Fenil and Bollywood

Posts Tagged ‘cop

Here’s what we suggest you bring out the popcorn for
MUMBAI MIRROR; January 01, 2010

Karthik Calling Karthik

Farhan Akhtar’s next film is a story of a lovable loser whose chance meeting with his namesake changes his life forever. Karthik Calling Karthik has a star-studded credit list which includes Deepika Padukone, Javed Akhtar and Shankar, Ehsaan and Loy. Considering Farhan acts in the movies he either directs or produces, it seems like he is bent on wanting to typecast himself as the underdog. Weird but true!


My name is Khan

Bollywood’s biology lessons continue with My Name Is Khan. With 9/11 as the backdrop, the movie follows Rizwan Khan (SRK) who suffers from Asperger’s Syndrome. This is an autistic disease that makes the victim devoid of empathy. This, of course will give rise to many comical situations, just like Paa did. The film brings together the electrifying pair of Shah Rukh Khan and Kajol back on the silver screen. Add Karan Johar to the mix and you have a surefire hit. But come on, what is the film industry going to explore next, the common cold?


Raajneeti

A modern-day political rendition of the Mahabharata, Raajneeti boasts of an A-list star cast – Ajay Devgan, Arjun Rampal, Ranbir Kapoor, Nana Patekar, Vivek Oberoi, Manoj Bajpai and Katrina Kaif. The movie will use the dilemmas the characters in the book went through, and draw parallels with it in reel life. Katrina Kaif is reportedly playing the role of Sonia Gandhi in the movie. After all both of them are quite similar: accent – check; powerful woman – check; foreign descent – check; relationship with Salman Khan – no one really knows.


Kites

Kites follows the story of Hrithik Roshan, a salsa dancer who falls in love with his student. Language barriers don’t matter here, love conquers almost all. But ‘something’ happens and it’s up to another student Kangna Ranaut to save the day. Maybe Sussanne walks into the movie or some other terrifying event occurs, we don’t know yet. But we hope the movie does better than Hrithik’s personal life.


Raavana

A modern day rendition of the mythological text, Raavana will get Aishwariya and Abhishek on the silver screen together for the first time after getting hitched. The movie has been plagued with problems – floods, elephants stomping around the set, maybe a higher power is sending a message through all of this. We won’t say anything, let the box-office decide.


Action replay

In Action Replay, a man ages backwards… Hmm, let’s see where have we heard this story before? A clear rip-off of the Hollywood hit, Benjamin Button, the film will feature Akshay Kumar and Aishwarya Rai. Director Vipul Shah is back with Akshay Kumar and hopes his dream run will continue.


Teen Patti

As much as producer Ambika Hinduja denies it, Teen Patti’s plot seems like a rip-off of the Hollywood blockbuster 21. The film features three ace actors, Ben Kingsley (supposedly not doing a cameo), Big B and Madhavan. With the help of a unique algorithm, Amitabh who plays a mathematical genius leads a team of college students to make a lot of money. Does Amitabh hold the algorithm for the movie’s success or will this be just another failed spin-off?


Houseful

Akshay Kumar has a slew of releases lined up next year and Houseful, the laugh-riot is one of them. The story follows Akshay who is very unlucky in life and is trying to find true love. The women helping him achieve this goal are Deepika Padukone, Lara Dutta and Jiah Khan. In real life, however, we think it’s the other way around. Akshay will end up teaching Deepika more than two expressions, Lara how to sign movies and Jiah Khan how not to be dropped from the one-odd film she has signed.


No Problem

Anees Bazmee has three mega comedy films lined up next year. One of them is No Problem which has quite a star cast – Anil Kapoor, Sanjay Dutt, Akshaye Khanna, Sushmita Sen, Kangna Ranaut, Paresh Rawal and Sunil Shetty. The film is a love story of impossible proportions. Another impossible proposition is Kangna actually makes people laugh after making them weep all these years.


Well Done Abba

Shyam Benegal has been travelling the world with his latest film, Well Done Abba. The satirical movie sees Boman Irani play two roles. Fitting two Bomans in one shot is a feat in itself and a testament to Benegal’s directorial skills. The movie follows the journey of Armaan Ali, a driver from Mumbai, who is out to find his daughter’s (Minissha Lamba) beau. Minissha, who has been alternating between commercial and semi-art house cinema, is reportedly playing a strong role in the film.


Guzaarish

The film that is loosely based on Whose Life is it Anyway? has Hrithik playing a paraplegic radio jockey.  The film seems like a cry-till-your-tearbuds-dry-out movie – it explores the dilemma of euthanasia. Hrithik who believes in challenging himself till the cows come home, reportedly, spent hours in the wheelchair when not required to shoot, to get into the head of the character. Hrithik and Aishwarya reunite after Dhoom 2, and with Sanjay Leela Bhansali directing, it becomes one of the most awaited films in 2010, never mind Saawariya.


Road, Movie

Indian cinema has been through many fascinating twists and turns but none quite as romantic as touring cinemas.  Essentially this means that the owner of one mounts the film projector on the back of a truck and the projectionist travels the length and breadth of a state with the truck, stops wherever there is a pilgrimage or a mela and projects the films he is carrying onto a white curtain which is then viewed by the locals sitting on both sides of the screen. Dev Benegal has made Road, Movie about one such projectionist (Satish Kaushik) and the young owner (Abhay Deol) and the adventures they have as they show their movies. The film has been very well received on the festival circuit.


Anjaana Anjaani

After playing twelve characters in What’s Your Raashee?, we’re sure Priyanka Chopra has become a stranger to herself, especially after the film tanked. Siddharth Anand, director of Ta Ra Rum Pum and Salaam Namaste, tries a romcom with Anjaana Anjaani. Starring Ranbir Kapoor and Priyanka, the film shows two strangers who fall in love and the journey they take together.


Aisha

Abhay Deol’s love for Delhi continues with his Bollywood release, Aisha where he plays another spoilt, rich Delhi brat. His character is modelled on Mr Knightly from Jane Austen’s novel, Emma. The movie is a romantic comedy that explores horrible mismatches. It also has a strong female role that has been bagged by Sonam Kapoor.  Whether Sonam is strong enough for the film after two failed films (read: Saawariya and    Delhi-6) is another matter.


Khelein hum jee jaan sey

Ashutosh Gowariker is no stranger to large canvasses (think Lagaan, Swades, Jodhaa Akbar) so it’s no surprise that he is now filming another humongous project, Khelein Hum Jee Jaan Sey, which revolves around the Chittagong Uprising in the pre Independence days. After What’s Your Raashee?, this is another film adapted from a book, Do and Die by Manini Chatterjee. Abhishek Bachchan and Deepika Padukone lead the star cast and Nitin Chandrakant Desai leads the crew. Hopefully Ashutosh’s version of history will not be challenged,  the way Jodhaa Akbar was.


Knock out

Inspired’ from the Hollywood masterpiece Phone Booth, Mani Shankar will look to re-create the magic in Bollywood. A man is trapped inside a phone booth, not because the door is stuck, but an assassin has a sniper rifle trained on him.  Kangna plays the role of a journalist, Irrfan plays a cop and Sanjay Dutt the assassin.


I Hate Luv Storys

A true-blue rom-com, I Hate Luv Storys brings together the very glamourous Sonam Kapoor and the man with the melting eyes, Imran Khan. Described as a love story not meant to happen but which does happen, it is the story of a man who does not believe in love and a girl who does. They meet on a film set; a milieu the director Punit Malhotra is very familiar with, having cut his teeth on Karan Johar’s sets as an assistant director; and sparks fly.


1-800-Love

When you have a tag line that says, ‘From the makers of Ghajini and Jaane Tu…’ you know you’re in for a commercial roller-coaster. Abbas Tyrewala dons the director’s hat for 1-800-LOVE again and the music score is Rahman’s handiwork. A telephone call connects two people – one who wants to die, the other who is searching for meaning in life. They meet, fall in love, yada yada… If you are watching the movie and you get bored of John Abraham’s three expression repertoire, close your eyes and maybe the music will do the trick for you.


Tees Maar Khan

Tees Maar Khan has gotten more publicity that it ever dreamed of just because Shah Rukh Khan is not playing a role in Farah Khan’s film. But it does seem like SRK has rubbed off on the new lead actor, Akshay Kumar. Kumar plays a ‘stylish’ (metrosexual) conman in the film. He will be joined by Akshaye Khanna, but the female lead has not yet been confirmed.


Hook Ya Crook

Finally, Bollywood gets a movie that shows hope in combining two things that Indians love best – cinema and cricket. Viraj Pradhan (John Abraham) dreams of being a cricketer but is a repeat offender who gets thrown into a maximum security prison. The jail is a haven for cricket players, but Viraj wants much more, he wants to be part of the men in blue. The film has reportedly roped in Indian cricketers for the movie but going by the ads on TV, the word ‘acting talent’ isn’t part of the Indian cricket team’s vocabulary.


Advertisements
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Abhay Deol will soon launch Basra, a movie that deals with drugs and human trafficking

By Sonal Chawla (MUMBAI MIRROR; December 22, 2009)


Abhay Deol’s production house, Forbidden Films, is ready to take off and will start shooting its first film, Basra, in January 2010. It is an out-and-out action film based on the drug racket and human trafficking. Navdeep Singh, who directed Manorama-Six Feet Under, will direct the film.

Abhay plays the lead and Chitrangada Singh puts in a guest appearance. Soniya Mehra (Victoria No 203) has also been roped in for an important part. Shahana Goswami is paired with Nikhil Dwivedi.

A source reveals, “Basra is an edgy and dark film. Soniya will play a teenage hippie who is involved in drugs and eventually becomes a victim of human trafficking after being kidnapped. Shahana plays a journalist, while Nikhil is a cop. It is an ensemble cast and script.”

(L) Soniya Mehra (R) Abhay Deol

The source continues, “As the film is an action thriller, Abhay is building his body. His role is that of a secret agent. You can call him an undercover cop who exposes the entire racket. The movie has its base in Basra, a city in Iraq, notorious for its involvement in drugs. It will be shot in Dubai, Kuwait, Delhi and Mumbai.”

Director Navdeep confirms, “The film deals with drug rackets and we have signed Soniya and Nikhil. The title Basra was chosen as it is a city in Iraq which is apt to the subject of the film.” Probably the film will also be shot in one of the cities in Iraq. Navdeep says, “Yes, we are looking for locations in Iraq, probably Kuwait. The movie will go on the floors in January and most probably release by the end of next year.”

Knockout featuring Kangna Ranaut and Irrfan Khan is a rip-off of the Hollywood film Phone Booth
MUMBAI MIRROR; September 28, 2009

A little birdie tells us that producer Sohail Maklai has quietly started the shooting of his film, Knockout featuring Irrfan Khan, Sanjay Dutt and Kangna Ranaut. The film apparently, is a rip-off of the English flick Phone Booth (2003).

The shooting, it seems has begun at Mehboob Studios (Bandra) and is directed by Mani Shankar. Irrfan plays the man trapped in the booth played by Colin Farrell originally, Forest Whitaker who played the cop is played by Sanjay and Kangna plays the TV journalist played by Kim Posnett in the original. Kangna will be without her trademark curly tresses and will sport a short hairstyle like that of Barkha Dutt.

Phone Booth is about a man who is held hostage in a telephone booth by a sniper. Apart from Colin Farrell, Kim Posnett and Forest Whitaker, it also featured Katie Holmes and Kiefer Sutherland and was directed by Joel Schumacher.

However, Sohail refuting all the rumours said, “It seems that others know more about my film than I know, but it’s not true.”

By Taran Adarsh, September 4, 2009 – 11:02 IST

Till a few years ago, if a director or writer would tell you that the object of attention in his story is a pistol and how the entire film would revolve around it, you’d laugh, even scoff at, on his face. Is he out of his mind? But times have changed. Wacky concepts are the order of the day. Last week, QUICK GUN MURUGUN depicted one. This Friday, it’s AAGEY SE RIGHT.

AAGEY SE RIGHT is witty and humorous in parts, but at the same time, the story is so fragile that it runs out of breath when stretched for 2 long hours.

BY BOLLYWOOD HUNGAMA.COM

Had debutante director Indrajit Nattoji concentrated on just two characters – the cop who loses his gun and the terrorist who loses his heart – instead of focussing on the assorted characters, this one would’ve been one helluva ride.

// <![CDATA[//

Final word? AAGEY SE RIGHT doesn’t get it right.

AAGEY SE RIGHT tells the story of a cop [Shreyas Talpade] and terrorist [Kay Kay Menon]. Through a series of events not in their control, the cop loses his gun and the terrorist loses his heart. Their two worlds collide…

To start with, the screenplay doesn’t do justice to the wild and imaginative story. In fact, the writing has loopholes aplenty. To cite an instance, Vjay Maurya is supposed to be the front man of the terrorists in Mumbai, but when Kay Kay has a change of heart, so does he. Strange, isn’t it? Ditto for Shehnaz Treasurywala, who dances in a sleazy bar, is later visiting studios for film assignments and much later, also dances at the police function [in the finale]. Even Kay Kay’s part suffers due to poor writing. His change of heart looks weird.

Barring Shreyas, Mahi Gill [television reporter] and Bharti Achrekar [Shreyas’ mom], the characters are not well defined.

Director Indrajit Nattoji has a wacky sense of humour and it shows in the film, but he’s been unsuccessful as far as the writing is concerned. The songs don’t serve any purpose either.

Shreyas Talpade does a commendable job. In fact, his comic timing is impeccable. Kay Kay Menon is wasted. Vijay Maurya delivers a superior performance. Mahi Gill is perfect. Shehnaz Treasurywala can’t act. Shiv Pandit irritates. Ditto for Shruti Seth. Rakesh Bedi is funny in a small role. Bharti Achrekar is excellent.

On the whole, AAGEY SE RIGHT has a few funny moments, but overall, this one doesn’t go left or right, but directionless.


A scene from KamineyOnce in a particularly blue moon, comes a film that makes you wolf-whistle. One that then ties you to the edge of your seat and forcibly pins you there and pounces on you, eventually leaving you sitting in the dark, drained and grinning and more satisfied than a film has any business leaving you. This, ladies and gentlemen, is that kind of ride.

And way more.

Vishal Bhardwaj reinvents the filmi rollercoaster with feverish glee as he takes a wonderfully twisty plot and paces it flawlessly around a bunch of madcap, irresistible characters. It takes nearly twenty minutes to get used to things, the characters, the words they speak, they way they speak them, and the tone of the film — heck, to get used to this film’s world. Then on, the film just freakin’ flies.

Yet before getting into the breakneck chaos, it is this unapologetic figure-it-out stance that we must initially applaud. Too often are our caper films and thrillers compromised by oversimplification and spoonfeeding, by filmmakers believing audiences need things spelt out and giving them bite-sized flashbacks to easily digest each twist. No more, says Bhardwaj, throwing us a delicious jigsaw and letting things fall into place in their own sweet time. The result is startlingly clever, an innovative film with genuine surprises. Kaminey is the kind of film whose success we ought all pray for, because it’ll prove smart cinema works.

So delicious is the movie’s gradual unravelling that I refuse outright to let you in on the plot itself — an enthralling tale of drugs, deceit, dingbats and dead-ringers — because you need to discover this on your own. Go in as fresh as you can, you deserve to taste this one by yourself. Letting on what actually happens would make me one of the film’s titular knaves.

Suffice it to say that Tassaduq Hussain, who also shot Vishal’s brilliant Omkara , does it more than adequate visual justice, and the largely-handheld film emerges very stylistic indeed. It’s fast, funny and constantly rollicking, and the characters are spectacularly entertaining.

As is the cast. Shahid Kapoor plays Guddu the stutterer and Charlie with a lisp, saying f for every s, and does strongly enough to credibly seem like two different people; Priyanka Chopra’s delightfully high-strung Sweety pulls off hysterical Marathi with impressive fluency. Yet it is the ensemble of fantastic oddballs who truly make this film special: from Amole Gupte’s demented Santa Claus routine as Maharashtra-lovin’ gangster Bhope Bhau to Chandan Roy Sanyal’s lethally capricious coke-lover Mikhail, from Shiv Subrahmanyam’s helpless corrupt cop Lobo to Tenzing Nima’s ludicrously likable drug-smuggler Tashi — the film is full to the brim with splendidly unfamiliar faces, each of whom deserve a hand, not just the ones singled out here.

And Vishal generously gives each character their time in the spotlight. Guddu heartwrenchingly recounts his middle-school love, while Sweety captures beer-driven arousal with charming realism. Bhope bribes a big-eared nephew with chocolate, while Lobo coaxes the stutterer to give a police statement through song. The Bengali gangsters shoot bullets near each other for laughs, while the Marathi ones are transfixed by Guddu-Sweety screensavers on a laptop. Charlie unwraps a cellphone from plastic as he tries to placate gangsters, while — in an extraordinary moment — Mikhail sets the screen ablaze as he staggers in on the same gangsters, high on coke and unpredictable as a broken roulette wheel. There’s so much to marvel at in these characters that it isn’t funny. Oh wait, it is. Very.

A scene from KamineyWhat raises this rambunctious gangster movie head and shoulders above its genre is the writing. The wordplay is constant, subtle and absolutely exquisite — a tough ask when one hero trips over words and the other narrates — yes, narrates — with a lisp. And there’s a witty duality running through the film’s twin tales: a character barks into a phone, and this sound echoes later when someone pleads in front of Bhope, daring not to take his name but just calling him repeatedly big brother, “bhau-bhau”; Mikhail introduces himself to Bhope by calling himself Tope Bhau, and nearing the climax Bhope is told by another that they have ‘topein’ (cannons) too; when Mikhail wins a race, arriving just in time, he breaks into the Spiderman theme — and Charlie responds with Fpiderman-Fpiderman. When a character wants to steal a king’s ransom in drugs to help a pregnant woman, another snarls back: ‘Toh kya meri coke ujaadega?’ Ha. It’s nuanced, lovely writing, the sort we never get to see in films nowadays.

Bhardwaj has never been secretive about his Quentin Tarantino adoration, referencing the director in Blue Umbrella and doing it here again with high heels and an injection. While Tarantino exclusively uses music he already loves because he doesn’t trust anyone to create anything as good, Bhardwaj has always done it all himself, writing, directing and composing — not to mention singing, and its worth noting the slight s/f lisp he gives the film’s magnificent title track when it plays on screen. Yet here he takes a leaf from QT’s book and brings back the saucy RD Burman track ‘Duniya mein logon ko’ (from 1972’s Apna Desh) and makes it his own, giving it sassy new context out of its dated backdrop — no more Rajesh Khanna in a red suit, this song is now all Shahid.

So the film leaps through implied ultraviolence and dark humour and you hold on, exhilarated — just as you have through, say, Guy Ritchie’s Lock Stock And Two Smoking Barrels. And while that itself would be no mean feat, Bhardwaj ups the ante with an audacious climax, suddenly bringing emotions right to the fore.

And while films of this ilk are full of disposable-bodies and corpses-in-waiting, one discovers that Vishal has — sneakily, stealthily, surreptitiously — kept the sentiments so darned real that by the time the climax rolls around, you do actually give a damn about these characters.

Wow. Now if that isn’t kameenapan, I don’t know what is. Awefome.

(4.5/5)

By Bollywood Hungama News Network, April 13, 2009 – 15:42 IST

Characters:

Shreyas Talpade (Dinkar Waghmare)

A small town character, 28 years old sub-inspector working for the Mumbai Police. He has never solved a case and has always stayed away from serious action. His late father was a successful police officer. He is constantly reminded of his failure by his nagging mother and feels pressure to live up to his father’s giant image.

Dinkar Waghmare loses his gun and is under extreme pressure, humiliation and shame.

His troubles become more complicated and serious as the story starts 4 days before the annual Police day function. Over the four days that he tries to recover his lost gun, he unwittingly encounters the biggest stalwarts of the Mumbai underworld and international terrorism by sheer coincidence and luck, ends up solving big cases.

Fate and his gun Bajrangbali stickered gun make him an unlikely hero.

Mahie Gill (Soniya Bhatt)

The attractive, overzealous television news reporter who is an absolute sensationalist. It is her character that plays the role of the ‘sutradhar’ who links the different parts of the film. She keeps asking for viewers’ opinion on various topics through a sponsored SMS.

Dinkar Waghmare has always been in awe of her and watches her regularly on TV. She meets him for the first time when he accidentally becomes a hero. She is amused by this clumsy, sweet man who unwittingly always saves the day.

Kay Kay Menon (Janubhai alias Balma Rashidul Khairi)

The serious terrorist. 30 year old good looking personality. Balma has taken the named Janu as an alias. He has been sent to India by a terrorist group to carry out terror missions in Mumbai.

He transforms into romantic and loves Indian food and the Bombay Life! He starts to change as a human being, softening, when he falls in love at first sight with a bar girl named Pearl and realizes that his mission of terror was no his true calling as a warrior, but he has been chosen to follow the path of Love by Allah.

He speaks fluent Urdu but no one in Bombay can understand so he takes it upon himself to learn the Mumbai street (Tapori) lingo during his various attempts at wooing his lady lobe. Dinkar’s and Janu’s paths keep crossing without them meeting each other until the climax where together they defeat the evil face of terrorism.

Shehnaz Treasurywala (Pearl)

She is the heroine of our film and the object of Janu’s affections. She is absolutely gorgeous and sensuous but at the same time there is a sense of an innocence of a bygone era.

An aspiring actress in Bollywood, she is the most popular dance girl in a dance bar where she works part time. Her first break is an item number in the extravagant police show. She is intrigued and amused by Janu and taken by his boyish charm.

Shiv Pandit (Sunny)

Sunny is a 25 year old young man who is in love with the Police Commissioner’s daughter Suhasini and can do anything for her. He is a street smart and fool hardly tapori. He has the amazing skill of mimicry and sound effects and creates much confusion.

Synopsis

Aage Se Right is the story of chance, co-incidence and real life humor based in the present day Mumbai. The film spans over five days of panic, chaos and mayhem.

The film is about a cop and terrorist. Through a series of events not in their control the cop loses his gun and the terrorist loses his heart. Their two worlds collide in a maze of chance and mayhem. The film is a edgy contemporary satire of the chaotic times that we live in where “Aage se right” may not be always right.


Advertisements