Fenil and Bollywood

Posts Tagged ‘hurt

Twenty-five years after the scene in which Amitabh Bachchan met with a near-fatal accident in Coolie was paused to pay him a tribute, a similar scene with SRK in Dulha Mil Gaya is again being paused

By Kunal M Shah (MUMBAI MIRROR; January 04, 2010)


Amitabh Bachchan had a near-fatal accident while shooting for Manmohan Desai’s Coolie which released in 1983. The director paused the scene which then made headlines to pay a tribute to Amitabh. 25 years later, in another accident on the sets of Muddasar Aziz’s directorial debut Dulha Mil Gaya, Shah Rukh Khan badly injured his shoulder due to which he had to undergo a major surgery.

The makers of Dulha Mil Gaya have paused the exact scene in which SRK was injured.

Shah Rukh Khan

Our source tells us, “It was an afterthought. When the film was being edited, they realised that they should do something like this. The scene is in the second half of the film and like in Coolie, here also the scene will be paused so that the viewers know when the accident happened. The makers do not wish to reveal it as they do not want to aggravate SRK.”

Producer Viveck Vaswani clarified, “SRK was injured during the shooting of our film but we are not planning to do anything special to mark the scene. It would look like cashing in on the sequence. SRK got hurt but he did not tell anyone about it during the shoot.

He finished his work with dignity and quietly left. When I came to know about it the next day, I sent him a text. He said it’s all right as it was not my fault and he would be doing these stunts for the next 20 years.”

Muddasar Aziz Viveck Vaswani

Even the director of the film Muddasar Aziz, denied the news saying, “There is no such gimmick planned.”

HITLIST (Mid-Day; January 1, 2010)

The writer has plenty to say about the movie being touted as being different from his book Five Point Someone

Chetan Bhagat is peeved that he has not been given his due credit in Rajkumar Hirani’s 3 Idiots. The film is based on his novel Five Point Someone. The writer has vented his ire ‘A book, a film and the truth’ on his blog (http://www.chetanbhagat.com/).

Here’s an extract….

“The 3 Idiots story credit issue has been making some noise now… and I think it is important I clarify a few things. Clearly, the makers of the film have been unfair and thousands of my readers have been saying so.This is not an issue that has ‘just come up’. I’ve been grappling with it for two years, but kept silent about it.

Wrong claims

The only reason it has surfaced after the movie’s release is because Five Point Someone has a few million readers, and when you copy a popular story claiming it as ‘original’ and ‘completely different’, people are going to find out.

The case is as simple as the makers claiming the story as their own, and clearly it is not. Pre-release, the makers made  statements like  the movie is only ‘very loosely’ inspired by the book….

After release, those who have read the book and seen the movie (and frankly, I think those are the only people who have the right to comment) find the film to be an adaptation of Five Point Someone. Almost all aspects that make up the story are from FPS. Yes, there are some changes, any adaptation requires that — but it is no way an original story. Leading movie critics have privately admitted to me that the film is 70 per cent the book. Still, don’t take my word for it — go read the book, watch the film.

I, frankly, was shocked to see this. This is because I was also fed ‘this is an original movie’ line a lot. I wanted to see the final script — it was never shown to me. I wanted to see the film before release — it was not shown to me (even though trials had been done for  people).  What’s more, the makers had called me to their office and pressured me several times to withdraw my ‘Based on a novel by’ credit, which was by contract. They told me they’d replace it with something like ‘initiated by’ — a credit that doesn’t exist anywhere in the world. I still told them that if the film is indeed original, I’ll happily withdraw the credit, but somehow the promos don’t tell me so. I asked them to show me the film and they fell silent.

Soon, they started doing media promotions for the film, and kept me completely out of it (you’ll never find me in an interview with them). Crores was poured into publicity on shutting me out and cementing the fact that 3 Idiots is not based on Five Point Someone. Ten days before the release, I was called into their office. They said ‘we should be friends now’. I said I am always up for friendship, and the success of the film is good for me as well. They also said, and I quote verbatim ‘even though this is an original film, we have given you a great credit, right upfront. After all, we love writers and a king should treat another king with respect. You are family’. I believed them.

Then I went for the premiere. My family sat in the theatre shocked, as sequence after sequence came from the book. Two per cent means three minutes or so, and I had told my family to look for the few FPS moments and note them. However, there were so many that it became impossible to keep track. The plot was same — people meet at ragging, the first class with definition of machine, the friends separate, Alok (Raju) moves with Venkat (Chatur), Ryan (Rancho) helps Alok’s father, Alok rejoins group, etc, etc. From Alok  (Raju) jumping to stealing the papers and calling out from Cherian (Virus’) office — the book came alive on screen.

However, my family had not spotted my credit in the beginning (there was none) and they were feeling let down. A screenplay associate credit to VVC had a prominent upfront placement. The story credit was not shared with me. And yes, all the office talk of a ‘king treated like king’ was a white lie. I knew they had played with me, and that ‘based on a novel by’ credit, which they were legally bound to give would be hushed away at the end — with the clear intention of making sure people miss it. And indeed, it came after the junior artistes and still photographer of the movie. My mother missed seeing my name, and for that she cried after seeing the film. I told her it doesn’t matter, as people know FPS. But yes, that hurt me a lot.”

The Other Side
3 Idiots director Rajkumar Hirani, producer Vidhu Vinod Chopta and actor Aamir Khan preferred not to comment.
HOT! Neha Dhupia in a still from Raat Gayi Baat Gayi

One-night stands are harmless as long as you are not hurting anyone, says Neha Dhupia in a candid chat with BT

ROSHNI K OLIVERA Times News Network (BOMBAY TIMES; December 30, 2009)

Neha Dhupia made headlines with her line ‘In India only SRK and Sex sell’. Now the focus is on her again with Pritish Nandy Communications’ Raat Gayi Baat Gayi releasing tomorrow. The movie, produced by Rangita Pritish Nandy and directed by Saurabh Shukla, won the best film award at the HBO Asian International Film Festival in New York last month. Neha plays the mysterious gorgeous woman hunted down by Rajat Kapoor, Vinay Pathak and Dalip Tahil, after a night of lots of drinking, sex and zero memory! Ask her if it’s a bold role and she replies candidly, “If you are asking in terms of skin show, then no. But if being bold is a state of mind, then yes.” That’s Neha for you. Not one to mince words, the actress speaks to BT about relationships, sex and movies…

What’s your take on one-night stands?
The problem with one-night stands is that you end up hurting so many people. As long as you are not hurting any one, it’s fine.

In Raat Gayi Baat Gayi you have a onenight stand with a married man…
There are seven characters in the film! Why do you assume it’s my character who’s had the one-night stand? Are you assuming that because I am attractive… Not fair!

Do you think the Indian audience is opening up to sex in movies?
Dev D was a big hit. Indian audiences are open to fantastic scripts. Raat Gayi… is a funny kind of a thrilling experience that takes you through a drunken night. You don’t really know what happened last night. The film is packed with a lot of emotions and it is very relatable. You can relate to one or the other character.

You’ve done movies of various genres… what’s your favourite?
It’s very hard for me to say that. Right from my roles in Singh Is Kinng, De Dana Dan, Mithya, Ek Chaalis Ki Last Local to Raat Gayi Baat Gayi, everything is challenging and at the same time everything is easy. I don’t over-intellectualise the whole acting medium. I’m not working because I have to work. I’m working because I really enjoy doing so.

Are you happy with the way your career has shaped up so far?
I am. I had made a few mistakes, but I don’t regret anything. They have been learning experiences. I have come a long way, but I also have a long way to go…