Fenil and Bollywood

Posts Tagged ‘dialogues

By UPALA KBR (Mid-Day; December 23, 2009)

Ekta Kapoor says the promo of her film Love Sex Dhoka is going to be the most controversial promos released this year. Incidentally, the 90-second promo of LSD will be released along with Aamir Khan’s 3 Idiots in theatres across India on December 25.

Says Ekta, “We have already edited the 90-second promo thrice! When I first saw it, I was so shocked I fell off my chair. We had to edit almost 30 per cent of the controversial version in order for it to be shown with 3 Idiots. We will be releasing the unedited version on the internet simultaneously along with the trailer. The promo will be shown across only 290 multiplex screens across India. We didn’t want the promo to run at all theatres as it’s a digital medium.”

Ekta feels that it will be met with a largely polarised reaction. “It will shock the daylights out of people. They will either hate or love it but they can’t ignore it. The censor board was adamant that we couldn’t show these scenes without a U/A certificate.”

She adds, “The promo is not too sexually explicit but the dialogues and basic premise are raw and explicit. We had 40 beeps in the original promo which has now been cut down to two.”

Dibakar Banerjee says, “The censor board didn’t allow the promo to run without a U/A certificate. Some cuss words have been edited out. One of the scenes edited out is a slightly explicit scene where the male protagonist and another girl are rehearsing how to seduce a famous public figure on camera for a sting operation with some intricate moves. They found these objectionable and we had to remove them. Love Sex Dhoka is isn’t everyone’s cup of tea.”

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Bollywood is coming out with creative, out of the box films and the year 2009 is a witness to it. Paa is one such film that can also be safely termed as ‘most unique film of 2009’. Of course, the USP is undoubtedly Amitabh Bachchan’s wonderful portrayal as a 12/13 year old kid. But that alone isn’t the only thing that makes the flick special. The execution by R Balki is marvelous and the film would have surely fallen like a pack of cards if the treatment wasn’t appropriate. Paa, thus, works well and is definitely a must watch!

The story of the movie: Auro (Amitabh Bachchan) is a 12 year old suffering from a rare genetic disease, progeria which results in accelerated ageing. So although he’s just 12, his body age is 5 times more. But Auro is witty, mischievous and intelligent and just like any other school going student of his age. He lives with his mother, Vidya (Vidya Balan), a gynecologist and Vidya’s mom (Arundhati Nag). All three are living happily but one day their world turns upside down when Auro comes to face to face with his own father, MP Amol Atre (Abhishek Bachchan). But both Auro and Amol are unaware of each other’s ‘connection’.

Paa is simply made and the film grips you from the first scene itself. Auro and Amol’s entry in the narrative is highly impressive. The innovative projects made by the students and Amol’s beautiful speech in the school instantly put a smile on your face. Also note how very less time is reserved for the flashback portions and the focus of the story is entirely on the star of the film-Auro and his paa!

However, the film deviates from the main plot in the first half in the slum redevelopment track. But trust me, it was damn interesting and you’ll silently wish if the politicians of our country were such visionaries and witty.

However, the second half won’t give any reason to complain. Auro’s reaction after finding out the truth and the time he spends with his paa in Delhi is supremely rocking! The pre-climax, when one of the main characters finds out the truth could have been more impactful. But the final 10 minutes which is beautifully directed and leaves the strongest mark, compensates for it.

Although the film is titled Paa, the film doesn’t only focus on the father-son relationship. It wonderfully showcases the child’s relations with his mom, grandmom and also with his classmates, the latter being the cutest! Also, the film isn’t made to only evoke sympathy on progeric patients. Throughout the film, Auro is being treated as any other normal child by everyone around him and this also works a lot in the favour of the film.

There is not a drop of doubt about Amitabh Bachchan’s performance. He was marvelous and outstanding-even this doesn’t justify his well performed job! One forgets that one is actually watching Amitabh Bachchan on screen. The way he speaks like an adolescent and also behaves like one is just amazing and leaves you in awe and shock. And the look given to him is actually quite cute! However, the performance wouldn’t have worked solely with great work by make-up artistes. It was Amitabh’s great work that makes the character believable and lovable. Kudos to Big B-keep shining, keep rocking!

The characterization of Big B as Auro is so strong that you even forget all the past performances of other actors. Abhishek Bachchan simply rocks as the young cool politician and builds up a strong position to himself throughout the film. After Guru and Dostana, this is yet another memorable performance of Abhishek. Watch out for him in another rocking performance in his next, Raavana!

Vidya Balan is a relevation. She gives a brilliant performance, of the same level that she delivered in Parineeta. Watch her in Paa and you’ll forget all about her disastrous period that she faced 2 years back. She is expected to please everyone in her next Ishqiya too!

Arundhati Nag was perfect. Paresh Rawal was fine in his miniscule role. Pratik, who plays Auro’s buddy Vishnu, was excellent and provides laughter in some scenes. Taruni Sachdev, the girl who terrified Auro throughout the film was amazing! Also, Kiran Shah, who played the 5 year old Auro did a great job in his one scene. Kudos to Vidya for lifting this 53 kg old on his shoulder in one of the scenes!

Ilaiyaraja’s music was soulful and melodious. Songs are there in the film but doesn’t hamper the pace of the film-the story moves during the film too. Mudi Mudi is the best song of the lot. Mere Paa, sung by Big B deserved to get a better focus in the film. Background score was cute and mischievous, just like Auro!

P C Sreeram’s cinematography was top notch. Christien Tinsley and Domini Till, the makeup artistes, deserve the highest praise for transforming a 66 year old actor into a 12 year old child! Hats off!

Finally, R Balki deserves the highest praise for coming up with such a wonderful film and making complete use of the opportunity provided to him. As a director he was perfect and it was nice to see the quick editing done in certain scenes so that the film doesn’t drag at any moment. But as a writer, he could have done a better job, especially in the flashback portions of Abhishek and Vidya. But he impresses most as the dialogue writer. Dialogues and wittiest one-liners are the best part of the enterprise! Also, the toilet jokes which are a complete put-off at times are hugely funny in the film!

There were reports that Paa is a copy of The Curious Case Of Benjamin Button and a section of moviegoers even believed this. By now, the truth is out Paa is miles away from the Hollywood flick. But it’s really sad to see our media and some moviegoers are always waiting for an opportunity to thrash Bollywood and its films. Our industry churns pathetic films at times but it also comes up with sweet films like Paa. Let’s not always act and think so negatively about Bollywood. And now there are reports that Akshay Kumar and Aishwarya Rai’s next, Action Replay, is Benjamin Button’s rip off without even knowing a single line of the plot of the film. Alas, some people don’t want to grow up ever!

Some of the best scenes of the film:
1. Amol at the school, looking at the projects and delivering a speech
2. Auro orders pickle from grandmom
3. Amol’s slum redevelopment track
4. Amol and Auro’s video chat
5. Auro all set to go to Delhi (you really feel sad for the poor kid here)
6. The intermission point
7. Vidya’s Hichki-ous justification
8. Amol and Auro’s trip to Delhi
9. The last 30 minutes

On the whole, Paa is a beautiful film, written wonderfully and performed outstandingly! Undoubtedly, it’s a must watch! Go for it, if you haven’t seen it yet!

My rating-**** out of 5!

This review first appeared on MouthShut.com: http://www.mouthshut.com/review/Paa-181639-1.html

By Taran Adarsh, November 27, 2009 – 10:52 IST

Be forewarned. DE DANA DAN is the most bizarre film from the maharaja of laughathons, Priyadarshan. Not even in your wildest dream you’d think that Priyadarshan would place almost an entire film in a hotel and have its entire cast, comprising of 26 [or is it 27?] characters, most of them weirdos, interacting with each other. Brings back memories of BLAME IT ON THE BELLBOY? May be!

But Priyadarshan needs to be credited for pulling it off. There are times when you laugh hysterically at the most outlandish jokes and situations. There are times when a raised eyebrow or a wide-open jaw makes you break into a guffaw.

BY BOLLYWOOD HUNGAMA.COM

Be cautioned. DE DANA DAN is a loud film, with each and every character screaming on top of his/her voice, with the characters shouting, running, even floating and swimming in the end.

But what do you expect in a Priyadarshan film that has a title like DE DANA DAN? The promos never promised path-breaking or thought-provoking cinema that would give birth to debates and discussions. So why look for logic in this one?

//

DE DANA DAN makes no qualms of narrating a story you haven’t heard before. Here, the story is non-existent and it’s left on Priyadarshan to mix-n-match those two dozen characters and keep the momentum alive for the next 2.45 hours.

DE DANA DAN promises laughter and entertainment and sticks to its promise. This one’s not for the hard-nosed types, but for those who worship escapist cinema. Who want to chuckle, giggle and chortle at those mindless jokes. In short, DE DANA DAN is a pure dhamaal entertainer!

Nitin [Akshay Kumar] is a butler, cook, driver, watchman, gardener to a wealthy female industrialist [Archana Puran Singh] in Singapore. Like any young man, Nitin too dreams of a better life. He desperately wants to become rich and marry the love of his life, Anjali [Katrina Kaif], who supports him financially.

Ram [Suniel Shetty], Nitin’s best friend, also came to Singapore with the dream of striking it rich, but ended up a courier delivery man. He falls for Manpreet [Sameera Reddy], but her high society parents will never approve of marriage, not unless Ram has lots and lots of money.

In the midst of all this is Harbans [Paresh Rawal], a shrewd businessman, who’s looking for ways to multiply his income and avoid his debtors. He decides the best way would be to marry his son [Chunky Pandey] off to a girl whose parents can give him a large dowry. He is introduced to Manpreet’s parents at a function and is impressed by their social status. He introduces himself as a well-established businessman, impresses them and they decide to get Manpreet and Harbans’ son married.

With several factors working against them, Nitin and Ram soon reach a dead end in their relationships. When both receive ultimatums from their girlfriends, they realize that only a life of vice can help them out of their misery. They come up with an audacious plan to kidnap someone important and demand a ransom.

The kidnapping goes awry and both hide at a local hotel while waiting for the ransom money. But misfortune is never far and the kidnapping spirals out of control.

Meanwhile, Manpreet’s wedding reception is being held at the same hotel that Nitin and Ram are hiding in. Soon, they are joined by a motley set of characters including a Chinese Don [Asrani], a hired assassin [Johny Lever], a ACB police inspector [Sharat Saxena], a club dancer [Neha Dhupia], an ambassador [Vikram Gokhale], a young frustrated double crossing wife [Aditi Govitrikar], a letch [Shakti Kapoor], a drunken waiter [Rajpal Yadav] and a dead body nobody wants to check into the hotel.

DE DANA DAN is atypical Priyadarshan film that has the unmistakable stamp all over it. But, at the same time, DE DANA DAN is erratic and uneven – energetic at times, lethargic at places. Also, the culmination to the film is very similar to the director’s earlier works, with the entire cast running helter-skelter.

On the flip side, you miss Akshay’s presence in the second hour. He disappears [gets locked in a cupboard] for at least 20 minutes and the focus, hence, shifts to the other characters. His fans will miss his presence, for sure. Besides, the film tends to get very lengthy towards the second half and overtly verbose too.

Director Priyadarshan is synonymous with comedies and the ace storyteller promises laughter in abundance. Handling so many characters, plus making a film on mistaken identities could be very tough, but the director gets it right. Pritam’s music is alright, while the RDB track, ‘Paisa’, is the pick of the lot. Salim-Sulaiman’s background score is energetic. K. Ahambaram’s cinematography is alright.

The review would be incomplete if one ignored the dialogue writer’s [Jay Master] contribution to the film. The lines are laced with wit and soaked in humour and bring the house down on several occasions.

DE DANA DAN has so many characters that it gets difficult to pinpoint or single out any one actor. Akshay is at his best in a Priyadarshan film and DE DANA DAN proves it. Suniel is natural to the core. Paresh is incredible; he pitches in a superb act. Katrina and Sameera don’t have much to do. Amongst the plethora of actors, Johny Lever, Neha Dhupia, Manoj Joshi, Asrani, Vikram Gokhale and Archana Puransingh deserve special mention.

On the whole, DE DANA DAN is targeted at the masses and it delivers laughter in abundance. Leave your brains behind to enjoy this madcap entertainer!

By Subhash K. Jha, November 12, 2009 – 10:14 IST

Rensil D'Silva Is Vivek Oberoi getting a raw deal? The Kurbaan promos feature Saif Ali Khan and Kareena Kapoor all the way. Vivek Oberoi who plays the third main protagonist is hardly glimpsed in the entire promotional campaign, triggering off a widespread feeling that things are not so right between Vivek and the Kurbaan team.

However, the explanation for Vivek’s absence is far more bizarre than the normal raw-deal rona-dona.

Apparently, his role is so deeply affiliated to the plot’s suspense that every moment shown in the promos featuring Oberoi would have the tendency to give away the story.

Laughs director Rensil D’Silva, “It’s a very strange situation. Vivek is one of the central characters. But almost every scene of his is a dead giveway of the suspense. What do we do?”

Rensil has discussed the problem with Vivek. “And he is absolutely cool with being the band mutthi of the film. I’ve spoken to Vivek and explained the dilemma. He was cool with not being featured in the promos that much. He said to do whatever is right for the film because when the film opens the truth about the extent of his role would be out. Vivek has worked very hard in the film. He had to acquire a true New Yorker’s accent and not the kind Indians get at the John F Kennedy airport.”

Vivek worked really hard on the accent. “We had a couple of New Yorkers on the sets to coach him. He’s got the NY accent bang-on. It’s not a borough-specific accent (NY has 5 boroughs each with its own speaking pattern). It’s a general New York twang. And Vivek is superb with it.”

Rensil cuts down the belief that Vivek has a cameo in Kurbaan? “Not true at all. Vivek is in 80 percent of the film. He’s central to the drama. Vivek worked very hard on the role. He was in my room in Philadelphia every night to discuss his diction, dialogues and looks. I seem his career at the cusp of something really exciting.”

BOLLYWOOD HUNGAMA.COM

ADORABLE: Ranbir Kapoor with Katrina Kaif. For more pictures of the stars, log on to http://photogallery.indiatimes.com

…complains Ranbir Kapoor who only ‘complimented’ her in their first film

HARSHADA REGE Times News Network (BOMBAY TIMES; October 21, 2009)

He’s ‘fun loving’ and she’s ‘a person loving fun’ — that’s how Ranbir Kapoor and Katrina Kaif describe each other. The two come together for the very first time in Ajab Prem Ki Ghazab Kahani that’s produced by Ramesh Taurani for Tips Films , directed by Rajkumar Santoshi and releases on November 6. The crackling chemistry between the two is for everyone to see as they get talking about the film.

Katz takes the lead, saying, “It’s an ordinary love story about ordinary people leading ordinary lives, but told in a very unusual way.” Ranbir adds, “That’s the perfect way to describe it.” The two are on a roll pulling each others’ legs, but at the same time, they seem pretty much in sync. So what’s the secret behind the chemistry? “Chemistry is not something that two individuals have, it’s what two characters have in
a film. And it’s great that people are seeing this chemistry because this is a romantic film. I am happy that people can see it even in the promos of the film,” says Ranbir. Katz agrees with him, “If you want the same thing and if your vision is the same, then you are working as a team. That’s something that leads to great chemistry.” Obviously, they had a great time shooting together. “Katrina was constantly bullying me and I was constantly complimenting her,” says Ranbir, tongue firmly-in-cheek.

The two actors also bonded well because of their working styles. “Rajji is very specific as a director. He knows exactly what he wants and he gets his actors to do that,” Katz says. “But that doesn’t mean he’s a dictator. If we thought a scene could be done some other way, he would hear us out. We did get bound script and dialogues, but there were improvisations on the sets too,” adds Ranbir. Like Santoshi’s earlier comic caper Andaz Apna Apna, this one too looks like a mad comedy. Speaking about the film, they say that its USP is that it will appeal to a much wider audience. “It’s a blast, really. A complete entertainer,” says Ranbir. “It’s a meant for
everyone. The appeal is, definitely, wider and it’s something that people across all sections will be able to relate to,” feels Katz. But both feel that it’s not just another runof-the-mill comedy. It has a lovely story, it’s not just a bunch of jokes put together,” says Ranbir of this ghazab kahani by Tips on which they had fun working with Ramesh Taurani.
harshada.rege@timesgroup.

Hema Malini’s long awaited production for daughter Esha finally sees the light of day

By Subhash K Jha (MUMBAI MIRROR; October 05, 2009)

The long-in-the-pipeline film, which Hema Malini wanted to produce for her daughter, Esha is finally taking shape.

Tentatively titled Tell Me Oh Khuda, the film will have a girl (Esha) in search of her father. Arjan Bajwa will play the role of her supportive boyfriend.

Hema Malini with Esha

The subject seems uncannily similar to Hema’s first and only directorial venture, Dil Aashna Hai where Divya Bharati played a girl in search of her mother. Shah Rukh Khan had played the supportive boyfriend in the earlier film.

Arjan, who is thrilled to be working in Hema’s film, says, “When we met I was numb. I just stared at her (Hema). When she told me she liked my work in Fashion I was on cloud nine. Of course, I immediately agreed to do the film. It is Esha’s relaunch.”

The film will be directed by Mayur Puri who wrote the dialogue for Farah Khan’s Om Shanti Om. Puri was also the associate director for Dhoom. That’s when Mayur first met Esha and her mother. Tell Me Oh Khuda is now in the pre-production stage and is expected to go on the floors by the end of this year.

Wanted2

Although our tastes for film has improved manifold, we still don’t mind watching a hardcore action flick, where the hero is able to take care of more than a dozen criminals and escape unscathed. Wanted also falls in this same category. Although the film is bound with many loose ends, it still gives a thrilling experience. And Salman Khan takes the film to dizzying heights!

The story of the movie: Radhe (Salman Khan) is a one man army. He is a gangster who can do anything for the sake of money. Golden (Aseem Merchant), who works under Singapore-based Gani Bhai (Prakash Raj) invites Radhe to join his gang. Radhe becomes a part of Gani Bhai’s gang and nearly at the same time, falls for Jhanvi (Ayesha Takia). The eyes of Inspector Talpade (Mahesh Manjrekar), a corrupt cop at a nearby police station fall on Jhanvi and he desires to make her his mistress. Radhe then begins eliminating the rival gang members and also succeeds in impressing Jhanvi. But will Jhanvi be able to get into a relationship with a person like Radhe, who doesnt think twice before killing? And there’s a new Commissioner in Mumbai, Ashfaq Khan (Govind Namdeo) who has vowed to city crime-free. Will he become a threat to Radhe?

Wanted begins well and Salman Khan’s entry sets the mood wonderfully. However, after all character gets introduced, the film falls a bit and the story hardly moves. Thankfully, there are some funny interesting moments in the first hour that prevent the film from getting boring.  The intermission point was gripping and was well shot.

But things lighten up in the second half after Gani Bhai’s arrest. Commissioner interrogating Gani Bhai was hilarious. Later, the kahani mein twist moment in the pre-climax takes the film to a new high. In fact, it was what made the film stand out. Even though the climax was a bit lame, one won’t complain, thanks to the wonderful suspense.

Each character in the film is well written. Radhe, Gani Bhai, Jhanvi’s landlord (Manoj Pahwa) and Inspector Talpade were my favourites. As for the flaws, the film gets little dragging at places and the narrative just doesn’t go ahead. Also, the wonderful suspense also raises some questions. However, the impact is so huge at this point that one doesn’t get the chance to think of any goofs.

After Partner, this is surely Salman’s next best performance. In fact, it won’t be wrong to admit that Wanted is one of the finest performances ever given by Salman Khan! He fills life and colour to the rowdy character that he plays in Wanted. Also, Salman’s thoda-good boy-thoda-bad boy image helps a lot in doing total justice to his role! Hence, Salman was the perfect choice for this film and he comes up with flying colours. Hats off to Sallu!

Wanted

Ayesha Takia Azmi looks charming as everytime and manages to give a nice performance. Here’s an actor who deserves to get more and better roles. Mahesh Manjrekar plays the baddie with élan and also makes us laugh. Watch out for him in his entry scene and in his first meeting with Salman. Prakash Raj, a popular face down South and whose last Hindi film was Khakee, performs wonderfully. He is hardly there before interval but dominates in a lot of scenes in the 2nd half. Govind Namdeo gets a positive role after a long time and does a fine job.

Mahek Chahal was perfect in the role of the seductive moll. Aseem Merchant was simply fantastic. Why is this actor not getting enough roles? Manoj Pahwa was hilarious. Vinod Khanna and Inder Kumar do a nice job in their respective roles. The kid playing Ayesha’s brother leaves a mark too.

Sajid-Wajid’s music was energizing. Two songs steal the show, thanks to their execution-‘Jalwa’ and ‘Love Me Love Me’. Anil Kapoor, Govinda and Prabhudheva also make an appearance in ‘Jalwa’ which increases the appeal of the song. The song ‘Dil Leke’ is missing from the film. Salim-Sulaiman’s background score was good but could had been better.

Nirav Shah and S Sriram’s cinematography was outstanding and just the kind required for an action flick. Vijayan’s action was also praiseworthy. The action scenes were not foolish or funny but one which looked real and raw. Although the film has quite bloodshed, giving it an ‘A’ certificate was unnecessary.

Shiraz Ahmed’s screenplay wasn’t flawless but still works. However, his dialogues were phaadu, esp the ones mouthed by Salman! The best dialogue of the film is “Tu jis school se ye seekh ke aaya hai, wahaan ka headmaster mujhse tuitions leta hai!” Clapworthy, isn’t it?!

Puri Jagannadh’s story was indeed worth appreciating and appealing. This explains why three films are made from the same plot! Prabhudheva’s direction wasn’t top-class but still manages to come up with an entertaining action flick. His smart treatment to some of the scenes (esp the climax) enhances the film to a great extent.

Some of the best scenes of the film:
1.   Salman and Mahesh Manjrekar’s entry scene
2.   The song ‘Jalwa’ and ‘Love Me Love Me
3.   Radhe joining Gani Bhai’s gang
4.   Radhe and Inspector Talpade’s meeting at the basketball court
5.   Radhe and Jhanvi in the elevator
6.   The intermission point
7.   Radhe bashing up Talpade
8.   Commissioner Ashfaq Khan interrogating Gani Bhai
9.   Radhe fighting the goons in the local train
10. The last 35 minutes of the film

On the whole, Wanted is a cool action flick that will surely be loved by Salman fans. It has some loose ends but manages to impress. If you relish action flicks, this one is for you! Go for it and experience Salman Ka Jalwa!

My rating-*** out of 5!
This review first appeared on MouthShut.com: http://www.mouthshut.com/review/Wanted_Dead_or_Alive-175348-1.html

Wanted


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