Fenil and Bollywood

Posts Tagged ‘Blue

Badly Burnt In Year Gone By, Industry Looks To Strong Content

Bharati Dubey | TNN (THE TIMES OF INDIA; January 3, 2010)


Pursue excellence and success will pursue you,’’ was what Aamir Khan’s character philosophised in 3 Idiots. But when the lights dimmed and audiences sat down after the National Anthem, what greeted them on screens for most part of the year was average, even poor fare, making 2009 the annus horribilis of the first decade of the 21st century. More than 200 films, with Rs 1500 crore at stake, released last year but almost Rs 1000 crore sank in the sea of mediocrity without a bubble, the sharks-andsexy bikini Blue leading the pack.
Added to it was the multiplex strike which cost around Rs 350 crore, upset release dates forcing films to share Fridays and dent each others’ collections. A multiplex source said, “Cannibalisation caused by big films’ release dates clashing could have been avoided.’’


The year began with Chandni Chowk To China that lost 50% of its Rs 65-crore budget. And marketing blitzkreigs couldn’t save a Blue and Kambakkht Ishq and the audience clearly showed content was king with surprise hits like DevD, New York, WaKe Up Sid and Ajab Prem ki Gajab Kahani. DevD made Rs 6 crore, collected Rs 25 crore at the box office while its ancillary rights made another Rs 5 crore and there are still more satellite runs to be sold. Trade experts also put films like Love Aaj Kal, Ajab Prem ki Gajab Kahani, Wanted among the certified hits, followed by profitable films like Paa, All The Best, De Dana Dan and Raaz 2.


But Bollywood’s loss was Hollywood’s gain, with films like 2012 and Avatar (that collected a whopping Rs 50 crore so far) filling the void for good entertainment.


It was left to And Aamir Khan to play Santa Claus third year in a row, with 3 Idiots the biggest hit of the year. It grossed a phenomenal Rs 100 crore in India in the first four days, and Rs 175 crore worldwide till December 31, even denting into collections of Avatar. Trade analyst Amod Mehra said, “What Ghajini collected in a week, this film has done in three days.


Corporates didn’t really have a great year in 2009 and after the bloodbath in the first half of the year, most of them avoided buying films outright, with even 3 Idiots being released on commission.


Thus 2010 dawns to vastly altered realities — purse strings have tightened by cautious corporates; big banners are no guarantee for success and may dish out big turkeys instead; marketing and stars don’t sell, a good story does; and the days of astronomical fees are over.


“Audiences are very smart, the content ultimately will guide their choices and approval. Marketing and hype will only work if content supports that hype. We may not have a Blue this year but projects like Veer and Prince are costly and prima facie look difficult in terms of recoveries,’’ says a trade expert.


So when Akshay Kumar, blamed for soaring star prices, announced towards the end of 2009 that he would not charge any fee for Farah Khan’s Tees Maar Khaan, it was a lifeline for the industry that had almost gone into the ICU.


Says Amod Mehra, “It is not that people did not come to watch Akshay Kumar films in 2009, it is just that the budgets of the films were so high and his remuneration was almost 40% of those budgets, so recoveries were not possible despite a good opening. But now that the actors are looking at sharing profit with the producer after the cost of the film has been recovered like in the case of Aamir Khan’s 3 Idiots then it will be fair enough. Cutting down of star prices will definitely reduce the budget of films and they will become viable and that is definitely going to be the trend in 2010.”


The year thankfully doesnt have a Rs 100-crore Blue in its line-up. Last year most production houses scrapped films as star prices were not viable. In fact, it is learnt Saif Ali Khan is reworking the budget of his next film Agent Vinod starring Kareena and himself. In fact, 2010 is short on mega projects as budget constraints ensured very few got on the floors in 2009.


The first biggie of 2010 will be Veer,
followed by Rann, My Name is Khan, Action Replay, Kites and House Full in the first half of the year. The second half of the year would have Sanjay Leela Bhansali’s Guzarish and Patiala House.


The action in 2010 seems definitely more in mid-size and multiplex projects that would have strong and clutterbreaking content. “There are a lot of films this year that may not topline the Khans or Hrithik Roshan but still have a decent line-up of names and would be thematically different. Tight budgets and good content seem to be the mantra in the decision making corridors of Bollywood. Each company is carefully evaluating its options and are not getting carried away,’’ says Priti Shahni of Indian Films. Corporates, for instance, have decided to take films only on commission, and not buy them outright.


Shahid Kapoor’s Chance Pe Dance, Striker starring Rang De Basanti’s Siddharth, Aamir Khan Productions’ Peepli Live, Vishal Bharadwaj’s Ishqiya would release in the first half of 2010.


Generation-next too would be making its presence felt with Ranbir Kapoor in Anjana Anjani and Rajneeti, Imran Khan in I Hate Love Stories, Sonam Kapoor in Ayesha, and Deepika Padukone in House Full.


As the record breaking run of 3 Idiots that has spilled over to 2010 has shown, great content along with great pre-release buzz make the perfect mix.


2010: Coming Soon
RAJNEETI (Naseeruddin Shah, Nana Patekar, Ajay Devgn, Katrina Kaif and Ranbir Kapoor) BUDGET: 50 cr


DHOBI GHAT (Aamir Khan, Prateik Babbar) BUDGET: 15 cr


RAAVANA (Abhishek Bachchan, Aishwarya Rai Bachchan) BUDGET: 50 cr


TEEN PATTI (Amitabh Bachchan, Sir Ben Kingsley) BUDGET: 35 cr


VEER (Salman Khan, Zarine Khan) BUDGET: 50 cr


RANN (Amitabh Bachchan) BUDGET: 25 cr


ISHQIYA (Vidya Balan, Naseeruddin Shah, Arshad Warsi) BUDGET: 20 cr


MY NAME IS KHAN (Shah Rukh Khan, Kajol) BUDGET: 50 cr


KITES (Hrithik Roshan, Barbara Mori) BUDGET: 50 cr


ACTION REPLAY (Akshay Kumar, Aishwarya Rai) | BUDGET: 35 cr


GUZAARISH (Hrithik Roshan, Aishwarya Rai Bachchan) BUDGET: 50 cr


ANJAANA ANJAANI (Ranbir Kapoor, Priyanka Chopra) BUDGET: 40 cr


AGENT VINOD (Saif Ali Khan, Kareena Kapoor) BUDGET: 40 cr

Figures are an approximate estimation

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Here’s what we suggest you bring out the popcorn for
MUMBAI MIRROR; January 01, 2010

Karthik Calling Karthik

Farhan Akhtar’s next film is a story of a lovable loser whose chance meeting with his namesake changes his life forever. Karthik Calling Karthik has a star-studded credit list which includes Deepika Padukone, Javed Akhtar and Shankar, Ehsaan and Loy. Considering Farhan acts in the movies he either directs or produces, it seems like he is bent on wanting to typecast himself as the underdog. Weird but true!


My name is Khan

Bollywood’s biology lessons continue with My Name Is Khan. With 9/11 as the backdrop, the movie follows Rizwan Khan (SRK) who suffers from Asperger’s Syndrome. This is an autistic disease that makes the victim devoid of empathy. This, of course will give rise to many comical situations, just like Paa did. The film brings together the electrifying pair of Shah Rukh Khan and Kajol back on the silver screen. Add Karan Johar to the mix and you have a surefire hit. But come on, what is the film industry going to explore next, the common cold?


Raajneeti

A modern-day political rendition of the Mahabharata, Raajneeti boasts of an A-list star cast – Ajay Devgan, Arjun Rampal, Ranbir Kapoor, Nana Patekar, Vivek Oberoi, Manoj Bajpai and Katrina Kaif. The movie will use the dilemmas the characters in the book went through, and draw parallels with it in reel life. Katrina Kaif is reportedly playing the role of Sonia Gandhi in the movie. After all both of them are quite similar: accent – check; powerful woman – check; foreign descent – check; relationship with Salman Khan – no one really knows.


Kites

Kites follows the story of Hrithik Roshan, a salsa dancer who falls in love with his student. Language barriers don’t matter here, love conquers almost all. But ‘something’ happens and it’s up to another student Kangna Ranaut to save the day. Maybe Sussanne walks into the movie or some other terrifying event occurs, we don’t know yet. But we hope the movie does better than Hrithik’s personal life.


Raavana

A modern day rendition of the mythological text, Raavana will get Aishwariya and Abhishek on the silver screen together for the first time after getting hitched. The movie has been plagued with problems – floods, elephants stomping around the set, maybe a higher power is sending a message through all of this. We won’t say anything, let the box-office decide.


Action replay

In Action Replay, a man ages backwards… Hmm, let’s see where have we heard this story before? A clear rip-off of the Hollywood hit, Benjamin Button, the film will feature Akshay Kumar and Aishwarya Rai. Director Vipul Shah is back with Akshay Kumar and hopes his dream run will continue.


Teen Patti

As much as producer Ambika Hinduja denies it, Teen Patti’s plot seems like a rip-off of the Hollywood blockbuster 21. The film features three ace actors, Ben Kingsley (supposedly not doing a cameo), Big B and Madhavan. With the help of a unique algorithm, Amitabh who plays a mathematical genius leads a team of college students to make a lot of money. Does Amitabh hold the algorithm for the movie’s success or will this be just another failed spin-off?


Houseful

Akshay Kumar has a slew of releases lined up next year and Houseful, the laugh-riot is one of them. The story follows Akshay who is very unlucky in life and is trying to find true love. The women helping him achieve this goal are Deepika Padukone, Lara Dutta and Jiah Khan. In real life, however, we think it’s the other way around. Akshay will end up teaching Deepika more than two expressions, Lara how to sign movies and Jiah Khan how not to be dropped from the one-odd film she has signed.


No Problem

Anees Bazmee has three mega comedy films lined up next year. One of them is No Problem which has quite a star cast – Anil Kapoor, Sanjay Dutt, Akshaye Khanna, Sushmita Sen, Kangna Ranaut, Paresh Rawal and Sunil Shetty. The film is a love story of impossible proportions. Another impossible proposition is Kangna actually makes people laugh after making them weep all these years.


Well Done Abba

Shyam Benegal has been travelling the world with his latest film, Well Done Abba. The satirical movie sees Boman Irani play two roles. Fitting two Bomans in one shot is a feat in itself and a testament to Benegal’s directorial skills. The movie follows the journey of Armaan Ali, a driver from Mumbai, who is out to find his daughter’s (Minissha Lamba) beau. Minissha, who has been alternating between commercial and semi-art house cinema, is reportedly playing a strong role in the film.


Guzaarish

The film that is loosely based on Whose Life is it Anyway? has Hrithik playing a paraplegic radio jockey.  The film seems like a cry-till-your-tearbuds-dry-out movie – it explores the dilemma of euthanasia. Hrithik who believes in challenging himself till the cows come home, reportedly, spent hours in the wheelchair when not required to shoot, to get into the head of the character. Hrithik and Aishwarya reunite after Dhoom 2, and with Sanjay Leela Bhansali directing, it becomes one of the most awaited films in 2010, never mind Saawariya.


Road, Movie

Indian cinema has been through many fascinating twists and turns but none quite as romantic as touring cinemas.  Essentially this means that the owner of one mounts the film projector on the back of a truck and the projectionist travels the length and breadth of a state with the truck, stops wherever there is a pilgrimage or a mela and projects the films he is carrying onto a white curtain which is then viewed by the locals sitting on both sides of the screen. Dev Benegal has made Road, Movie about one such projectionist (Satish Kaushik) and the young owner (Abhay Deol) and the adventures they have as they show their movies. The film has been very well received on the festival circuit.


Anjaana Anjaani

After playing twelve characters in What’s Your Raashee?, we’re sure Priyanka Chopra has become a stranger to herself, especially after the film tanked. Siddharth Anand, director of Ta Ra Rum Pum and Salaam Namaste, tries a romcom with Anjaana Anjaani. Starring Ranbir Kapoor and Priyanka, the film shows two strangers who fall in love and the journey they take together.


Aisha

Abhay Deol’s love for Delhi continues with his Bollywood release, Aisha where he plays another spoilt, rich Delhi brat. His character is modelled on Mr Knightly from Jane Austen’s novel, Emma. The movie is a romantic comedy that explores horrible mismatches. It also has a strong female role that has been bagged by Sonam Kapoor.  Whether Sonam is strong enough for the film after two failed films (read: Saawariya and    Delhi-6) is another matter.


Khelein hum jee jaan sey

Ashutosh Gowariker is no stranger to large canvasses (think Lagaan, Swades, Jodhaa Akbar) so it’s no surprise that he is now filming another humongous project, Khelein Hum Jee Jaan Sey, which revolves around the Chittagong Uprising in the pre Independence days. After What’s Your Raashee?, this is another film adapted from a book, Do and Die by Manini Chatterjee. Abhishek Bachchan and Deepika Padukone lead the star cast and Nitin Chandrakant Desai leads the crew. Hopefully Ashutosh’s version of history will not be challenged,  the way Jodhaa Akbar was.


Knock out

Inspired’ from the Hollywood masterpiece Phone Booth, Mani Shankar will look to re-create the magic in Bollywood. A man is trapped inside a phone booth, not because the door is stuck, but an assassin has a sniper rifle trained on him.  Kangna plays the role of a journalist, Irrfan plays a cop and Sanjay Dutt the assassin.


I Hate Luv Storys

A true-blue rom-com, I Hate Luv Storys brings together the very glamourous Sonam Kapoor and the man with the melting eyes, Imran Khan. Described as a love story not meant to happen but which does happen, it is the story of a man who does not believe in love and a girl who does. They meet on a film set; a milieu the director Punit Malhotra is very familiar with, having cut his teeth on Karan Johar’s sets as an assistant director; and sparks fly.


1-800-Love

When you have a tag line that says, ‘From the makers of Ghajini and Jaane Tu…’ you know you’re in for a commercial roller-coaster. Abbas Tyrewala dons the director’s hat for 1-800-LOVE again and the music score is Rahman’s handiwork. A telephone call connects two people – one who wants to die, the other who is searching for meaning in life. They meet, fall in love, yada yada… If you are watching the movie and you get bored of John Abraham’s three expression repertoire, close your eyes and maybe the music will do the trick for you.


Tees Maar Khan

Tees Maar Khan has gotten more publicity that it ever dreamed of just because Shah Rukh Khan is not playing a role in Farah Khan’s film. But it does seem like SRK has rubbed off on the new lead actor, Akshay Kumar. Kumar plays a ‘stylish’ (metrosexual) conman in the film. He will be joined by Akshaye Khanna, but the female lead has not yet been confirmed.


Hook Ya Crook

Finally, Bollywood gets a movie that shows hope in combining two things that Indians love best – cinema and cricket. Viraj Pradhan (John Abraham) dreams of being a cricketer but is a repeat offender who gets thrown into a maximum security prison. The jail is a haven for cricket players, but Viraj wants much more, he wants to be part of the men in blue. The film has reportedly roped in Indian cricketers for the movie but going by the ads on TV, the word ‘acting talent’ isn’t part of the Indian cricket team’s vocabulary.


Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

By Joginder Tuteja, December 31, 2009 – 16:43 IST

Yesterday, we went across the B-town and found that 3 Idiots was the unanimous choice when it came to the best that 2009 had to offer. The closest contender was Paa while Avatar led from the front when it came to Hollywood flicks. However, it was quite a divided opinion when it came to the worst of 2009. Quite a few names popped up, some big (Delhi 6, Chandni Chowk To China), some small (Dil Bole Hadippa), some relatively unknown (Videsh – Heaven on Earth, Victory) and a few completely irrelevant (Deshdrohi). There was also an emotional angle involved with a filmmaker or two criticizing their own effort (Sikandar). Read on:

Ramesh TauraniVictory, which came at the beginning of the year, stays on to be the worst film of 2009 for me.

Shirish Kunder Shirish Kunder – (Smiles) Yes, there is one movie which is really the worst for me. Still, I can’t name it since it’s been made by people known to me!

Kalki – Worst of the year was Billu (Barber) because it was just a series of music videos and nothing else.

Sajid Khan Sajid Khan – Worst movie of the year was Delhi 6. Really, I had a lot of expectations from the film but it turned out to be such a disappointing fare.

Hasnain Hyderabadwaala – The worst film of 2009 is Dil Bole Hadippa. Really, what were the makers thinking? Audiences were taken for granted that the protagonist out there won’t be able to differentiate between a girl and a boy despite a different physicality and voice.

Jagmohan Mundhra Jagmohan Mundhra – I have to pick two films here – Chandni Chowk To China and Kambakkht Ishq.

Rituparna Sengupta – There is nothing really which is worst for me because every movie has some effort going in there.

Ruslaan MumtazBlue is the worst movie of the year

Piyush Jha Piyush Jha – Even though I directed it, I believe worst film of the year was Sikandar. That’s because no one saw it and the media totally ignored its significance. Perhaps that happened because Sikandar didn’t have stars/big backers/comic entertainment. Whatever is the reason, the fact is Sikandar was ignored, and that is the real truth.

Sonu Sood Sonu Sood – (Smiles) Even as the entire year is through, I still can’t decide on one worst movie. Maybe I have missed it.

Suneel Darshan – 2009 started with its worst film Chandni Chowk to China It was a ‘directionless’ disaster that disrespected the viewer’s sensibility.

Sadaa – You are asking me about the worst film of the year? You know what; there have been so many that I don’t even care to remember.

Boney Kapoor Boney Kapoor – Preity Zinta’s Videsh – Heaven on Earth was the worst that 2009 had to offer.

Robby Grewal – Worst of the lot would be Deshdrohi (the film had a staggered release across 2008 and 2009)

Ananth Mahadevan – If I pick one WORST FILM of the year, I might just stir up a hornet’s nest. For, another one might cry out that it was more deserving. So let sleeping dogs lie!

Aanand L Rai – For me, the worst movie in 2009 was Delhi 6. It was a very fine concept and from a rock solid director. Still, it failed.

Hansika Motwani Hansika Motwani – I don’t really wish to pick and choose the worst film of the year because for me every movie is good. I know what are the kind of difficulties that we actors go through so it would be wrong on my part to say that this or that movie was bad!

Tusshar Kapoor – Worst of 2009 would be all those films that were released during the strike. Ha ha ha!

Kunal Deshmukh Kunal DeshmukhChandni Chowk To China was the worst film of the year. What a waste of effort. They could have done so much with the film but that was not the case to be.

Raksha Mistry – Isn’t it ironical that the first film which I saw in 2009 stays on to be worst for me? I am talking about Chandni Chowk To China. Maybe I was expecting a lot from the film’s association with Warner Bros. But then it neither had any locations of China nor Chandni Chowk. Worse, it had no story!

BOLLYWOOD HUNGAMA.COM

By Bollywood Hungama News Network, December 31, 2009 – 12:22 IST

Best Film
3 Idiots
Dev D
Kaminey
Love Aaj Kal
Paa

Best Director
Anurag Kashyap – Dev D
Imtiaz Ali – Love Aaj Kal
R Balki – Paa
Rajkumar Hirani – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Actor (Male)
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Ranbir Kapoor – Ajab Prem Ki Ghazab Kahani
Ranbir Kapoor – Rocket Singh – Salesman Of The Year
Saif Ali Khan – Love Aaj Kal
Shahid Kapoor – Kaminey

Best Actor (Female)
Deepika Padukone – Love Aaj Kal
Kareena Kapoor – 3 Idiots
Katrina Kaif – New York
Priyanka Chopra – Kaminey
Priyanka Chopra – What’s Your Raashee?
Vidya Balan – Paa

Best Actor in a Supporting Role (Male)
Abhimanyu Singh – Gulaal
R Madhavan – 3 Idiots
Rishi Kapoor – Love Aaj Kal
Rishi Kapoor – Luck By Chance
Sharman Joshi – 3 Idiots

Best Actor in a Supporting Role (Female)
Arundhati Naag – Paa
Divya Dutta – Delhi-6
Gauhar Khan – Rocket Singh – Salesman Of The Year
Neha Dhupia – Raat Gayi Baat Gayi
Shahana Goswami – Firaaq

Best Actor in a Negative Role
Amole Gupte – Kaminey
Boman Irani – 3 Idiots
Kay Kay Menon – Gulaal
Mahesh Manjrekar – Wanted
Manish Choudhary – Rocket Singh – Salesman Of The Year

Best Actor in a Comic Role
D Santosh – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots
Paresh Rawal – De Dana Dan
Sanjay Mishra – All The Best
Vinay Pathak – Raat Gayi Baat Gayi

Best Background Music
Amit Trivedi – Dev D
Ilaiyaraja – Paa
Salim-Sulaiman – Rocket Singh – Salesman Of The Year
Shantanu Moitra, Atul Raninga, Sanjay Wandrekar – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Music
A R Rahman – Delhi-6
Pritam – Ajab Prem Ki Ghazab Kahani
Pritam – Love Aaj Kal
Pritam – Tum Mile
Vishal Bhardwaj – Kaminey

Best Playback Singer Female
Kavita Seth – Iktara – Wake Up Sid
Rekha Bhardwaj – Genda Phool – Delhi-6
Shreya Ghoshal – Zoobi Doobi – 3 Idiots
Shilpa Rao – Mudi Mudi – Paa
Sunidhi Chauhan – Mere Sang – New York

Best Lyrics
Amitabh Bhattacharya – Emosanal Attyachaar – Dev D
Irshad Kamil – Chor Bazari – Love Aaj Kal
Javed Akhtar – Sapnon Se Bhare Naina – Luck By Chance
Piyush Mishra – Ranaji – Gulaal
Prasoon Joshi – Man Ko Ati Bhavey – London Dreams

Best Story
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Anurag Kashyap, Aparna Malhotra, Raj Singh Chaudhary, Sanjay Maurya – Gulaal
Imtiaz Ali – Love Aaj Kal
Nandita Das, Shuchi Kothari – Firaaq
R Balki – Paa

Best Screenplay
Abhijat Joshi, Rajkumar Hirani, Vidhu Vinod Chopra – 3 Idiots
Anurag Kashyap, Vikramaditya Motwane – Dev D
Imtiaz Ali – Love Aaj Kal
Pankaj Advani – Sankat City
R Balki – Paa

Best Dialogue
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Imtiaz Ali – Love Aaj Kal
Anurag Kashyap, Vikramaditya Motwane – Dev D
R Balki – Paa
Vishal Bhardwaj – Kaminey

Best Editing
Aarti Bajaj – Dev D
Aarti Bajaj – Love Aaj Kal
Anil Naidu – Paa
Meghna Manchanda Sen, Sreekar Prasad – Kaminey
Rajkumar Hirani – 3 Idiots

Best Sound
Bishwadeep Chatterjee, Nihar Ranjan Samel – 3 Idiots
Dileep Subramaniam – Love Aaj Kal
Sanjay Maurya, Allwin Rego – Dev D
Shajith Koyeri, Subhash Sahu, P M Satheesh – Kaminey
Tapas Nayak – Paa

Best Special Effects
Charles Darby – Aladin
Prime Focus Ltd – Blue

Best Cinematography
C.K. Muraleedharan – 3 Idiots
P.C. Sreeram – Paa
Rajeev Ravi – Dev D
Shankar Raman – Frozen
Tassaduq Hussain – Kaminey

Best Art Directon
Acropolis, Rajnish Hedaa, Sumit, Snigdha Basu – 3 Idiots
Sabu Cyril – Aladin
Samir Chanda – Delhi-6
Samir Chanda – Kaminey
Sukanta Panigrahy, Helen Jones – Dev D

Best Choreography
Ahmed Khan – Prem Ki Naiiyya – Ajab Prem Ki Ghazab Kahani
Avit Dias – Aal Izz Well – 3 Idiots
Bosco- Caesar – Zoobi Doobi – 3 Idiots
Prasanna – Marjaani – Billu
Baawre – Vaibhavi Merchant – Luck By Chance

Best Action
James D Bomalick – Blue
Huan-Chiu Ku – Chandni Chowk To China
Shyam Kaushal – Kaminey
Tinu Verma – Acid Factory
Vijayan Master – Wanted

Most Promising Newcomer (Male)
Amole Gupte – Kaminey
Chandan Roy Sanyal – Kaminey
Navin Kaushik – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots

Most Promising Newcomer (Female)
Gauhar Khan – Rocket Singh – Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jesse Randhawa – Gulaal
Kalki Koechlin – Dev D
Mahie Gill – Dev D

Most Promising Debut Director
Ayan Mukerji – Wake Up Sid
Nandita Das – Firaaq
Pankaj Advani – Sankat City
Shivajee Chandrabhushan – Frozen
Zoya Akhtar – Luck By Chance

Best Child Artiste
Jahan Bativala – Little Zizou
Iyanah Bativala – Little Zizou
Rahul Kumar – 3 Idiots
Parzan Dastur- Sikandar
Pratik Katare – Paa

Best Ensemble Cast
Delhi-6
Firaaq
Gulaal
Luck By Chance
Sankat City

BOLLYWOOD HUNGAMA.COM

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

ANY LESSONS LEARNT FROM 2009 MISTAKES?

Overall 2009 was a disappointing period for Bollywood. As what Ak_India mentioned in his DP that only 8% of films succeeded in this year which is very shocking. Many films got a nice opening and were well received by audiences as well as critics. Still, the films were hailed as Flop or Average due to their high costs. And that was one of the biggest reasons behind the debacle of many films. Films like Billu, Delhi-6, Kambakkht Ishq, Kaminey, Wake Up Sid, All The Best, London Dreams, De Dana Dan etc could had been super hits were they not produced and sold for such high prices. The problem of sky-high costs was accelerated by the wrong release time. Due to the producer-multiplex feud, no movies were released in the lucrative April and May period. As a result, as soon as strike ended, films after films started pouring every Friday. Obviously, common man cannot be expected to watch all films that release and thus, many films failed or did low business. For instance, All The Best could had been successful if it had not released with Blue. Aladin would have fared better had it not clashed with London Dreams. Jail would have got lots of audience if it had not released with the super hit Ajab Prem Ki Ghazab Kahani.

Unfortunately, there is no concrete solution for the 2nd problem. Due to the strike, there is still a huge backlog that needs to be cleared and hence, in 2010 too, one might find multiple releases on lots of Fridays. But the cost of the film can definitely be cut down and the best solution is that the actors slash their prices. Why do superstars like Akshay Kumar charge 20+ crores? And why do producers agree to pay them? Biggie actors should not be given more than 8 or 9 crores. And if this upsets them, then they should be paid more but only if their film succeeds at the box office. This kind of arrangement would benefit all. Movies that are made for 40-50 crores at present would be finished in less than 30 crores. Thus, such film will have high chances of recovering their costs too.

Sadly, no one is thinking of enforcing such an alternative. And as the chapter of 2009 closes, we could see multiple releases even in the last week. Today (i.e. last day of 2009), 3 small films are slated to release-Raat Gayi Baat Gayi (RGBG), Accident On Hill Road (AOHR) and Bolo Raam (BR). It is obvious that all 3 of these films are going to flop. If only one film had hit the screens today, it would have chances of profiting. But no film will profit in this rat race. Not to forget, the 3 Idiots craze is still going on. Hence, all these films have dug their own graves by releasing today. RGBG looks like a complete entertainer; AOHR may work if it has a well-written climax. BR may be hard hitting but it will surely have lowest collections. When will these people learn?
——————————-
MOVIES THAT WILL ROCK IN 2010-PART 1

The following are the films that have big stars and have highest chances of succeeding at the box office. 2 of them are listed below and the rest will be discussed next week [lack of space 😦 ]:



MY NAME IS KHAN: A winner for sure! Although the film looks serious, it has managed to arouse curiosity. And anyways, the name of Shah Rukh Khan is enough to make almost everyone sit up and take notice. Kajol being paired opp SRK is like an icing on the cake. Also it has talented actors like Jimmy Shergill which, I don’t think, will be revealed in promos till the flick releases on Feb 12. The first look of the film made people assume that it’s based on terrorism. However, it’s not! To quote SRK, “It’s a love story with an epic feel(Bombay Times). MNIK is thus expected to work not only in India but overseas too.

RAAVAN/RAVANA: Mark my words; this one would rock big big time! Unfortunately, when Bolly websites are discussing 2010 biggies, they aren’t mentioning this flick. There are many reasons as to why this film is special. Firstly, it is directed by talented-creative Mani Ratnam who never goes wrong. Secondly, it’s a present day version of Ramayana. And thirdly and the best part, the star cast and the characters that they play are just out of this world! Aishwarya Rai Bachchan plays Sita but Abhishek Bachchan isnt playing Rama! Instead, he’s Raavan in the film, i.e. the villain! Southern actor Vikram is Rama! Guess who plays Hanuman? None other than apna Govinda! Just imagine-Govinda in Mani’s film! Cool isnt it? Nikhil Dwivedi and Southern beauty Priyamani completes the main cast. The film is bi-lingual-it was shot in Tamil too but with slight change of cast. Vikram who plays Rama in Hindi version is Raavan in the Tamil version (hats off!). Prithviraj Sukumaran instead is Rama in Tamil version! Aishwariya Rai is acting in both the versions! The film is expected to release in May. Make sure you don’t miss it at any cost!

TO BE CONTINUED NEXT THURSDAY!

(AND WISHING EVERYONE A VERY HAPPY NEW YEAR!)

This post first appeared on MouthShut.com: http://www.mouthshut.com/diary/hdbhmtlmp/Fenils-Bollywood-Talk81

IT’S TIME TO REJOICE!

Although 2009 is considered as a black year for Bollywood, the last 3 ½ months have proved to be profitable not only for producers, distributors and exhibitors but also for viewers. There were at least half a dozen commercially successful films like Wanted, Wake Up Sid, All The Best, Ajab Prem Ki Ghazab Kahani, De Dana Dan and Paa. Also, flops like Dil Bole Hadippa, What’s Your Raashee?, Do Knot Disturb, Blue, London Dreams, Tum Mile, Kurbaan etc did manage to bring audiences to theatres in its first 3 days of release. Also, we got two Hollywood blockbusters, 2012 and Avatar. And tomorrow’s release 3 Idiots is expected to be the biggest hit of 2009. This Aamir Khan flick is been given one of the widest releases. If all turns out to be well, 3 Idiots may become the biggest blockbuster ever, breaking even Ghajini’s record (which at present is the biggest Bollywood hit).

People are coming to theatres. So many movies are running successfully. Unfortunately, no is celebrating it and no trade analyst is coming forward to discuss about it. Ironically, during bad times, every producers, distributor and trade pundits will come forward and state as to ‘how our industry is going through a crisis’. Somehow, we have become more negative in our approach. We love to live in bad times! Come on guys, pop the champagne and enjoy the good time!

TICKET RATES INCREASED FOR 3 IDIOTS


Watching 3 Idiots shall turn out to be an expensive affair. Knowing that people are going to come for sure to watch this Aamir Khan flick, Vidhu Vinod Chopra and the distributors of the film have urged multiplexes and single screens across the country to increase the ticket rates for 3 Idiots. Even morning shows which had a meager price of Rs 60 or 80 is now sold for 160 or 180 and even 200 bucks. A prominent multiplex in South Mumbai (Inox, Nariman Point) takes away the cake by charging Rs 290 for the 11:30 am show! And for the evening and night shows, the least said, the better!

Surprisingly, hardly any Bollywood intellectuals have spoken against this unfair practice. All of them are concerned only with the problem of piracy. Why? Because it concerns them-they face huge losses because of pirated DVDs. And they don’t need to care for the inflated ticket prices since they can either afford it or they get to see films free of cost in preview screenings!

But all of them have failed to see the point that one of the biggest reasons for piracy is the expensive ticket rates. Reducing the ticket prices will automatically reduce piracy to a certain extent. But instead of applying this idea, ticket rates are increasing, thus giving a boost to piracy. Producers and distributors are only concerned with extracting maximum profits. And when viewers shun theatres due to high prices, they will again come up with ‘industry going through crisis’ stuff when the fact is that they only created the situation in the first place! Very very sad!

This post first appeared on MouthShut.com: http://www.mouthshut.com/diary/chfdltslp/Fenils-Bollywood-Talk80

Meena Iyer | TNN (THE TIMES OF INDIA; December 9, 2009)

Mumbai: Bollywood satellite prices—the parallel revenue stream for film-makers—that slumped in October 2008, have started to soar.
Akshay Kumar’s Chandni Chowk to China was reportedly sold for Rs 5 crore. In the following 12 months, Bollywood was down in the dumps because satellite channels, crippled by the economic situation, virtually stopped buying the telecast rights of blockbusters. “Some of them syndicated content but, the satellite funds had dried up,’’ said trade consultant Amod Mehra.
However now, the revenue stream is witnessing a 360-degress turn as is evident from a report from the Bolywood’s inner circles that says the satellite rights of Paa and De Dana Dan have been sold for Rs 10 crore and Rs 12 cr. Mehra says, “The excitement created by Amitabh Bachchan’s Paa and Akshay Kumar’s De Dana Dan is palpable.’’
According to a source, the rates started improving with Boney Kapoor’s Eid release, Wanted; in fact, the market was never hotter than it was 14 months ago. Though Kapoor declined to reveal the amount, a source said Star TV had supposedly paid him Rs 13 crore for the satellite rights of the Salman-Khan starrer. Kapoor cautiously says, “Look, the market is on the rise. I have always had a good relationship with Star and I can tell you that Wanted has got a handsome price. But, I’m not at liberty to reveal the exact amount.’’ News has come in that a channel reportedly paid Rs 9 crore to premiere Diwali-release Blue six weeks after its theatre release.
Sources have also given rough estimates of how the Ranbir Kapoor-Katrina Kaif hit comedy Ajab Prem Ki Ghazab Kahani has allegedly fetched producer Ramesh Taurani Rs 12 crore; Ajay Devgan’s Diwali release, All the Best, was reportedly picked up for Rs 9 crore.


  • animales perdidos en granada: En esta imagen van a ver en detalle los niveles de la Deep Web (que es más profunda de lo que algunos pueden pensar). http://cheerfuldepicti57.blox
  • Phen375 Weight Loss: Lots of useful information as well as terrific write-up too. I have currently subscribed to your blog site combined with I am bookmarking it for fu
  • mojecyfrowe.pl: Current research has shown that a sedentary lifestyle could be very bad in your health.