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A jittery Shahid Kapoor forces Ken Ghosh to chop a steamy kissing scene with Genelia

By Kunal M Shah (MUMBAI MIRROR; January 05, 2010)


It was a lip lock that was just becoming a major talking point for the upcoming Shahid Kapoor-Genelia D’Souza starrer Chance Pe Dance, but now the scene has been chopped off completely. And don’t blame the Censor Board, it’s Shahid himself playing moral police.

Apparently the actor developed cold feet when he saw the scene because he was certain that the scene wouldn’t go down well with the legion of kids who comprise a major portion of his fan base.

Chance Pe Dance

A source close to the development confirms, “Yes, there was a kissing scene in the film along with a love-making scene. However Shahid thought that it wouldn’t be good for his image with the kids. He also felt it would put off people from coming to the cinema hall with their kids, and he did not want that to happen. So he spoke to Ken Ghosh (the director) and insisted the scene be removed from the film. Though Ken wasn’t very keen about the idea since the shot had taken a lot of effort, he finally understood Shahid’s point of view — even Ken loved the idea of the film not having an A certificate. The scene has been removed.”

When contacted, Ken didn’t seem to be complaining at all. “My film is for teenagers, for children and for families. It’s a wholesome entertainer with humour, emotional moments and lots of fun. It’s got great music and fantastic dancing — and it’s got a U certificate. Need I say more?”

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Badly Burnt In Year Gone By, Industry Looks To Strong Content

Bharati Dubey | TNN (THE TIMES OF INDIA; January 3, 2010)


Pursue excellence and success will pursue you,’’ was what Aamir Khan’s character philosophised in 3 Idiots. But when the lights dimmed and audiences sat down after the National Anthem, what greeted them on screens for most part of the year was average, even poor fare, making 2009 the annus horribilis of the first decade of the 21st century. More than 200 films, with Rs 1500 crore at stake, released last year but almost Rs 1000 crore sank in the sea of mediocrity without a bubble, the sharks-andsexy bikini Blue leading the pack.
Added to it was the multiplex strike which cost around Rs 350 crore, upset release dates forcing films to share Fridays and dent each others’ collections. A multiplex source said, “Cannibalisation caused by big films’ release dates clashing could have been avoided.’’


The year began with Chandni Chowk To China that lost 50% of its Rs 65-crore budget. And marketing blitzkreigs couldn’t save a Blue and Kambakkht Ishq and the audience clearly showed content was king with surprise hits like DevD, New York, WaKe Up Sid and Ajab Prem ki Gajab Kahani. DevD made Rs 6 crore, collected Rs 25 crore at the box office while its ancillary rights made another Rs 5 crore and there are still more satellite runs to be sold. Trade experts also put films like Love Aaj Kal, Ajab Prem ki Gajab Kahani, Wanted among the certified hits, followed by profitable films like Paa, All The Best, De Dana Dan and Raaz 2.


But Bollywood’s loss was Hollywood’s gain, with films like 2012 and Avatar (that collected a whopping Rs 50 crore so far) filling the void for good entertainment.


It was left to And Aamir Khan to play Santa Claus third year in a row, with 3 Idiots the biggest hit of the year. It grossed a phenomenal Rs 100 crore in India in the first four days, and Rs 175 crore worldwide till December 31, even denting into collections of Avatar. Trade analyst Amod Mehra said, “What Ghajini collected in a week, this film has done in three days.


Corporates didn’t really have a great year in 2009 and after the bloodbath in the first half of the year, most of them avoided buying films outright, with even 3 Idiots being released on commission.


Thus 2010 dawns to vastly altered realities — purse strings have tightened by cautious corporates; big banners are no guarantee for success and may dish out big turkeys instead; marketing and stars don’t sell, a good story does; and the days of astronomical fees are over.


“Audiences are very smart, the content ultimately will guide their choices and approval. Marketing and hype will only work if content supports that hype. We may not have a Blue this year but projects like Veer and Prince are costly and prima facie look difficult in terms of recoveries,’’ says a trade expert.


So when Akshay Kumar, blamed for soaring star prices, announced towards the end of 2009 that he would not charge any fee for Farah Khan’s Tees Maar Khaan, it was a lifeline for the industry that had almost gone into the ICU.


Says Amod Mehra, “It is not that people did not come to watch Akshay Kumar films in 2009, it is just that the budgets of the films were so high and his remuneration was almost 40% of those budgets, so recoveries were not possible despite a good opening. But now that the actors are looking at sharing profit with the producer after the cost of the film has been recovered like in the case of Aamir Khan’s 3 Idiots then it will be fair enough. Cutting down of star prices will definitely reduce the budget of films and they will become viable and that is definitely going to be the trend in 2010.”


The year thankfully doesnt have a Rs 100-crore Blue in its line-up. Last year most production houses scrapped films as star prices were not viable. In fact, it is learnt Saif Ali Khan is reworking the budget of his next film Agent Vinod starring Kareena and himself. In fact, 2010 is short on mega projects as budget constraints ensured very few got on the floors in 2009.


The first biggie of 2010 will be Veer,
followed by Rann, My Name is Khan, Action Replay, Kites and House Full in the first half of the year. The second half of the year would have Sanjay Leela Bhansali’s Guzarish and Patiala House.


The action in 2010 seems definitely more in mid-size and multiplex projects that would have strong and clutterbreaking content. “There are a lot of films this year that may not topline the Khans or Hrithik Roshan but still have a decent line-up of names and would be thematically different. Tight budgets and good content seem to be the mantra in the decision making corridors of Bollywood. Each company is carefully evaluating its options and are not getting carried away,’’ says Priti Shahni of Indian Films. Corporates, for instance, have decided to take films only on commission, and not buy them outright.


Shahid Kapoor’s Chance Pe Dance, Striker starring Rang De Basanti’s Siddharth, Aamir Khan Productions’ Peepli Live, Vishal Bharadwaj’s Ishqiya would release in the first half of 2010.


Generation-next too would be making its presence felt with Ranbir Kapoor in Anjana Anjani and Rajneeti, Imran Khan in I Hate Love Stories, Sonam Kapoor in Ayesha, and Deepika Padukone in House Full.


As the record breaking run of 3 Idiots that has spilled over to 2010 has shown, great content along with great pre-release buzz make the perfect mix.


2010: Coming Soon
RAJNEETI (Naseeruddin Shah, Nana Patekar, Ajay Devgn, Katrina Kaif and Ranbir Kapoor) BUDGET: 50 cr


DHOBI GHAT (Aamir Khan, Prateik Babbar) BUDGET: 15 cr


RAAVANA (Abhishek Bachchan, Aishwarya Rai Bachchan) BUDGET: 50 cr


TEEN PATTI (Amitabh Bachchan, Sir Ben Kingsley) BUDGET: 35 cr


VEER (Salman Khan, Zarine Khan) BUDGET: 50 cr


RANN (Amitabh Bachchan) BUDGET: 25 cr


ISHQIYA (Vidya Balan, Naseeruddin Shah, Arshad Warsi) BUDGET: 20 cr


MY NAME IS KHAN (Shah Rukh Khan, Kajol) BUDGET: 50 cr


KITES (Hrithik Roshan, Barbara Mori) BUDGET: 50 cr


ACTION REPLAY (Akshay Kumar, Aishwarya Rai) | BUDGET: 35 cr


GUZAARISH (Hrithik Roshan, Aishwarya Rai Bachchan) BUDGET: 50 cr


ANJAANA ANJAANI (Ranbir Kapoor, Priyanka Chopra) BUDGET: 40 cr


AGENT VINOD (Saif Ali Khan, Kareena Kapoor) BUDGET: 40 cr

Figures are an approximate estimation

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December 29, 2009 12:38:18 PM IST

Bollywood Trade News Network

download CHANCE PE DANCE wallpapers
CHANCE PE DANCE

Backed by the success of 3 of the genre defining blockbusters of 2009 – KAMINEY, WAKE UP SID and DEV.D, UTV Motion Pictures announced an aggressive line up of 4 films for the period of January – March 2010.

The slate for 2010 kicks off with CHANCE PE DANCE, which has been directed by Ken Ghosh and stars Shahid Kapoor, as the talented and passionate Sameer with a never-say-die attitude and Genelia, as a beautiful and spirited choreographer, Tina. The film will have a worldwide release on 15th January.

HARISHCHANDRACHI FACTORY, India’s official entry to the Oscars this year, will hit the screens on 22nd January. This acclaimed Marathi film directed by Paresh Mokashi is a UTV production, co-produced with Paprika Media and Mayasabha. The film has also been screened for the BAFTA and Golden Globe juries, apart from various other film festivals.

PETER GAYA KAAM SE, a fast-paced action adventure movie with a romantic twist, is directed by John Owen. Starring Rajeev Khandelwal and Lekha Washington, this film is about Peter, a football crazy motorcycle taxi rider, who decides to turn his back on Goa and quit his job – until his sleazy loan shark boss Bosco persuades him to do one last job – the job that will change his life forever. The film is scheduled for a March 2010 release.

PAAN SINGH TOMAR, the true epic journey of a talented runner who turned into a rebel, has been directed by Tigmanshu Dhulia. It stars Irrfan Khan and Mahie Gill, and will be released in March 2010.

Siddharth Roy Kapur, CEO, UTV Motion Pictures said, “While 2009 has been a low year for the film industry in general, we released some interesting films which etched themselves in the minds of the audience. DEV.D, KAMINEY and WAKE UP SID created new benchmarks for what can now be perceived as commercial cinema. Our slate for 2010 promises to be a very entertaining mix and we are very excited to be bringing audiences such a wide array of interesting cinema.”

The much-anticipated releases by UTV in 2010 include Prakash Jha’s RAAJNEETI, Sanjay Leela Bhansali’s GUZAARISH, Anees Bazmee’s THANK YOU, Rajkumar Gupta’s NO ONE KILLED JESSICA, Vishal Bhardwaj’s EK BATAA SAAT, Aamir Khan Productions’ DELHI BELLY and PEEPLI LIVE.

GLAMSHAM.COM

GEARING UP: Shahid Kapoor and (below) Tom Cruise in Top Gun

Shahid to play Tom Cruise’s role from 1986 Hollywood hit in father Pankaj Kapoor’s directorial debut

SUBHASH K JHA Times News Network (BOMBAY TIMES; December 30, 2009)

Shahid Kapoor, as Tom Cruise did in 1986 with Top Gun, is all set to wear a uniform and take to the skies in Mausam — his father Pankaj Kapoor’s directorial debut. Pankaj, who felt Shahid needs a change of image after playing roles like an aimless student in Ishq Vishq, a gangster-social activist in Kaminey, a struggling dancer in Chance Pe Dance and an entrepreneur before that in Jab We Met and Vivah, decided a uniformed soldier’s role would give his son a mature man’s image.
According to a source, the uniform has virtually been written into the script. Pankaj first toyed with the idea of making Shahid an Army officer. Then it was decided to cast him as an Air Force pilot. The last real big star to play an Air Force pilot in Hindi cinema was Rajesh Khanna in Shakti Samanta’s 1969 hit Aradhana, which itself was a copy of the 1946 Hollywood film To Each His Own.
Shahid’s role is being modelled on the lines of Tom Cruise’s from Top Gun, in which the actor played a Navy pilot training in the US Navy Fighter Weapons School known in the Pentagon as ‘Topgun’. The film was a super hit and had great music and songs apart from scintillating dogfights in mid-air and other action.
Shahid is taking the film seriously and has decided to train for the role after the release of Chance Pe Dance. Permission is being sought to make the film at the Air Force Academy in Dindigul, outside Hyderabad, much in the manner Top Gun was actually shot at the US Navy school in Miramar, California.

By Subhash K. Jha, December 28, 2009 – 13:03 IST

Click above for more movie stills

Why did Genelia D’Souza rush to meet her director Ken Ghosh at midnight on Christmas Day when her family waited for her at home for the festivities?

At midnight on Thursday when Christmas day started, Ken Ghosh finished editing and post-production of Chance Pe Dance and was feeling like sharing the moment with his lead pair. Shahid Kapoor however, was unavailable. Genelia, Ken thought, would be busy celebrating Christmas with her family.

Says Ken, “Even I was supposed to be back home with my wife and kids for Christmas opening gifts (I love doing that). But since it was the final day of post-production, I had no way of avoiding work even on Christmas. I really wanted to share that moment with my actors.”

On an impulse Ken called up Genelia. “And guess what? She agreed to come down to Pixion in Bandra where I was editing straight from midnight mass which was in a Church nearby. I never thought she’d do this, what with Christmas being an important day in her home. But she did. But then Genelia has been hand-on with this project, almost like a part of the production team.”

Genelia’s enthusiasm for the editing and post-production of Chance Pe Dance was due to her proximity to the project, in more way than one. Explains Ken, “Genelia lives down the road from Pixion where we edited Chance Pe Dance. And her gym is in the same building as Pixion. So throughout the editing and post-production Genelia has been dropping in. But on Christmas midnight she outdid herself.”

Genelia rushed to the editing studio after midnight mass, saw the complete film and rushed home to join the family for Christmas. Says Ken emotionally, “Before she left she gave me the best Christmas gift ever. A big hug. Throughout the shooting of Chance Pe Dance she has been our sunshine girl. So much so that when she wasn’t on the sets, all of us would actually get depressed and perk up the minute she came back.”

BOLLYWOOD HUNGAMA.COM

After six long years of work, Shahid takes his first holiday with his childhood friend, Shriram

By Sonal Chawla (MUMBAI MIRROR; December 28, 2009)


After six long years of hard work, Shahid Kapoor is now taking a much need break. He is flying off to Goa today with his childhood friends to celebrate the New Year and spend some leisure time.

Shahid’s best friend Shriram, who he is meeting after years, is also joining the actor for this holiday. A source close to the actor says, “Shahid has been shooting back to back for the past few years. He had no break between films. After Jab We Met, he went into Kismat Konnection followed by Kaminey, Yash Raj’s untitled and now he is finishing the patchwork of Chance pe Dance. Kaminey especially, was a tiring film to shoot.

The source continues, “Now that all the pending work of his films is over, along with his prior commitments, the actor is taking a much needed break. This will be his first holiday in the past six years. He is off to Goa with his childhood friends and will celebrate the New Year with them. It is a complete boy’s holiday and he is going to unwind and relax to the fullest. The all-boys-gang will stay in a hotel in North Goa, one of the liveliest places in the month of December. The hotel has a private beach where he will have some privacy and might indulge in some water sports too. The actor is not into gambling, but being out with his friends on a holiday, he might just join them.”

The source adds some details, “Shahid wants a quiet and relaxing holiday and will disconnect himself completely from his work. He has already informed his directors and producers that he won’t be available for those days. He returns on January 1, but will only resume work on January 4.”

Shahid’s publicist confirms, “Shahid is going for his first holiday in six years with his school friends, including his best friend Shriram. They will be celebrating New Year in Goa.”

(Pic: Deepak Turbhekar)
Ken Ghosh wanted to increase the budget of Chance pe Dance after Jiah Khan was dropped from the film, but the producers flatly refused

By Kunal M Shah (MUMBAI MIRROR; December 26, 2009)


The release of UTV’s next venture, Chance pe Dance, is just around the corner. But it seems that all is not well between the producers and the director, Ken Ghosh. Apparently, after the infamous Jiah Khan episode where Genelia D’Souza replaced her, Ken wanted to increase the budget of the film from Rs 20 crores to Rs 24 crores.

However, UTV stuck to their guns and told him flatly that under no circumstances can he increase the budget. Ken had no option but to shoot the film with the allotted budget.

A source said, “Ken has not made a film in the past few years, so he wanted to make an extravagant film now. However, after the entire Jiah Khan episode, the budget went haywire, but UTV firmly refused more money, saying that a film with Shahid and Genelia cannot exceed 20 crores for it to be a saleable project.”

A source close to the production house said, “The budget of the film is Rs 20 crores and despite whatever pressures we had from the line producers, we made sure that the budget does not exceed the sum. There were issues during the making of the movie but we were firm about not going beyond the budget to make it a saleable proposition.”

Ken Ghosh had a different story to tell. He informed us, “It’s the opposite. We finished the film within the given budget. In fact, the last installment was returned to the producers and there were no issues at all.”