Fenil and Bollywood

Posts Tagged ‘Arshad Warsi

Badly Burnt In Year Gone By, Industry Looks To Strong Content

Bharati Dubey | TNN (THE TIMES OF INDIA; January 3, 2010)


Pursue excellence and success will pursue you,’’ was what Aamir Khan’s character philosophised in 3 Idiots. But when the lights dimmed and audiences sat down after the National Anthem, what greeted them on screens for most part of the year was average, even poor fare, making 2009 the annus horribilis of the first decade of the 21st century. More than 200 films, with Rs 1500 crore at stake, released last year but almost Rs 1000 crore sank in the sea of mediocrity without a bubble, the sharks-andsexy bikini Blue leading the pack.
Added to it was the multiplex strike which cost around Rs 350 crore, upset release dates forcing films to share Fridays and dent each others’ collections. A multiplex source said, “Cannibalisation caused by big films’ release dates clashing could have been avoided.’’


The year began with Chandni Chowk To China that lost 50% of its Rs 65-crore budget. And marketing blitzkreigs couldn’t save a Blue and Kambakkht Ishq and the audience clearly showed content was king with surprise hits like DevD, New York, WaKe Up Sid and Ajab Prem ki Gajab Kahani. DevD made Rs 6 crore, collected Rs 25 crore at the box office while its ancillary rights made another Rs 5 crore and there are still more satellite runs to be sold. Trade experts also put films like Love Aaj Kal, Ajab Prem ki Gajab Kahani, Wanted among the certified hits, followed by profitable films like Paa, All The Best, De Dana Dan and Raaz 2.


But Bollywood’s loss was Hollywood’s gain, with films like 2012 and Avatar (that collected a whopping Rs 50 crore so far) filling the void for good entertainment.


It was left to And Aamir Khan to play Santa Claus third year in a row, with 3 Idiots the biggest hit of the year. It grossed a phenomenal Rs 100 crore in India in the first four days, and Rs 175 crore worldwide till December 31, even denting into collections of Avatar. Trade analyst Amod Mehra said, “What Ghajini collected in a week, this film has done in three days.


Corporates didn’t really have a great year in 2009 and after the bloodbath in the first half of the year, most of them avoided buying films outright, with even 3 Idiots being released on commission.


Thus 2010 dawns to vastly altered realities — purse strings have tightened by cautious corporates; big banners are no guarantee for success and may dish out big turkeys instead; marketing and stars don’t sell, a good story does; and the days of astronomical fees are over.


“Audiences are very smart, the content ultimately will guide their choices and approval. Marketing and hype will only work if content supports that hype. We may not have a Blue this year but projects like Veer and Prince are costly and prima facie look difficult in terms of recoveries,’’ says a trade expert.


So when Akshay Kumar, blamed for soaring star prices, announced towards the end of 2009 that he would not charge any fee for Farah Khan’s Tees Maar Khaan, it was a lifeline for the industry that had almost gone into the ICU.


Says Amod Mehra, “It is not that people did not come to watch Akshay Kumar films in 2009, it is just that the budgets of the films were so high and his remuneration was almost 40% of those budgets, so recoveries were not possible despite a good opening. But now that the actors are looking at sharing profit with the producer after the cost of the film has been recovered like in the case of Aamir Khan’s 3 Idiots then it will be fair enough. Cutting down of star prices will definitely reduce the budget of films and they will become viable and that is definitely going to be the trend in 2010.”


The year thankfully doesnt have a Rs 100-crore Blue in its line-up. Last year most production houses scrapped films as star prices were not viable. In fact, it is learnt Saif Ali Khan is reworking the budget of his next film Agent Vinod starring Kareena and himself. In fact, 2010 is short on mega projects as budget constraints ensured very few got on the floors in 2009.


The first biggie of 2010 will be Veer,
followed by Rann, My Name is Khan, Action Replay, Kites and House Full in the first half of the year. The second half of the year would have Sanjay Leela Bhansali’s Guzarish and Patiala House.


The action in 2010 seems definitely more in mid-size and multiplex projects that would have strong and clutterbreaking content. “There are a lot of films this year that may not topline the Khans or Hrithik Roshan but still have a decent line-up of names and would be thematically different. Tight budgets and good content seem to be the mantra in the decision making corridors of Bollywood. Each company is carefully evaluating its options and are not getting carried away,’’ says Priti Shahni of Indian Films. Corporates, for instance, have decided to take films only on commission, and not buy them outright.


Shahid Kapoor’s Chance Pe Dance, Striker starring Rang De Basanti’s Siddharth, Aamir Khan Productions’ Peepli Live, Vishal Bharadwaj’s Ishqiya would release in the first half of 2010.


Generation-next too would be making its presence felt with Ranbir Kapoor in Anjana Anjani and Rajneeti, Imran Khan in I Hate Love Stories, Sonam Kapoor in Ayesha, and Deepika Padukone in House Full.


As the record breaking run of 3 Idiots that has spilled over to 2010 has shown, great content along with great pre-release buzz make the perfect mix.


2010: Coming Soon
RAJNEETI (Naseeruddin Shah, Nana Patekar, Ajay Devgn, Katrina Kaif and Ranbir Kapoor) BUDGET: 50 cr


DHOBI GHAT (Aamir Khan, Prateik Babbar) BUDGET: 15 cr


RAAVANA (Abhishek Bachchan, Aishwarya Rai Bachchan) BUDGET: 50 cr


TEEN PATTI (Amitabh Bachchan, Sir Ben Kingsley) BUDGET: 35 cr


VEER (Salman Khan, Zarine Khan) BUDGET: 50 cr


RANN (Amitabh Bachchan) BUDGET: 25 cr


ISHQIYA (Vidya Balan, Naseeruddin Shah, Arshad Warsi) BUDGET: 20 cr


MY NAME IS KHAN (Shah Rukh Khan, Kajol) BUDGET: 50 cr


KITES (Hrithik Roshan, Barbara Mori) BUDGET: 50 cr


ACTION REPLAY (Akshay Kumar, Aishwarya Rai) | BUDGET: 35 cr


GUZAARISH (Hrithik Roshan, Aishwarya Rai Bachchan) BUDGET: 50 cr


ANJAANA ANJAANI (Ranbir Kapoor, Priyanka Chopra) BUDGET: 40 cr


AGENT VINOD (Saif Ali Khan, Kareena Kapoor) BUDGET: 40 cr

Figures are an approximate estimation

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Bollywood lets its hair down as 2009 comes to an end and raises its hopes for 2010

TEAM BT Times News Network (BOMBAY TIMES; December 31, 2009)

AMITABH BACHCHAN: In the New Year, the entire family is hoping to do the kind of work that would please the audience and carry the company forward. Our New Year wishes? May 2010 bring peace and well-being. May it fill us with pride as a nation. May our glory spread further. May we progress in all walks of life. And may the year keep me alive to witness the country, the film industry and my family prosper and progress. I look forward to the coming year passing peacefully.
KATRINA KAIF: I couldn’t hope for a better New Year’s day. I’m in London with my sisters and brother having the time of my life. We have lots of fun when we all are together. After I started working I have hardly seen my siblings. So meeting them is always special and a festival to mark our meeting, is the cherry on the cake. My mother forced me to leave my cell phone behind in Mumbai, so I’m almost cut off from Bollywood. What hopes for 2010? Lots of hard work and hopefully hits.


SHAH RUKH KHAN: I will be at home (Mannat) with Gauri, Aryan, Suhana and a couple of close friends like Karan Johar. Being with close family is the one thing I truly cherish.


AKSHAY KUMAR: Tina, Aarav and I are in Goa. I normally take a vacation from December 29 to January 2 because it includes a double celebration. Tina’s birthday on December 29, and then the New Year’s eve party. Honestly what can be better than spending time with your loved ones? This is a commitment I have made to my family.


DEEPIKA PADUKONE: I will be home in Bangalore with my parents and my sister. Then I go to Goa to wrap up the last fortnight on Ashutosh Gowarikar’s film. Every year I hope that the following year is as exciting as the previous year and I’m very happy with the way my professional life is going. Hope 2010 is the same.


RANBIR KAPOOR: I start shooting for Siddharth Anand’s film in the US from January 2. Since I didn’t wish to be in an aircraft on New Year’s eve, I left India on December 27. My entire family is in Dubai as tomorrow is my paternal grandmother’s birthday and the family is treating her to a one-week holiday there. I wish I could join them!


KAREENA KAPOOR: Saif and I are in England. We are catching up with Saif ’s Oxford batchmates and their spouses. I’m dying to wear my fur coat and sniff the English chill… looking and feeling every inch a diva. We work hard all the year around to make this happen, so let me enjoy myself.

BIPASHA BASU: I’m performing tonight. Then there will be a small get-together with friends. I always like to keep my New Year’s plans uncluttered. Home is the best place to be on any special occasion. And New Year will be a nonfilmy evening at home. Beyond that my only resolution for 2010 is, love yourself.

VIDYA BALAN: I bring in 2010 with my birthday tomorrow… no one can forget it! What hopes do I have for 2010? Oh plenty! After watching Mr Bachchan at work in Paa, I realised being focussed on your work to the point of shutting out everything else is not something I need feel guilty about. Now I’m all set to be seen as this full-blown, seductive, sexually-charged woman in Ishqiya. It brings an entirely new perspective to my personality for the audience. That’s what I’m hoping for in 2010… to find new aspects to my personality through the roles I play.

AJAY DEVGN: Kajol, Nysa, my parents, cousins, sister and her family and I will all be at our Karjat farm house. We’re planning an extended holiday. I start work only from January 2, so does Kajol. So in the meantime it is going to be a huge, long party.


AMRITA RAO: I wonder what 2010 has in store for me… Resolutions sound nice to the ears but adhering to them is a matter of destiny!


AMISHA PATEL: I have a show in Dubai. I will be working and then I will take a holiday. I always like working on New Year’s day because I feel you will then be working throughout!

RITESH DESHMUKH: Friends and I are contemplating how to ring in the New Year. It’s not compulsory to indulge in anything fancy, even a quiet time with good friends does the trick!


ARSHAD WARSI: I am looking forward to three releases in 2010. Will start Raju’s film next year so it’s going to be an eventful year. I haven’t a plan for New Year as yet. I’ll be with family and friends.


ANUSHKA SHARMA: I don’t do much for the New Year. Actually I do nothing. I just wish my family and go to bed.


SHABANA AZMI: As usual I’ll be with my family and a few close friends for the New Year.


IRRFAN KHAN: On every festive occasion I try to visit my mother in Jaipur. But for the New Year I made plans to be home. Beyond the New Year I’ve made no plans. I’ve noticed every time I’ve chalked out a plan for myself, life has humbled me. I leave all my plans to God.


MUGHDA GODSE: I am dancing at a live performance in Delhi tonight and will spend New Year with family and close friends. I’ve a horror film tentatively titled Help coming up for release. My co-star Bobby Deol is such a sweetheart. I hope to find a guy like him this year. Where are all the gentlemen?”


HEMA MALINI: I won’t be doing anything much for New Year. I’ll be with my family and rehearsing for my dance show which is on January 2.


POOJA BEDI: I’m having a small get-together on the terrace of my beachfront penthouse with flowers, candles and an incredible view of the entire city, with my father, my children and a few loved ones.

SUSHMITA SEN: I normally travel overseas. However, Alisah, my younger daughter, can’t travel abroad yet because she doesn’t have a passport. Hence it will have to be a beach resort in India.

ASIN: For me it will be a quiet New Year with family. I wanted to make it for Christmas itself, however I will ring in the New Year at my family home in Kerala.

MUMBAI MIRROR (December 30, 2009)

Kareena Kapoor will star in Golmaal 3. Apparently, director Rohit Shetty was asked to make sure that Kareena is the solo heroine in the film, as she is not keen on multiple-heroine projects. Rohit says, “Kareena will be the only female lead along with the five boys; Ajay Devgan, Tusshar Kapoor, Arshad Warsi, Sharman Joshi and Shreyas Talpade. However, she will not be the romantic interest of any of the heroes.

In fact Kareena will be the one of the heroes – the sixth hero! I have also made sure Golmaal 3 is far more family-oriented. The boys’ jokes in Golmaal Returns won’t return.” The film’s shooting begins in April 2010. –Subhash K Jha



By IANS (Mid-Day; December 26, 2009)

Vishal Bhardwaj’s production venture “Ishqiya” faced the censor board’s ire for using the word ‘sex’ in its promos. But the ban has been lifted, giving respite to the producers.

The film has a scene where actor Arshad Warsi uses the three letter word, but it did not go down very well with the censor board.

Bhardwaj and his co-producers managed to convince the board members that the word was needed, and they finally gave their nod.

“It was initially decided that the word would be beeped and we gave an application for it to the revising committee, that comprises six-seven members. We had to convince them and make them understand that the word is essential for the film and the dialogue,” Mansi Maroo, co-producer of the film, said on phone from Mumbai.

With the censor board’s approval, the producers will re-launch the promos with the word audible.

“The dialogue lost its impact because of the ‘beep’ and now our whole plan has been delayed. In order to rectify things, we will have to re-do the scene and launch another promo with the word audible,” she said.

Asked if Bhardwaj too accompanied the other producers to the meeting with the censor board, Maroo added: “Vishal did not go for the meeting but he did have talks with the censor board people.”

Set in eastern Uttar Pradesh, “Ishqiya” is a tale of romance between individuals caught in a web of crime, suspense, passion and deceit. Directed by debutant Abhishek Chaubey, the film also stars Naseeruddin Shah and Vidya balan in pivotal roles.

Maroo also revealed that such procedures create hindrance in the film’s promotion.

“We have lost two-weeks of right promotion.”

“However, we are glad that finally we were heard and our job was done,” she added.

IANS tried to contact censor board chief Sharmila Tagore, but she was not available.

“Ishqiya” is slated to release Jan 29.

CANDID CHAT: Vidya Balan
Vidya Balan in a frankspeak about men and the movies

MEENA IYER Times News Network (BOMBAY TIMES; December 26, 2009)

Vidya Balan is glowing with the compliments pouring in for her superlative performance in R Balki’s Paa. She may be a foot shorter than both her Bachchan co-stars, but when it came to the histrionics, she matched Amitabh and Abhishek perfectly. Now she’s channelising her energies into Ketan Maroo’s Ishqiya where once again she is it pitted with two versatile talents — Naseeruddin Shah and Arshad Warsi. Talking about her sensuous role in this robust, earthy, love triangle, the diminutive actress says, “I play a village belle. Yet I’m fully aware of my sexual charms and within the four walls of the bedroom, I’m unapologetic about using my guile and charm.’’ Vidya says quality work like Paa and now Ishqiya has made her realise that if she is patient, the right roles are bound to come her way. “Once again I have as many advantages as I had when I did Parineeta,’’ says the actress. “My filmmakers have realised that given an opportunity, I will not let them down.’’

The coming year is an important year for Vidya. She starts the year with Ishqiya and then moves onto Sanjay Leela Bhansali’s Chenab Gandhi. “The decision to do fewer films is entirely mine,’’ says the actress who is now super-confident that when it comes to her career, she will not make one false move.

On the personal front, it is rumoured that almost all her heroes be it John Abraham (Salaam-e-Ishq), Shahid Kapoor (Kismat Konnection) and now Arshad Warsi (Ishqiya) are attracted to her. “Rubbish,’’ she flails her hands and says. “In fact, I think none of my heroes even treat me like a lady. I’m treated like one of the boys. My heroes backslap me and we share a few laughs and jokes. However, I don’t think any of them is attracted to me. If they were, I would have noticed.’’
Well, well…so even as the rumour mills continue to buzz about Vidya past romances with John and Shahid, the actress herself has rubbed her slate clean… and is looking forward to her knight in shining armour putting in an appearance in 2010.

What should one say — Halleluah!
Vishal Bhardwaj is upset that the censor board will not pass a promo of Ishqiya unless he beeps out the word ‘sex’ from the dialogue

By Kunal M Shah (MUMBAI MIRROR; December 17, 2009)


Vishal Bhardwaj is upset that the promo of his forthcoming film Ishqiya has not been passed by the censor board. The promo was to go on air from December 20. Only if Vishal agrees to beep the word ‘sex’ from a dialogue, will he be allowed to air it. The dialogue is spoken by Arshad Warsi and addressed to Naseeruddin Shah

Now Vishal has no option but to beep the apparently offensive word from the promo.

Ishqiya

Vinayak Azad, Regional Manager, Censor Board says, “We had initially passed the promo with an ‘A’ certificate for a theatrical release. Now they want a U/A certificate as they wanted it to air on television, which we allowed. Since the impact of the promos is higher on television because it is shown repeatedly, we asked for the word ‘sex’ to be beeped out. I believe they are not happy about it and want to approach the revising committee.”

Vishal Bhardwaj

The director, of course, doesn’t agree with the board’s views. Vishal Bhardwaj says, “It’s sad. Our society is regressing so much that we fear to even utter the word ‘sex’. And this is why India is the worst AIDS-affected country in the world. The people on the board who have objected to the word should remember they are in this world because of sex.”

Cast: NASEERUDDIN SHAH, VIDYA BALAN, ARSHAD WARSI

Producer: VISHAL BHARADWAJ, RAMAN MAROO

Director: ABHISHEK CHAUBEY

Source: BOLLYWOOD HUNGAMA.COM

CHECK OUT THE PROMO OF THE FILM HERE!

After playing an ideal mother in ‘Paa’, Vidya Balan says she is ready to surprise audiences with a completely different avatar in forthcoming movie ‘Ishqiya’. She will be seen as a conniving, scheming woman in Vishal Bharadwaj’s dark drama.

My character in 'Ishqiya' oozes sensuality: Vidya Balan

“For the first time I’ll be playing a woman who is conniving, scheming and in whom there is a sexual aggression,” Vidya told us in an interview.

“She is an aggressive person. She is someone who is unapologetic about her own choices. Bold is the word I’ll use for the lack of a better word. In the Indian context, she would be Rambha, Durga or Kali. She is someone who is dressed from top to toe but oozes sensuality,” the actress said.

Set in eastern Uttar Pradesh, ‘Ishqiya’ is a tale of romance between individuals caught in a web of crime, suspense, passion and deceit. Made by first time director Abhishek Chaubey and produced by Bharadwaj, the film also stars Arshad Warsi and Naseeruddin Shah in pivotal roles.

In the film, Vidya sports a deglamourised look and mouths expletives.

Asked if Bharadwaj was the reason she signed ‘Ishqiya’, she said: “It’s always very reassuring when the producer is an established guy because when you take a film, you want to know that no compromises will be made while making the film and even after it gets released.

“Of course Vishal comes with a certain brand and credibility…but more importantly I loved the role offered to me. I wouldn’t have given it up. Along with that I loved Abhishek’s passion and sensibility. So it was a combination of all these things when I made my decision.”

The 31-year-old is also looking forward to Sanjay Leela Bhansali’s ‘Chenaab Gandhi’ in which she plays Amitabh Bachchan’s daughter.

After receiving flak for doing glamorous roles, Vidya has moved to author-backed characters in ‘Paa’, ‘Chenaab Gandhi’ and ‘Ishqiya’. But she says her choice of roles is not a conscious effort to change her image.

“It’s not a conscious decision to try and stay away from a particular kind of roles. There is no effort for an image change. It’s just that I’m just being offered a lot of exciting work and I’ve tried to pick and choose different things to keep it very exciting for me,” she said.

“Of course, candyfloss is still welcome if it comes with substance, but the very fact that it’s candyfloss takes away the substance. So I don’t do that much candyfloss because it compromises on substance,” added the actress.

Vidya has earlier been seen in films like ‘Parineeta’, ‘Heyy Babyy’, ‘Bhool Bhulaiyaa’ and ‘Kismat Konnection’.

Source: IANS

By Joginder Tuteja, December 5, 2009 – 17:26 IST

Vidya Balan Vidya Balan is extremely happy with an all around positive response that she has got for her role of an unwed mother in Paa. While keeping her emotions in check and not allowing all the appreciation to make her go overtly gaga, Vidya does admit though that such huge response has come to her four long years after her debut effort Parineeta.

“I guess the wait has been worth it”, says Vidya who plays the mother of a 12 year old kid (played by Amitabh Bachchan) suffering from Progeria in Paa, “I was doing films and by God’s grace most of them were successful as well. However, the kind of respect that is coming the way of everyone associated with Paa is overwhelming, heart warming and above all humbling.”

It is this respect factor that has been the biggest moment for Vidya. When the film’s trial was held a few days back, she was convinced that the film would certainly be remembered for its sincerity, honesty and truthfulness. Though box office factor wasn’t to be ignored, she along with director Balki knew that at the least film would see good respectability coming its way.

“One can’t say much about box office in any case because sometimes even the most quintessential commercial flicks don’t really click with the audiences. However, you instinctively know whether your film has turned out to be a quality outing or not. I remember the days of Lage Raho Munnabhai when we came out of the first screening. Along with Raj Kumar Hirani, I knew that we had made a good film. Same was the case with Paa“, details Vidya.

Now she is eagerly awaiting the box office response for Paa. Given the fact that it is coming a week after De Dana Dan and a week before Rocket Singh – Salesman Of The Year, Paa has to score and do that really fast.

“I have been told though that the film has been accepted well by the audience and along with critical appreciation, it is also showing good word of mouth from those who have seen it”, she says with that characteristic smile of hers.

What she says does hold good ground. Though the opening wasn’t exceptional (as expected due to its theme), the film has shown a constant increase in crowd inflow with every passing show. Says a trade insider, “The occupancy for Paa on Saturday is almost double than that of Friday. Everyone thought that the film was mainly targeting the class audiences in big cities but it is doing well even in interiors like Nagpur and other cities and towns.”

Vidya Balan Meanwhile, Vidya’s phone hasn’t stopped ringing. “Such appreciation is always welcome. Ever since the film’s premiere, there have been congratulatory calls, which is heart warming. I have been literally glued to my cell-phone for last 3 days at stretch and I am certainly not complaining.”

Given the fact that her last film Kismat Konnection (2008) was a success and so was Bhool Bhulaiyaa (2007), she would be used to such adulation, isn’t it?

“Honestly speaking, there have been good words but such volume of calls is a first”, she confesses, “I remember getting quite a few messages during Bhool Bhulaiyaa or Kismat Konnection. However, so many people actually making an effort and giving me a call reminds me of Parineeta days. Paa has fetched me the best response since my debut film.”

With her much in news Ishqiya round the corner that has an author backed role reserved for her, one waits to see if Vidya gets a further one up over Paa and Parineeta in weeks to come. Starring Naseruddin Shah and Arshad Warsi as the male protagonists, Abhishek Chaubey directed Ishqiya is produced by Vishal Bhardwaj & Raman Maroo and sees a 15th January release.

BOLLYWOOD HUNGAMA.COM

Vidya Balan refused to feature in a song with Naseeruddin Shah and Arshad Warsi in Ishqiya as she thought it was too raunchy. Vishal Bhardwaj had to shoot the song with just the two men

By Vickey Lalwani (MUMBAI MIRROR; December 07, 2009)


If you thought that Vidya Balan has become “shameless in front of the camera”, as she recently admitted in a TV interview, after hearing her bold dialogue in Paa and the expletives she has used in Ishqiya (as is evident in the promos), this one is for you. She might be open to experimental roles but Vidya is still at times very much the girl-next-door in her heart.

Recently, Vidya refused to shake a leg to a raunchy number, a remake of the popular song Dhano ki aankhon mein… from the 1977 film Kitaab, in Ishqiya. Producer Vishal Bhardwaj wanted Vidya to feature in the song with Naseeruddin Shah and Arshad Warsi, but he finally ended up shooting the song with only the two heroes and no girl in it.

A source from the sets of Ishqiya says, “One thought that Vidya would do the song readily. She has already shot a sizzling lip kiss with Arshad in the film and has said the word ch***** without any inhibitions.”

Ishqiya

Though Vidya wasn’t rude while turning down Vishal’s offer to do the song she managed to put across her message quite effectively. “She was polite. It’s just that she felt that the song was too bawdy,” adds our source.

Naturally, Vidya was worried about Vishal and director Abhishek Chaubey’s reaction. Fortunately for her, both of them took her refusal quite sportingly.

Despite repeated efforts, Vidya Balan remained unavailable for comment.