Fenil and Bollywood

Posts Tagged ‘credits

By Subhash K. Jha, January 4, 2010 – 14:18 IST

Chetan Bhagat Those multitudes who have read Chetan Bhagat’s book novel Five Point Someone would agree there are uncanny resemblances between the novel and Rajkumar Hirani’s 3 Idiots. The film apparently set out to adapt Bhagat’s novel and then decided to go its own way, for whatever reason. Chetan Bhagat shouts foul as he finds his name missing from the opening credits of 3 Idiots, instead they are in the rolling credits in the end. On the other hand, the producers of the film claim that it was mentioned in the contract that Chetan had signed. Hurt and amused Chetan reacts.

You must be very upset by the latest proceedings?
You’re a writer. You should know how it feels to have credit taken away from you. And it’s not something only I’m saying. It’s out there. The book is there. The film is there. They’ve tried to take away from my contribution. My name is at the very end of the credit titles after the junior artistes and still photographers. From the time they started making the film, they’ve been stressing that their product is different. It’s like a systematic effort (to underplay my contribution). If you read the book and saw the film, you’ll see the similarities.

My name is at the very end of the credit titles after the junior artistes and still photographers

So would you say 3 Idiots is an adaptation of your novel?
3 Idiots is a total adaptation of my book. Some things are direct lifts, others indirect adaptations.

Aamir thinks you are trying to take away credit from the film’s writer Abhijat Joshi?
I heard his comments. But then he says he hasn’t read the book. There’s no denying Abhijat has done the screenplay. What Abhijat has done with my book can only be known if you’ve read it. If Aamir is so concerned about Abhijat not getting the publicity, he should let Abhijat talk. I very much respect Aamir. He’s the reason I thought the project would have a lot of integrity. I know for a fact he was told not to read my book because they told him it’d affect his understanding of his story. I was told it was a different script.

Even dialogues about matar-paneer and Maruti 800 cars are from my novel. The novel was set in the 1990s. Aaj Maruti 800 kaun bolega?

How would Aamir’s perception have been affected if he read the book?
I don’t know. I’m on a firm footing with the facts. See the film, read the book. And judge for yourself. The whole plot-structure narrative, even dialogues about matar-paneer and Maruti 800 cars are from my novel. The novel was set in the 1990s. Aaj Maruti 800 kaun bolega? I mention 42 exams and 16 broken bones in my body. They have kept the same numbers in the film. Kareena’s brother committing suicide on the railway tracks…so many other things in the film; it’s all there in my novel.

Vidhu Vinod Chopra and Aamir have accused you of trying to make mileage out of their movie?
If I didn’t take up the issue properly, I wouldn’t have been able to live with myself. If someone else goes and collects the award for best story at the awards functions how will I feel? Only once I met Aamir. When I landed at Bangalore where they were shooting 3 Idiots they said, ‘Don’t come we’ve too many visitors.’ They prevented me from going on the set. The book has been selling for six years. There’re lakhs of fans of the book. It’s not about Chetan being naraaz and Aamir being naraaz. My issue is not with Aamir. When the other film Hello based on my novel One Night At The Call Centre came, did I say one word against the characterizations or treatment? I was credited properly for that. I haven’t been credited for 3 Idiots.

When I landed at Bangalore where they were shooting 3 Idiots they said, ‘Don’t come we’ve too many visitors.’ They prevented me from going on the set.

Have you become embittered towards Bollywood?
You could make up any kind of contract. But is there any contract that stops people from being petty? My last novel Three Mistakes Of My Life is being directed by Abhishek Kapoor. I am co-scripting it. There’s a lot of interest in adapting my latest novel 2 States: The Story Of My Life. I don’t think there would be any problem with future project. With 3 Idiots, I know I’m in the right. I’m just telling people to see the film and read my book. I know Aamir is a very powerful person. But finally the truth has to prevail, no? I’m no great artiste. But there has to be fair play. I’m being accused of trying to get mileage.10 lakh copies of the book have been sold. The book has been read by 1 crore readers. Wouldn’t they know the truth?

Chetan Bhagat What do you intend to do?
The makers of 3 Idiots are busy with their victory tours all over the country. They’re naturally being asked about the similarities between my book and the film. Sorry I spoilt their celebrations. The truth had to be told. I’ve been told by them, ‘You’re just a writer. You don’t realize how big we are.’ Maybe I don’t realize how big they are. Main kya karoon? But the truth is above everything. Aisa nahin ke pura Bollywood kharaab hai.

Do you think you’ll be ostracized by Bollywood after this incident?
I’m not dependent on Bollywood for my livelihood. I’m a big Krishna bhakt. I’ll follow the right path. If I’m wrong I’ll leave writing and join ISKCON. What does a writer want? That his words should make a change in society. Maybe by taking up this issue I hope to bring about a change in the way writers are treated. Vidhu Vinod Chopra assured me that he would treat me like a king. Kahan ka raja?

Vidhu Vinod Chopra assured me that he would treat me like a king. Kahan ka raja?

What do you hope to achieve?
When they go to pick up the story award I want people to know whose story it is. When they make eye contact with their children they should know they’re lying. We’ve to show that truth comes before everything else. I don’t write for money or glamour. I just need paper and pen. Lord Krishna takes care of the rest.

BOLLYWOOD HUNGAMA.COM

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Bharati Dubey | TNN (THE TIMES OF INDIA; January 3, 2010)


Mumbai: The 3 Idiots drama off screen is becoming as engrossing as the film’s on-screen performances with the issue of opening and closing credits hogging the limelight.


On Wednesday, writer Chetan Bhagat blogged claiming that 70% of the film had been inspired by his book Five Point Someone (FPS). He also complained the script was not shown to him before release and that he was hurt because the producers did not acknowledge his contribution to the film in the opening credits.


On Saturday, director Raju Hirani refuted all charges levelled by the writer. He showed documentary evidence of the contracts signed by him with the production house. He also showed a non-disclosure agreement signed by Bhagat and categorically denied the charge that he was not shown the final script of the film.


“Pre-release, the makers of the film made statements that it was only loosely inspired by the book. After release, those who have read the book and seen the movie find the film to be an adaptation of FPS,’’ Bhagat blogged.


He also stated that his family was upset after they didn’t spot his name in the opening credits of the film and also the story credit was not given to him. But Hirani clarified that the rights of the novel, with complete authority to alter the text to suit the screen, was purchased by them. He said the contract clearly stated that Bhagat’s name would be in the end-rolling credits and the agreement was signed in September 2005.


On Bhagat’s statement that most of the narrative of the film was copied from his text, Hirani said, “This is irrelevant because we hold the rights to the novel. Using the book as a take-off point, the writers brought about massive changes both on the macro and micro level of the story.’’


Asked about Bhagat not being shown the film before release, Hirani said Bhagat “said he would watch it at the premiere, which he did with his family”. But when told that ‘Bhagat-3 Idiots’ drama is also being looked at as a publicity stunt, Hirani said, “It would be below our dignity to do something like this.’’


Producer says sorry
Producer Vidhu Vinod Chopra apologised to the media for his rude behaviour. “I really think it was silly. I was provoked as you guys know but I should not have done that. It does not befit me. What I did was silly and am really sorry,’’ Chopra said on Saturday morning. TNN

By AMUL SHARMA (Mid-Day; December 11, 2009)

Original uploader claims director Anurag Kashyap himself leaked the copy

Director Anurag Kayshap’s debut film Paanch has finally released — thanks to online piracy! A relatively good print of the film popped up on various torrent sites on December 9.

The completed film was due for release in the summer of 2003 but it never did, due to the various problems the censor board had with several scenes in the film. The young (at the time) and somewhat arrogant Anurag Kashyap wanted no compromises on his film and refused to make the cuts needed to be able to release the film. Till date, Paanch lies wasting away in cans, shelved.

Tejaswani Kolhapure and Kay Kay Menon in Paanch

Forgotten?
Since then, Kashyap has released several films including Gulaal (which was stuck for the longest time) with the help of Zee Telefilms. The status quo of Paanch was never discusssed. Tutu Sharma produced the film and after the film’s non-release, kept his silence.

Thanks to…
The film has now sprung up on several video download sites where the 700 MB version of the film is available for free download. What’s quite unprecedented is the claim the film’s original uploader makes: that Kashyap himself gave a copy of the film. He writes on his blog:’Source Credits — goes to the director of the movie and a special thanks to him for leaking a preview copy on the net, Pirates Salute.’

BOLLYWOOD CALLING: Sir Ben Kingsley
Looking like Gandhi, eager to be Shah Jehan, but happy to discuss his role in Ambika Hinduja’s film with Big B

MARK MANUEL Times News Network (BOMBAY TIMES; December 3, 2009)

Sir Ben Kingsley is in town, still looking like Attenborough’s Gandhi of a quarter century ago, though now with a natty little French beard that’s taken away the Mahatma’s air of benevolence and given him a hawk-like, quizzical expression. This, I think, is his look of Teen Patti, young Ambika Hinduja’s February 2010 release in which Sir Ben plays Perci Trachtenberg, the world’s greatest living mathematician, opposite Amitabh Bachchan. He was in Goa earlier this week, the star guest at the International Film Festival of India in Panaji, from where he air-dashed to Delhi and then to Mumbai. But because his publicist in LA could not get him to meet me here, Sir Ben made a phone call from Goa.

“I love India,” said Sir Ben who’s been here quite a few times since Gandhi, “it’s always been a happy experience for me. But this time I’m not here as a tourist, I’ve come as an actor, to work, and it feels tremendously good to be given the kind of lovely welcome I was…” He’s thrilled that people here still identify him with Gandhi. “Isn’t it unusual to be recognised and appreciated by a whole sub-continent,” he asked. “It puts a responsibility on me, it’s a humbling and steadying experience, and I believe this is unique for any actor.” But, yes, along with that, is Sir Ben now concerned how Indian audiences will react to his new character in Teen Patti? “I’m afraid I’ll be booed off screen,” he laughed, pleased at his own joke. Whether he likes it or not, people talk to him about
Gandhi, they ask him if this was his best role. “I was privileged to play Gandhi,” Sir Ben admitted, “but I’ve done 60 films since then, and I’m equally proud of all of them. I understand people here have seen about five of my films, and if they like Gandhi best — fair enough, but that’s not all my work. I’ve also done films like Sexy Beast, Fifty Dead Men Walking and Elegy in which I play extremely different people. The range I’ve been offered in my films is extraordinary, the variety is my joy, my new dream now is to play Emperor Shah Jehan in Taj Mahal, a film which I see as a struggle for love… rather than a straightforward love story. I hope to raise finance for it and begin shooting in autumn 2010.”

He talked about Teen Patti, a film he was excited about even when he read the script, and for which he shot in a private casino in London and at the St. John’s College, Cambridge University. The film is described as being an emotionally-rivetting and razor-sharp thriller about greed, deception and giant feelings of imagination. “It was a sweet ride,” Sir Ben explained, “of a storyteller, a listener, a forgiver… I’m not quite an outsider in the film, more like an observer. I’ve used my screen time skillfully to act as a constant thread through the film.” He has no Hindi dialogue in the film, which is fortunate, because Sir Ben knows no Hindi. But he knew of Amitabh Bachchan even before he met the great actor.

“He’s very hard working, charming, and a lovely actor,” Sir Ben said of Bachchan, “but what I liked best is that he’s vulnerable… I mean vulnerable in a good way, he’s not closed off, he doesn’t live within the walls of his own ego.” Ambika Hinduja, who is industrialist Ashok Hinduja’s filmmaking daughter, described Sir Ben as being very friendly and down-toearth. “He was patient and calm, a nice person, absolutely professional, and he thought our Indian crew worked four times as hard as any Hollywood crew,” revealed Ambika. “On the sets, everybody addressed him as Sir Ben, including Mr. Bachchan. But in the credits of the film, he wanted to be known simply as Ben Kingsley.”
Lyricist Prashant Vasl has filed a complaint against PNC in the court for not being given credit for a song in Meerabai Not Out
By Akela (MUMBAI MIRROR; June 19, 2009)

Pritish Nandy

The Additional Chief Metropolitan Magistrate, Borivli, has issued an order to conduct an inquiry against Pritish Nandy Communications Ltd (PNC). Lyricist Prashant Krishna Gaur Vasl had filed a plea against PNC and six others.

Vasl has filed a complaint alleging that PNC and its employees – Bobbie Ghosh (Chief Operating Officer), Ishita Pritish Nandy (Vice President, Creative Services), Yatender Verma (Vice President Finance), music composer Sandesh Shandilya and Sony BMG Music Entertainment Pvt Ltd have committed punishable offences under section 420, 463, 464, 465, 467, 468, 471, r/w 34 of the IPC and the under section 63 of the Copyright Act 1957. According to Vasl, PNC had asked him to write lyrics for their film Meerabai Not Out in January 2007. Sandesh Shandilya, who is also accused, had assured Vasl that his name would appear first in the music credits. Since Vasl was assured ample publicity, he did not demand any monetary compensation.

To Vasl’s dismay, his name did not appear anywhere in the credits. Worse still, although Vasl had not given any NOC for using the song, the accused forged the NOC format while finalising the deal with Sony BMG Music Entertainment. Vasl said, “Earlier, I had filed a complaint with the Film Writers’ Association and the Charkop police station, but so far, no action has been taken against the accused. Now the honourable court has issued an order to inquire into the matter.”

“After the order was issued, I have received threats on my Facebook account by Rangita Nandy. My car was also damaged by unknown people,” claimed Vasl.

The order has been forwarded to the Charkop police station to inquire under section 202 Cr.P.C. and to submit report on or before August 7, 2009.

Ram Kamal Mukherjee, Vice President of PNC, said, “I have no idea about the court order. If you are talking about Vasl, his problem is not with PNC but with music director Sandesh Shandilya. Perhaps, Sandesh had signed on the NOC. We have all the required documents to prove that. And we have given Vasl enough publicity.”


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