Fenil and Bollywood

Posts Tagged ‘dog

Aamir Khan’s dog, Shah Rukh, who had created such a furore in both the Khans’ lives, no longer lives at Aamir’s Panchgani home

By Vickey Lalwani (MUMBAI MIRROR; January 04, 2010)


Shah Rukh Khan can heave a sigh of relief. Remember the dog in Aamir Khan’s life, Shah Rukh, who made headlines last year? Well, that dog is not a part of Aamir’s life anymore.

Recently, the dog Shah Rukh moved out of Aamir’s Panchgani bungalow because his master, Aamir’s caretaker, moved out, taking his dog with him.

A source says, “Since the old caretaker is out, there was no point keeping the dog Shah Rukh. The dog had to go with the caretaker.”

The dog Shah Rukh had played a big role in widening the rift between the two Khans. After Aamir had written on his blog, “Shah Rukh is licking my feet and I am feeding him biscuits every now and then. What more can I ask for?” and “Shah Rukh is smelling too much, I think he needs a bath,” the already hot competition between the two had been further fuelled.

While both were battling it out for supremacy at the box-office this sort of banter had only made them more competitive.

Evidently, after a while Aamir & Co had changed the dog’s name. After calling him Shah Rukh for sometime, they had started calling him Shahki.

There is an explanation for the dog’s name too. Said the source, “The old caretaker is a big fan of Shah Rukh Khan. Since Shah Rukh was shooting in Panchgani when the dog was born, he had named him Shah Rukh. Later, he himself started calling him Shahki and the others, in and around Aamir’s Panchgani property, followed suit.”

Anyway, things seem to be a lot better between the two Khans now. In April 2009, they came together on the same platform to support the producers in their fight against the multiplex owners. Recently, Shah Rukh attended the premiere of 3 Idiots. Who knows, with the exit of the dog, Shah Rukh, from Aamir’s life, their interpersonal equation may greatly improve too.

By Taran Adarsh, January 1, 2010 – 12:30 IST

What do you do when you, accidentally, bang into someone on the road? Flee from the spot? Call for help? Dial the cops? Rush the victim to the hospital?

Pick up a newspaper and chances are you might glance upon a hit-and-run case only too often. ACCIDENT ON HILL ROAD, a remake of STUCK [Mena Suvari, Stephen Rea], raises a few questions in its own way. Perhaps, the intentions were right, but what eventually unfolds on screen isn’t.

The problem with ACCIDENT ON HILL ROAD is that it loses focus after a point and that takes away the seriousness from the issue.

BY BOLLYWOOD HUNGAMA.COM

Sonam [Celina Jaitly] is a nurse who accidentally steers her car into the harmless Prakash [Farooque Shaikh], sending him flying through the windshield. Not wanting to jeopardize her future, Sonam, along with her drug-peddling boyfriend Sid [Abhimanyu Singh], chooses not to get him medical help, leaving him clinging to life in her garage.

But soon her psyche begins to unravel as the captor and captive are pitted against each other in a battle for survival.

ACCIDENT ON HILL ROAD had the potential to be a thought-provoking film that pricks your conscience, but what comes across is a half-baked attempt that runs out of steam soon after the intermission. In fact, the film begins quite well and a few moments as well as the twists and turns in the first half do keep you on the edge.

But the writing [screenplay adapted by Mahesh Nair and Siddharth Parmar] is shoddy in the second part and does not yield the desired outcome. The sequences prior to the climax are a complete downer, while the climax is the worst part of the film. The drama fails to become the nail-biting one that it ought to be.

Also, the assorted people that flit in and out of the story [the kid and his mom, the cabbie and the nosey neighbour with a dog] are half-baked characters as well. Pray, why were they included in the first place?

Mahesh Nair’s direction is a shade better than the poor and sketchy script. Also, he is unable to involve the audience in the drama. Ravi Walia’s cinematography is ordinary. The film has just one song [music: Raju Singh] – ‘Nasha Nasha’ – which is quite erotic.

Farooque Shaikh doesn’t get any scope, frankly. One definitely expected more, since the veteran returns to the big screen after a hiatus. Abhimanyu Singh enacts his part well. But it is Celina Jaitly who pitches in a commendable act and catches you by complete surprise.

On the whole, ACCIDENT ON HILL ROAD will fail to make any headway.

RARING TO GO! Madhavan
Madhavan about his link-up with Kangna Ranaut and more in a chat with Deepali Dhingra

Sitting in his plush apartment on the 27th floor of the residential complex he stays in, Madhavan is a picture of restlessness. He directs the photographer on how to capture his moods, takes us for a walk around his house where he shows us airplanes he’s designed and the visit includes even a trip to the garage, where he keeps his prized posession, his bike! The actor vrooms around, for the photographer’s benefit before settling down with an amused expression on being enquired about the buzz between him and Kangna Ranaut, his co-star from Tanu Weds Manu. “Is there a rumour?” he enquires, “Well, then what do I say? I lead a very boring life. Either that or I’m too smart!” he laughs, when we make the observation that one hasn’t heard of too many link-ups when it comes to him. So what’s the scene between him and Kangna actually? “She’s an amazing professional. On the sets, she, her sister, her dog and I were a gang. That’s about it!” he says firmly. Okay point noted. Madhavan would rather talk about his other films 3 Idiots and Teen Patti, where he gets to be in the esteemed company of Amitabh Bachchan and Sir Ben Kingsley. “In 3 Idiots, I’m back again with Aamir Khan and Sharman Joshi after Rang De Basanti, so there was added pressure of living upto the expectations of the audience,” he says. And no, he wasn’t apprehensive about playing a college student at this age. “We’re not horrible old men with pot-bellies and sagging skin!” he exclaims, “It was about getting the lingo and body language correct.” As for Teen Patti, he just can’t get over having Big B all to himself, even if is for a few scenes. “We played golf in between shots and I have to say, they were the greatest singular most important moments of my life,” he smiles.


Working with Sir Ben Kingsley on the other hand, Madhavan can only attribute to karma. “I’d not thought of acting till I saw him in Gandhi, so I guess there has to be something like karma for me to be acting alongside him,” he adds.

Maddy, as he’s fondly called, wants to do what he calls masti films now. “I’m tired of doing meaningful films!” the actor chuckles, “The kind of cinema I did, I was doing to satisfy my ego. Now I don’t want to play the nice guy anymore — I want to catch the bull by the horns!” And by that, he means doing light-hearted roles, including romance and comedy. “I want to do some roles now that are closer to me in real life. God has made some creations who are made to enjoy life, I’m one of them!” he smiles. And he couldn’t have said it better.
BOMBAY TIMES (December 8, 2009)