Fenil and Bollywood

Posts Tagged ‘Company

SURPRISE: Astrologers visiting Ajay Devgn and Konkona SenSharma in their house predict the arrival of an unexpected atithi on February 26, 2010. Coincidentally, their film Atithi Tum Kab Jaoge? will be releasing on the same day

A comedy that will warm the cockles of your heart is Ashwini Dhir’s promise for 2010
MEENA IYER Times News Network (BOMBAY TIMES; December 27, 2009)
Life is a party and some people live it up better than others.
In the spirit of fun and cheer, Ashwini Dhir wrapped up 2010’s heartwarming, slice-of-life flick Atithi Tum Kab Jaoge? in a 45-day schedule in and around Mumbai. Ashwini believes whatever the season, comedies are always welcome.
“Everyone wants a few laughs from time to time,’’ he reasons.
Starring Ajay Devgn, Konkona SenSharma and Paresh Rawal, Atithi Tum Kab Jaoge? is a light-hearted film based on a couple (Ajay and Konkona) who end up with an unexpected ‘atithi’ (Paresh Rawal) at their home.
Talking about the film, lead actor Ajay says, “The idea of having atithi come over is really exciting, but it can turn into a nightmare if the guest refuses to leave! The premise of the film is something that all of us must have experienced sometime or the other and the film will bring back those funny memories!”
Konkona adds, “Having lived alone in Mumbai for a long time, I’ve always enjoyed the company of atithi. They come as a breath of fresh air and spread cheer. Like Ajay says the subject is something everyone will identify with. So in a way, Atithi… is a film that will find an instant connect with its audiences”.
Produced by Warner Bros. Pictures and Wide Frame Films, Atithi… has Amita Pathak, daughter of Kumar Mangat, taking over the reins as a firsttime producer. The music score is by Pritam, choreography by Raju Khan, while the lyrics have been penned by Irshad Kamil. The film is slated to release on February 26, 2010.
Katrina Kaif fights loneliness pangs by asking her mother to stay with her in Mumbai

By Subhash K Jha (MUMBAI MIRROR; December 03, 2009)


After a spate of hits, Katrina Kaif may be riding high on her career front but that is in no way a compensation for leading a lonely life without family in Mumbai. Considering that the Mumbai film industry can get awfully cold for an out-of-town girl and the constant work-related travel in recent times, Katrina had begun to feel the absence of a strong support system in Mumbai.

Living alone also took its toll on her health when last month the actress was diagnosed with jaundice and a low hemoglobin count.

A close friend of the actress said, “To be  alone in Mumbai where no one asks about your health seriously and neighbours don’t even know your name, is bad enough. But for a celebrity like Katrina it’s even worse. People around her presumed she wanted to be left alone when in fact she needed comfort and company during her illness.”

That’s when Katrina made up her mind to call her mother Suzanne Turquotte to Mumbai to be with her. “It wasn’t an overnight decision. She didn’t want to pull her mother away from her social work in Chennai, but being alone was getting to Katrina. Being successful is fine but unlike other actresses her age, she had no one to return home to,” added the friend.

Earlier this week, Katrina’s mom joined the actress in Mumbai. The change in her mood, attitude and lifestyle was almost immediate. She’s now eating well and runs off to work every morning knowing someone is waiting for her back home. “Yeah, my mom is with me,” said Katrina happily from the Mumbai airport yesterday morning before she headed to Dubai for a brief appearance at a live performance. “If I feel strong enough to make this trip, it’s because my mother is at home. I know I have her to go back to. I admit it can get terribly lonely in Mumbai.”

The actor is getting appreciated for his role in Kurbaan

By TNN (BOMBAY TIMES; November 30, 2009)


A few days back, Vivek Oberoi was woken up at 6 in the morning with an SMS. It was a text message from his Kurbaan co-star Saif Ali Khan, praising Vivek Oberoi him for his work in the film.

“I’ve craved for this kind of appreciation,” admits Vivek candidly, “I wanted people to see me for my work and not have a coloured perspective because of whatever’s transpired in the past.”

The actor’s gone through his share of trouble, both personally and professionally. “One thing I’ve learnt is that it’s easier to deal with failure than to deal with success. If you don’t know what to do with success, then you lose the plot. Success had gone to my head. I was surrounded by people who kept pushing me in the wrong direction and I kept going there, and when it finally hit me, I was like, how did this happen?

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Those four-five years were just a blur, then to understand and recover from that took time,” he says, wisened from the experience.

But yes, there were times when he was completely down in the dumps too. “There was a time when I felt that everything I did was going to backfire. It was difficult to keep my sense of reason or humour at a time like that. One day, I was really upset and my mom asked me what’s wrong. I said I just feel completely lost — there was so much professional and personal upheaval. Then she pulled out a copy of one of my first interviews during Company and said ‘start here’. I read that and realised this is what I was,” he recounts.

The journey to recover started with Vishal Bhardwaj’s Omkara and life seems to have taken a turn for the better since then. His performance in Kurbaan has been appreciated and the actor’s looking forward to Prince — It’s Showtime, where he plays a slick, stylish thief and his mentor Ram Gopal Varma’s Rakta Charitra.

Vivek realises he has been given a second lease in his career. “I think in my seven years, something I have realised pretty late is the value of opportunity. What stands between me and a lot of talented actors is a platform that Mr Varma gave me, and the second time around, I got it with Kurbaan. Then I’ve got Kumar Taurani backing me with a big film and it’s a dream to be working with my mentor Ramu again,” he says.

The smile on his face says it all when he adds, “I’ve realised the whole idea of carrying grudges, negativity, anger, hatred and enmity just bogs you down. I’m at peace now. When I started out, it was more of a high, right now, I’m humbled.” So Vivek’s finally grown up? He’s quick to answer, “I’ve a better understanding of who I am now.” That’s more than what most would say.

Vivek Oberoi on love, life and a fresh innings in Bollywood

By Kunal M Shah (MUMBAI MIRROR; November 27, 2009)


• You have got some good reviews for your role in Kurbaan.

Yes. I have not stopped smiling since the film’s release. At one of the trials, Bebo (Kareena Kapoor) and Saif (Ali Khan) did tell me that I was good in the film. Then Karan (Johar) and Rensil (D’Silva)also told me the same thing. I had not seen the film till then as I was shooting in Hyderabad. It was a nice feeling when Karan told me ‘finally you make me proud.’ I saw the film just a day before its release and I had knots in my stomach. I was very nervous but I was with people who have always been kind to me. There were Shah Rukh and Gauri, Imran and his fiancée Avantika, Yash uncle, Davidji (Dhawan). They all hugged me and said I was good.

• Why have you not done a romantic film after Saathiya?

Honestly, I really don’t know. Kurbaan has got a romantic track but Mission Istanbul and Shootout At Lokhandwala had zero romance. I have not done an out-and-out romantic film and I am really looking forward to doing one.

• People are saying that you have changed and that you want to leave the controversies behind and concentrate only on your work.

I wanted this for a really long time. However, after Shootout… things did not fall in place. Almost four years ago, when I did Omkara, I saw Saif getting under the skin of the character Langda Tyagi. I loved the work ethics. That’s when I thought that I should stop doing what I was doing, but I had a backlog to finish. Then my close friend Amit Chandra sat me down and helped me streamline my life so that I could practically achieve what I was trying to. Now, I have learnt not to take anything for granted.

• How did Ramu and you patch up?

I don’t think patch up is the right word as we were never at loggerheads. I will never have the audacity to say anything against Ramu and as an artiste, I will always be indebted to him for giving me Company. But when he called me and told me ‘I will never work with you again’, I was shocked. Now, when he called me and said that he had something for me, I was so happy. When I met him, he said that he could see the same passion in my eyes again and gave me Rakta Charitra. I felt exactly the same on the first day of Rakta Charitra that I felt on the first day on the sets of Company. Ramu made me feel so comfortable.

• You have done some amazing stunts in Prince, something which you are not known for.

Yes. Kookie Gulati is quite a whiz kid. I did so many things that I cannot possibly explain — right from learning how to skateboard, doing parkour, learning cable work, to action training. I had to put so many things into my system that after the training session, things became easier.

• You have said that you are done with apologising to people.

I made a mistake and it is human to make mistakes. Personally, I think it’s humbling and it’s also building character to stand up and say I made a mistake and please forgive me. It is always an ego-based thing to say that why should I apologise. It is a real man who can say ‘I am sorry’ and that too in public. I have said sorry to the assistant director whom I was rude to, I have said sorry to the movie star whom I had a fight with and I even said sorry to the director I snapped at.

WHAT A MATCH: Priyanka Chopra and Mohanlal

TIMES NEWS NETWORK (BOMBAY TIMES; November 11, 2009)

How would Malayalam cinema’s God-like superstar Mohanlal Vishwanathan Nair look as Priyanka Chopra’s husband on screen? He’s 50, big, roly-poly and as Malayali as aapam and ishtew; she’s 27, super-sexy and essentially a Bollywood hottie. But filmmaker Vishal Bhardwaj, India’s Quentin Tarantino, in his wisdom has cased the two of them together in his ambitious film Seven.
That Priyanka will have seven husbands in Seven, is known, but news of Mohanlal being one of them comes as a surprise.
A source from Vishal’s office admitted that the Bollywood filmmaker had cast the Malayalam actor in such a role. And, to do so, Vishal had to spend two days in Kerala chasing Mohanlal whose fan following there is legion. The Southie heavyweight, who was seen in Bollywood in Ram Gopal Varma’s Company and Aag, finally approved of Vishal’s script. Now the filmmaker is left with the task of casting six more heroes all of who will be wedded in his film to the gorgeous Priyanka. But, after signing on Mohanlal — a four-time National Award winner — that should be easy for Vishal.
-Meena Iyer
LAUGHING ALL THE WAY TO THE BANK: Bollywood hit producer Boney Kapoor prepares for his next blockbuster,
Milenge Milenge, starring Kareena Kapoor and Shahid Kapoor

Boney Kapoor is buoyed by the success of Wanted and the future prospects of the last Kareena-Shahid film together

MARK MANUEL Times News Network (BOMBAY TIMES; November 9, 2009)

Boney Kapoor is maha excited. Not over Wanted, his September blockbuster that got close to Rs 40 crore billing, but by his January release Milenge Milenge — which is the last time you will see Kareena Kapoor and Shahid Kapoor romantically paired on screen. I don’t have to tell you the film’s been in the making for a while, but Boney is confident it will be successful. “I can feel it in my bones,” he said emphatically, “why should it not work, it’s a good love story, it’s got fantastic music.” But what about the chemistry between Kareena and Shahid, I asked. “That’s there,” Boney declared, “besides, once the lights are off in the theatre, you forget whether they are a couple or not, and they become characters.”
He’s been a major player in Bollywood for 33 years now, and has always been big on ideas, and bigger on executing them. Which accounts for some 30 successes over the 80s, 90s and so far into the 2000s. Now he rattled off their names to me not in any order but as they came to mind. “There was Judaai in 1997 with Anil Kapoor and Sridevi which was a major hit but not a blockbuster,” he began, “Company, Pukar in 2000 — that won the National Award, and Loafer which was very successful, also Run in 2004… Abhishek Bachchan’s cleansing began with this film, and Sirf Tum in which Sushmita Sen had the superhit song Dilbar… then No Entry, the biggest commercial success of 2005, and Wanted now, which I would rate as one of the Top 10 films of all time. It’s still running! And it’s a case study to the business that has evolved now. When people talk of a film raking in Rs 200 crore… that’s a western concept to lure eyeballs. What you get in hand is what matters. I gave you the Indian boxoffice figures for Wanted. The overseas, satellite, home video/audio, branding rights are separate.”
He’s had some lemons at the box office as well, films like Roop Ki Rani Choron Ka Raja in 1993 that I wasn’t reminding him about. However, Boney said on his own, “I’m a complete hands-on filmmaker, I’ve been through it all, I’ve done so many films, and several for my brothers Anil and Sanjay too, that I’ve got to know the complete and detailed aspects of filmmaking and distribution. With today’s invasion of corporates, the role of the producer is not underlined, there’s just a mad rush to put the package together. That’s why you’ve seen so many packages falling like nine pins! The control of the project is the engine… and it’s important to have a producer driving it with passion. Yes, the corporates brought in discipline where the business of filmmaking is concerned, and they streamlined the revenue mode, but they took away the passion.” That Boney has passion, there is no doubt. “I’ve been through the highs and lows, I’ve had a fractured financial status, but even then… if I can still churn out a blockbuster, what magic might I have done with a complete back-up,” he asked. The answer to that, perhaps, is in the films his production house BSK Network and Entertainment Pvt. Ltd. is making. I’ve already told you about Milenge Milenge. Then there’s the Anees Bazmee directed It’s My Life with Genelia, Harman Baweja and Nana Patekar, a remake of the successful South Indian film Bombraillu in Telugu and Santosh Subramaniam in Tamil. Isn’t Hurman bad news in Bollywood, I asked. “Wasn’t Amitabh bad news until Zanjeer,” Boney shot back. And he’s got three more films in mind for which Boney Kapoor can already hear the cash tills at the box office ringing. They are all sequels. “I’m starting Mr. India 2 — Be Positive,
there’s a strong possibility of Anil and Sridevi being the
lead pair, plus a new, young couple, and somebody big playing the major and unusual role of the villain. Then I’ve got a fix for No Entry 2. And somebody suggested a good idea for Most Wanted. Everything depends on the viability of the projects and availability of the main crew. I’m a strong believer in the need for a good support system. My cast is always according to the need of the film. What works is not a package, but the product.”

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Parinda, Satya, Vaastav, Company and Gangster-these are handful of Hindi films which were based on the mafia/gangster menace and also very well executed. Now Baabarr should be added to this list of ‘finest gangster films of Bollywood’! The film is violent, gory and raw but at the same time, it’s thoroughly engrossing packed with award-winning performances and amazing execution! It was a must-watch but unfortunately, was missed by many!

The story of the movie: The film is based in Amarganj, the Uttar Pradesh town where criminal incidents occur daily and has become a part and parcel of the residents. In one of its dingy lanes, Baabarr (Sohum Shah) emerges as a ruthless gangster. Working with his 5 brothers, Baabarr runs an extortion racket and doesn’t think twice before killing. The govt entrusts the task of eliminating Baabarr and his gang and all their activities to S P Dwivedi (Mithun Chakraborthy). How Dwivedi, along with corrupted Daroga (Om Puri) go about doing their duty is what follows next in the film.

Director Ashuu Trikha may not accept, but the truth is that Baabaar, undoubtedly, is based on dreaded UP gangster, Rafiq Qureshi’s life. The director and the screenwriter (Ikram Akhtar) wonderfully trace Baabarr’s journey from his first murder at 12 years to his death at just 22 or 23 years. The film keeps you on the edge of your seat right from the beginning and has several high-voltage shocking scenes which give goosebumps.

One of the four factors that make Baabaarr stand out is that it takes us to a world which we are ignorant about. The film throws light on Amarganj where murders take place casually, where people have more guns in their houses than chairs, where people are never ever given lessons on good manners and where people are addressed as ‘Oye Pehelwan’ instead of ‘Hey Dude’! However, the setting doesn’t look unrealistic at all (it isn’t actually) and the viewer absorbs everything that is projected in the film. Secondly, every character in the film is added with a purpose and each of them is damn interesting. My 5 favourites were Baabarr, Daroga, Maamu (Tinnu Anand), Sarfaraaz (Shakti Kapoor) and the sexiest one in the film, Tabrez (Sushant Singh)!
Thirdly, everything that happens in the film has a purpose. Meaning, none of the scenes were unnecessarily added-it was all connected to the main plot. For instance, one may feel that grown-up Baabarr’s intro scene where he kills a businessman named Jilani was just added to project Baabarr’s ruthless and merciless nature. But the scene is well connected to the next one and also to the storyline. And lastly, the climax of this film is shocking! There is an excellent twist that takes place which catches you unawares! It doesn’t spoil the film at all and also looks justified. In short, a great work by the writer-director duo!

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Some scenes of the film are memorable. Baabarr’s first murder at 12 and Baabarr killing Jilani in his own factory set the mood. Tabrez finishing Akram in a cow slaughter house is gruesome scene but clapworthy. The intermission point was easily the best scene of the film!

The only glitch in the entire film is that it gets a bit slow in the 2nd half.

Every actor in the film has pitched in a fabulous performance-in fact, much much better than their other films in recent times. Newcomer Sohum Shah rocks with his finest performance. Since it his debut, he doesn’t come with the baggage of any past significant performance and thus, one connects to his character instantly. Also, the actor wonderfully exhibits the ruthlessness that his character needed. Even his dialogue delivery rocked. This year, except Raj Singh Chaudhary of Gulaal, none of debutants have managed to impress and hence, Sohum has high chance of bagging the Best Debut award next year!

However, the question arises that based on his appearance and the kind of character he played in Baabarr, will he be offered other types of roles in future? I hope he gets as he’s a truly a gem! Best of luck! (P.S.: Is Sohum Shah Mukesh Shah’s son who is the co-producer of the film?!)

Mithun Chakraborty does his job with élan. His meeting with Sohum is an explosive scene! Om Puri rocks and this was certainly one of the finest performances of his life. The way he changed his mannerisms, walking style and accent for this role and did a great job is definitely praiseworthy. Same goes for Sushant Singh who delivers phaadu performance! I have loved this talented actor since 16 December and am impressed to see him in such an interesting role. Here is an actor who deserves to be a superstar!

Urvashi Sharma was fine but one may argue that her character was unnecessary. Mukesh Tiwari was brilliant, esp in the pre-climax scene inside the prison. Ditto for Tinnu Anand, who shows his extremely talented side in the pre-climax. Shakti Kapoor is surprisingly, extremely likeable! Govind Namdeo was as usual. Kashish Khan as Baabarr’s wife gives a nice ‘Kaminey’s Charlie-type’ performance! Abbas Ali Moghul, the action director of the film, is there for a scene and plays the role of Akram Qasai. He’s a great actor! Pratima Kazmi plays Lilavati, a character based on Mayawati. Shockingly, a beep tone is inserted whenever her name is mentioned in the film! Others also do a great job.

Anand Raj Anand’s music was alright. The title song is impressive. Suhass Gujarathi’s cinematography is brilliant and the dingy by-lanes of Uttar Pradesh towns are well captured. Abbas Ali Moghul charms as the actor and also as the action director! Although some scenes had too much bloodshed, it was needed. Sunil Singh’s background score was in sync with the film’s mood.
Vikram Misra and Ikram Akhtar’s dialogues were one of the best things about the film. The best dialogue of the film (and one of the best in recent times) is: “Gas khatam ho gayi hai…tujhe jalakar chai banayenge tujh pe!” Absolutely rocking!

Ikram Akhtar has also written the story and script of the movie and he excels thoroughly! The film keeps you on the edge of the seat and doesn’t bore even for a moment! Great job by Akhtar, who has scripted some contrastingly light films like Nayee Padosan, Joru Ka Ghulam, Chal Mere Bhai etc!

Finally, Ashuu Trikha is a revelation! The director has always done a fine job in his past films (Deewanapan, Sheesha, Alag) but was let down by faulty scripts. In Baabarr, however, he is armed with a flawless script and he does a brilliant job. He succeeds in exposing the gangster-police-politicians nexus that is rampant in the interiors of the country and where lawlessness prevails. Hats off to Ashuu and hoping to see him with such nice films in future!

Some of the best scenes of the film:
1.   Baabarr’s childhood
2.   Baabarr finishing Jilani
3.   Tabrez’s entry
4.   Baabarr and Tabrez’ confrontation during the tender meeting
5.   The intermission point
6.   Baabarr shot
7.   Dwivedi teaches Daroga a lesson
8.   The last 25 minutes

On the whole, Baabarr is surely one of the best gangster films that has come out from Bollywood. Although it has excessive violence, it manages to impress with his intriguing execution and performances. The film wasn’t publicized well when it released in September this year. But now, all movie buffs, do catch it on DVD! Don’t Miss It!

My rating-**** out of 5!

This review first appeared on MouthShut.com: http://www.mouthshut.com/review/Baabarr-178084-1.html

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