Fenil and Bollywood

Posts Tagged ‘‘Billu’

By Joginder Tuteja, December 31, 2009 – 16:43 IST

Yesterday, we went across the B-town and found that 3 Idiots was the unanimous choice when it came to the best that 2009 had to offer. The closest contender was Paa while Avatar led from the front when it came to Hollywood flicks. However, it was quite a divided opinion when it came to the worst of 2009. Quite a few names popped up, some big (Delhi 6, Chandni Chowk To China), some small (Dil Bole Hadippa), some relatively unknown (Videsh – Heaven on Earth, Victory) and a few completely irrelevant (Deshdrohi). There was also an emotional angle involved with a filmmaker or two criticizing their own effort (Sikandar). Read on:

Ramesh TauraniVictory, which came at the beginning of the year, stays on to be the worst film of 2009 for me.

Shirish Kunder Shirish Kunder – (Smiles) Yes, there is one movie which is really the worst for me. Still, I can’t name it since it’s been made by people known to me!

Kalki – Worst of the year was Billu (Barber) because it was just a series of music videos and nothing else.

Sajid Khan Sajid Khan – Worst movie of the year was Delhi 6. Really, I had a lot of expectations from the film but it turned out to be such a disappointing fare.

Hasnain Hyderabadwaala – The worst film of 2009 is Dil Bole Hadippa. Really, what were the makers thinking? Audiences were taken for granted that the protagonist out there won’t be able to differentiate between a girl and a boy despite a different physicality and voice.

Jagmohan Mundhra Jagmohan Mundhra – I have to pick two films here – Chandni Chowk To China and Kambakkht Ishq.

Rituparna Sengupta – There is nothing really which is worst for me because every movie has some effort going in there.

Ruslaan MumtazBlue is the worst movie of the year

Piyush Jha Piyush Jha – Even though I directed it, I believe worst film of the year was Sikandar. That’s because no one saw it and the media totally ignored its significance. Perhaps that happened because Sikandar didn’t have stars/big backers/comic entertainment. Whatever is the reason, the fact is Sikandar was ignored, and that is the real truth.

Sonu Sood Sonu Sood – (Smiles) Even as the entire year is through, I still can’t decide on one worst movie. Maybe I have missed it.

Suneel Darshan – 2009 started with its worst film Chandni Chowk to China It was a ‘directionless’ disaster that disrespected the viewer’s sensibility.

Sadaa – You are asking me about the worst film of the year? You know what; there have been so many that I don’t even care to remember.

Boney Kapoor Boney Kapoor – Preity Zinta’s Videsh – Heaven on Earth was the worst that 2009 had to offer.

Robby Grewal – Worst of the lot would be Deshdrohi (the film had a staggered release across 2008 and 2009)

Ananth Mahadevan – If I pick one WORST FILM of the year, I might just stir up a hornet’s nest. For, another one might cry out that it was more deserving. So let sleeping dogs lie!

Aanand L Rai – For me, the worst movie in 2009 was Delhi 6. It was a very fine concept and from a rock solid director. Still, it failed.

Hansika Motwani Hansika Motwani – I don’t really wish to pick and choose the worst film of the year because for me every movie is good. I know what are the kind of difficulties that we actors go through so it would be wrong on my part to say that this or that movie was bad!

Tusshar Kapoor – Worst of 2009 would be all those films that were released during the strike. Ha ha ha!

Kunal Deshmukh Kunal DeshmukhChandni Chowk To China was the worst film of the year. What a waste of effort. They could have done so much with the film but that was not the case to be.

Raksha Mistry – Isn’t it ironical that the first film which I saw in 2009 stays on to be worst for me? I am talking about Chandni Chowk To China. Maybe I was expecting a lot from the film’s association with Warner Bros. But then it neither had any locations of China nor Chandni Chowk. Worse, it had no story!

BOLLYWOOD HUNGAMA.COM

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By Bollywood Hungama News Network, December 31, 2009 – 12:22 IST

Best Film
3 Idiots
Dev D
Kaminey
Love Aaj Kal
Paa

Best Director
Anurag Kashyap – Dev D
Imtiaz Ali – Love Aaj Kal
R Balki – Paa
Rajkumar Hirani – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Actor (Male)
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Ranbir Kapoor – Ajab Prem Ki Ghazab Kahani
Ranbir Kapoor – Rocket Singh – Salesman Of The Year
Saif Ali Khan – Love Aaj Kal
Shahid Kapoor – Kaminey

Best Actor (Female)
Deepika Padukone – Love Aaj Kal
Kareena Kapoor – 3 Idiots
Katrina Kaif – New York
Priyanka Chopra – Kaminey
Priyanka Chopra – What’s Your Raashee?
Vidya Balan – Paa

Best Actor in a Supporting Role (Male)
Abhimanyu Singh – Gulaal
R Madhavan – 3 Idiots
Rishi Kapoor – Love Aaj Kal
Rishi Kapoor – Luck By Chance
Sharman Joshi – 3 Idiots

Best Actor in a Supporting Role (Female)
Arundhati Naag – Paa
Divya Dutta – Delhi-6
Gauhar Khan – Rocket Singh – Salesman Of The Year
Neha Dhupia – Raat Gayi Baat Gayi
Shahana Goswami – Firaaq

Best Actor in a Negative Role
Amole Gupte – Kaminey
Boman Irani – 3 Idiots
Kay Kay Menon – Gulaal
Mahesh Manjrekar – Wanted
Manish Choudhary – Rocket Singh – Salesman Of The Year

Best Actor in a Comic Role
D Santosh – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots
Paresh Rawal – De Dana Dan
Sanjay Mishra – All The Best
Vinay Pathak – Raat Gayi Baat Gayi

Best Background Music
Amit Trivedi – Dev D
Ilaiyaraja – Paa
Salim-Sulaiman – Rocket Singh – Salesman Of The Year
Shantanu Moitra, Atul Raninga, Sanjay Wandrekar – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Music
A R Rahman – Delhi-6
Pritam – Ajab Prem Ki Ghazab Kahani
Pritam – Love Aaj Kal
Pritam – Tum Mile
Vishal Bhardwaj – Kaminey

Best Playback Singer Female
Kavita Seth – Iktara – Wake Up Sid
Rekha Bhardwaj – Genda Phool – Delhi-6
Shreya Ghoshal – Zoobi Doobi – 3 Idiots
Shilpa Rao – Mudi Mudi – Paa
Sunidhi Chauhan – Mere Sang – New York

Best Lyrics
Amitabh Bhattacharya – Emosanal Attyachaar – Dev D
Irshad Kamil – Chor Bazari – Love Aaj Kal
Javed Akhtar – Sapnon Se Bhare Naina – Luck By Chance
Piyush Mishra – Ranaji – Gulaal
Prasoon Joshi – Man Ko Ati Bhavey – London Dreams

Best Story
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Anurag Kashyap, Aparna Malhotra, Raj Singh Chaudhary, Sanjay Maurya – Gulaal
Imtiaz Ali – Love Aaj Kal
Nandita Das, Shuchi Kothari – Firaaq
R Balki – Paa

Best Screenplay
Abhijat Joshi, Rajkumar Hirani, Vidhu Vinod Chopra – 3 Idiots
Anurag Kashyap, Vikramaditya Motwane – Dev D
Imtiaz Ali – Love Aaj Kal
Pankaj Advani – Sankat City
R Balki – Paa

Best Dialogue
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Imtiaz Ali – Love Aaj Kal
Anurag Kashyap, Vikramaditya Motwane – Dev D
R Balki – Paa
Vishal Bhardwaj – Kaminey

Best Editing
Aarti Bajaj – Dev D
Aarti Bajaj – Love Aaj Kal
Anil Naidu – Paa
Meghna Manchanda Sen, Sreekar Prasad – Kaminey
Rajkumar Hirani – 3 Idiots

Best Sound
Bishwadeep Chatterjee, Nihar Ranjan Samel – 3 Idiots
Dileep Subramaniam – Love Aaj Kal
Sanjay Maurya, Allwin Rego – Dev D
Shajith Koyeri, Subhash Sahu, P M Satheesh – Kaminey
Tapas Nayak – Paa

Best Special Effects
Charles Darby – Aladin
Prime Focus Ltd – Blue

Best Cinematography
C.K. Muraleedharan – 3 Idiots
P.C. Sreeram – Paa
Rajeev Ravi – Dev D
Shankar Raman – Frozen
Tassaduq Hussain – Kaminey

Best Art Directon
Acropolis, Rajnish Hedaa, Sumit, Snigdha Basu – 3 Idiots
Sabu Cyril – Aladin
Samir Chanda – Delhi-6
Samir Chanda – Kaminey
Sukanta Panigrahy, Helen Jones – Dev D

Best Choreography
Ahmed Khan – Prem Ki Naiiyya – Ajab Prem Ki Ghazab Kahani
Avit Dias – Aal Izz Well – 3 Idiots
Bosco- Caesar – Zoobi Doobi – 3 Idiots
Prasanna – Marjaani – Billu
Baawre – Vaibhavi Merchant – Luck By Chance

Best Action
James D Bomalick – Blue
Huan-Chiu Ku – Chandni Chowk To China
Shyam Kaushal – Kaminey
Tinu Verma – Acid Factory
Vijayan Master – Wanted

Most Promising Newcomer (Male)
Amole Gupte – Kaminey
Chandan Roy Sanyal – Kaminey
Navin Kaushik – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots

Most Promising Newcomer (Female)
Gauhar Khan – Rocket Singh – Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jesse Randhawa – Gulaal
Kalki Koechlin – Dev D
Mahie Gill – Dev D

Most Promising Debut Director
Ayan Mukerji – Wake Up Sid
Nandita Das – Firaaq
Pankaj Advani – Sankat City
Shivajee Chandrabhushan – Frozen
Zoya Akhtar – Luck By Chance

Best Child Artiste
Jahan Bativala – Little Zizou
Iyanah Bativala – Little Zizou
Rahul Kumar – 3 Idiots
Parzan Dastur- Sikandar
Pratik Katare – Paa

Best Ensemble Cast
Delhi-6
Firaaq
Gulaal
Luck By Chance
Sankat City

BOLLYWOOD HUNGAMA.COM

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ANY LESSONS LEARNT FROM 2009 MISTAKES?

Overall 2009 was a disappointing period for Bollywood. As what Ak_India mentioned in his DP that only 8% of films succeeded in this year which is very shocking. Many films got a nice opening and were well received by audiences as well as critics. Still, the films were hailed as Flop or Average due to their high costs. And that was one of the biggest reasons behind the debacle of many films. Films like Billu, Delhi-6, Kambakkht Ishq, Kaminey, Wake Up Sid, All The Best, London Dreams, De Dana Dan etc could had been super hits were they not produced and sold for such high prices. The problem of sky-high costs was accelerated by the wrong release time. Due to the producer-multiplex feud, no movies were released in the lucrative April and May period. As a result, as soon as strike ended, films after films started pouring every Friday. Obviously, common man cannot be expected to watch all films that release and thus, many films failed or did low business. For instance, All The Best could had been successful if it had not released with Blue. Aladin would have fared better had it not clashed with London Dreams. Jail would have got lots of audience if it had not released with the super hit Ajab Prem Ki Ghazab Kahani.

Unfortunately, there is no concrete solution for the 2nd problem. Due to the strike, there is still a huge backlog that needs to be cleared and hence, in 2010 too, one might find multiple releases on lots of Fridays. But the cost of the film can definitely be cut down and the best solution is that the actors slash their prices. Why do superstars like Akshay Kumar charge 20+ crores? And why do producers agree to pay them? Biggie actors should not be given more than 8 or 9 crores. And if this upsets them, then they should be paid more but only if their film succeeds at the box office. This kind of arrangement would benefit all. Movies that are made for 40-50 crores at present would be finished in less than 30 crores. Thus, such film will have high chances of recovering their costs too.

Sadly, no one is thinking of enforcing such an alternative. And as the chapter of 2009 closes, we could see multiple releases even in the last week. Today (i.e. last day of 2009), 3 small films are slated to release-Raat Gayi Baat Gayi (RGBG), Accident On Hill Road (AOHR) and Bolo Raam (BR). It is obvious that all 3 of these films are going to flop. If only one film had hit the screens today, it would have chances of profiting. But no film will profit in this rat race. Not to forget, the 3 Idiots craze is still going on. Hence, all these films have dug their own graves by releasing today. RGBG looks like a complete entertainer; AOHR may work if it has a well-written climax. BR may be hard hitting but it will surely have lowest collections. When will these people learn?
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MOVIES THAT WILL ROCK IN 2010-PART 1

The following are the films that have big stars and have highest chances of succeeding at the box office. 2 of them are listed below and the rest will be discussed next week [lack of space 😦 ]:



MY NAME IS KHAN: A winner for sure! Although the film looks serious, it has managed to arouse curiosity. And anyways, the name of Shah Rukh Khan is enough to make almost everyone sit up and take notice. Kajol being paired opp SRK is like an icing on the cake. Also it has talented actors like Jimmy Shergill which, I don’t think, will be revealed in promos till the flick releases on Feb 12. The first look of the film made people assume that it’s based on terrorism. However, it’s not! To quote SRK, “It’s a love story with an epic feel(Bombay Times). MNIK is thus expected to work not only in India but overseas too.

RAAVAN/RAVANA: Mark my words; this one would rock big big time! Unfortunately, when Bolly websites are discussing 2010 biggies, they aren’t mentioning this flick. There are many reasons as to why this film is special. Firstly, it is directed by talented-creative Mani Ratnam who never goes wrong. Secondly, it’s a present day version of Ramayana. And thirdly and the best part, the star cast and the characters that they play are just out of this world! Aishwarya Rai Bachchan plays Sita but Abhishek Bachchan isnt playing Rama! Instead, he’s Raavan in the film, i.e. the villain! Southern actor Vikram is Rama! Guess who plays Hanuman? None other than apna Govinda! Just imagine-Govinda in Mani’s film! Cool isnt it? Nikhil Dwivedi and Southern beauty Priyamani completes the main cast. The film is bi-lingual-it was shot in Tamil too but with slight change of cast. Vikram who plays Rama in Hindi version is Raavan in the Tamil version (hats off!). Prithviraj Sukumaran instead is Rama in Tamil version! Aishwariya Rai is acting in both the versions! The film is expected to release in May. Make sure you don’t miss it at any cost!

TO BE CONTINUED NEXT THURSDAY!

(AND WISHING EVERYONE A VERY HAPPY NEW YEAR!)

This post first appeared on MouthShut.com: http://www.mouthshut.com/diary/hdbhmtlmp/Fenils-Bollywood-Talk81

WHO AM I? Shah Rukh Khan as Rizwan Khan


Shah Rukh Khan speaks exclusively to BT about his role in the biggest film of his career

MARK MANUEL Times News Network (BOMBAY TIMES; December 29, 2009)

Shah Rukh Khan, the pains and failures of 2009 behind him if not entirely forgotten, is looking forward to the New Year because it brings with it the imminent release and promise of the biggest film of his career (his words, not mine) – Karan Johar’s My Name Is Khan. He’s had a bad year starting with the shoulder injury and surgery, then the uninspiring box-office returns for Billu – his only release in 2009, and finally the humiliating decimation of his IPL team in South Africa. But, as the poet T. S. Eliot famously wrote, “For last year’s words belong to last year’s language and next year’s words await another voice”… and SRK, suspect, is secretly hoping that the next voice cinema audiences will listen to is going to be his in 2010. Or rather Rizwan Khan’s, the autistic character he plays in My Name Is Khan, which is slated for a grand bi-lingual worldwide release in February. Actually, the character in this ambitious film suffers from asperger’s syndrome, an autistic disorder whose main symptom is a difficulty in social interaction. It is a role that Shah Rukh, who is notoriously among Bollywood’s least social people, must have slipped into with consummate ease. Over a glass of tea in his vanity van one night late at Mehboob Studios, I asked him whether audiences were ready for another challenged hero after Bachchan with progeria in Paa and, before that, Aamir with dyslexia in Taare Zameen Par. Shah Rukh replied, “Audiences understand what you tell them. People like a good story. And this is a joyous film with a new romantic thought, the journey of an ordinary man. It is a love story with an epic feel. All love stories have obstacles, but the obstacle in My Name Is Khan is real, it happens in everyday life. For me, the film was an opportunity to play a challenged character… bahut maaza aaya!” What he was saying was contrary to public belief that the film is based on terrorism. Shah Rukh scowled. “I don’t know where you got that idea,” he said in exasperation, “yes, it is set in the aftermath of 9/11, and it is heroic without the fighting and screaming, but My Name Is Khan is a heartening and even funny film… even though we didn’t try to make a funny film! I am excited about it as I am about all my films. But this one I’m very proud of. Mainly because I’ve co-produced it with Karan. Also because Kajol and I are acting together after eight years.” He’s not seen a trial of the film as yet to voice an opinion on how well it will do at the box-office. That Shah Rukh never does. Not for his own films nor anybody else’s. In fact, he said he’s hardly seen any of his films completely. “Trials mean analysis,” he explained, “but trial reactions are different from theatre reactions. I don’t make a film for myself, I make it for the story. Besides, I’m shy of myself on screen, I’m not vain, it’s just that I’m not fond of my face or physique. Maybe that’s why I’m an actor – so that I can play someone else.”
Perhaps, he was still in character for the film. Or, maybe, interacting with people is as much a problem for Shah Rukh Khan in real life as it is for Rizwan Khan in reel. “I’m not antisocial,” he protested, “I’m a quiet person, strangely reclusive, I’m not as confident as you think I am. I have issues. I’m thankful to Allah… to be not so gifted and have all this. It may sound pompous, but I’m great enough to be humble, I’m very happy when people say ‘SRK’s the best’… there is a sense of achievement, I’m happy by what I’ve done, but humble enough to know it’s not because of me. Yet put me on stage, say, at Salt Lake Stadium before a million people and I will comfortably entertain you for an hour. As long as I’m an entertainer, I have no problems. It’s when I’m Shah Rukh Khan that the problems arise. I’m a fun guy… yet my kids enjoy their mother’s company more.”

 

BLESSED: Shah Rukh Khan
Shah Rukh Khan holds court on his birthday

 

MEENA IYER Times News Network (BOMBAY TIMES; November 4, 2009)

 

 

The thousand-strong crowd outside his sea-facing bungalow literally melted in the scorching November sun, their eyes hungry for just a glimpse of the man who rules Bollywood. The mayhem on November 2, Shah Rukh Khan’s birthday, had to be witnessed to be believed. The Bollywood Badshah may have had little to say at the box office in 2009, but his popularity is super intact. Excerpts from a conversation with the star who turned 44 on Monday…
Your looks belie your age!
Physically, I feel 25-26. But I have no problems in accepting that I’m 44. In fact, if I look good, then the media writes that I’ve done plastic surgery. Honestly, if I sleep well, then I look good. Last night I slept well.
This has been a year of mixed fortunes…
I enjoyed Season II with my cricket team. I was a bit disappointed when we didn’t fare well, but I know we’ll bounce back. I didn’t have film releases with the exception of Billu which was special for me. I got a honorary doctorate from the University of Bedfordshire, won a couple of other honours. My Name is Khan will come in February 2010. I had my shoulder surgery that kept me out of action now I’m on the road to recovery. I spent quality time with my kids. I’m finishing my book 20 Years Of A Decade. It was an unfortunate physical year but a good emotional one.
Are there any specific thoughts on growing older?
Yes, I have been constantly thinking about what I can give back to people, to society. Allah has been kind to me, He has given me so much. I have just six to seven good friends in the industry. But the media is my friend. You are the ones who remind me of my birthday at least four-five days in advance. You have given me so much love, so has my audience. Now I want to do something in return. I want to bring a smile to the faces of youngsters. I don’t want to start an NGO, but I do wish to do something for the cause of the girl child… The feeling of wanting to give is stronger now than it has been. I think of life as work. I want to introspect as to which direction I should take my life in. I want to do something to save the environment. Honestly, I haven’t done my bit yet but I will start now.
What’s next as far as films go?
RA1. It is something I’m kicked about. It’s a film that children are going to love. It will have action, special effects and a super hero.
Did you receive any special gifts?
Yeah, Karan Johar gave me a lap top bag and a pair of very expensive shoes. My children are making something for me that will come over the weekend. Parmeshwar Godrej sent me a gift. She does that each year. One of my fans has bought me a piece of land on the moon, one has bought me land in Scotland. I’m accepting gifts till this weekend, so all of you who wish to give me something can do so till Sunday.
The Roshans delete a song choreographed by Farah Khan from Kites; are yet to inform her about their decision
By Vickey Lalwani (MUMBAI MIRROR; July 17, 2009)
Kites needed a surgical cut to make the length savory for the audience, and a song choreographed by Farah Khan was the first victim. The decision, though cold-blooded, was deemed necessary, but courtesy demands that Farah should have been informed about it. However, for the Roshans, extending the courtesy was not on top of their priority lists. There’s no saving grace here — it doesn’t feature in the Hindi or the English version either.

Although two weeks have lapsed, they still haven’t found the time to speak to Farah and explain their decision. The salsa number was shot over two-and-a-half days with the lead pair, Hrithik and Barbara Mori. The sensuous song weaves in the romance of English and Spanish.

When Rakesh Roshan, Anurag Basu and Hrithik Roshan took the decision, Anurag told Hrithik that he would like to inform Farah about the same. But Hrithik told Anurag that he would do the needful. Strangely, Farah was not informed.

When contacted, Farah confirmed, “I am not aware that my song is not in Kites anymore.”

This must be a blow for Farah Khan, who had taken up very selective work after the delivery of her triplets. Her two assignments had included work for her friends with Billu and Dostana, while Kites was only her third professional assignment.

A source close to the Roshans explained, “A large number of people who saw Kites at Cannes felt that the film was too long. There was a lot of debate about what should be chopped. After great deliberation, it was decided that Farah’s song should be deleted.” The decision is quite a surprise because the Roshans had announced the song with a lot of fanfare.

We don’t know if Farah was actually disappointed when we told her but she said, “I am not upset. It must be for the betterment of Kites. And maybe I will be informed after the final print is out.”

Rakesh Roshan and Anurag Basu remained unavailable for comment.

The Hindi film industry is infamous for lifting Hollywood movies, but it has often been inspired by cinema content from southern India as well. With forthcoming movies like ‘Kambakkht Ishq’, ‘Short Kut – The Con Is On’ and ‘Wanted’, Bollywood seems to be on a spree of remaking films made down south.

Bollywood borrows southern spice for 'Kambakkht Ishq', 'Short Kut'

Releasing Friday, Akshay Kumar- Kareena Kapoor’s romantic comedy ‘Kambakkht Ishq’ is the remake of Kamal Haassan’s 2002 Tamil hit ‘Pammal K. Sambandam’.

The film was earlier to be remade in Hindi by writer-turned-director Anees Bazmee for south-based production house G.V. Films, which had acquired the remaking rights for Rs.500,000.

But it was producer Sajid Nadiadwala who finally made it after buying remaking rights of the same film by reportedly shelling out Rs.7.5 million.

‘Short Kut’, another forthcoming comedy, is a remake of Roshan Andrews’ Malayalam movie ‘Udayananu Tharam’. Similarly, southern dancing star Prabhu Deva’s directorial venture ‘Wanted’, which has Salman Khan in the lead, is a remake of Tamil film ‘Pokiri’.

“Bollywood has always survived on the pillars of inspiration and remakes… whether it is the west or the south, it has always copied content. While half of it has been successful, others have been blunders,” said a trade analyst from Mumbai on condition of anonymity.

But Anil Kapoor, who is producing ‘Short Kut’, described the trend as a consumer-driven call.

“Actually it was not my idea to adapt a south Indian film… as a consumer I had seen this film in Malayalam and loved it. I thought it will be great to make the film in Hindi. I spoke to Anees Bazmee (who has written the script) about it and he too liked the idea of adapting it for a Hindi film,” the actor-turned-producer said.

While ‘Udayananu Tharam’ starred Mohanlal, Sreenivasan and Meena, its Hindi version, directed by Neeraj Vora, features Arshad Warsi, Akshaye Khanna and Amrita Rao.

“We made some changes in the script to suit Bollywood sensibilities and made it more appealing for north Indians or say core Bollywood audiences. After the script was ready, we thought Neeraj Vora would be the best person to direct the film. I called him up and he was on board,” Anil added.

A recent example of a successful Bollywood remake of a south Indian film becoming a huge hit is A.R. Murugadoss’ ‘Ghajini’ (2008) that was a remake of the 2005 Tamil film of the same name.

Starring Aamir Khan in the lead, the film went on to rake in more than Rs.290 crore (Rs.2.9 billion) worldwide, making it one of the biggest grossers in Bollywood.

Remaking southern hits is not a new trend in Hindi cinema. There have been hit films earlier like ‘Nayak’, ‘Saathiya’, ‘Viraasat’ and ‘Rehnaa Hai Terre Dil Mein’ that were remakes respectively of Tamil films ‘Mudhalvan’, ‘Alaipayuthey’, ‘Thevar Magan’ and ‘Minnale’.

Multilingual filmmaker Priyadarshan, known for remaking his own films in Hindi, had said: “My Hindi films are mostly inspired from Malayalam comedies.”

His popular films like ‘Bhool Bhulaiyaa’, ‘Kyon Ki…’ and ‘Garam Masala’ are remakes respectively of Malayalam films ‘Manichitrathazhu’, ‘Thalavattom’ and ‘Boeing Boeing’. His other Hindi remakes include ‘Virasaat’, ‘Billu’ and ‘Ye Teraa Ghar Ye Meraa Ghar’.

Tamil and Telugu filmmaker L.V. Prasad’s Hindi films ‘Sharada’, ‘Miss Mary’, ‘Chhoti Bahen’ and ‘Ek Duuje Ke Liye’ were also adaptations of Tamil films. A. Bhimsingh’s ‘Bhai Bahen’ was a remake of Tamil hit ‘Pasamalar’.

Bollywood saw a series of remakes in the late 1970s and 80s with Jeetendra in the lead in movies like T. Rama Rao’s ‘Lok Parlok’, ‘Judaai’, ‘Maang Bharo Sajan’, ‘Himmatvala’, ‘Swarg Narak’, ‘Jyoti Bane Jwala’ and ‘Pyaasa Sawan’.

Films like ‘Solva Sawan’, ‘Sargam’, ‘Sadma’, ‘Wo Saat Din’, ‘Aakhri Raasta’, ‘Andha Kanoon’ and ‘Eeshwar’ were also inspired by southern hits.

Bollywood saw its first anti-woman slant in the 1980s Rajesh Khanna-starrer ‘Red Rose’ adapted from Tamil film ‘Sigappu Rojakal’. And in 1992, Indra Kumar remade ‘Enga Chinna Rasa’ as ‘Beta’ as part of the continuing ‘south inspires north’ trend.

Source: IANS


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