Fenil and Bollywood

Posts Tagged ‘ayan mukerji

By Bollywood Hungama News Network, December 31, 2009 – 12:22 IST

Best Film
3 Idiots
Dev D
Kaminey
Love Aaj Kal
Paa

Best Director
Anurag Kashyap – Dev D
Imtiaz Ali – Love Aaj Kal
R Balki – Paa
Rajkumar Hirani – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Actor (Male)
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Ranbir Kapoor – Ajab Prem Ki Ghazab Kahani
Ranbir Kapoor – Rocket Singh – Salesman Of The Year
Saif Ali Khan – Love Aaj Kal
Shahid Kapoor – Kaminey

Best Actor (Female)
Deepika Padukone – Love Aaj Kal
Kareena Kapoor – 3 Idiots
Katrina Kaif – New York
Priyanka Chopra – Kaminey
Priyanka Chopra – What’s Your Raashee?
Vidya Balan – Paa

Best Actor in a Supporting Role (Male)
Abhimanyu Singh – Gulaal
R Madhavan – 3 Idiots
Rishi Kapoor – Love Aaj Kal
Rishi Kapoor – Luck By Chance
Sharman Joshi – 3 Idiots

Best Actor in a Supporting Role (Female)
Arundhati Naag – Paa
Divya Dutta – Delhi-6
Gauhar Khan – Rocket Singh – Salesman Of The Year
Neha Dhupia – Raat Gayi Baat Gayi
Shahana Goswami – Firaaq

Best Actor in a Negative Role
Amole Gupte – Kaminey
Boman Irani – 3 Idiots
Kay Kay Menon – Gulaal
Mahesh Manjrekar – Wanted
Manish Choudhary – Rocket Singh – Salesman Of The Year

Best Actor in a Comic Role
D Santosh – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots
Paresh Rawal – De Dana Dan
Sanjay Mishra – All The Best
Vinay Pathak – Raat Gayi Baat Gayi

Best Background Music
Amit Trivedi – Dev D
Ilaiyaraja – Paa
Salim-Sulaiman – Rocket Singh – Salesman Of The Year
Shantanu Moitra, Atul Raninga, Sanjay Wandrekar – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Music
A R Rahman – Delhi-6
Pritam – Ajab Prem Ki Ghazab Kahani
Pritam – Love Aaj Kal
Pritam – Tum Mile
Vishal Bhardwaj – Kaminey

Best Playback Singer Female
Kavita Seth – Iktara – Wake Up Sid
Rekha Bhardwaj – Genda Phool – Delhi-6
Shreya Ghoshal – Zoobi Doobi – 3 Idiots
Shilpa Rao – Mudi Mudi – Paa
Sunidhi Chauhan – Mere Sang – New York

Best Lyrics
Amitabh Bhattacharya – Emosanal Attyachaar – Dev D
Irshad Kamil – Chor Bazari – Love Aaj Kal
Javed Akhtar – Sapnon Se Bhare Naina – Luck By Chance
Piyush Mishra – Ranaji – Gulaal
Prasoon Joshi – Man Ko Ati Bhavey – London Dreams

Best Story
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Anurag Kashyap, Aparna Malhotra, Raj Singh Chaudhary, Sanjay Maurya – Gulaal
Imtiaz Ali – Love Aaj Kal
Nandita Das, Shuchi Kothari – Firaaq
R Balki – Paa

Best Screenplay
Abhijat Joshi, Rajkumar Hirani, Vidhu Vinod Chopra – 3 Idiots
Anurag Kashyap, Vikramaditya Motwane – Dev D
Imtiaz Ali – Love Aaj Kal
Pankaj Advani – Sankat City
R Balki – Paa

Best Dialogue
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Imtiaz Ali – Love Aaj Kal
Anurag Kashyap, Vikramaditya Motwane – Dev D
R Balki – Paa
Vishal Bhardwaj – Kaminey

Best Editing
Aarti Bajaj – Dev D
Aarti Bajaj – Love Aaj Kal
Anil Naidu – Paa
Meghna Manchanda Sen, Sreekar Prasad – Kaminey
Rajkumar Hirani – 3 Idiots

Best Sound
Bishwadeep Chatterjee, Nihar Ranjan Samel – 3 Idiots
Dileep Subramaniam – Love Aaj Kal
Sanjay Maurya, Allwin Rego – Dev D
Shajith Koyeri, Subhash Sahu, P M Satheesh – Kaminey
Tapas Nayak – Paa

Best Special Effects
Charles Darby – Aladin
Prime Focus Ltd – Blue

Best Cinematography
C.K. Muraleedharan – 3 Idiots
P.C. Sreeram – Paa
Rajeev Ravi – Dev D
Shankar Raman – Frozen
Tassaduq Hussain – Kaminey

Best Art Directon
Acropolis, Rajnish Hedaa, Sumit, Snigdha Basu – 3 Idiots
Sabu Cyril – Aladin
Samir Chanda – Delhi-6
Samir Chanda – Kaminey
Sukanta Panigrahy, Helen Jones – Dev D

Best Choreography
Ahmed Khan – Prem Ki Naiiyya – Ajab Prem Ki Ghazab Kahani
Avit Dias – Aal Izz Well – 3 Idiots
Bosco- Caesar – Zoobi Doobi – 3 Idiots
Prasanna – Marjaani – Billu
Baawre – Vaibhavi Merchant – Luck By Chance

Best Action
James D Bomalick – Blue
Huan-Chiu Ku – Chandni Chowk To China
Shyam Kaushal – Kaminey
Tinu Verma – Acid Factory
Vijayan Master – Wanted

Most Promising Newcomer (Male)
Amole Gupte – Kaminey
Chandan Roy Sanyal – Kaminey
Navin Kaushik – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots

Most Promising Newcomer (Female)
Gauhar Khan – Rocket Singh – Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jesse Randhawa – Gulaal
Kalki Koechlin – Dev D
Mahie Gill – Dev D

Most Promising Debut Director
Ayan Mukerji – Wake Up Sid
Nandita Das – Firaaq
Pankaj Advani – Sankat City
Shivajee Chandrabhushan – Frozen
Zoya Akhtar – Luck By Chance

Best Child Artiste
Jahan Bativala – Little Zizou
Iyanah Bativala – Little Zizou
Rahul Kumar – 3 Idiots
Parzan Dastur- Sikandar
Pratik Katare – Paa

Best Ensemble Cast
Delhi-6
Firaaq
Gulaal
Luck By Chance
Sankat City

BOLLYWOOD HUNGAMA.COM

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Ranbir Kapoor shoots down the possibility of working with Imran Khan in the near future as he is only keen on solo-hero films

By Subhash K Jha (MUMBAI MIRROR; November 25, 2009)



 

Imran Khan Ranbir Kapoor

L ooks like the success of Ajab Prem Ki Ghazab Kahani has changed Ranbir Kapoor’s perception of his career graph. The actor, who till now was open to the possibility of starring with buddy Imran Khan in a film, has now had a change of heart. Ranbir and Imran, who received a lot of accolades for hosting the Filmfare awards together earlier this year, were inundated with offers of starring together in films.

Ranbir, who is currently shooting with Priyanka Chopra in Bangkok for Anjana Anjani, his second film with Siddharth Anand after Bachna Ae Haseeno, says, “Imran and I did one gig together at the Filmfare awards but we haven’t worked together after that.
We have been offered a whole lot of stuff but the offers never went beyond the preliminary stage. I don’t think Imran and I will be working together in any capacity in the near future. By God’s grace, I am in a position to do solo-hero films with terrific actresses and directors for the best banners. I am a selfish actor. I would rather have a film to myself than share it with another actor.”

Did something go wrong with their great friendship, one can’t help but wonder. The response is even more shocking as Ranbir admits that Imran and he are not exactly the thick friends they are made out to be. He says, “Imran and I are friends but not the best of friends. Where is the time for friendship? I don’t even have time for my parents. My only close friend in the film industry is Ayan Mukerji. I selfishly call my parents to my outdoor shootings to spend time with them. However, they avoid joining me on outdoors. They know what it’s like to be distracted. They have been there, done that. I’m doing what I love. So, no complaints.”

Rubbishing rumours of co-producing a film with Imran, Ranbir says. “People said I am co-producing a film with him. It will be really insulting if I don’t direct my first film for my home production (RK Films). I will feel really small and inadequate.

Imran Khan remained unavailable for comment.

I KNOW MY MIND: Deepika Padukone. For more pictures of the actress, log on to http://photogallery.indiatimes.com

Deepika Padukone is a girl in love, but also a superstar in her own right…

MEENA IYER Times News Network (BOMBAY TIMES; October 11, 2009)


The Mediterranean tan sits pretty on Deepika Padukone who has just returned from Italy where she wrapped up Sajid Nadiadwala’s Housefull with Akshay Kumar. “I was in London, then Italy for the longest time, so I didn’t get to enjoy the success of my last film Love Aaj Kal,” says the pretty South Indian, her large brandy-coloured eyes dancing. She’s clear though that she now has to move on to her next two releases — Kartik Calling Kartik with Farhan Akhtar and Housefull, both of which will come in 2010. Deepika has also signed Pradeep Sarkar’s gritty thriller to be shot on the streets of Mumbai with Neil Nitin Mukesh. “Producer Aditya Chopra had promised me a film right after Bachna ae Haseeno,” she recalls. “I’m glad Adi remembered that.”

For now, she too has made a promise to herself — she’s a girl in love but she will not gush about Ranbir Kapoor. On a recent television show when she was asked to analyse her superstar-boyfriend, Deepika was very pragmatic in her answers. “I know that I was expected to gush about Ranbir,” she smiles. “However, I believe that people who are closest to a person, must always give them a reality check. I’m aware that Ranbir is a superstar. But, I will always be rational when I speak about him.”
Deepika, who spent 12 days in Bhopal by her boyfriend’s side where he is shooting for Prakash Jha’s Rajniti with Katrina Kaif, says, “Ranbir and I have been away from each other for long spells because of our individual work schedules. Our career is of prime importance to us. However, I don’t wish to be one of those actors who is so caught up in work that I forget to keep in touch with life. Hence, I make it a point to spend time with him whenever I can. Work definitely makes my world go around but a short break here and there makes life so much more special.” The story goes that she flew to Bhopal just to keep Katrina at bay? “Certainly not,” says Deepika. And, though she is too professional to make any comment on Ranbir’s co-stars, her calm demeanour has a way of signalling that she’s secure in her new-found success. The actress is in a cushy place with a new set of friends like Ayan Mukerji and Vicky Singh, who are common to both Ranbir and her. “I knew Ayan would make a good film when he gave his first narration to Ranbir,” she says. Is she in Vicky’s new film with Ranbir, as is suggested by the trade? “It’s a bit premature to talk about that project,” she says. “Vicky is still undecided on what he wants.”
meena.iyer@timesgroup.com
On a particular day and time this week, anyone named Siddharth can watch Wake Up Sid for free. Conditions apply

By Kunal M Shah (MUMBAI MIRROR; October 12, 2009)

Karan Joha

Adding novelty to marketing gimmicks, Karan Johar has planned a unique free show of Wake Up Sid. If your name is Siddharth, then you and a friend can watch Wake Up Sid for free.

This all expense paid show will be held this week. The modalities of this free show will soon be in place. The day, date and name of the multiplex will soon be known.

Karan Johar confirmed and said, “We are going to have a free show in all the metros in the country. Be it Pune, Bangalore, Mumbai or Kolkata, there will be a screening for all the Siddarth’s and one companion. Wake Up Sid is all about Siddarth becoming Sid and I think we owe that much to them. The show will be held at the same time on the same day in multiplexes. I am in the process of finalising the details.”

Wake Up Sid

The film’s director, Ayan Mukerji said, “I think it’s a great idea by Karan. When I was growing up Raj and Rahul were the names of guys around that age. However Siddarth is an old traditional name, but it is also new at the same time. It’s a cool name and a cool idea.”

Every Siddharth will need to have photo id for proof of his name.

karan johar

BOLLYWOOD IS SO VULNERABLE!

A very ugly incident arose on Friday when Wake Up Sid (WUS) released across the country. The film, directed by debutant Ayan Mukerji and produced by Karan Johar, has several characters calling Mumbai by its old name, Bombay. Maharashtra Navnirman Sena, Raj Thackeray’s party, was furious with this and its members tried stopping the screening of WUS at two theatres in South Mumbai and at a couple of places in Pune. Johar, fearing that the matter may go out of hand, immediately went to Thackeray’s Shivaji Park residence and apologized to him. He assured that he had no intention of hurting anyone’s sentiments and that he would add a disclaimer in the film in 2 days.

The incident created a furore and Raj Thackeray’s rivals perceived it differently, of course, with vested interests and Johar was made a scapegoat by all of them.

I discussed this issue with more than 50 people (many of them Maharashtrians) and not a single person felt that there is any harm in calling Mumbai as Bombay. Go to South Mumbai and many residing there still refer to the city as Bombay. In fact, South Mumbai is often called SoBo (Bo is the short form of Bombay). Then there are so many organizations and companies whose name consist of ‘Bombay’. Bombay Stock Exchange, Bombay Blues (a famous chain of restaurants), Bombay Times, Bombay Parsi Punchayat, Bombay Catholic Sabha, Bombay Dyeing etc are the classic examples. The sunset point in Mahabaleshwar is called Bombay Point since decades. Jet Airways uses the code ‘BOM’ to refer to Mumbai. The funniest part of this whole incident-Raj Thackeray’s son Amit Thackeray studied in a reputed school called BOMBAY SCOTTISH! Ha ha ha!

It was equally shocking to know the quotes given by Raj Thackeray’s rivals. Maharashtra CM Ashok Chavan called the whole incident a publicity stunt. That is, all this drama was created so that WUS gets more audience. A stupid comment, in my opinion, as Johars has and will never resort to such tactics to market their films. Also, there was no need for Johar to do any kind of publicity stunt as WUS had already aroused lots of curiosity amongst youngsters. The film already witnessed massive advance bookings, even before the audiences learnt of this controversy. Shiv Sena spokesperson Sanjay Raut was of the view, “If he (Johar) really feels sorry about it, he should apologise to Maharashtra and the millions of Marathi manoos staying here”. Arre, who cares if Mumbai is called Bombay? People here are more interested in having a better infrastructure, traffic-free roads, organized transport system and sense of security. No one’s sentiments are going to hurt if anyone uses the word Bombay. BJP leader Kirti Somaiya claimed, “Nobody has the right to refer to it by the old name when it has already been renamed Mumbai”. Again, a senseless statement as there’s no law that makes calling a city by its old name illegal. One can fearlessly refer to Mumbai as Bombay, Kolkata as Calcutta, Bengalooru as Bangalore, Vadodra as Baroda, Thiruvananthapuram as Trivandrum, Chennai as Madras and also New York as New Amsterdam!

Raj Thackeray questions, “Why can’t people accept Mumbai if they can accept Chennai and Thiruvananthapuram?” But he should be told that people in these Southern cities don’t have to apologize to any tom, dick and harry if they use the old name of the city. And Thackeray has always been comparing with the Southern States. Last year he justified his signboard campaign (threatening shop owners to change their signboards into Marathi) by stating, “In Kerela and other South Indian states, all the signboards are written in their language, so why not the same in Maharashtra?” Maybe then Raj should make a comparison on all fronts. Kerela has high levels of literacy-why doesn’t he strive to attain the same in Maharashtra too? At least that’ll help the state. Changing the signboards to Marathi and revolting when someone uses the word Bombay is not going to help Mumbai progress even an inch.

Coming back to the film WUS, it depicts reality. Also, in one scene in the film, Konkona Sen Sharma says that she hails from CALCUTTA! No one in West Bengal protested. Also, there have been so many movies that have characters mouthing Bombay. In Dasvidaniya, when Svitlana Manoylo asks Vinay Pathak where he’s from, he replies that he’s from Bombay! This is just one example-one can find lots of such instances. And whose sentiments got hurt?

Karan Johar was also criticized. Many feel that he should have not apologized. But did he have any choice? If he had not done so, Thackeray and his men may had called for a ban for the film in Maharashtra and the state govt would have stood as helpless spectators. Crores were at stake and not to forget, Johar would have to answer his distributors. So I feel Johar’s actions were superfast and completely justified. 2 days back, director Ayan Mukerji, while interacting with movie buffs in the Bollywood Hungama Live Chat session rightly said, “He did what he felt he needed to do at that point to protect our film. It is not possible to understand from outside how much a film means to the people who have created it. It’s like having a baby or something-when someone threatens to hurt that baby, you put your personal pride and ego away to protect it. That’s all that Karan did”. Well said!

Finally, this incident proved that Bollywood is so vulnerable with no protection whatsoever, esp in such situations. A film passed by Censor Board can be released has to undergo politican’s clearance. Thackeray proved that he’s here just to be in the news and to please Maharashtrians with such tactics. His rivals made a fool of themselves with their comments. All this happening with an eye on the elections! God save BOMBAY!

When Ranbir Kapoor accidentally sprayed an insecticide instead of a deodorant on his underarms, he had to take a shower to get rid of the strong smell

By Kunal M Shah (MUMBAI MIRROR; October 05, 2009)

You can call it a case of mistaken identity. When Ranbir Kapoor reached out for his deodorant in his make-up room, little did he know that he would lay his hands on a can of insecticide instead. It was only when Ranbir had sprayed the insecticide on his underarms that he realised his folly but by then it was too late. He had an extreme burning sensation and was smelling so strongly of the insectide that he had to take a shower to get rid of the smell.

Ranbir Kapoor and Ayan Mukerji

A source says, “Someone had unintentionally kept a can of insecticide on Ranbir’s make-up table as the production guys were using it to keep the flies away. When Ranbir came near his table with the intention of spraying the deodorant, he was chatting with a crew member. So without looking at the label of the bottle, he just picked it up and sprayed it on his underarms. Immediately, he got a burning sensation and that’s when he looked at the bottle and realised his mistake. However, he could do little about it then as he was immediately called for the shot. So despite the pain, he went on the sets , only to have the crew members burst out laughing. Later, when the stench was stronger, it was impossible to continue working, and Ranbir was asked to do something about it. So he took a shower to get rid of the smell and continued shooting thereafter. After that Ranbir has promised himself to be doubly careful about his deodorants.” Ranbir remained unavailable for comment.


Meanwhile …

Ranbir will accompany Ayan Mukerji on a holiday to Argentina later this month

Ranbir Kapoor is set to go on a very unusual holiday with Ayan Mukerji, director of Wake Up Sid, later this month.

Confirming the news, Ayan says, “Ranbir and I have planned to take off with a backpack to Argentina. Why Argentina? Because we don’t want to go to the usual destinations. Europe is so done-to-death. We chose Argentina because it gives off a certain kind of energy that I want to explore. We just want to take off without any timetable or agenda.”

Ranbir is currently reworking his busy schedule to take time out for the trip. In case Ranbir can’t make it, Ayan plans to go all by himself for the holiday.

– Subhash K Jha

By Taran Adarsh, October 2, 2009 – 11:02 IST

Recall those years when partying hard was the only agenda on your list. Recall those years when staying awake at nights, chatting away with friends became a habit. Recall those years when bunking college and sneaking into movie halls was more exciting than books. Recall those years when you were completely clueless and aimless about the vocation you wanted to pursue once you graduated… That indecisive phase when you were hesitant to take that first big step in life can never be erased from your memory.

WAKE UP SID, directed by debutante Ayan Mukerji, is like revisiting those years that lay at some remote corner of your mind, after you moved on in life.

Actually, WAKE UP SID is a slice of life film. It’s not merely real in concept, but has also been told most realistically, so much so that you can’t help but draw parallels with your life or with someone you know. But what really makes WAKE UP SID most believable is Ranbir Kapoor, who’s mastered the craft at such a young age.

BY BOLLYWOOD HUNGAMA.COM

Verdict? WAKE UP SID mirrors those years with flourish. This one’s a simple story that strikes a chord instantly. Strongly recommended!

WAKE UP SID tells the story of Siddharth aka Sid [Ranbir Kapoor], a lazy, unmotivated slacker from Mumbai whose life undergoes a series of changes after taking his final year college exams. Sid’s world is breezy, carefree and without any true responsibilities.

Sid thrives around his two best friends, Rishi [Namit Das] and Laxmi [Shikha Talsania], very rarely communicates with his mother Sarita [Supriya Pathak] and takes his father Ram Mehra [Anupam Kher] and all his hard-earned wealth for granted. Despite all these traits, Sid is an honest boy; sweet, funny and above all, a good friend.

Aisha Bannerjee [Konkona Sen Sharma], an aspiring writer from Kolkata, learns this soon enough when her path crosses with Sid’s on her first day in Mumbai. Ambitious, well-read and driven, Aisha has come to Mumbai to realize her dreams as a writer. Despite their contrasting personalities, Sid becomes Aisha’s first friend in the city.

As Aisha sets up her life in Mumbai, with the help of Sid and his gang, Sid allows for time to fly by over long drives, parties that stretch well into dawn, and endless hours doing absolutely nothing. But a series of circumstances and events compel him to take stock of his life and take a hard look at himself.

Let’s not compare WAKE UP SID with anything you’ve watched before. Not DIL CHAHTA HAI. Not LAKSHYA either. Debutante director Ayan Mukerji narrates a story that you can relate to instantly and treats it with utmost care. A few moments linger in your memory and evoke bitter-sweet memories.

// <![CDATA[//

The first hour, right till the intermission, sweeps you off your feet. You get drawn into Sid’s world instantaneously; you react to everything he does. But the post-interval portions slackens, courtesy the writing. The Rahul Khanna track, for instance, looks half-baked. Also, the story stagnates after a point and hence, the pacing gets very slow. It’s only towards the finale that things perk up. Ideally, the film could’ve done with some trimming in this hour.

Ayan Mukerji packs in a solid punch in most parts of the film. The emotional moments especially gets you all moist-eyed. The humour too is well integrated in the sequences. Even the confrontation between the father and son is superb. Prior to that Konkona’s birthday sequence is amongst the finest sequences of the film. Music [Shankar-Ehsaan-Loy] is melodious. Anil Mehta’s cinematography is top notch. Niranjan Iyengar’s dialogues are just right.

There’s no denying that Ranbir Kapoor is a supremely talented actor, but in WAKE UP SID, he proves that he’s amongst the best in the business today. No one could’ve portrayed Sid as effectively as Ranbir has enacted, that’s for sure. This is an award-worthy performance.

Konkona is natural to the core and the best part is, she’s so effortless. Here’s another winning performance from this incredible performer. Anupam Kher is wonderful. Ditto for Supriya Pathak. Both shine in their respective parts. Namit Das and Shikha Talsania are perfect. Rahul Khanna doesn’t get any scope.

On the whole, WAKE UP SID is a well-made film that should strike a chord with the youth mainly. A metro-centric film, the film should attract its target audience and should also prove to be the first choice of the elite/urban audience this Friday. Its distributors [UTV] have very rightly released the film at plexes of metros and mini-metros [instead of flooding the market with physical and digital prints], which in turn should only make this small film talked-about in days to come. Thumbs Up!