Posts Tagged ‘bipasha basu’
The three-year-old cold war between Bipasha Basu and Vidya Balan has ended, thanks to Bipasha. The two actresses who would often bump into each other at social dos refused to acknowledge each other.
This happened recently at the party of All The Best at a suburban five-star hotel.
The buzz is that the two actresses have not been seeing eye-to-eye ever since rumours of John Abraham’s onscreen and off-screen chemistry with Vidya during Nikhil Advani’s Salaam-e-Ishq (2007) started doing the rounds. Apparently, the whispers regarding the two started when they shot a romantic scene under a dupatta. It is said that despite Advani calling for a cut, John and Vidya continued to remain inside the dupatta for at least a minute before coming out of it.
There were reports that Bipasha had persuaded John not to work with Vidya after Salaam-E-Ishq. This time however, Bipasha let bygones be bygones.When Vidya entered the party, Bipasha was already present. While chatting with everyone, the cast and crew of the film reminded Vidya that she was the original choice for Bipasha’s role in All The Best.
|John Abraham||Bipasha Basu||Vidya Balan|
During the course of the conversation, Bipasha, who was also in the group, broke the ice by approaching Vidya. A source says, “Bipasha just went up to Vidya and hugged her.”
Vidya, who didn’t expect such warmth from Bipasha, was shocked.
The source adds, “Before it could all sink in, Bipasha was already talking to her with a big smile on her face. Later, John too spoke to Vidya.”
Bipasha did not deny that she met Vidya at the party. However, she maintains, “I never had any problem with Vidya. Many ridiculous stories are printed every day in the media. I don’t change my attitude towards people according to them.”
However, Vidya chose to remain mum about the issue.
Bharati Dubey | TNN (THE TIMES OF INDIA; November 15, 2009)
Twenty-four-year-old Tariq, born to a Kashmiri father and Jewish mother, landed in Srinagar with zero finance and a shooting kit packed into just one suitcase. “I decided to make a film in Kashmir because I found that no outside voice accurately captured the daily life of the average Kashmiri,’’ he says when asked what compelled him to come so far away
to make a film. “I thought a movie introducing the lives of a few Kashmiri citizens and their daily hopes and fears would reveal them more intimately than the usual western documentaries on the Kashmir situation or Bollywood films which only use it as an exotic backdrop. I want my film to make a statement and hope it starts a debate on Kashmir.’’
Tariq was a one-man unit and had to use a news channel’s permission to shoot his film in Srinagar. He mobilised ordinary Kashmiris to be part of Zero Bridge, including collegians who came for the audition. “There is so much talent here,’’ he says. “People want to be part of cinema but there is simply no encouragement from the state. Most of the cinema halls in Kashmir are now army bunkers.’’
Indeed, most aspiring artistes from Kashmir have had to leave their home state to fulfil their creative urges elsewhere, and despair of the arts ever flourishing in their home state. Dr Amit Wanchoo, a Kashmiri Pandit, faced a lot of resistance when he started his rock band, Immersion, in 1999. “From the kind of crowd our shows pull in, it’s obvious that Kashmir is an entertainment-hungry state, but there is certainly no political will to promote art, cinema and music in the state,’’ he says. “They don’t even provide security for shows. One has to perform at one’s own risk.’’
Film-maker Ashok Pandit, who made a Hindi film on Kashmir, points out that given the complete lack of infrastructure, it is impossible for Kashmiri cinema to grow. “There is no cinema, television is banned and no funds are made available to those interested in film-making,’’ he says. Pandit has been trying very hard to push the state government to encourage at least television serials but finds it extremely reluctant.
The climate of fear is also a factor a factor to reckon with. A source from Jammu & Kashmir tourism reveals that of the eight cinema halls in Srinagar, four have been converted into army bunkers. The remaining ones are perpetually guarded by the army but audiences are nervous about walking into them because of the constant attacks by militant groups who are anti-cinema to boot. “Given this fear and the general deprivation, the locals are more concerned about making ends meet rather than expressing their creative instincts,’’ says Pandit.
Bollywood has been filling up the state’s exchequer in the past, but more and more separatist groups are against Hindi film-makers shooting in Kashmir. Last year, Rahul Dholakia commenced his film Lamha, allegedly based on the lives of Muslim separatist leaders, Syed Ali Shah Geelani of the Jamaat-e-Islami, Shahidul Islam, a former insurgent commander, and Dukhtaran-e-Millat leader Asiya Andrabi, the Kashmiri women’s morality brigade so committed to Kashmiri separatism that her sons are already pledged as martyrs to the cause. The shooting in the Valley ran into rough weather when Andrabi took offence to Bipasha Basu playing her character and Geelani, Islam and others became wary.
Says Anil Raina, a Kashmiri journalist who introduced Dholakia to the separatists, “They conveyed to Dholakia that they were against the film. They were afraid that his realistic style of film-making would portray them negatively and it would go against their efforts. I had to intervene and convince them otherwise. At my behest, Dholakia changed many characters in the film. As I played a central part in getting the film on track, I didn’t want anything to go against us. After all, I have to live here with my mother and don’t wish to be slaughtered at the hands of the separatists.’’
MEENA IYER Times News Network (BOMBAY TIMES; November 13, 2009)
When Hrithik Roshan blazed into Bollywood with Kaho Na Pyaar Hai in 2000, he almost wrested the reigning Badshah Shah Rukh Khan’s throne. With the paparazzi adding to their woes SRK and Duggu started out on a wrong foot. And SRK, who was hanging mid-air at a Filmfare Awards’ night event, joked saying, “Come Hrithik… come and pull me down.” However, that was another day. Today both Duggu and SRK are bonding big time. Sources say, “Every other night, the King and the Prince are dining together.’’ What makes their friendship more special is the fact that the girls, Gauri Khan and Sussanne Roshan, are also thick.
Aamir Khan admits that he didn’t approve of Salman Khan’s cavalier attitude to his work when they were filming Andaz Apna Apna. Said Aamir, “I even ticked Salman, Raveena Tandon and Paresh Rawal off during AAA because they had issues to resolve with the producer. And, they were treating the project badly.’’ Today Salman and Aamir are very good friends. Salman’s sketches on the Ghajini superstar are the piece de resistance at Aamir’s residence, and the boys often bond over a drink when AK’s wife Kiran Rao is out on her work assignment. Aamir even said, “That confrontation we had years ago has actually strengthened our bond.’’
Akshay Kumar admits that Suniel Shetty and he shared a hatelove relationship when they started out and now they have a love-love relationship which was in full force during the shoot of De Dhana Dan. Suniel said, “We were immature, yaar, now we’re men in our 40s. Where is the question of us fighting? It all seems so silly. Akki and I are not the best of friends but we do enjoy a camaraderie that is there for everyone to see.’’ If the Bollywood men are bonding big time, the women too have left their previous grievances aside and become friends. Kareena Kapoor and Bipasha Basu who argued like cats during Ajnabi are now friends. And so are Bebo and Preity Zinta. Guess when the boys and the girls realise that they aren’t hunting the same game, they let their guard down.
Sanjay Dutt agrees to star in Golmaal 3, which will feature almost all the stars from the earlier two films
After his recent success with All The Best, director Rohit Shetty is set to start Golmaal 3. Although Rohit is still finalising the film’s script, its star cast is already in place with Sanjay Dutt being the new entrant in the series. Sanjay, apparently, has agreed to be a part of the multi-starrer.
A source reveals, “Rohit and Ajay Devgan mutually decided to first go ahead with Golmaal 3. The male actors in the film will be more or less the same as the earlier two Golmaal films with Ajay, Tusshar Kapoor, Shreyas Talpade, though Arshad Warsi and Sharman Joshi will not be a part of it. Kareena Kapoor, Bipasha Basu and Mugdha Godse are also being considered to star in Golmaal 3.”
“The film will go on the floors in April next year and the actors have been asked to give the required dates. The film will be shot at an international location,” adds the source.
Rohit says, “I’m still in the scripting process. Nothing has been finalised yet. Once my script is ready, we will proceed with the rest of the work.”
When asked about Sanjay also being a part of the film, he says, “How many stars are you going to give me? That’s too big a star cast. I can’t have 12-14 stars in my film. That Sanjay is now part of the film is not true. Once I finish the script, we will make an announcement.”
The official spokesperson from producers Shree Ashtavinayak Cinevision says, “Golmaal 3 is still in the planning stage. We aim to start the shooting in March.”
TIMES NEWS NETWORK (BOMBAY TIMES; October 23, 2009)
“The film didn’t open big on Friday but on Sunday and Monday, it jumped by leaps and bounds — from 30 per cent to 95 per cent,” said trade analyst Amod Mehra. Indeed, because audiences everywhere are having a blast watching the comic timings of Sanjay Dutt, Bipasha Basu, Mugdha Godse, Fardeen Khan and Ajay. “It’s very refreshing. No number of stars given by critics can change the opinion of cinegoers. Once the public says a film’s a hit, then it’s a hit. This film picked up because of word-of-mouth publicity,” added trade analyst Komal Nahta.
Multiplexes are enjoying the post-Diwali ticket sales that this Ajay Devgn Ffilms’ release is fetching them. “On Tuesday, the film did better business than it did on Sunday and Monday. The audience, just like me, was laughing its guts out,” said Ashish Saxena from Reliance BIG Pictures. Devang Sampat from Cinemax attributes the success to Ajay having picked the right script for the festive season. “It’s been a trend where people look for total entertainment during Diwali. They just want to have a good time… I’m expecting this film to do even better in the coming days,” he said.
Not strangely, film critics have given good ratings to this one too. Even Bollywood stars, keeping their own films aside, have been entertained by this comedy. “It’s an honest entertainer and I laughed throughout. I felt happy after watching it,” said hunk John Abraham. Ditto was the reaction of the producer’s wife and beautiful actress Kajol. “I laughed, my daughter Nysa laughed and the whole theatre laughed. And that’s when Diwali started!” she said.
It was really disappointing to see the spate of comic flicks released in recent times. Some said that there have been an overdose of comic flicks and that’s why now each one of them is failing. However, the underlying truth was-those films flopped because all of them were plain bad films-as simple as that! Some producers had assumed that even if the script is flawed, their comic caper would work and audiences would accept. And when this didn’t happen, they came up with the explanation of overdose! All The Best breaks all these myths! The film is a laugh-a-minute riot and it works damn big time because of its wonderful performances, mind-blowing script and even better execution. This is the most satisfying comedy in a long time, in the lines of Hungama, Hera Pheri et al!
The story of the movie: Veer (Fardeen Khan), a singer, stays in Goa and has a car-expert friend Prem Chopra (Ajay Devgn) and a ‘vastu-expert’ girlfriend Vidya (Mughda Godse). Veer’s elder bro, Dharam (Sanjay Dutt) is a big businessman who stays in London and sends money to Veer each month. Dharam then starts sending ‘double pocket money’ to Veer after Veer falsely tells Dharam that he has got married to Vidya-an idea given by Prem to Veer! Unfortunately, Veer and Prem get into debt and have to repay Rs. 10 lakhs to a local goon, Tobu (Johny Lever) in a week. In the midst of all this, Dharam pays an unexpected visit to Veer! Due to some misunderstandings, Dharam mistook Prem’s wife Jhanvi (Bipasha Basu) as Veer’s wife Vidya! Watch the movie to see how the drama and madness unfolds!
All The Best takes some time to set the mood and once it takes control, it entertains and how! The real mazaa initiates when Dharam visits Veer. From here till the last frame, the film is abounding with outstanding hilarious moments!
With so many characters in the narrative, the film could have got confusing. But it doesn’t, even for a second! You understand everything that’s going on even in every scene! Kudos to the screenwriters and the director! Also, there is not a single vulgar or double meaning joke in the entire film! Thus, All The Best is a clean and uncomplicated film which can be enjoyed by everyone from kiddos to oldies!
The fun quotient at times gets a little low esp in the 2nd half. Also there are some flaws in the story too. But there’s so much funny things happening in the film that you just don’t care! The film gets a bit mellow only during the song ‘Kyun’. But even that is so wonderfully treated that you are left amazed!
The climax is chaotic but isn’t nonsensical like seen in some recent comic flicks. In fact, the climax entertains and it also has a twist, which brings the house down!
From the promos, it seemed that Sanjay Dutt will steal the show. But surprise! It’s Ajay Devgn who comes up with the best performance! He showcases excellent comic timing and this is definitely one of the best performances of his career! With this film, he also turned producer and scores in it too!
Sanjay Dutt, like everytime, was just marvelous! He is an expert when it comes to comedies and gives a smashing performance. He was in much better form than he was in Blue and Luck! Watch out for his scenes with Ajay-both the talented actors steal the show! Just fabulous work!
Sanju and Ajay deliver such powerful performance that others get overshadowed, even though all were rocking. Fardeen Khan was brilliant although he had a better screen presence in Acid Factory and Life Partner. Bipasha Basu had an important role and does a great job. Mughda Godse looks charming but unfortunately doesn’t have much to do in the film, esp in the 1st half.
The film has lots of supporting actors who contribute a lot in making the film a hilarious caper. Johny Lever as the dumb goon was amazing. He rocks big time in 2 scenes-when the tyre of Ajay’s car gets under his feet and in the climax. Johny Bhai is back! Sanjai Mishra’s performance, too, was brilliant and he provides ample moments of laughter throughout the film. Asrani, Vijay Patkar, Atul Parchure, Ashwini Kaleskar and Mukesh Tiwari contribute well. The film also stars Shraddha Musale, who plays Dr Tarika in the weekly sitcom, CID!
Pritam’s music was in sync with the film. The title song and Dil Kare were the best songs. Haan Main Jitni Martaba was unnecessarily added but again, one doesn’t mind. Everything is so perfect in the film!
Dudely’s cinematography is as cool and stylish as his name! Jai Singh’s action and Rakesh Ranjan’s sound design works wonders in the car racing scene. Sanjoy Chowdhury’s background score was apt.
Finally, we come to the winners! Farhad-Sajid and Bunty Rathore’s dialogues are funny, witty and very impressive! Robin Bhatt and Yunuj Sejawal-the two experienced writers come up with a terrific screenplay. None of the scene seemed messy and this is how scripts should be in comic flicks!
And Rohit Shetty deserves nothing but applause! He has evolved wonderfully as a director. He knows what the audience wants and delivers everything perfectly! His first flick, Zameen was impressive. His popularity soared with his second film, Golmaal. But in my opinion, it fell at lots of places in the 2nd half. His 3rd film Sunday was disappointing while Golmaal Returns was as good as Golmaal. Thus, All The Best is undoubtedly his most accomplished work so far! Take a bow!
Some of the best scenes of the film:
1. The ‘sauce’ sequence!
2. The car race
3. Dharam’s call to Veer informing about his visit
4. The scene at the airport
5. Prem gets to know that Dharam has mistaken Jhanvi as Vidya (outstanding!)
6. The intermission point
7. All scenes of Johny Lever
8. The action scene at the beach
9. Exchange of bedrooms at night (Oudstading!)
10. Prem taking Jhanvi to hospital and Dharam following him (Super-Duper!)
11. The song ‘Kyun’, ‘Dil Kare’ and the title song
12. The climax
On the whole, All The Best is a true winner in all respects! It is the finest comic flick to hit theatres in a long long time! It’s a must watch for audiences of all age groups! Go with your siblings or with your parents or with your friends or with your loved one or simply go alone-but do go for it…coz it’ll surely make your day! ENJOY!!
My rating-**** ½ out of 5!
This review first appeared on MouthShut.com:
By Taran Adarsh, October 16, 2009 – 08:25 IST
Sometimes, we laugh at movies. At times, we laugh in movies. Thankfully, ALL THE BEST, helmed by Rohit Shetty, belongs to the latter type.
ALL THE BEST makes no claims of catering to the intelligentsia or the elite. Instead, it’s aimed at those who want to spend two hours of their precious life flexing their facial muscles. ALL THE BEST is for those who expect fun and laughter unlimited in those two hours. This one makes you smile, laugh, even break into a guffaw at times.
|BY BOLLYWOOD HUNGAMA.COM
The jokes and the goings-on may appear silly, but who cares! As long as one feels positive and wears a smile on the face even after the show has ended, nothing else matters.
Comedy is serious business and Rohit Shetty is a pro at this genre now. This time, the talented director seeks inspiration from RIGHT BED, WRONG HUSBAND and what works to the advantage are two factors – the written material and the right casting. Both are just right!
From time to time, it has been noticed that some films are made with the motive of keeping you entertained. ALL THE BEST is one of those films. Go, have a blast this Diwali!
Veer [Fardeen Khan], a singer by profession, is greedy of extracting extra pocket money from his brother Dharam [Sanjay Dutt], a business-honcho. Veer lies to Dharam that he has got married and his friend Prem [Ajay Devgn], a concept car expert, lends a helping hand in cooking up this alibi.
Veer is in love with Vidya [Mugdha Godse], but has qualified in the hate list of her father. Prem is happily married to Jhanvi [Bipasha Basu], who takes care of his ancestor’s outdated gymnasium. Veer and Prem land up in debts as they had opted for a short-cut to earn easy money.
The two get into a bigger soup when Dharam pays a sudden visit to their place. Time does not give a chance and unavoidable circumstances arouse such situations that Prem’s wife Jhanvi is mistaken for Veer’s and Veer’s girlfriend for Prem’s.
Like his previous films, director Rohit Shetty rests the story on multiple characters, with a dozen odd actors in supporting roles. With so many characters in the film, it generally tends to get confusing, but ALL THE BEST has an easy-to-comprehend story and a trouble-free and uncomplicated screenplay [Robin Bhatt and Yunus Sajawal].
Ten minutes into the film and you know that ALL THE BEST is all about mistaken identities. But the proceedings actually take off when Sanju enters the scene. That’s when you get drawn into this madcap world completely.
A number of sequences are howlarious. Note Johny Lever’s intro. Ditto for Sanjay Mishra’s track. Also, when Johny Lever regains his voice – towards the climax – it’s sooooo funny. On the flip side, the pace drops in the middle of the second hour. Also Pritam’s musical score is uninspiring and the songs act as speed breakers.
Rohit Shetty is in top form and his team of writers, Robin and Yunus, contribute enormously in making this film watchable. Dudley’s cinematography is perfect. Farhad – Sajid and Bunty Rathore’s dialogue are very much in sync with the mood of the film. In fact, a few one-liners are extremely witty.
Sanju portrays his part well. His sequences with Ajay are truly fantastic. But the show-stopper is undoubtedly Ajay, whose comic timing is only getting better. He plays to the gallery completely and delivers a sparkling performance. Fardeen needs to loosen up, though he makes a sincere attempt. Bipasha is sweet, while Mugdha doesn’t get much scope. Amongst supporting actors, Johny Lever and Sanjay Mishra are in terrific form. Mukesh Tiwari, Vijay Patkar, Ashwini Kalsekar and Atul Parchure lend credible report.
On the whole, ALL THE BEST is fun and laughter unlimited. At the box-office, the festive period coupled with the solid track record of Ajay Devgn and Rohit Shetty and also the strong merits will ensure ample footfalls at cineplexes, making its investors laugh all the way to the bank. Recommended!