Fenil and Bollywood

Posts Tagged ‘Irrfan Khan

Here’s what we suggest you bring out the popcorn for
MUMBAI MIRROR; January 01, 2010

Karthik Calling Karthik

Farhan Akhtar’s next film is a story of a lovable loser whose chance meeting with his namesake changes his life forever. Karthik Calling Karthik has a star-studded credit list which includes Deepika Padukone, Javed Akhtar and Shankar, Ehsaan and Loy. Considering Farhan acts in the movies he either directs or produces, it seems like he is bent on wanting to typecast himself as the underdog. Weird but true!


My name is Khan

Bollywood’s biology lessons continue with My Name Is Khan. With 9/11 as the backdrop, the movie follows Rizwan Khan (SRK) who suffers from Asperger’s Syndrome. This is an autistic disease that makes the victim devoid of empathy. This, of course will give rise to many comical situations, just like Paa did. The film brings together the electrifying pair of Shah Rukh Khan and Kajol back on the silver screen. Add Karan Johar to the mix and you have a surefire hit. But come on, what is the film industry going to explore next, the common cold?


Raajneeti

A modern-day political rendition of the Mahabharata, Raajneeti boasts of an A-list star cast – Ajay Devgan, Arjun Rampal, Ranbir Kapoor, Nana Patekar, Vivek Oberoi, Manoj Bajpai and Katrina Kaif. The movie will use the dilemmas the characters in the book went through, and draw parallels with it in reel life. Katrina Kaif is reportedly playing the role of Sonia Gandhi in the movie. After all both of them are quite similar: accent – check; powerful woman – check; foreign descent – check; relationship with Salman Khan – no one really knows.


Kites

Kites follows the story of Hrithik Roshan, a salsa dancer who falls in love with his student. Language barriers don’t matter here, love conquers almost all. But ‘something’ happens and it’s up to another student Kangna Ranaut to save the day. Maybe Sussanne walks into the movie or some other terrifying event occurs, we don’t know yet. But we hope the movie does better than Hrithik’s personal life.


Raavana

A modern day rendition of the mythological text, Raavana will get Aishwariya and Abhishek on the silver screen together for the first time after getting hitched. The movie has been plagued with problems – floods, elephants stomping around the set, maybe a higher power is sending a message through all of this. We won’t say anything, let the box-office decide.


Action replay

In Action Replay, a man ages backwards… Hmm, let’s see where have we heard this story before? A clear rip-off of the Hollywood hit, Benjamin Button, the film will feature Akshay Kumar and Aishwarya Rai. Director Vipul Shah is back with Akshay Kumar and hopes his dream run will continue.


Teen Patti

As much as producer Ambika Hinduja denies it, Teen Patti’s plot seems like a rip-off of the Hollywood blockbuster 21. The film features three ace actors, Ben Kingsley (supposedly not doing a cameo), Big B and Madhavan. With the help of a unique algorithm, Amitabh who plays a mathematical genius leads a team of college students to make a lot of money. Does Amitabh hold the algorithm for the movie’s success or will this be just another failed spin-off?


Houseful

Akshay Kumar has a slew of releases lined up next year and Houseful, the laugh-riot is one of them. The story follows Akshay who is very unlucky in life and is trying to find true love. The women helping him achieve this goal are Deepika Padukone, Lara Dutta and Jiah Khan. In real life, however, we think it’s the other way around. Akshay will end up teaching Deepika more than two expressions, Lara how to sign movies and Jiah Khan how not to be dropped from the one-odd film she has signed.


No Problem

Anees Bazmee has three mega comedy films lined up next year. One of them is No Problem which has quite a star cast – Anil Kapoor, Sanjay Dutt, Akshaye Khanna, Sushmita Sen, Kangna Ranaut, Paresh Rawal and Sunil Shetty. The film is a love story of impossible proportions. Another impossible proposition is Kangna actually makes people laugh after making them weep all these years.


Well Done Abba

Shyam Benegal has been travelling the world with his latest film, Well Done Abba. The satirical movie sees Boman Irani play two roles. Fitting two Bomans in one shot is a feat in itself and a testament to Benegal’s directorial skills. The movie follows the journey of Armaan Ali, a driver from Mumbai, who is out to find his daughter’s (Minissha Lamba) beau. Minissha, who has been alternating between commercial and semi-art house cinema, is reportedly playing a strong role in the film.


Guzaarish

The film that is loosely based on Whose Life is it Anyway? has Hrithik playing a paraplegic radio jockey.  The film seems like a cry-till-your-tearbuds-dry-out movie – it explores the dilemma of euthanasia. Hrithik who believes in challenging himself till the cows come home, reportedly, spent hours in the wheelchair when not required to shoot, to get into the head of the character. Hrithik and Aishwarya reunite after Dhoom 2, and with Sanjay Leela Bhansali directing, it becomes one of the most awaited films in 2010, never mind Saawariya.


Road, Movie

Indian cinema has been through many fascinating twists and turns but none quite as romantic as touring cinemas.  Essentially this means that the owner of one mounts the film projector on the back of a truck and the projectionist travels the length and breadth of a state with the truck, stops wherever there is a pilgrimage or a mela and projects the films he is carrying onto a white curtain which is then viewed by the locals sitting on both sides of the screen. Dev Benegal has made Road, Movie about one such projectionist (Satish Kaushik) and the young owner (Abhay Deol) and the adventures they have as they show their movies. The film has been very well received on the festival circuit.


Anjaana Anjaani

After playing twelve characters in What’s Your Raashee?, we’re sure Priyanka Chopra has become a stranger to herself, especially after the film tanked. Siddharth Anand, director of Ta Ra Rum Pum and Salaam Namaste, tries a romcom with Anjaana Anjaani. Starring Ranbir Kapoor and Priyanka, the film shows two strangers who fall in love and the journey they take together.


Aisha

Abhay Deol’s love for Delhi continues with his Bollywood release, Aisha where he plays another spoilt, rich Delhi brat. His character is modelled on Mr Knightly from Jane Austen’s novel, Emma. The movie is a romantic comedy that explores horrible mismatches. It also has a strong female role that has been bagged by Sonam Kapoor.  Whether Sonam is strong enough for the film after two failed films (read: Saawariya and    Delhi-6) is another matter.


Khelein hum jee jaan sey

Ashutosh Gowariker is no stranger to large canvasses (think Lagaan, Swades, Jodhaa Akbar) so it’s no surprise that he is now filming another humongous project, Khelein Hum Jee Jaan Sey, which revolves around the Chittagong Uprising in the pre Independence days. After What’s Your Raashee?, this is another film adapted from a book, Do and Die by Manini Chatterjee. Abhishek Bachchan and Deepika Padukone lead the star cast and Nitin Chandrakant Desai leads the crew. Hopefully Ashutosh’s version of history will not be challenged,  the way Jodhaa Akbar was.


Knock out

Inspired’ from the Hollywood masterpiece Phone Booth, Mani Shankar will look to re-create the magic in Bollywood. A man is trapped inside a phone booth, not because the door is stuck, but an assassin has a sniper rifle trained on him.  Kangna plays the role of a journalist, Irrfan plays a cop and Sanjay Dutt the assassin.


I Hate Luv Storys

A true-blue rom-com, I Hate Luv Storys brings together the very glamourous Sonam Kapoor and the man with the melting eyes, Imran Khan. Described as a love story not meant to happen but which does happen, it is the story of a man who does not believe in love and a girl who does. They meet on a film set; a milieu the director Punit Malhotra is very familiar with, having cut his teeth on Karan Johar’s sets as an assistant director; and sparks fly.


1-800-Love

When you have a tag line that says, ‘From the makers of Ghajini and Jaane Tu…’ you know you’re in for a commercial roller-coaster. Abbas Tyrewala dons the director’s hat for 1-800-LOVE again and the music score is Rahman’s handiwork. A telephone call connects two people – one who wants to die, the other who is searching for meaning in life. They meet, fall in love, yada yada… If you are watching the movie and you get bored of John Abraham’s three expression repertoire, close your eyes and maybe the music will do the trick for you.


Tees Maar Khan

Tees Maar Khan has gotten more publicity that it ever dreamed of just because Shah Rukh Khan is not playing a role in Farah Khan’s film. But it does seem like SRK has rubbed off on the new lead actor, Akshay Kumar. Kumar plays a ‘stylish’ (metrosexual) conman in the film. He will be joined by Akshaye Khanna, but the female lead has not yet been confirmed.


Hook Ya Crook

Finally, Bollywood gets a movie that shows hope in combining two things that Indians love best – cinema and cricket. Viraj Pradhan (John Abraham) dreams of being a cricketer but is a repeat offender who gets thrown into a maximum security prison. The jail is a haven for cricket players, but Viraj wants much more, he wants to be part of the men in blue. The film has reportedly roped in Indian cricketers for the movie but going by the ads on TV, the word ‘acting talent’ isn’t part of the Indian cricket team’s vocabulary.


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Bollywood lets its hair down as 2009 comes to an end and raises its hopes for 2010

TEAM BT Times News Network (BOMBAY TIMES; December 31, 2009)

AMITABH BACHCHAN: In the New Year, the entire family is hoping to do the kind of work that would please the audience and carry the company forward. Our New Year wishes? May 2010 bring peace and well-being. May it fill us with pride as a nation. May our glory spread further. May we progress in all walks of life. And may the year keep me alive to witness the country, the film industry and my family prosper and progress. I look forward to the coming year passing peacefully.
KATRINA KAIF: I couldn’t hope for a better New Year’s day. I’m in London with my sisters and brother having the time of my life. We have lots of fun when we all are together. After I started working I have hardly seen my siblings. So meeting them is always special and a festival to mark our meeting, is the cherry on the cake. My mother forced me to leave my cell phone behind in Mumbai, so I’m almost cut off from Bollywood. What hopes for 2010? Lots of hard work and hopefully hits.


SHAH RUKH KHAN: I will be at home (Mannat) with Gauri, Aryan, Suhana and a couple of close friends like Karan Johar. Being with close family is the one thing I truly cherish.


AKSHAY KUMAR: Tina, Aarav and I are in Goa. I normally take a vacation from December 29 to January 2 because it includes a double celebration. Tina’s birthday on December 29, and then the New Year’s eve party. Honestly what can be better than spending time with your loved ones? This is a commitment I have made to my family.


DEEPIKA PADUKONE: I will be home in Bangalore with my parents and my sister. Then I go to Goa to wrap up the last fortnight on Ashutosh Gowarikar’s film. Every year I hope that the following year is as exciting as the previous year and I’m very happy with the way my professional life is going. Hope 2010 is the same.


RANBIR KAPOOR: I start shooting for Siddharth Anand’s film in the US from January 2. Since I didn’t wish to be in an aircraft on New Year’s eve, I left India on December 27. My entire family is in Dubai as tomorrow is my paternal grandmother’s birthday and the family is treating her to a one-week holiday there. I wish I could join them!


KAREENA KAPOOR: Saif and I are in England. We are catching up with Saif ’s Oxford batchmates and their spouses. I’m dying to wear my fur coat and sniff the English chill… looking and feeling every inch a diva. We work hard all the year around to make this happen, so let me enjoy myself.

BIPASHA BASU: I’m performing tonight. Then there will be a small get-together with friends. I always like to keep my New Year’s plans uncluttered. Home is the best place to be on any special occasion. And New Year will be a nonfilmy evening at home. Beyond that my only resolution for 2010 is, love yourself.

VIDYA BALAN: I bring in 2010 with my birthday tomorrow… no one can forget it! What hopes do I have for 2010? Oh plenty! After watching Mr Bachchan at work in Paa, I realised being focussed on your work to the point of shutting out everything else is not something I need feel guilty about. Now I’m all set to be seen as this full-blown, seductive, sexually-charged woman in Ishqiya. It brings an entirely new perspective to my personality for the audience. That’s what I’m hoping for in 2010… to find new aspects to my personality through the roles I play.

AJAY DEVGN: Kajol, Nysa, my parents, cousins, sister and her family and I will all be at our Karjat farm house. We’re planning an extended holiday. I start work only from January 2, so does Kajol. So in the meantime it is going to be a huge, long party.


AMRITA RAO: I wonder what 2010 has in store for me… Resolutions sound nice to the ears but adhering to them is a matter of destiny!


AMISHA PATEL: I have a show in Dubai. I will be working and then I will take a holiday. I always like working on New Year’s day because I feel you will then be working throughout!

RITESH DESHMUKH: Friends and I are contemplating how to ring in the New Year. It’s not compulsory to indulge in anything fancy, even a quiet time with good friends does the trick!


ARSHAD WARSI: I am looking forward to three releases in 2010. Will start Raju’s film next year so it’s going to be an eventful year. I haven’t a plan for New Year as yet. I’ll be with family and friends.


ANUSHKA SHARMA: I don’t do much for the New Year. Actually I do nothing. I just wish my family and go to bed.


SHABANA AZMI: As usual I’ll be with my family and a few close friends for the New Year.


IRRFAN KHAN: On every festive occasion I try to visit my mother in Jaipur. But for the New Year I made plans to be home. Beyond the New Year I’ve made no plans. I’ve noticed every time I’ve chalked out a plan for myself, life has humbled me. I leave all my plans to God.


MUGHDA GODSE: I am dancing at a live performance in Delhi tonight and will spend New Year with family and close friends. I’ve a horror film tentatively titled Help coming up for release. My co-star Bobby Deol is such a sweetheart. I hope to find a guy like him this year. Where are all the gentlemen?”


HEMA MALINI: I won’t be doing anything much for New Year. I’ll be with my family and rehearsing for my dance show which is on January 2.


POOJA BEDI: I’m having a small get-together on the terrace of my beachfront penthouse with flowers, candles and an incredible view of the entire city, with my father, my children and a few loved ones.

SUSHMITA SEN: I normally travel overseas. However, Alisah, my younger daughter, can’t travel abroad yet because she doesn’t have a passport. Hence it will have to be a beach resort in India.

ASIN: For me it will be a quiet New Year with family. I wanted to make it for Christmas itself, however I will ring in the New Year at my family home in Kerala.

December 29, 2009 12:38:18 PM IST

Bollywood Trade News Network

download CHANCE PE DANCE wallpapers
CHANCE PE DANCE

Backed by the success of 3 of the genre defining blockbusters of 2009 – KAMINEY, WAKE UP SID and DEV.D, UTV Motion Pictures announced an aggressive line up of 4 films for the period of January – March 2010.

The slate for 2010 kicks off with CHANCE PE DANCE, which has been directed by Ken Ghosh and stars Shahid Kapoor, as the talented and passionate Sameer with a never-say-die attitude and Genelia, as a beautiful and spirited choreographer, Tina. The film will have a worldwide release on 15th January.

HARISHCHANDRACHI FACTORY, India’s official entry to the Oscars this year, will hit the screens on 22nd January. This acclaimed Marathi film directed by Paresh Mokashi is a UTV production, co-produced with Paprika Media and Mayasabha. The film has also been screened for the BAFTA and Golden Globe juries, apart from various other film festivals.

PETER GAYA KAAM SE, a fast-paced action adventure movie with a romantic twist, is directed by John Owen. Starring Rajeev Khandelwal and Lekha Washington, this film is about Peter, a football crazy motorcycle taxi rider, who decides to turn his back on Goa and quit his job – until his sleazy loan shark boss Bosco persuades him to do one last job – the job that will change his life forever. The film is scheduled for a March 2010 release.

PAAN SINGH TOMAR, the true epic journey of a talented runner who turned into a rebel, has been directed by Tigmanshu Dhulia. It stars Irrfan Khan and Mahie Gill, and will be released in March 2010.

Siddharth Roy Kapur, CEO, UTV Motion Pictures said, “While 2009 has been a low year for the film industry in general, we released some interesting films which etched themselves in the minds of the audience. DEV.D, KAMINEY and WAKE UP SID created new benchmarks for what can now be perceived as commercial cinema. Our slate for 2010 promises to be a very entertaining mix and we are very excited to be bringing audiences such a wide array of interesting cinema.”

The much-anticipated releases by UTV in 2010 include Prakash Jha’s RAAJNEETI, Sanjay Leela Bhansali’s GUZAARISH, Anees Bazmee’s THANK YOU, Rajkumar Gupta’s NO ONE KILLED JESSICA, Vishal Bhardwaj’s EK BATAA SAAT, Aamir Khan Productions’ DELHI BELLY and PEEPLI LIVE.

GLAMSHAM.COM

By Joginder Tuteja, December 5, 2009 – 15:34 IST

Celina Jaitly was in for a shock when her name was announced as a Best Female Actor for her English film Love Has No Language in the recently held Cairo International Film Festival (CIFF). While she was busy clapping for other actors and film makers who were being called on stage to be conferred awards, she was clueless that she had been nominated as a Best Actor as well.

“I was invited for the event as a guest of honour. Since I am also an Egyptian tourism ambassador, it was double the reason for me to be present in the event. I knew that my film Love Has No Language had been a New Zealand entry for the film festival which saw entries from across the globe. However, I was in for a shock when I was called to come on stage. I was frozen on my seat for a while and didn’t know how to react”, says Celina who has since returned to India over the weekend. Some of the other prominent Bollywood personalities who came back home with awards were Madhur Bhandarkar, Irrfan Khan and Boney Kapoor.

On the D-day, Celina did make quite a few heads turn though. She got an outfit exclusively created for the event and wore a Neeta Lulla creation – a multi-hued Indo-Egyptian gown.

Meanwhile this is not the last that Celina has seen of Cairo International Film Festival. From next year on, she would also be a member of honorary jury. “This is definitely thrilling and a great honour”, comments Celina.

Celina Jaitly
Talking about Love Has No Language, the film is directed by Kahn Khan and stars New Zealand actor Ben Mitchell along with Rati Agnihotri and Kiran Kumar. The film has already been released in New Zealand. However, it won’t arrive in India.

“No, it won’t see a theatrical release here,” sighs Celina, “However, it would be available on DVD soon.”

Nonetheless, Celina is happy with one of the first major awards coming her way. What has also been the icing on the cake is the fact that the journey for her has begun on an international platform.

“I am glad to be a part of films like Love Has No Language. It means a lot to me and appreciation like this is just timely because it further instills confidence in you as an actor”, says Celina who would soon be seen in an author backed role of a central protagonist in Accident on Hill Road which releases on 18th December.

BOLLYWOOD HUNGAMA.COM

BOMBAY TIMES (December 4, 2009)

Though the tag line of the Himesh Reshammiya’s recent release Radio says ‘it’s complicated’, there was nothing complicated about the film at all. “The shooting of the film went so smooth that we never had reasons to worry,” says director Isshan Trivedi. “What aided me the most were the workshops we conducted before the film’s shooting. My actors on the sets were so well prepared that we hardly had to do retakes,” he adds. At the time when such things were unheard of Isshan started the trend of acting workshops with Ghulam where, as the dialogue writer he would read out each scene to Aamir Khan, helping him get into the skin of his character. Isshan carried on a similar trend in his directorial debut Saade Saath Phere (7 and ½ Phere) where he would discuss every scene with Irrfan Khan and followed it up with Himesh in Radio. Recalling his experience of having workshops with Himesh, Isshan says, “When we started workshops for Radio, the first thing that bowled me over was that Himesh knew the script by heart. But what amazed me most was that day one itself Himesh was ready with six different versions of his character — RJ Vivan Shah. He is so passionate about anything he does that he can go to any lengths to get things right.” Reminiscing the days well spent for Radio, Isshan says, “I would always cherish those early morning meetings with Himesh over a cup of ginger tea and the way we would grapple the nuances of his character and the story of the film.” (Contributed by Madhureeta Mukherjee and Shilpa Keswani for ZOOM)

NO WORRIES: Isshan Trivedi

HARD TALK: Mira Nair

SUBHASH K JHA Times News Network (BOMBAY TIMES; November 27, 2009)

After the mixed response to her latest Hollywood bigbudget film Amelia, Mira Nair is all set to plunge into a far more contemporary and headline-screaming work. It’s going to be a thriller called The Reluctant Fundamentalist and will be set in Lahore, Chile and New York.

Mira had been angling for the filming rights of Pakistani author Mohsin Hamid’s novel by this name for some time now. The deal has finally come through. The Reluctant Fundamentalist is about the impact 9/11 had on the life of a young Pakistani Muslim in New York and requires an intense Muslim actor to play the protagonist, Changez, who can express bitterness, rage and acceptance within the same scriptzone.

The buzz is that Mira has decided on her old favourite Irrfan Khan with whom she did The Namesake and Kosher Vegetarian. However, there is pressure from the American studios to cast a Hollywood actor in the main role so that the international bestselling novel would get the audience it demands and deserves. Global terrorism is not just a theme that fascinates the international film fraternity. Bollywood has produced at least three talked-about films on it this year. Mira is keen to watch her good friend Karan Johar’s Kurbaan and Kabir Khan’s New York to get a look at another filmmaker’s perspective on how 9/11 changed the world-view for Muslims.

By Joginder Tuteja, October 27, 2009 – 11:22 IST

jail1

Last week, Madhur Bhandarkar had presented his upcoming film Jail for a Censor certificate. While it is common news by now that his film was granted a U/A certificate, what hasn’t come out so far is the heated argument that went inside the confines of the four walls. Situation had turned so ugly that during the 45 minutes debate with the Censor officials, Madhur threatened to follow the path of many of his contemporaries in Bollywood and henceforth make only candy floss films. Reason being that Censors had a strong objection against usage of abusive language in certain scenes, depiction of jail inmates, a sex scene involving two gay inmates, skin show by Mugdha Godse and of course much hyped nude scene featuring Neil Nitin Mukesh.

Here is a blow by blow account on what actually transpired in the screening room:

“Once the film’s screening was through, Censors were quite happy with the realistic depiction of life in jail. They appreciated the fact that as promised, it was shown realistically without being overtly dramatized. Also, they felt that a movie like this was the need of an hour as it broke away from stereotype cinema and showed something new to the audiences. They congratulated Madhur for his brave effort and were liberal with compliments”, says a source closely attached to the film.

However, trouble began when it came down to handing over the Censor certificate to the film. Apparently, Censor board felt that the film was not at all suitable for underage audiences and hence was willing to grant only an ‘A’ certificate if the film was to be retained as it is. When Madhur asked for reasons, they came up with such a long list of objectionable scenes and dialogues that it completely flabbergasted the filmmaker, who has made a career out of depicting reality on screen.

“Madhur really didn’t know what hit him because he was quite sure that Censors would keep the theme of Jail in mind before passing the verdict. He was not at all expecting the ‘A’ certificate and the cuts suggested by the Censors were unacceptable to him. He felt that it was unfair on his movie since he had made it after such an extensive research. He couldn’t fathom why Censors were being harsh on the film when his intention was not to glamorize the entire jail world or give rise to any scandals”, recounts the source.

So what were these ‘objectionable points’ in the film that have resulted in such hue and cry? And what’s the counter argument given by the makers of Jail? Let’s have a look:

A dialogue mouthed by a police official to an inmate: ‘Danda neeche se daloonga aur moonh se nikaloonga’
Argument: You don’t expect police to be polite when they are dealing with criminals (or possible criminals). Moreover, Akshay Kumar (who had played a cop) had said the same to Irrfan Khan in Madhur’s own Aan – Men At Work.

Masturbation scene featuring Neil
Argument: How otherwise would an inmate let out his sexual frustration? Nevertheless, keeping the sensibilities of family audiences in mind, the scene has been deleted.

A dialogue mouthed by one of the characters: ‘Mumbai ki khudai Grant Road ki ch***i, kabhi khatam naho hone waali mere bhai
Argument: That’s a tapori way of speaking and the film does show such characters. No more comments.

Expletives like ch***a and more
Argument: You don’t expect a decent language when hundreds of men are lodged together in a jail. Even otherwise, there have been at least a dozen odd movies before Jail that have allowed liberal dose of colourful language.

A scene showing Mugdha’s cleavage
Argument: A very small part of the song ‘Saiyan Ve‘ shows Mugdha and Neil getting intimate with each other where her night dress slips down a little. Censors saw red in that. Wonder, as there has been far more skin show in practically every second film that releases today.

A scene showing two gay inmates making out with each other
Argument: Doesn’t that happen in jails worldwide? The scene features two gays getting intimate in a bathroom. Censors had objections to this which is surprising since Madhur’s own Page 3 had a similar scene. In any case, the dialogue has now been changed in Jail. However, the scene has been retained.

Neil’s nude scene
Argument: Censors felt that the scene was still quite bold for the Indian audience. However, it is a basic process where every inmate is required to strip down completely to reveal any weapons that he may be carrying. In any case, we had pixilated the scene but the Censors wanted it to be further blurred. We were left with no options.

Due to scenes as above going through a change and or in case even completely chopped off, Madhur was left fuming. More so because otherwise the Censors were unwilling to grant it even a U/A certificate.

When contacted, Madhur was expectedly diplomatic about the entire affair. Not willing to comment much, all he stated was – “I want my film to reach out to a larger audience. I am happy with the U/A certificate. Censors were working in their own set parameters and I don’t want to challenge that.”

However, the source continues, “Ironically, this is not the first time that Madhur’s films have faced an axe from Censors. We don’t really have to go very deep down the memory lane for this. Fashion got an ‘A’ certificate and still, it was such a good success. On the other hand, both Page 3 and Traffic Signal were given U/A certificate, but they went on to get National Awards for Madhur. We are just hoping that the same happens for Jail as well though it would have been great had the film been retained as it is.”

Bollywood Hungama.com