happening with them at the moment”, Tony sets the record straight.

Where does that leave so-called announcements like Blue 2 and Aerial? The moment Blue hit the screens and took a very good opening; a sequel seemed to be offering. Also, knowing Tony’s penchant for action adventure, it was being stated that he would now take his cast and crew in the air with Aerial. There have also been theories around him making a trilogy of such action adventure cinema.

“These are nothing but overzealous minds at work”, laughs Tony, “For the records, I am neither doing Blue 2 nor Aerial. These are all speculations. Yes, I have a penchant for making action flicks and my next would belong to that genre as well. However, it won’t necessarily have an adventure element to that. Whether it would be Blue 2 or something else? Well, for all you know, it could be Red or Yellow“, he laughs, “Seriously, it’s too early to be even talking about it. I am still in the process of fleshing out a subject. Let things take their due course and we would make the right announcements. Till then, let’s enjoy Blue.”

Well, with another rumour biting the dust, one looks forward to how the trend continues for weeks to come. Whether there would be more in the offering around adventures of Aladin? Whether London Dreams may lead way for New York Dreams? Would Ranbir have many more stories to tell after Ajab Prem Ki Ghazab Kahani? Or if Aamir Khan would be bringing in four idiots for his next assignment after Three Idiots?

Of course, we are waiting!

BOLLYWOOD HUNGAMA.COM

By Taran Adarsh, October 30, 2009 – 08:28 IST

Most stories sound interesting on paper or when narrated in 10/15 minutes flat. But when you watch the full-blown cinematic version, you realize why most Hindi films fall flat on their face.

Sujoy Ghosh’s ALADIN promises the moon, but what you get is a mere flicker. This fantasy had the trappings to transport you to fantasyland, but… Seriously, Sujoy could’ve run his imagination wild and come up with a film that would’ve made the child in you jump, scream and clap with glee. But 15/20 minutes into the film and you realize that ALADIN is merely a visual spectacle. A film that lacks soul!

BY BOLLYWOOD HUNGAMA.COM

After having watched ALADIN, I too desire three wishes…

  • Wish 1: Henceforth, actors shouldn’t ask for scripts before they sign on the dotted line;
  • Wish 2: Producers should act more responsibly. They shouldn’t be mere moneybags, but have creative control too;
  • Wish 3: Directors and writers should stop taking the intelligent viewer for granted.

Will a genie appear and fulfil my wishes? I doubt!

// <![CDATA[//

Aladin Chatterjee [Riteish Deshmukh] lives in the city of Khwaish, an orphan who has been bullied since childhood by Kasim [Sahil Khan] and his gang. But his life changes when Jasmine [Jacqueline Fernandez] gives him a magic lamp because it lets loose the genie Genius [Amitabh Bachchan].

Desperate to grant him three wishes and seek the end of his contract with the Magic Lamp, Genius makes Aladin’s life difficult until the real threat looms on the horizon: the ex-genie Ringmaster [Sanjay Dutt]. Why does Ringmaster want to kill Aladin? What is the dark secret about Aladin’s past that Genius is carrying?

Let’s give the credit where it’s due. ALADIN starts with a bang, with the initial portions holding a lot of promise. But no sooner does the genie appears, he breaks into a song and you realize that ALADIN is no different from those mundane films churned out week after week. Sadly, ALADIN only slides downwards after this point. Sure, there’re some interesting moments, but you can actually count those sequences.

The problem is not with the story, but the screenplay [also penned by Sujoy Ghosh]. It rests on absurdities. Okay, one expects absurdities in a fantasy, you can be pardoned for it, but at least they should have the power to keep you hooked. In this case, they don’t!

You can’t overlook two major flaws in the writing…

  • One, Amitabh refrains from revealing the past to Riteish, till Sanjay Dutt arrives on the scene and spills the beans.
  • Two, the flashback portion – which resulted in Riteish’s parents losing their lives – is haphazard. It’s not easy to comprehend.

Also, the entire track, when Amitabh loses his powers and becomes an ordinary mortal, looks gimmicky. At the same time, it looks weird when Amitabh fights an entire army of Sanju’s henchmen in the end. It gets very formulaic at this point. Not just that, even the climax is ridiculous.

Sujoy Ghosh’s screenplay is bad, to put it bluntly. Given the kind of stars and budget at his disposal, the director should’ve come up with a slick entertainer, but ALADIN comes across as a feeble clone of a poor Hollywood film. Like his last outing HOME DELIVERY, this one too is high on gloss, but low on content.

The visual effects are excellent at places, but tacky at times. Vishal-Shekhar’s music is strictly okay. However, too many songs in the initial reels act as roadblocks. The cinematography is top notch.

ALADIN belongs to Riteish, who’s easy on the eyes. The best part is, he looks the character and enacts it without going overboard. He’s at his natural best here. Surprisingly, Amitabh Bachchan is over the top this time, which puts you off after a point. Sanjay Dutt has two standard expressions from start to end. Jacqueline Fernandez gets no scope, but she looks gorgeous nonetheless.

Ratna Pathak Shah is wasted. Ditto for Victor Banerjee. And what is a wonderful actor like Mita Vashisht doing in this film? Saahil Khan and Arif Zakaria are okay.

On the whole, ALADIN is a terrible waste of a terrific opportunity. Hugely disappointing!

 

IN THE WORLD OF FANTASIES: Riteish Deshmukh
Riteish Deshmukh is excited about his magical caper releasing today

 

MEENA IYER Times News Network (BOMBAY TIMES; October 30, 2009)

 

 

The first thing you notice about Riteish Deshmukh is that he is wearing a t-shirt with a prominent ‘a’ on it. Clearly the actor is going out of his way to endorse his release today — Aladin directed by Sujoy Ghosh. Making no bones about the fact that he is thrilled to bits about this magic caper which is all heart, the leading man of the film, says, “Sujoy has clearly surpassed my expectations. All of us knew from the start that Aladin would have a magical quality. But, I can tell you that the film may be a fantasy… yet it is truly believable. The SFX are the best ever on Indian screen so far.”
This is the first time he has come out and spoken about a film before the reviews have appeared. The actor believes that it is not only children who will love this part fantasy-part fiction film, it should also appeal to the child in everyone of us. “It has the spirit of a Mr India and it transports you into another world on screen,’’ says Riteish.
Describing Amitabh Bachchan as his most versatile co-star, Riteish says, “When I did Darna Zaroori Hai with him, I told myself, ‘Today I have arrived. I have worked with Indian cinema’s biggest legend.’ Then I got greedy — and as luck would have it, I got the chance to work with Amitji in Aladin. And, if that wasn’t enough, Ram Gopal Varma also gave me the opportunity to work with him in Rann. Just sharing screen space with a man of Amitji’s stature is an indescribable feeling.’’
About his other coactor, the lovely Miss Sri Lanka Jacqueline Fernandez, the actor says, “Jackie is a freshfaced, talented girl who will go places in Bollywood. The two of us have already worked on another mystical romance called Jane Kahaan Se Aayi Hai that is slated for release in 2010. I will be returning back to romantic films with this one.’’
And while he may shed some light on his screen romance, he refuses to lift the veil of mystery surrounding his relationship with actress Genelia. When told that the gossip mills are constantly buzzing about them, he diplomatically replies, “There is so much said about it. The questions haven’t changed nor have my answers. There is nothing to my relationship with Genelia.’’

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