Fenil and Bollywood

Posts Tagged ‘kambakkht ishq

CANDID CHAT: Kareena Kapoor
Kareena Kapoor says she is guilty of just that…

MEENA IYER Times News Network (BOMBAY TIMES; January 4, 2010)

It has been a year of fluctuating fortunes for Bollywood’s most powerful actress — Kareena Kapoor. The janta and her sceptics will never let her forget that she had three duds in 2009 with Kambakkht Ishq, Main Aurr Mrs Khanna and Kurbaan. But just when they were nailing her coffin, she bounced right back with the biggest hit of them all.

Like a cat that has swallowed the cream, Kareena smacked her luscious lips and said, “There I was licking my wounds when God above answered my prayers. Honestly, I’m delirious. To think that I started 2009 with a whimper and ended it with a bang. Someone up there heard me.’’

Just before she set off on a tour of England with Saif Ali Khan, the incorrigible Bebo said, “2010 has a lot of promise. I sincerely wish the Midas touch continues. I’ll start the year with my idol, Shah Rukh Khan, with whom I’m travelling to Miami for RA 1. Then I’m going to be traipsing the globe with Saif in Agent Vinod. And, if Aamir keeps up his promise to me, the two of us will end up in a romantic film by the end of the year.’’ Jumping like a child, she asked, “Listen, is it wrong to love more than one Khan at a time? I’m guilty of just that. Shah Rukh and Gauri are my close friends. I love Saifu. And as for Aamir, well, what can I say? He’s the new Khan on my block.’’

Gamely she takes the blame for her duds. She knows the critics dipped their pens in poison when she did KI and MAMK. “My funda is simple,’’ said Bebo. “Actors should be like scientists, always willing to experiment. I experimented and I failed. That doesn’t take away from my acting abilities. If I don’t experiment, the same guys will write — she’s a plastic doll on screen. One does take chances with one’s roles and if the films fail, I’m more heartbroken than anyone else. Don’t forget films are all I live for. I give my films everything I have. So failure does affect me. But to write me off each time I have a flop is unfair.’’

Maybe, but that’s the way things in Bollywood work. One Friday you’re a handmaiden, the next Friday you’re the Queen. And, if you’re lucky, you can get an extended lease at the box-office. Like Bebo just managed. meena.iyer@timesgroup.com
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Badly Burnt In Year Gone By, Industry Looks To Strong Content

Bharati Dubey | TNN (THE TIMES OF INDIA; January 3, 2010)


Pursue excellence and success will pursue you,’’ was what Aamir Khan’s character philosophised in 3 Idiots. But when the lights dimmed and audiences sat down after the National Anthem, what greeted them on screens for most part of the year was average, even poor fare, making 2009 the annus horribilis of the first decade of the 21st century. More than 200 films, with Rs 1500 crore at stake, released last year but almost Rs 1000 crore sank in the sea of mediocrity without a bubble, the sharks-andsexy bikini Blue leading the pack.
Added to it was the multiplex strike which cost around Rs 350 crore, upset release dates forcing films to share Fridays and dent each others’ collections. A multiplex source said, “Cannibalisation caused by big films’ release dates clashing could have been avoided.’’


The year began with Chandni Chowk To China that lost 50% of its Rs 65-crore budget. And marketing blitzkreigs couldn’t save a Blue and Kambakkht Ishq and the audience clearly showed content was king with surprise hits like DevD, New York, WaKe Up Sid and Ajab Prem ki Gajab Kahani. DevD made Rs 6 crore, collected Rs 25 crore at the box office while its ancillary rights made another Rs 5 crore and there are still more satellite runs to be sold. Trade experts also put films like Love Aaj Kal, Ajab Prem ki Gajab Kahani, Wanted among the certified hits, followed by profitable films like Paa, All The Best, De Dana Dan and Raaz 2.


But Bollywood’s loss was Hollywood’s gain, with films like 2012 and Avatar (that collected a whopping Rs 50 crore so far) filling the void for good entertainment.


It was left to And Aamir Khan to play Santa Claus third year in a row, with 3 Idiots the biggest hit of the year. It grossed a phenomenal Rs 100 crore in India in the first four days, and Rs 175 crore worldwide till December 31, even denting into collections of Avatar. Trade analyst Amod Mehra said, “What Ghajini collected in a week, this film has done in three days.


Corporates didn’t really have a great year in 2009 and after the bloodbath in the first half of the year, most of them avoided buying films outright, with even 3 Idiots being released on commission.


Thus 2010 dawns to vastly altered realities — purse strings have tightened by cautious corporates; big banners are no guarantee for success and may dish out big turkeys instead; marketing and stars don’t sell, a good story does; and the days of astronomical fees are over.


“Audiences are very smart, the content ultimately will guide their choices and approval. Marketing and hype will only work if content supports that hype. We may not have a Blue this year but projects like Veer and Prince are costly and prima facie look difficult in terms of recoveries,’’ says a trade expert.


So when Akshay Kumar, blamed for soaring star prices, announced towards the end of 2009 that he would not charge any fee for Farah Khan’s Tees Maar Khaan, it was a lifeline for the industry that had almost gone into the ICU.


Says Amod Mehra, “It is not that people did not come to watch Akshay Kumar films in 2009, it is just that the budgets of the films were so high and his remuneration was almost 40% of those budgets, so recoveries were not possible despite a good opening. But now that the actors are looking at sharing profit with the producer after the cost of the film has been recovered like in the case of Aamir Khan’s 3 Idiots then it will be fair enough. Cutting down of star prices will definitely reduce the budget of films and they will become viable and that is definitely going to be the trend in 2010.”


The year thankfully doesnt have a Rs 100-crore Blue in its line-up. Last year most production houses scrapped films as star prices were not viable. In fact, it is learnt Saif Ali Khan is reworking the budget of his next film Agent Vinod starring Kareena and himself. In fact, 2010 is short on mega projects as budget constraints ensured very few got on the floors in 2009.


The first biggie of 2010 will be Veer,
followed by Rann, My Name is Khan, Action Replay, Kites and House Full in the first half of the year. The second half of the year would have Sanjay Leela Bhansali’s Guzarish and Patiala House.


The action in 2010 seems definitely more in mid-size and multiplex projects that would have strong and clutterbreaking content. “There are a lot of films this year that may not topline the Khans or Hrithik Roshan but still have a decent line-up of names and would be thematically different. Tight budgets and good content seem to be the mantra in the decision making corridors of Bollywood. Each company is carefully evaluating its options and are not getting carried away,’’ says Priti Shahni of Indian Films. Corporates, for instance, have decided to take films only on commission, and not buy them outright.


Shahid Kapoor’s Chance Pe Dance, Striker starring Rang De Basanti’s Siddharth, Aamir Khan Productions’ Peepli Live, Vishal Bharadwaj’s Ishqiya would release in the first half of 2010.


Generation-next too would be making its presence felt with Ranbir Kapoor in Anjana Anjani and Rajneeti, Imran Khan in I Hate Love Stories, Sonam Kapoor in Ayesha, and Deepika Padukone in House Full.


As the record breaking run of 3 Idiots that has spilled over to 2010 has shown, great content along with great pre-release buzz make the perfect mix.


2010: Coming Soon
RAJNEETI (Naseeruddin Shah, Nana Patekar, Ajay Devgn, Katrina Kaif and Ranbir Kapoor) BUDGET: 50 cr


DHOBI GHAT (Aamir Khan, Prateik Babbar) BUDGET: 15 cr


RAAVANA (Abhishek Bachchan, Aishwarya Rai Bachchan) BUDGET: 50 cr


TEEN PATTI (Amitabh Bachchan, Sir Ben Kingsley) BUDGET: 35 cr


VEER (Salman Khan, Zarine Khan) BUDGET: 50 cr


RANN (Amitabh Bachchan) BUDGET: 25 cr


ISHQIYA (Vidya Balan, Naseeruddin Shah, Arshad Warsi) BUDGET: 20 cr


MY NAME IS KHAN (Shah Rukh Khan, Kajol) BUDGET: 50 cr


KITES (Hrithik Roshan, Barbara Mori) BUDGET: 50 cr


ACTION REPLAY (Akshay Kumar, Aishwarya Rai) | BUDGET: 35 cr


GUZAARISH (Hrithik Roshan, Aishwarya Rai Bachchan) BUDGET: 50 cr


ANJAANA ANJAANI (Ranbir Kapoor, Priyanka Chopra) BUDGET: 40 cr


AGENT VINOD (Saif Ali Khan, Kareena Kapoor) BUDGET: 40 cr

Figures are an approximate estimation

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By Joginder Tuteja, December 31, 2009 – 16:43 IST

Yesterday, we went across the B-town and found that 3 Idiots was the unanimous choice when it came to the best that 2009 had to offer. The closest contender was Paa while Avatar led from the front when it came to Hollywood flicks. However, it was quite a divided opinion when it came to the worst of 2009. Quite a few names popped up, some big (Delhi 6, Chandni Chowk To China), some small (Dil Bole Hadippa), some relatively unknown (Videsh – Heaven on Earth, Victory) and a few completely irrelevant (Deshdrohi). There was also an emotional angle involved with a filmmaker or two criticizing their own effort (Sikandar). Read on:

Ramesh TauraniVictory, which came at the beginning of the year, stays on to be the worst film of 2009 for me.

Shirish Kunder Shirish Kunder – (Smiles) Yes, there is one movie which is really the worst for me. Still, I can’t name it since it’s been made by people known to me!

Kalki – Worst of the year was Billu (Barber) because it was just a series of music videos and nothing else.

Sajid Khan Sajid Khan – Worst movie of the year was Delhi 6. Really, I had a lot of expectations from the film but it turned out to be such a disappointing fare.

Hasnain Hyderabadwaala – The worst film of 2009 is Dil Bole Hadippa. Really, what were the makers thinking? Audiences were taken for granted that the protagonist out there won’t be able to differentiate between a girl and a boy despite a different physicality and voice.

Jagmohan Mundhra Jagmohan Mundhra – I have to pick two films here – Chandni Chowk To China and Kambakkht Ishq.

Rituparna Sengupta – There is nothing really which is worst for me because every movie has some effort going in there.

Ruslaan MumtazBlue is the worst movie of the year

Piyush Jha Piyush Jha – Even though I directed it, I believe worst film of the year was Sikandar. That’s because no one saw it and the media totally ignored its significance. Perhaps that happened because Sikandar didn’t have stars/big backers/comic entertainment. Whatever is the reason, the fact is Sikandar was ignored, and that is the real truth.

Sonu Sood Sonu Sood – (Smiles) Even as the entire year is through, I still can’t decide on one worst movie. Maybe I have missed it.

Suneel Darshan – 2009 started with its worst film Chandni Chowk to China It was a ‘directionless’ disaster that disrespected the viewer’s sensibility.

Sadaa – You are asking me about the worst film of the year? You know what; there have been so many that I don’t even care to remember.

Boney Kapoor Boney Kapoor – Preity Zinta’s Videsh – Heaven on Earth was the worst that 2009 had to offer.

Robby Grewal – Worst of the lot would be Deshdrohi (the film had a staggered release across 2008 and 2009)

Ananth Mahadevan – If I pick one WORST FILM of the year, I might just stir up a hornet’s nest. For, another one might cry out that it was more deserving. So let sleeping dogs lie!

Aanand L Rai – For me, the worst movie in 2009 was Delhi 6. It was a very fine concept and from a rock solid director. Still, it failed.

Hansika Motwani Hansika Motwani – I don’t really wish to pick and choose the worst film of the year because for me every movie is good. I know what are the kind of difficulties that we actors go through so it would be wrong on my part to say that this or that movie was bad!

Tusshar Kapoor – Worst of 2009 would be all those films that were released during the strike. Ha ha ha!

Kunal Deshmukh Kunal DeshmukhChandni Chowk To China was the worst film of the year. What a waste of effort. They could have done so much with the film but that was not the case to be.

Raksha Mistry – Isn’t it ironical that the first film which I saw in 2009 stays on to be worst for me? I am talking about Chandni Chowk To China. Maybe I was expecting a lot from the film’s association with Warner Bros. But then it neither had any locations of China nor Chandni Chowk. Worse, it had no story!

BOLLYWOOD HUNGAMA.COM

ANY LESSONS LEARNT FROM 2009 MISTAKES?

Overall 2009 was a disappointing period for Bollywood. As what Ak_India mentioned in his DP that only 8% of films succeeded in this year which is very shocking. Many films got a nice opening and were well received by audiences as well as critics. Still, the films were hailed as Flop or Average due to their high costs. And that was one of the biggest reasons behind the debacle of many films. Films like Billu, Delhi-6, Kambakkht Ishq, Kaminey, Wake Up Sid, All The Best, London Dreams, De Dana Dan etc could had been super hits were they not produced and sold for such high prices. The problem of sky-high costs was accelerated by the wrong release time. Due to the producer-multiplex feud, no movies were released in the lucrative April and May period. As a result, as soon as strike ended, films after films started pouring every Friday. Obviously, common man cannot be expected to watch all films that release and thus, many films failed or did low business. For instance, All The Best could had been successful if it had not released with Blue. Aladin would have fared better had it not clashed with London Dreams. Jail would have got lots of audience if it had not released with the super hit Ajab Prem Ki Ghazab Kahani.

Unfortunately, there is no concrete solution for the 2nd problem. Due to the strike, there is still a huge backlog that needs to be cleared and hence, in 2010 too, one might find multiple releases on lots of Fridays. But the cost of the film can definitely be cut down and the best solution is that the actors slash their prices. Why do superstars like Akshay Kumar charge 20+ crores? And why do producers agree to pay them? Biggie actors should not be given more than 8 or 9 crores. And if this upsets them, then they should be paid more but only if their film succeeds at the box office. This kind of arrangement would benefit all. Movies that are made for 40-50 crores at present would be finished in less than 30 crores. Thus, such film will have high chances of recovering their costs too.

Sadly, no one is thinking of enforcing such an alternative. And as the chapter of 2009 closes, we could see multiple releases even in the last week. Today (i.e. last day of 2009), 3 small films are slated to release-Raat Gayi Baat Gayi (RGBG), Accident On Hill Road (AOHR) and Bolo Raam (BR). It is obvious that all 3 of these films are going to flop. If only one film had hit the screens today, it would have chances of profiting. But no film will profit in this rat race. Not to forget, the 3 Idiots craze is still going on. Hence, all these films have dug their own graves by releasing today. RGBG looks like a complete entertainer; AOHR may work if it has a well-written climax. BR may be hard hitting but it will surely have lowest collections. When will these people learn?
——————————-
MOVIES THAT WILL ROCK IN 2010-PART 1

The following are the films that have big stars and have highest chances of succeeding at the box office. 2 of them are listed below and the rest will be discussed next week [lack of space 😦 ]:



MY NAME IS KHAN: A winner for sure! Although the film looks serious, it has managed to arouse curiosity. And anyways, the name of Shah Rukh Khan is enough to make almost everyone sit up and take notice. Kajol being paired opp SRK is like an icing on the cake. Also it has talented actors like Jimmy Shergill which, I don’t think, will be revealed in promos till the flick releases on Feb 12. The first look of the film made people assume that it’s based on terrorism. However, it’s not! To quote SRK, “It’s a love story with an epic feel(Bombay Times). MNIK is thus expected to work not only in India but overseas too.

RAAVAN/RAVANA: Mark my words; this one would rock big big time! Unfortunately, when Bolly websites are discussing 2010 biggies, they aren’t mentioning this flick. There are many reasons as to why this film is special. Firstly, it is directed by talented-creative Mani Ratnam who never goes wrong. Secondly, it’s a present day version of Ramayana. And thirdly and the best part, the star cast and the characters that they play are just out of this world! Aishwarya Rai Bachchan plays Sita but Abhishek Bachchan isnt playing Rama! Instead, he’s Raavan in the film, i.e. the villain! Southern actor Vikram is Rama! Guess who plays Hanuman? None other than apna Govinda! Just imagine-Govinda in Mani’s film! Cool isnt it? Nikhil Dwivedi and Southern beauty Priyamani completes the main cast. The film is bi-lingual-it was shot in Tamil too but with slight change of cast. Vikram who plays Rama in Hindi version is Raavan in the Tamil version (hats off!). Prithviraj Sukumaran instead is Rama in Tamil version! Aishwariya Rai is acting in both the versions! The film is expected to release in May. Make sure you don’t miss it at any cost!

TO BE CONTINUED NEXT THURSDAY!

(AND WISHING EVERYONE A VERY HAPPY NEW YEAR!)

This post first appeared on MouthShut.com: http://www.mouthshut.com/diary/hdbhmtlmp/Fenils-Bollywood-Talk81

Akshay Kumar waives off his entire fee for Khatta Meetha and Tees Maar Khan. What effect will the actor’s decision have on the bloated market price of other stars?

By Meena Iyer (MUMBAI MIRROR; December 30, 2009)


It could be atonement for his past deeds, or should it read, atonement for his past fees. Trade circles say that Bollywood superstar Akshay Kumar who attained notoriety as the actor who was reportedly signed for as high a fee as Rs 71 crore for a film, has had a change of mind.

Reliable market sources say that the entire completion cost of Akshay’s next two films -Khatta Meetha directed by Priyadarshan and Tees Maar Khan directed by Farah Khan will reportedly not exceed Rs 35 crore.

So how did this miracle happen?

According to one trade source, “The cost of making Khatta Meetha and Tees Maar Khan will not include the actor’s fee.”

The same source adds that when Akshay realised that his films Chandni Chowk to China, Kambakkht Ishq and Tasveer lost money because of his individual fee as an actor, he decided to make a market correction.

Having studied the current Bollywood trade scene, the actor in concurrence with his filmmakers has decided not to charge a single penny for his films.

However, Akki’s banner Hari Om Productions is a co-producer on Khatta Meetha and Tees Maar Khan.

The actor explains the logic behind this drastic move of not charging his market fee, saying, “My fee for both films will be zero. If both films are hits, then my production house will stand to benefit by getting a part of the profits. If the film is average, the profit margin will automatically be reduced. However, it’s important to note here that even if the film flops, no one will lose money because the budget has been controlled. By not charging my personal remuneration as an actor, I’m making sure that these films will at least romp home with no losses.”

Trade sources say that the Akshay module is being closely watched by all actors who have home productions.

MINAKSHI SAHNI (Hindustan Times; December 21, 2009)

https://i1.wp.com/www.hindustantimes.com/images/HTEditImages/Images/Aamir-3Idiots.jpgAamir Khan may be going to town calling himself an idiot in a bid to promote his upcoming movie, but if the producers of 3 idiots and Delhi’s multiplex owners have their way, it is the moviegoer who may end up feeling like an idiot. With one of the most anticipated movies of the year set to hit theatres on Christmas, multiplex owners have decided to hike ticket prices for the movie by as much as 35 per cent. In short, a movie outing for four, which would otherwise cost Rs 600-800, would rob you by nearly Rs 2,000!

Reap when ripe
“We are looking at an increase of 20-30 per cent on weekdays and 35 per cent on the weekends across all our properties,” says Deepak Taluja of Fun Cinemas, explaining that multiplexes can increase ticket prices only twice a year and they look forward to the release of much awaited films to maximise on the opportunity. “Distributors approached us with this idea. So for 3 idiots, whose booking opens on Wednesday, we have increased our morning show price by 33 per cent with a marginal increase in others,” adds Rehan Ahmad of SRS Cinemas. PVR Cinemas and Satyam Cineplex while confirming an increase in ticket prices for 3 idiots, refused to divulge the exact hike, saying their management would meet to decide.

All izz not well
Shocked at the prospect of shelling out anywhere between Rs 350-1,000 (gold class) for a single ticket, youngsters are already feeling the pinch. “You can’t be sucking money just because the movie is highly anticipated,” says communication consultant Pupul Sinha, 26. College goers, who prefer the morning shows, are equally annoyed. “We are the worst hit of the lot,” says Fine Arts student Mahima Saraswat.

“Are we idiots? Who will pay so much, no matter how good a film is?” asks engineering student Mohit Sahni raising another vital point. “By doing this, they are inviting people to opt for the pirated version,” he adds.

The film’s producer Vidhu Vinod Chopra, when contacted, said, “Talk to the cinema halls as I have no say in it.” But a source from the production revealed, “3 Idiots is a film people won’t mind shelling extra money for. That’s the strategy behind this decision.”

It is going to pinch
A morning show ticket usually costs Rs 50-75. The price may go well above Rs 150 – 200.

Gold Class tickets in PVRs may go up from Rs 850 to Rs 1000.

Multiplexes had increased their prices marginally when Om Shanti Om, Ghajini and Kambakkht Ishq had released.

While multiplexes are looking to hike ticket prices, single screen theatres want to counter this by going ahead with same prices [Rs 70-80 for Balcony, Rs 50-60 for Rear Stall and Rs 20-40 for the Front Stall]. Says RK Malhotra of Delite, “It is going to be unfair on the audience and secondly it is a win-win situation for us.” “The film is meant for college students, so a price hike would affect business negatively,” says Kishan of Sheila cinema.

Aminah Sheikh / Mumbai December 19, 2009, 00:01 IST

The Aamir Khan-starrer 3Idiots is the most-awaited Bollywoood film of 2009. Producer Vidhu Vinod Chopra is banking on this to bargain for an exceptionally good financial deal.

Sources said Chopra is negotiating with multiplex and theatre owners to raise ticket prices almost 35 per cent for evening shows and over 100 per cent for morning shows, the highest-ever rate increase for any Bollywood film. The movie releases on December 25.

Multiplexes charge an average of Rs 250 for afternoon and evening shows. Morning shows are priced between Rs 80 and Rs 100. “Vidhu Vinod Chopra is insisting that theatres must increase prices to Rs 300-350 for evening shows and Rs 200 for morning shows,” said a source. However, owners believe this may not be taken too well by the audience.

For the movie, the producer also expects multiplexes to maintain uniform prices through the week, rather than the staggered pricing followed now. “Most families are out, since it’s the Christmas weekend. It wont be affordable. Imagine a family of four paying Rs 2,000 to watch a movie,” said a multiplex source. For ‘Gold class seats’, a ticket will cost Rs 800, from the usual 500. In the past, movies like Om Shanti Om, Ghajini and Kambakkht Ishq have witnessed an increase in ticket pricing. Analysts say this is a new strategy by the producer after attempts to squeeze a higher revenue share from multiplexes did not materialise. Business Standard had earlier reported that the production house was demanding a revenue share of 52 per cent of total box-office collections in the first week, 47.5 per cent in the second week, and 40 per cent in the third and fourth weeks.

Since the multiplex-producer standoff was resolved in June this year for a performance-based revenue sharing agreement (binding for two years), Chopra may have little choice, but to go by the agreement signed then. The agreement says producers would get 52.5 per cent in the first week, 45 per cent in the second week, 37.5 per cent in the third week and 30 per cent in the fourth week if the movie earns over Rs 17 crore at the box office. The producer’s share decreases by 2.5 per cent in week 1 and 2 if the movie earns between Rs 10-17 crore. If the movie does a business of less than Rs 10 crore— producer’s share is 50 per cent for week 1, 40 per cent for week 2, 35 per cent for week 3 and 30 per cent for week 4.]

BUSINESS STANDARD