Fenil and Bollywood

Posts Tagged ‘kidnapping

Manoj Tiwari recounts firsthand his experience of a near kidnapping and subsequent escape on Saturday

As told to Kunal M Shah (MUMBAI MIRROR; November 30, 2009)


I had gone to Tirtanr, a village in Jharkhand to campaign for my close friend, Vinod Sinha. We had gone to Tirtanr from Dhanbad in a chopper and were supposed to return the same way. But, a snag in the chopper’s fuel tank discovered just before we boarded on the way back meant I had to come back some other way as I had professional commitments in Mumbai.

I opted to go from Tirantr to Kolkata by road from where I would take a flight to Mumbai. I left Tirtanr with a close friend Rajkumar Shrivastava and my driver. As the route from Tirantr to Kolkata is akin to a base camp for the Naxals, I asked for some security.

The cops joined the convoy two kilometres before the place of the attack. It was around 11.25 in the night when we saw a huge red divider kept right in the middle of the road. I am told that it’s a Naxal sign. The cops immediately told us to lie down in our van. They said that the place was the abode of naxals. They asked the driver to drive as fast as possible through the divider.

The people who laid the trap didn’t know that there were cops in our midst. This served us well as they were not prepared for any retaliation on our part. I was lying down in the car with my eyes shut. I could hear the bullets. It was like being in a war zone, I was completely shaken.

The cops called the CRPF (Central Reserve Police Force). To be safe, we had to reach a police chowky which was about five kms away. A few cops from that chowky had rushed to our aid. When we reached the chowky, the cops who were being updated on their walkie-talkies said that the Naxalites were angered by my escape, they would strike back. They believed that the chowky could be attacked.

By then, three vehicles of CRPF with about 25 soldiers each arrived. They said that they would escort me to a safe location. I was taken to Dhanbad in one of those vehicles, with one preceding us and the other following.

The first thing I did after reaching a safe spot was to call my wife. She was extremely worried. I then spoke to my eight-year-old daughter. She asked me if my plane was hijacked.

My conversation with these soldiers and my first hand experience of the perils they face is something I will never forget. I am still upset and scared.

I want to thank the almighty God and the soldiers who risked their life to take me out from the jaws of death. If not for them, I would not be speaking to you. It was the most scary and dreadful experience of my life.

By Taran Adarsh, November 27, 2009 – 10:52 IST

Be forewarned. DE DANA DAN is the most bizarre film from the maharaja of laughathons, Priyadarshan. Not even in your wildest dream you’d think that Priyadarshan would place almost an entire film in a hotel and have its entire cast, comprising of 26 [or is it 27?] characters, most of them weirdos, interacting with each other. Brings back memories of BLAME IT ON THE BELLBOY? May be!

But Priyadarshan needs to be credited for pulling it off. There are times when you laugh hysterically at the most outlandish jokes and situations. There are times when a raised eyebrow or a wide-open jaw makes you break into a guffaw.

BY BOLLYWOOD HUNGAMA.COM

Be cautioned. DE DANA DAN is a loud film, with each and every character screaming on top of his/her voice, with the characters shouting, running, even floating and swimming in the end.

But what do you expect in a Priyadarshan film that has a title like DE DANA DAN? The promos never promised path-breaking or thought-provoking cinema that would give birth to debates and discussions. So why look for logic in this one?

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DE DANA DAN makes no qualms of narrating a story you haven’t heard before. Here, the story is non-existent and it’s left on Priyadarshan to mix-n-match those two dozen characters and keep the momentum alive for the next 2.45 hours.

DE DANA DAN promises laughter and entertainment and sticks to its promise. This one’s not for the hard-nosed types, but for those who worship escapist cinema. Who want to chuckle, giggle and chortle at those mindless jokes. In short, DE DANA DAN is a pure dhamaal entertainer!

Nitin [Akshay Kumar] is a butler, cook, driver, watchman, gardener to a wealthy female industrialist [Archana Puran Singh] in Singapore. Like any young man, Nitin too dreams of a better life. He desperately wants to become rich and marry the love of his life, Anjali [Katrina Kaif], who supports him financially.

Ram [Suniel Shetty], Nitin’s best friend, also came to Singapore with the dream of striking it rich, but ended up a courier delivery man. He falls for Manpreet [Sameera Reddy], but her high society parents will never approve of marriage, not unless Ram has lots and lots of money.

In the midst of all this is Harbans [Paresh Rawal], a shrewd businessman, who’s looking for ways to multiply his income and avoid his debtors. He decides the best way would be to marry his son [Chunky Pandey] off to a girl whose parents can give him a large dowry. He is introduced to Manpreet’s parents at a function and is impressed by their social status. He introduces himself as a well-established businessman, impresses them and they decide to get Manpreet and Harbans’ son married.

With several factors working against them, Nitin and Ram soon reach a dead end in their relationships. When both receive ultimatums from their girlfriends, they realize that only a life of vice can help them out of their misery. They come up with an audacious plan to kidnap someone important and demand a ransom.

The kidnapping goes awry and both hide at a local hotel while waiting for the ransom money. But misfortune is never far and the kidnapping spirals out of control.

Meanwhile, Manpreet’s wedding reception is being held at the same hotel that Nitin and Ram are hiding in. Soon, they are joined by a motley set of characters including a Chinese Don [Asrani], a hired assassin [Johny Lever], a ACB police inspector [Sharat Saxena], a club dancer [Neha Dhupia], an ambassador [Vikram Gokhale], a young frustrated double crossing wife [Aditi Govitrikar], a letch [Shakti Kapoor], a drunken waiter [Rajpal Yadav] and a dead body nobody wants to check into the hotel.

DE DANA DAN is atypical Priyadarshan film that has the unmistakable stamp all over it. But, at the same time, DE DANA DAN is erratic and uneven – energetic at times, lethargic at places. Also, the culmination to the film is very similar to the director’s earlier works, with the entire cast running helter-skelter.

On the flip side, you miss Akshay’s presence in the second hour. He disappears [gets locked in a cupboard] for at least 20 minutes and the focus, hence, shifts to the other characters. His fans will miss his presence, for sure. Besides, the film tends to get very lengthy towards the second half and overtly verbose too.

Director Priyadarshan is synonymous with comedies and the ace storyteller promises laughter in abundance. Handling so many characters, plus making a film on mistaken identities could be very tough, but the director gets it right. Pritam’s music is alright, while the RDB track, ‘Paisa’, is the pick of the lot. Salim-Sulaiman’s background score is energetic. K. Ahambaram’s cinematography is alright.

The review would be incomplete if one ignored the dialogue writer’s [Jay Master] contribution to the film. The lines are laced with wit and soaked in humour and bring the house down on several occasions.

DE DANA DAN has so many characters that it gets difficult to pinpoint or single out any one actor. Akshay is at his best in a Priyadarshan film and DE DANA DAN proves it. Suniel is natural to the core. Paresh is incredible; he pitches in a superb act. Katrina and Sameera don’t have much to do. Amongst the plethora of actors, Johny Lever, Neha Dhupia, Manoj Joshi, Asrani, Vikram Gokhale and Archana Puransingh deserve special mention.

On the whole, DE DANA DAN is targeted at the masses and it delivers laughter in abundance. Leave your brains behind to enjoy this madcap entertainer!