Fenil and Bollywood

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ATB

It was really disappointing to see the spate of comic flicks released in recent times. Some said that there have been an overdose of comic flicks and that’s why now each one of them is failing. However, the underlying truth was-those films flopped because all of them were plain bad films-as simple as that! Some producers had assumed that even if the script is flawed, their comic caper would work and audiences would accept. And when this didn’t happen, they came up with the explanation of overdose! All The Best breaks all these myths! The film is a laugh-a-minute riot and it works damn big time because of its wonderful performances, mind-blowing script and even better execution. This is the most satisfying comedy in a long time, in the lines of Hungama, Hera Pheri et al!

The story of the movie: Veer (Fardeen Khan), a singer, stays in Goa and has a car-expert friend Prem Chopra (Ajay Devgn) and a ‘vastu-expert’ girlfriend Vidya (Mughda Godse). Veer’s elder bro, Dharam (Sanjay Dutt) is a big businessman who stays in London and sends money to Veer each month. Dharam then starts sending ‘double pocket money’ to Veer after Veer falsely tells Dharam that he has got married to Vidya-an idea given by Prem to Veer! Unfortunately, Veer and Prem get into debt and have to repay Rs. 10 lakhs to a local goon, Tobu (Johny Lever) in a week. In the midst of all this, Dharam pays an unexpected visit to Veer! Due to some misunderstandings, Dharam mistook Prem’s wife Jhanvi (Bipasha Basu) as Veer’s wife Vidya! Watch the movie to see how the drama and madness unfolds!

All The Best takes some time to set the mood and once it takes control, it entertains and how! The real mazaa initiates when Dharam visits Veer. From here till the last frame, the film is abounding with outstanding hilarious moments!

With so many characters in the narrative, the film could have got confusing. But it doesn’t, even for a second! You understand everything that’s going on even in every scene! Kudos to the screenwriters and the director! Also, there is not a single vulgar or double meaning joke in the entire film! Thus, All The Best is a clean and uncomplicated film which can be enjoyed by everyone from kiddos to oldies!

The fun quotient at times gets a little low esp in the 2nd half. Also there are some flaws in the story too. But there’s so much funny things happening in the film that you just don’t care! The film gets a bit mellow only during the song ‘Kyun’. But even that is so wonderfully treated that you are left amazed!

The climax is chaotic but isn’t nonsensical like seen in some recent comic flicks. In fact, the climax entertains and it also has a twist, which brings the house down!

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From the promos, it seemed that Sanjay Dutt will steal the show. But surprise! It’s Ajay Devgn who comes up with the best performance! He showcases excellent comic timing and this is definitely one of the best performances of his career! With this film, he also turned producer and scores in it too!

Sanjay Dutt, like everytime, was just marvelous! He is an expert when it comes to comedies and gives a smashing performance. He was in much better form than he was in Blue and Luck! Watch out for his scenes with Ajay-both the talented actors steal the show! Just fabulous work!

Sanju and Ajay deliver such powerful performance that others get overshadowed, even though all were rocking. Fardeen Khan was brilliant although he had a better screen presence in Acid Factory and Life Partner. Bipasha Basu had an important role and does a great job. Mughda Godse looks charming but unfortunately doesn’t have much to do in the film, esp in the 1st half.

The film has lots of supporting actors who contribute a lot in making the film a hilarious caper. Johny Lever as the dumb goon was amazing. He rocks big time in 2 scenes-when the tyre of Ajay’s car gets under his feet and in the climax. Johny Bhai is back! Sanjai Mishra’s performance, too, was brilliant and he provides ample moments of laughter throughout the film. Asrani, Vijay Patkar, Atul Parchure, Ashwini Kaleskar and Mukesh Tiwari contribute well. The film also stars Shraddha Musale, who plays Dr Tarika in the weekly sitcom, CID!

Pritam’s music was in sync with the film. The title song and Dil Kare were the best songs. Haan Main Jitni Martaba was unnecessarily added but again, one doesn’t mind. Everything is so perfect in the film!

Dudely’s cinematography is as cool and stylish as his name! Jai Singh’s action and Rakesh Ranjan’s sound design works wonders in the car racing scene. Sanjoy Chowdhury’s background score was apt.

Finally, we come to the winners! Farhad-Sajid and Bunty Rathore’s dialogues are funny, witty and very impressive! Robin Bhatt and Yunuj Sejawal-the two experienced writers come up with a terrific screenplay. None of the scene seemed messy and this is how scripts should be in comic flicks!

And Rohit Shetty deserves nothing but applause! He has evolved wonderfully as a director. He knows what the audience wants and delivers everything perfectly! His first flick, Zameen was impressive. His popularity soared with his second film, Golmaal. But in my opinion, it fell at lots of places in the 2nd half. His 3rd film Sunday was disappointing while Golmaal Returns was as good as Golmaal. Thus, All The Best is undoubtedly his most accomplished work so far! Take a bow!

Some of the best scenes of the film:
1.   The ‘sauce’ sequence!
2.   The car race
3.   Dharam’s call to Veer informing about his visit
4.   The scene at the airport
5.   Prem gets to know that Dharam has mistaken Jhanvi as Vidya (outstanding!)
6.   The intermission point
7.   All scenes of Johny Lever
8.   The action scene at the beach
9.   Exchange of bedrooms at night (Oudstading!)
10. Prem taking Jhanvi to hospital and Dharam following him (Super-Duper!)
11. The song ‘Kyun’, ‘Dil Kare’ and the title song
12. The climax

On the whole, All The Best is a true winner in all respects! It is the finest comic flick to hit theatres in a long long time! It’s a must watch for audiences of all age groups! Go with your siblings or with your parents or with your friends or with your loved one or simply go alone-but do go for it…coz it’ll surely make your day! ENJOY!!

My rating-**** ½ out of 5!

This review first appeared on MouthShut.com:

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By Taran Adarsh, July 30, 2009 – 21:02 IST

Come to think of it, if the film carries the ‘burden’ of humungous expectations, it’s imperative that it goes beyond those expectations. The reaction after watching the film has to be similar to a child who has laid his hands on his fav toy. The joyous smile would say it all. The question is, does LOVE AAJ KAL live up to the hype and hoopla surrounding it? Or does it go beyond that?

LOVE AAJ KAL is not an easy film to write and execute. Sure, it’s a love story, but it’s not one of those mundane love stories that talks of love and heartache. Here, the two stories, set in different eras, run parallel, but have a similar end.

BY BOLLYWOOD HUNGAMA.COM

To be brutally honest, it takes time to grasp the plot, since the past and present run concurrently. If you aren’t attentive, chances are you’d lose the plot. Also, if you aren’t aware by now that Saif enacts dual roles in the film — playing his part as also the part of young Rishi Kapoor — the goings-on would confuse you no end, when the transition occurs.

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LOVE AAJ KAL is a director’s show entirely. The relationships here are complex because the couple in love lives in complete denial. It is to Imtiaz Ali’s credit that he has penned an offbeat story, developed a complex but comprehensive screenplay and extracted sensitive performances from the principal cast. At the same time, the writing isn’t the type that would appeal to all sections of movie-going audience. Besides, the execution of the subject and also the pacing in the first hour are deterrents.

Final word? LOVE AAJ KAL makes you fall in love with love all over again. Makes you value your loved ones all the more. This film is special!

Love Aaj
London, San Francisco, Delhi – 2009.
Jai [Saif Ali Khan] and Meera [Deepika Padukone] is a modern-day couple in London. They are very happy together, but do not believe in tying each other down. So when life pulls them in different directions, they decide to call off their relationship, since long-distance relationships, in their opinion, don’t work.

Love Kal
Delhi, Calcutta – 1965.
Veer Singh [Rishi Kapoor] is struck by a thunderbolt when he sees Harleen for the first time. He travels a thousand kilometers by train to stand under her balcony, only to have a glimpse of her face. And yet not speak a word with her.

Love Aaj Kal
Veer does not understand how Jai can treat matters of the heart without passion. Jai does not understand how Veer Singh could have been so naive and silly about Harleen in his youth. But as both stories unfold, we realize that the process of relationship might be different in different eras, but the experience of being in love remains the same.

LOVE AAJ KAL travels multiple continents and different eras. The subject matter is novel, never attempted before, but the material, the characters [Saif and Deepika especially] as also its execution is targeted at the youth in big cities mainly. As they say in filmi lingo, this one’s a hardcore multiplex movie.

Another area where Imtiaz Ali experiments is by depicting Saif as the young Rishi Kapoor. It’s a novel concept, no two opinions on that, but the question is, will it cut ice universally? Will people tend to get confused when the sequences turn sepia?

The film captivates in bits and spurts in the initial portions. Partly because the writing is so different. But the writing breaks new grounds in the second hour. It’s in this hour that the film grips you completely, when the fragmented pieces are put together and a mesmeric picture emerges.

The second hour is the soul of the film. Right from the time Deepika decides to marry, till the last reunion, the film touches an emotional high. The sequence of events that lead to the culmination is incredible. Saif’s interaction with Deepika at the marriage, or the gradual change in Saif’s behaviour in the U.S. in the course of a song, or the realisation that marriage was a big mistake… moments like these take LOVE AAJ KAL to dizzy heights.

Imtiaz Ali is a genius. The film bears the stamp of an accomplished storyteller. This is a forward-thinking film that handles the new-age relationships with complete understanding. The songs compliment the goings-on beautifully. This is amongst Pritam’s accomplished works. ‘Twist’ [already a rage], ‘Aahun Aahun’ [foot-taping], ‘Chor Bazaari’ [melodious] and ‘Dooriyaan’ [melancholic], each song is a gem. N. Natarajan Subramaniam’s cinematography is fantastic. Editing [Aarti Bajaj] is wonderful.

Both Saif and Deepika come up with their career-best performances in LOVE AAJ KAL. Saif carries the most difficult parts with remarkable ease. Sure, we’ve seen him as the cool, urban guy in several films, but this one’s the most demanding role and only a seasoned actor could’ve delivered it with such precision.

Deepika looks ethereal. Most importantly, in LOVE AAJ KAL, she acts very, very well. Matching up to Saif is no mean achievement and she does it in several scenes. This should be the turning point in her career. Rishi Kapoor is top notch. The actress enacting the role of Harleen is pretty. Rahul Khanna does well in a small, but significant role. Watching Neetu Kapoor in the end sequence is truly astonishing. She’s so graceful.

On the whole, LOVE AAJ KAL is for the young and romantic at heart. Sure, it’s not perfect, but the terrific performances, melodious music and stirring emotional moments [last 35 odd minutes] more than compensate for the hiccups. At the box-office, the film should start with a bang for four factors — its novel cast, super music, great promotion and yes, Imtiaz Ali, a name that commands respect amongst moviegoers. Released extensively [approx. 1800 screens worldwide], LOVE AAJ KAL will have one of the biggest first weeks in India and also in the international markets. In India, the business will be superb across multiplexes, while single screens might not behave as energetically. But the business at multiplexes will ensure a fantastic recovery of the investment. Internationally, it has the potential to emerge one of the biggest grossers in recent times.

BOLLYWOOD HUNGAMA.COM


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