Fenil and Bollywood

Posts Tagged ‘garage

By Taran Adarsh, January 1, 2010 – 12:30 IST

What do you do when you, accidentally, bang into someone on the road? Flee from the spot? Call for help? Dial the cops? Rush the victim to the hospital?

Pick up a newspaper and chances are you might glance upon a hit-and-run case only too often. ACCIDENT ON HILL ROAD, a remake of STUCK [Mena Suvari, Stephen Rea], raises a few questions in its own way. Perhaps, the intentions were right, but what eventually unfolds on screen isn’t.

The problem with ACCIDENT ON HILL ROAD is that it loses focus after a point and that takes away the seriousness from the issue.

BY BOLLYWOOD HUNGAMA.COM

Sonam [Celina Jaitly] is a nurse who accidentally steers her car into the harmless Prakash [Farooque Shaikh], sending him flying through the windshield. Not wanting to jeopardize her future, Sonam, along with her drug-peddling boyfriend Sid [Abhimanyu Singh], chooses not to get him medical help, leaving him clinging to life in her garage.

But soon her psyche begins to unravel as the captor and captive are pitted against each other in a battle for survival.

ACCIDENT ON HILL ROAD had the potential to be a thought-provoking film that pricks your conscience, but what comes across is a half-baked attempt that runs out of steam soon after the intermission. In fact, the film begins quite well and a few moments as well as the twists and turns in the first half do keep you on the edge.

But the writing [screenplay adapted by Mahesh Nair and Siddharth Parmar] is shoddy in the second part and does not yield the desired outcome. The sequences prior to the climax are a complete downer, while the climax is the worst part of the film. The drama fails to become the nail-biting one that it ought to be.

Also, the assorted people that flit in and out of the story [the kid and his mom, the cabbie and the nosey neighbour with a dog] are half-baked characters as well. Pray, why were they included in the first place?

Mahesh Nair’s direction is a shade better than the poor and sketchy script. Also, he is unable to involve the audience in the drama. Ravi Walia’s cinematography is ordinary. The film has just one song [music: Raju Singh] – ‘Nasha Nasha’ – which is quite erotic.

Farooque Shaikh doesn’t get any scope, frankly. One definitely expected more, since the veteran returns to the big screen after a hiatus. Abhimanyu Singh enacts his part well. But it is Celina Jaitly who pitches in a commendable act and catches you by complete surprise.

On the whole, ACCIDENT ON HILL ROAD will fail to make any headway.

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On his 64th birthday on December 6, Shekhar Kapur visited his maternal uncle Dev Anand after eight years; regrets not being in touch with him

By Subhash K Jha (MUMBAI MIRROR; December 09, 2009)


On his 64th birthday on December 6, Shekhar Kapur decided to pay his mother Sheel Kanta Kapur’s brother, Dev Anand, a visit after eight years. Shekhar says, “It was a time of great reflection for me. As I looked back I suddenly realised I hadn’t met this amazing man for almost eight years. I told myself it’s time to learn a little bit about life from Dev Saab. He’s a karmyogi, completely fearless. I admire myself for being completely fearless. But I think he is even more fearless than I am.

Having met Dev Saab after so long, Shekhar now regrets not being in touch with him. Shekhar confesses, “I didn’t even meet him after Goldie (Vijay Anand) Saab’s death, my fault. I was constantly travelling in recent years. I needed to reconnect with this amazing man who has gone through so many ups and downs in his life and yet continues to be tireless in his enthusiasm for filmmaking. Wherever he goes, he’s cheered and applauded. Maybe people don’t like to see his films any more, but the love for the man simply grows wherever he goes.”

Shekhar says he loves challenges just like Dev Saab, “Tell me something can’t be done and I’ll do it. Ever since I was a kid I’d swim into the deep ocean. I’d ride the motorcycle the wrong way to see if death can get me. Don’t turn to me or Dev Saab and say something is impossible. They told me it was impossible for an accountant to be a director. I proved them wrong.”

Shekhar has come away from his meeting with Dev Saab determined to correct the fact that he isn’t a prolific director yet. He tells us about his keen interest in New Media, “I know I haven’t made that many movies. Look at Dev Saab’s output. But the fact is, after directing The Golden Age (the sequel to Elizabeth ) I became keenly interested in New Media. Two guys in a garage got together and conceived You Tube. That made the way we access the world completely different. I started learning and lecturing on New Media because I thought sharing information and not harping on copyrights was the new mantra.”

Shekhar says he will now make films in a row. He informs us,”Why can’t a film be like a symphony? Why are we stuck on telling stories? Nobody looks at a painting and asks what the story is. I want to make films that make suggestions and create an emotional connect with the audience.”

Shekhar Kapur Dev Anand

RARING TO GO! Madhavan
Madhavan about his link-up with Kangna Ranaut and more in a chat with Deepali Dhingra

Sitting in his plush apartment on the 27th floor of the residential complex he stays in, Madhavan is a picture of restlessness. He directs the photographer on how to capture his moods, takes us for a walk around his house where he shows us airplanes he’s designed and the visit includes even a trip to the garage, where he keeps his prized posession, his bike! The actor vrooms around, for the photographer’s benefit before settling down with an amused expression on being enquired about the buzz between him and Kangna Ranaut, his co-star from Tanu Weds Manu. “Is there a rumour?” he enquires, “Well, then what do I say? I lead a very boring life. Either that or I’m too smart!” he laughs, when we make the observation that one hasn’t heard of too many link-ups when it comes to him. So what’s the scene between him and Kangna actually? “She’s an amazing professional. On the sets, she, her sister, her dog and I were a gang. That’s about it!” he says firmly. Okay point noted. Madhavan would rather talk about his other films 3 Idiots and Teen Patti, where he gets to be in the esteemed company of Amitabh Bachchan and Sir Ben Kingsley. “In 3 Idiots, I’m back again with Aamir Khan and Sharman Joshi after Rang De Basanti, so there was added pressure of living upto the expectations of the audience,” he says. And no, he wasn’t apprehensive about playing a college student at this age. “We’re not horrible old men with pot-bellies and sagging skin!” he exclaims, “It was about getting the lingo and body language correct.” As for Teen Patti, he just can’t get over having Big B all to himself, even if is for a few scenes. “We played golf in between shots and I have to say, they were the greatest singular most important moments of my life,” he smiles.


Working with Sir Ben Kingsley on the other hand, Madhavan can only attribute to karma. “I’d not thought of acting till I saw him in Gandhi, so I guess there has to be something like karma for me to be acting alongside him,” he adds.

Maddy, as he’s fondly called, wants to do what he calls masti films now. “I’m tired of doing meaningful films!” the actor chuckles, “The kind of cinema I did, I was doing to satisfy my ego. Now I don’t want to play the nice guy anymore — I want to catch the bull by the horns!” And by that, he means doing light-hearted roles, including romance and comedy. “I want to do some roles now that are closer to me in real life. God has made some creations who are made to enjoy life, I’m one of them!” he smiles. And he couldn’t have said it better.
BOMBAY TIMES (December 8, 2009)
On Sunday, filmmaker Rajkumar Hirani found acid thrown on his car, and the bizarre attack is causing him much anguish

By Kunal M Shah (MUMBAI MIRROR; October 30, 2009)

 

Rajkumar Hirani

Filmmaker Rajkumar Hirani has been a victim of vandalism. On Sunday afternoon, Raju found that acid had been poured on his precious white Honda Accord. The bizarre attack left the boot of the car and the side door charred. What’s more shocking is that his car was attacked in broad daylight.

Our source said, “These days, Raju has been editing 3 Idiots from 9am till night at producer Vidhu Vinod Chopra’s office in Santacruz. On Sunday afternoon, Raju was informed that his car’s boot and a side door have been completely charred. A shocked Raju immediately rushed to his car to check the damages.”

A police complaint has been registered. “Raju has had a fixed schedule since the last few days for the post-production of 3 Idiots. Police are investigating whether it is an accident or foul play. Since construction work is going on nearby, they haven’t ruled out the possibility of a prank,” added the source.

Of course, such damage can be heart wrenching. A source close to Raju confirmed the news and said, “Raju is heartbroken and worried. After the police investigation, the car has now been sent to the garage. He is waiting for the investigation results.”

Raju Hirani remained unavailable for comment.