Fenil and Bollywood

Posts Tagged ‘kid

By Taran Adarsh, January 1, 2010 – 12:30 IST

What do you do when you, accidentally, bang into someone on the road? Flee from the spot? Call for help? Dial the cops? Rush the victim to the hospital?

Pick up a newspaper and chances are you might glance upon a hit-and-run case only too often. ACCIDENT ON HILL ROAD, a remake of STUCK [Mena Suvari, Stephen Rea], raises a few questions in its own way. Perhaps, the intentions were right, but what eventually unfolds on screen isn’t.

The problem with ACCIDENT ON HILL ROAD is that it loses focus after a point and that takes away the seriousness from the issue.

BY BOLLYWOOD HUNGAMA.COM

Sonam [Celina Jaitly] is a nurse who accidentally steers her car into the harmless Prakash [Farooque Shaikh], sending him flying through the windshield. Not wanting to jeopardize her future, Sonam, along with her drug-peddling boyfriend Sid [Abhimanyu Singh], chooses not to get him medical help, leaving him clinging to life in her garage.

But soon her psyche begins to unravel as the captor and captive are pitted against each other in a battle for survival.

ACCIDENT ON HILL ROAD had the potential to be a thought-provoking film that pricks your conscience, but what comes across is a half-baked attempt that runs out of steam soon after the intermission. In fact, the film begins quite well and a few moments as well as the twists and turns in the first half do keep you on the edge.

But the writing [screenplay adapted by Mahesh Nair and Siddharth Parmar] is shoddy in the second part and does not yield the desired outcome. The sequences prior to the climax are a complete downer, while the climax is the worst part of the film. The drama fails to become the nail-biting one that it ought to be.

Also, the assorted people that flit in and out of the story [the kid and his mom, the cabbie and the nosey neighbour with a dog] are half-baked characters as well. Pray, why were they included in the first place?

Mahesh Nair’s direction is a shade better than the poor and sketchy script. Also, he is unable to involve the audience in the drama. Ravi Walia’s cinematography is ordinary. The film has just one song [music: Raju Singh] – ‘Nasha Nasha’ – which is quite erotic.

Farooque Shaikh doesn’t get any scope, frankly. One definitely expected more, since the veteran returns to the big screen after a hiatus. Abhimanyu Singh enacts his part well. But it is Celina Jaitly who pitches in a commendable act and catches you by complete surprise.

On the whole, ACCIDENT ON HILL ROAD will fail to make any headway.

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On his 64th birthday on December 6, Shekhar Kapur visited his maternal uncle Dev Anand after eight years; regrets not being in touch with him

By Subhash K Jha (MUMBAI MIRROR; December 09, 2009)


On his 64th birthday on December 6, Shekhar Kapur decided to pay his mother Sheel Kanta Kapur’s brother, Dev Anand, a visit after eight years. Shekhar says, “It was a time of great reflection for me. As I looked back I suddenly realised I hadn’t met this amazing man for almost eight years. I told myself it’s time to learn a little bit about life from Dev Saab. He’s a karmyogi, completely fearless. I admire myself for being completely fearless. But I think he is even more fearless than I am.

Having met Dev Saab after so long, Shekhar now regrets not being in touch with him. Shekhar confesses, “I didn’t even meet him after Goldie (Vijay Anand) Saab’s death, my fault. I was constantly travelling in recent years. I needed to reconnect with this amazing man who has gone through so many ups and downs in his life and yet continues to be tireless in his enthusiasm for filmmaking. Wherever he goes, he’s cheered and applauded. Maybe people don’t like to see his films any more, but the love for the man simply grows wherever he goes.”

Shekhar says he loves challenges just like Dev Saab, “Tell me something can’t be done and I’ll do it. Ever since I was a kid I’d swim into the deep ocean. I’d ride the motorcycle the wrong way to see if death can get me. Don’t turn to me or Dev Saab and say something is impossible. They told me it was impossible for an accountant to be a director. I proved them wrong.”

Shekhar has come away from his meeting with Dev Saab determined to correct the fact that he isn’t a prolific director yet. He tells us about his keen interest in New Media, “I know I haven’t made that many movies. Look at Dev Saab’s output. But the fact is, after directing The Golden Age (the sequel to Elizabeth ) I became keenly interested in New Media. Two guys in a garage got together and conceived You Tube. That made the way we access the world completely different. I started learning and lecturing on New Media because I thought sharing information and not harping on copyrights was the new mantra.”

Shekhar says he will now make films in a row. He informs us,”Why can’t a film be like a symphony? Why are we stuck on telling stories? Nobody looks at a painting and asks what the story is. I want to make films that make suggestions and create an emotional connect with the audience.”

Shekhar Kapur Dev Anand
Nothing can ever mellow Vidhu Vinod Chopra (53) completely but he is certainly more tolerant and accommodating than ever before. In keeping with his wife’s directive to not praise himself or belittle others, he stays within accepted social barriers all through our chat, restricting all caustic comments and pithy observations for when the mike is switched off

By Indu Mirani (MUMBAI MIRROR; December 05, 2009)


• You don’t have too many friends? Why?
I value friendship. For me friendship is not a loose word. If I call myself a friend, I am ready to give my life and if need be the friend should do the same.That Bambaiya friendship where people call you a friend on your face and as soon as you turn around they call you a bi*** or a swine is not friendship. I told Karan Johar, ‘I want friends like you; I want to throw a party.’ He said, ‘I can make you social,’ he tried and then he gave up.

He told me nicely, ‘You are happy where you are.’ I have only four friends now, I started with two. Rakesh Maria, Rajesh Parekh (and Firoza Parekh) and slowly I acquired the third friend, Amitabh Jhunjhunwala, but now, I am not sure, I am perhaps acquiring a fourth, which is Aamir. So my house is full now. I mean if I have four friends in this city, I am the luckiest. I now get invited to social dos. We get wedding invitations, we get party invitations. We are invited to places we have never been invited to before.

What do you expect the audience will take away from 3 Idiots?
I could be wrong, but I personally believe that 3 Idiots is a step ahead of Lage Raho Munna Bhai. The other day there was a story in the paper of a kid who had jumped off the 19th floor when her mother was in another room and I told my wife that if this kid had seen 3 Idiots, she wouldn’t have jumped. I genuinely feel that if I had released this film a month ago, I could have saved that one life. I think 3 Idiots will save lives.

• Between Aamir Khan, you and Raju Hirani, if there is a clash of opinion, who wins?
We are very clear about this. Raju is head of creatives. At the moment, Aamir is head of marketing. There is no clash. But as head of the family I believe I have a veto and if I really want to use it, I can. I think the three of us are really the perfect 3 Idiots. I had heard horror stories about Aamir and he had heard the same about me but Aamir is the most unbelievable guy I have met in my life unless I am a fool, and he is performing all the time.  I have only nice things to say about Amitabh Bachchan, Anil Kapoor, Jackie Shroff, Sanjay Dutt and Saif Ali Khan but Aamir is something else. His level of commitment, his level of dedication, his level of affection, his level of seeking excellence is exceptional.

• Have you forgiven Shah Rukh Khan for trying to woo away Raju Hirani?
Oh totally. I called him yesterday to invite him for my premiere and we chatted for half an hour. Life is too short for all this s**t! Khalil Gibran has said, ‘I use hate as a weapon to defend myself.’ To me hate and love are both very strong emotions. I love my wife and if I have the same degree of negative feeling for anybody, then I am giving that person the same importance as I am giving to the woman I love the most in my life. How ridiculous is that?


• You famously said your films reflect the mood you are in. Given the comedies your production house is bringing out like the Munnabhai series, do we conclude you are in a good mood?
Yes, I am in a very happy mood. I sing songs all the time. I think life is really kind to me and I am just very grateful. My little daughter writes poetry which I don’t understand and my son plays cricket with Sachin Tendulkar’s son. God has given me a movie like 3 Idiots, friends and two families, one in cinema and the other at home. I came to this city to make one Hindi movie. If I had died after making one feature film after coming from the village that I came from, I would have died happily.

• Are there any actors you can’t conceive of working with for any reason?
The list is long but to tell you honestly it isn’t about individual actors. It is about attitude. I will not work with actors who have the wrong attitude at this given moment. On the other hand if there is an attitude change, I would willingly work with them.

• What is delaying Munna Bhai Chale Amrika?
If after Lage Raho Munna Bhai we had churned out a Munna Bhai film a year, it would have made Rs 200-250 crores and even if they had been s**t, people would go and see them. But we didn’t and won’t till we are happy with the script. Now we are happy with what we have written and so hopefully we will do it next year.

• Is it tougher to write an original screenplay or adapt a book?
To tell you the truth, I haven’t read Five Point Someone on which 3 Idiots is based. The only person in the team who read it was Raju. But I believe our film is very different. Having said that, the starting point was Raju reading the book.

• If you were given the choice to remake a film with the intention of improving it, which film would that be?
Ram Aur Shyam with Aamir Khan. I love that film and now that I am an admirer of Aamir, I would love to make that film with him. I don’t think he can do it better than Dilip Kumar, who was absolutely superb, but it would be a challenge for Aamir and me.

By Taran Adarsh, November 13, 2009 – 10:01 IST

Every kid imagines what it would be like to be an adult. He wishes he could grow up quicker. Of course, once he grows up, a small part of him wishes he could go back to his childhood days. Quite an irony, isn’t it?

There’s a line in AAO WISH KAREIN that goes, ‘If you want to be a part of a fairy tale, it’s important that you believe in it [fairy tale].’ The statement is applicable for everyone desirous of watching AAO WISH KAREIN.

BY BOLLYWOOD HUNGAMA.COM

In terms of concept, AAO WISH KAREIN bears a striking resemblance to the Tom Hanks starrer BIG [1988]. A decade-and-a-half ago, the Salman Khan – Sridevi starrer CHANDRAMUKHI also tackled a similar theme. In that respect, the concept isn’t alien at all.

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It’s not sacrilegious if a film bears an uncanny resemblance to another film [it could be a coincidence], but films like these need to be well-structured and most importantly, supported by incredible actors who can make you believe in fairy tales. Also, the makers ought to take a stand at the very outset: Should it be targeted at kids or youth? You just cannot sit on the fence. In this case, you don’t know if AAO WISH KAREIN is aimed at the kids or is it a breezy romantic flick, targeted at the youth.

All said, AAO WISH KAREIN has some endearing moments, but not enough to salvage it.

12-year-old Mickey’s life was almost like a fairy tale: A beautiful family, best buddy Bonnie and his angel on earth – Mitika [Aamna Sharif]. One fateful day, Mickey’s fairy tale is shattered into a million pieces. He realizes he’s an adopted child and his 23-year-old angel Mitika too calls him a kid. A heart-broken Mickey sits all by himself until Hitchcock [Johny Lever] appears.

Mickey hopes for a miracle to happen. He wishes to become big. To his astonishment, he wakes up next morning and realizes that his wish has been granted. He has indeed turned big. But was this miracle a blessing or a curse in disguise?

The choice of the subject is perfect. But there’s an inherent flaw in the story and that is, the 12-year-old kid seems to be in love with the pretty woman, but the moment his wish his granted and he transforms into a grown up man overnight, he continues to behave like a kid. Romance, therefore, just doesn’t exist and even if it does, it’s far from exciting.

Ideally, the writing would’ve worked had the kid-turned-grown up behaved like a grown up.

The culmination to the story is well penned, but, again, it might not work in entirety. The writers could’ve run their imagination wild, given the fact that they were writing a fairy tale, instead of taking the safe route here.

Director Glen Barretto has handled a few individualistic scenes well, especially the ones between Aftab and Johny Lever. Music is soothing to the ears, but the non-promotion or lack of popularity will make the effort go unnoticed. At the same time, there are too many songs in the second hour, which weren’t required frankly. Keshav Prakash’s cinematography is top notch. The locales of Himachal Pradesh and Goa are well captured on celluloid by the DoP.

Aftab pitches in a sincere performance. He looks the character. Aamna is easy on the eyes, although the role doesn’t demand histrionics. Johny Lever is first-rate. Rati Agnihotri is good. Yatin Karyekar is alright. The kids are full of energy. Riteish Deshmukh makes a brief appearance towards the end.

On the whole, AAO WISH KAREIN is engaging in parts, but how one wishes the film would grab your attention in entirety. The wish of striking a chord and hence, succeeding at the box-office won’t come true for this reason.

Santosh Sivan to play renowned Indian painter Raja Ravi Varma in Malayalam film Magara Manju
By Subhash K Jha (MUMBAI MIRROR; November 04, 2009)


Even as the fate of Ketan Mehta’s Rang Rasiya, based on Indian painter Raja Ravi Varma’s love life remains uncertain, cinematographer-director Santosh Sivan has quietly signed a Malayalam film where he plays the painter. The film is titled Magara Manju (meaning winter mist) and will be dubbed in Hindi and English. The film’s shooting begins next week in Cochin and will be directed by art house director Lenin Rajendran.

 

Santosh Sivan and Karthika in the first look of Magara Manju

Santosh, whose hands are full with cinematography and direction assignments, was at first hesitant to act in the film. He says, “Director Lenin Rajendran convinced me that I was right for the part. The main attraction for turning to acting is Raja Ravi Varma himself. I empathise very closely with his art as I’ve grown up with it. When I was a kid, my grandmother illustrated her stories with Raja Ravi Varma’s paintings. I also paint a bit. I think I’ve acquired my visual aesthetics from this man. I was also Director of Photography for M F Husain’s Gaja Gamini and his son Owais’s Meenaxi: Tale of 3 Cities.”

Santosh’s co-star in the film is the new South sensation Karthika . He says, “Karthika is the daughter of veteran Tamil actress Radha. I sort of like the way we look together.”

The film will also be shot in Trivandrum and Goa. Incidentally, the only other occasion when Santosh Sivan has acted was in Aditya Bhattacharya’s Raakh (1989). “After my shot, Pankaj Kapur (who was also acting in the film) couldn’t stop laughing (at his bad performance),” recalls Santosh with a chuckle.

Epic story

There is a growing interest in the life of Raja Ravi Varma (1848-1906), who is famous for his paintings based on Indian mythology and epics. First, Ketan Mehta took it upon himself to portray the love life of Raja Ravi Varma in Rang Rasiya. Randeep Hooda plays the painter while Nandana Sen plays his muse. Then Malayalam film, Magara Manju, has Santosh Sivan playing Raja Ravi Varma. A book on the life of painter called, The Painter: A Life of Ravi Varma by Deepanjana Pal, Mumbai-based art critic is expected to hit the shelves soon.