Fenil and Bollywood

Posts Tagged ‘Kites

By Taran Adarsh, January 2, 2010 – 09:05 IST

Click above for more movie stills

Here’s a Breaking News and as always, it’s ONLY on Bollywood Hungama.

It’s finally confirmed! The past few months have witnessed tremendous speculation about the release date of KITES. Initially, it was said that KITES would arrive in Diwali. Later, it was January, coinciding with the release of Hrithik Roshan’s debut movie KAHO NAA… PYAAR HAI. Much later, news poured in that KITES would open during the onset of summer vacations, in April.

But the release date has been sealed finally. The film will be released worldwide on May 14. Interestingly, two more biggies are slated for release in May – HOUSEFULL on 20th [Thursday] and RAAJNEETI on 28th.

BOLLYWOOD HUNGAMA.COM

Badly Burnt In Year Gone By, Industry Looks To Strong Content

Bharati Dubey | TNN (THE TIMES OF INDIA; January 3, 2010)


Pursue excellence and success will pursue you,’’ was what Aamir Khan’s character philosophised in 3 Idiots. But when the lights dimmed and audiences sat down after the National Anthem, what greeted them on screens for most part of the year was average, even poor fare, making 2009 the annus horribilis of the first decade of the 21st century. More than 200 films, with Rs 1500 crore at stake, released last year but almost Rs 1000 crore sank in the sea of mediocrity without a bubble, the sharks-andsexy bikini Blue leading the pack.
Added to it was the multiplex strike which cost around Rs 350 crore, upset release dates forcing films to share Fridays and dent each others’ collections. A multiplex source said, “Cannibalisation caused by big films’ release dates clashing could have been avoided.’’


The year began with Chandni Chowk To China that lost 50% of its Rs 65-crore budget. And marketing blitzkreigs couldn’t save a Blue and Kambakkht Ishq and the audience clearly showed content was king with surprise hits like DevD, New York, WaKe Up Sid and Ajab Prem ki Gajab Kahani. DevD made Rs 6 crore, collected Rs 25 crore at the box office while its ancillary rights made another Rs 5 crore and there are still more satellite runs to be sold. Trade experts also put films like Love Aaj Kal, Ajab Prem ki Gajab Kahani, Wanted among the certified hits, followed by profitable films like Paa, All The Best, De Dana Dan and Raaz 2.


But Bollywood’s loss was Hollywood’s gain, with films like 2012 and Avatar (that collected a whopping Rs 50 crore so far) filling the void for good entertainment.


It was left to And Aamir Khan to play Santa Claus third year in a row, with 3 Idiots the biggest hit of the year. It grossed a phenomenal Rs 100 crore in India in the first four days, and Rs 175 crore worldwide till December 31, even denting into collections of Avatar. Trade analyst Amod Mehra said, “What Ghajini collected in a week, this film has done in three days.


Corporates didn’t really have a great year in 2009 and after the bloodbath in the first half of the year, most of them avoided buying films outright, with even 3 Idiots being released on commission.


Thus 2010 dawns to vastly altered realities — purse strings have tightened by cautious corporates; big banners are no guarantee for success and may dish out big turkeys instead; marketing and stars don’t sell, a good story does; and the days of astronomical fees are over.


“Audiences are very smart, the content ultimately will guide their choices and approval. Marketing and hype will only work if content supports that hype. We may not have a Blue this year but projects like Veer and Prince are costly and prima facie look difficult in terms of recoveries,’’ says a trade expert.


So when Akshay Kumar, blamed for soaring star prices, announced towards the end of 2009 that he would not charge any fee for Farah Khan’s Tees Maar Khaan, it was a lifeline for the industry that had almost gone into the ICU.


Says Amod Mehra, “It is not that people did not come to watch Akshay Kumar films in 2009, it is just that the budgets of the films were so high and his remuneration was almost 40% of those budgets, so recoveries were not possible despite a good opening. But now that the actors are looking at sharing profit with the producer after the cost of the film has been recovered like in the case of Aamir Khan’s 3 Idiots then it will be fair enough. Cutting down of star prices will definitely reduce the budget of films and they will become viable and that is definitely going to be the trend in 2010.”


The year thankfully doesnt have a Rs 100-crore Blue in its line-up. Last year most production houses scrapped films as star prices were not viable. In fact, it is learnt Saif Ali Khan is reworking the budget of his next film Agent Vinod starring Kareena and himself. In fact, 2010 is short on mega projects as budget constraints ensured very few got on the floors in 2009.


The first biggie of 2010 will be Veer,
followed by Rann, My Name is Khan, Action Replay, Kites and House Full in the first half of the year. The second half of the year would have Sanjay Leela Bhansali’s Guzarish and Patiala House.


The action in 2010 seems definitely more in mid-size and multiplex projects that would have strong and clutterbreaking content. “There are a lot of films this year that may not topline the Khans or Hrithik Roshan but still have a decent line-up of names and would be thematically different. Tight budgets and good content seem to be the mantra in the decision making corridors of Bollywood. Each company is carefully evaluating its options and are not getting carried away,’’ says Priti Shahni of Indian Films. Corporates, for instance, have decided to take films only on commission, and not buy them outright.


Shahid Kapoor’s Chance Pe Dance, Striker starring Rang De Basanti’s Siddharth, Aamir Khan Productions’ Peepli Live, Vishal Bharadwaj’s Ishqiya would release in the first half of 2010.


Generation-next too would be making its presence felt with Ranbir Kapoor in Anjana Anjani and Rajneeti, Imran Khan in I Hate Love Stories, Sonam Kapoor in Ayesha, and Deepika Padukone in House Full.


As the record breaking run of 3 Idiots that has spilled over to 2010 has shown, great content along with great pre-release buzz make the perfect mix.


2010: Coming Soon
RAJNEETI (Naseeruddin Shah, Nana Patekar, Ajay Devgn, Katrina Kaif and Ranbir Kapoor) BUDGET: 50 cr


DHOBI GHAT (Aamir Khan, Prateik Babbar) BUDGET: 15 cr


RAAVANA (Abhishek Bachchan, Aishwarya Rai Bachchan) BUDGET: 50 cr


TEEN PATTI (Amitabh Bachchan, Sir Ben Kingsley) BUDGET: 35 cr


VEER (Salman Khan, Zarine Khan) BUDGET: 50 cr


RANN (Amitabh Bachchan) BUDGET: 25 cr


ISHQIYA (Vidya Balan, Naseeruddin Shah, Arshad Warsi) BUDGET: 20 cr


MY NAME IS KHAN (Shah Rukh Khan, Kajol) BUDGET: 50 cr


KITES (Hrithik Roshan, Barbara Mori) BUDGET: 50 cr


ACTION REPLAY (Akshay Kumar, Aishwarya Rai) | BUDGET: 35 cr


GUZAARISH (Hrithik Roshan, Aishwarya Rai Bachchan) BUDGET: 50 cr


ANJAANA ANJAANI (Ranbir Kapoor, Priyanka Chopra) BUDGET: 40 cr


AGENT VINOD (Saif Ali Khan, Kareena Kapoor) BUDGET: 40 cr

Figures are an approximate estimation

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Here’s what we suggest you bring out the popcorn for
MUMBAI MIRROR; January 01, 2010

Karthik Calling Karthik

Farhan Akhtar’s next film is a story of a lovable loser whose chance meeting with his namesake changes his life forever. Karthik Calling Karthik has a star-studded credit list which includes Deepika Padukone, Javed Akhtar and Shankar, Ehsaan and Loy. Considering Farhan acts in the movies he either directs or produces, it seems like he is bent on wanting to typecast himself as the underdog. Weird but true!


My name is Khan

Bollywood’s biology lessons continue with My Name Is Khan. With 9/11 as the backdrop, the movie follows Rizwan Khan (SRK) who suffers from Asperger’s Syndrome. This is an autistic disease that makes the victim devoid of empathy. This, of course will give rise to many comical situations, just like Paa did. The film brings together the electrifying pair of Shah Rukh Khan and Kajol back on the silver screen. Add Karan Johar to the mix and you have a surefire hit. But come on, what is the film industry going to explore next, the common cold?


Raajneeti

A modern-day political rendition of the Mahabharata, Raajneeti boasts of an A-list star cast – Ajay Devgan, Arjun Rampal, Ranbir Kapoor, Nana Patekar, Vivek Oberoi, Manoj Bajpai and Katrina Kaif. The movie will use the dilemmas the characters in the book went through, and draw parallels with it in reel life. Katrina Kaif is reportedly playing the role of Sonia Gandhi in the movie. After all both of them are quite similar: accent – check; powerful woman – check; foreign descent – check; relationship with Salman Khan – no one really knows.


Kites

Kites follows the story of Hrithik Roshan, a salsa dancer who falls in love with his student. Language barriers don’t matter here, love conquers almost all. But ‘something’ happens and it’s up to another student Kangna Ranaut to save the day. Maybe Sussanne walks into the movie or some other terrifying event occurs, we don’t know yet. But we hope the movie does better than Hrithik’s personal life.


Raavana

A modern day rendition of the mythological text, Raavana will get Aishwariya and Abhishek on the silver screen together for the first time after getting hitched. The movie has been plagued with problems – floods, elephants stomping around the set, maybe a higher power is sending a message through all of this. We won’t say anything, let the box-office decide.


Action replay

In Action Replay, a man ages backwards… Hmm, let’s see where have we heard this story before? A clear rip-off of the Hollywood hit, Benjamin Button, the film will feature Akshay Kumar and Aishwarya Rai. Director Vipul Shah is back with Akshay Kumar and hopes his dream run will continue.


Teen Patti

As much as producer Ambika Hinduja denies it, Teen Patti’s plot seems like a rip-off of the Hollywood blockbuster 21. The film features three ace actors, Ben Kingsley (supposedly not doing a cameo), Big B and Madhavan. With the help of a unique algorithm, Amitabh who plays a mathematical genius leads a team of college students to make a lot of money. Does Amitabh hold the algorithm for the movie’s success or will this be just another failed spin-off?


Houseful

Akshay Kumar has a slew of releases lined up next year and Houseful, the laugh-riot is one of them. The story follows Akshay who is very unlucky in life and is trying to find true love. The women helping him achieve this goal are Deepika Padukone, Lara Dutta and Jiah Khan. In real life, however, we think it’s the other way around. Akshay will end up teaching Deepika more than two expressions, Lara how to sign movies and Jiah Khan how not to be dropped from the one-odd film she has signed.


No Problem

Anees Bazmee has three mega comedy films lined up next year. One of them is No Problem which has quite a star cast – Anil Kapoor, Sanjay Dutt, Akshaye Khanna, Sushmita Sen, Kangna Ranaut, Paresh Rawal and Sunil Shetty. The film is a love story of impossible proportions. Another impossible proposition is Kangna actually makes people laugh after making them weep all these years.


Well Done Abba

Shyam Benegal has been travelling the world with his latest film, Well Done Abba. The satirical movie sees Boman Irani play two roles. Fitting two Bomans in one shot is a feat in itself and a testament to Benegal’s directorial skills. The movie follows the journey of Armaan Ali, a driver from Mumbai, who is out to find his daughter’s (Minissha Lamba) beau. Minissha, who has been alternating between commercial and semi-art house cinema, is reportedly playing a strong role in the film.


Guzaarish

The film that is loosely based on Whose Life is it Anyway? has Hrithik playing a paraplegic radio jockey.  The film seems like a cry-till-your-tearbuds-dry-out movie – it explores the dilemma of euthanasia. Hrithik who believes in challenging himself till the cows come home, reportedly, spent hours in the wheelchair when not required to shoot, to get into the head of the character. Hrithik and Aishwarya reunite after Dhoom 2, and with Sanjay Leela Bhansali directing, it becomes one of the most awaited films in 2010, never mind Saawariya.


Road, Movie

Indian cinema has been through many fascinating twists and turns but none quite as romantic as touring cinemas.  Essentially this means that the owner of one mounts the film projector on the back of a truck and the projectionist travels the length and breadth of a state with the truck, stops wherever there is a pilgrimage or a mela and projects the films he is carrying onto a white curtain which is then viewed by the locals sitting on both sides of the screen. Dev Benegal has made Road, Movie about one such projectionist (Satish Kaushik) and the young owner (Abhay Deol) and the adventures they have as they show their movies. The film has been very well received on the festival circuit.


Anjaana Anjaani

After playing twelve characters in What’s Your Raashee?, we’re sure Priyanka Chopra has become a stranger to herself, especially after the film tanked. Siddharth Anand, director of Ta Ra Rum Pum and Salaam Namaste, tries a romcom with Anjaana Anjaani. Starring Ranbir Kapoor and Priyanka, the film shows two strangers who fall in love and the journey they take together.


Aisha

Abhay Deol’s love for Delhi continues with his Bollywood release, Aisha where he plays another spoilt, rich Delhi brat. His character is modelled on Mr Knightly from Jane Austen’s novel, Emma. The movie is a romantic comedy that explores horrible mismatches. It also has a strong female role that has been bagged by Sonam Kapoor.  Whether Sonam is strong enough for the film after two failed films (read: Saawariya and    Delhi-6) is another matter.


Khelein hum jee jaan sey

Ashutosh Gowariker is no stranger to large canvasses (think Lagaan, Swades, Jodhaa Akbar) so it’s no surprise that he is now filming another humongous project, Khelein Hum Jee Jaan Sey, which revolves around the Chittagong Uprising in the pre Independence days. After What’s Your Raashee?, this is another film adapted from a book, Do and Die by Manini Chatterjee. Abhishek Bachchan and Deepika Padukone lead the star cast and Nitin Chandrakant Desai leads the crew. Hopefully Ashutosh’s version of history will not be challenged,  the way Jodhaa Akbar was.


Knock out

Inspired’ from the Hollywood masterpiece Phone Booth, Mani Shankar will look to re-create the magic in Bollywood. A man is trapped inside a phone booth, not because the door is stuck, but an assassin has a sniper rifle trained on him.  Kangna plays the role of a journalist, Irrfan plays a cop and Sanjay Dutt the assassin.


I Hate Luv Storys

A true-blue rom-com, I Hate Luv Storys brings together the very glamourous Sonam Kapoor and the man with the melting eyes, Imran Khan. Described as a love story not meant to happen but which does happen, it is the story of a man who does not believe in love and a girl who does. They meet on a film set; a milieu the director Punit Malhotra is very familiar with, having cut his teeth on Karan Johar’s sets as an assistant director; and sparks fly.


1-800-Love

When you have a tag line that says, ‘From the makers of Ghajini and Jaane Tu…’ you know you’re in for a commercial roller-coaster. Abbas Tyrewala dons the director’s hat for 1-800-LOVE again and the music score is Rahman’s handiwork. A telephone call connects two people – one who wants to die, the other who is searching for meaning in life. They meet, fall in love, yada yada… If you are watching the movie and you get bored of John Abraham’s three expression repertoire, close your eyes and maybe the music will do the trick for you.


Tees Maar Khan

Tees Maar Khan has gotten more publicity that it ever dreamed of just because Shah Rukh Khan is not playing a role in Farah Khan’s film. But it does seem like SRK has rubbed off on the new lead actor, Akshay Kumar. Kumar plays a ‘stylish’ (metrosexual) conman in the film. He will be joined by Akshaye Khanna, but the female lead has not yet been confirmed.


Hook Ya Crook

Finally, Bollywood gets a movie that shows hope in combining two things that Indians love best – cinema and cricket. Viraj Pradhan (John Abraham) dreams of being a cricketer but is a repeat offender who gets thrown into a maximum security prison. The jail is a haven for cricket players, but Viraj wants much more, he wants to be part of the men in blue. The film has reportedly roped in Indian cricketers for the movie but going by the ads on TV, the word ‘acting talent’ isn’t part of the Indian cricket team’s vocabulary.


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After closing the year with films such as PAA and 3 IDIOTS, the year 2010 sure looks bigger and brighter for Reliance BIG Pictures with a mixed bag of films ranging from mainstream and masala to regional and art house.

With maverick directors such as Shyam Benegal, Mani Ratnam, Anurag Basu, Shaji N Karun, Rituparno Ghosh and Buddhadeb Dasgupta bringing the best out of Hrithik Roshan, Barbara Mori, Abhishek Bachchan, Aishwarya Rai Bachchan, Mamootty, Boman Irani, Jishu Sengupta, Indraneil Sengupta, Kangana Ranaut amongst many others the Reliance BIG Pictures slate is sure to watch out for!

Have a sneak peek into Reliance BIG Pictures’ slate of films for the year 2010:

view KITES movie stills
KITES

KITES:

A truly international film KITES tells the story of a young con-man who lives ‘life’ in Las Vegas, always ready to make fast money in any way possible, always looking for the big score. Directed by Anurag Basu and produced by Rakesh Roshan the film stars Hrithik Roshan, Barbara Mori, Kangana Ranaut and Kabir Bedi. It is shot in Mumbai, New Mexico, Las Vegas, and Los Angeles. The film will have and Indian and international version which will release simultaneously. Brett Ratner, best known for the RUSH HOUR series, FAMILY MAN starring Nicholas Cage and X-MEN THE LAST STAND is currently at work on the English version of KITES and tailoring it to appeal it to an international audience.

view WELL DONE ABBA movie stills
WELL DONE ABBA

WELL DONE ABBA:

WELL DONE ABBA is the story of Armaan Ali, a driver working in Mumbai. He takes leave for a month to find a husband for his teenage daughter, who lives in a small locality close to Hyderabad. Armaan Ali returns to work only after 3 months. His young employer wants to sack him but is persuaded to listen to the reason why Armaan got so delayed.

Directed by Shyam Benegal stars Boman Irani, Minissha Lamba, Sammir Dattani, Ila Arun, Sonali Kulkarni, Ravi Kishen, Rajit Kapur, Ravi Jhankal and Yashpal Sharma.

RAAVAN:

Abhishek Bachchan and Aishwarya Rai Bachchan come on screen together in Mani Ratnam’s RAAVAN – a modern day adaption of the epic Ramayan, being readied in Hindi, Tamil and Telugu.

MIRCH:

Directed by Vinay Shukla MIRCH revolves around the protagonist Maanav, a committed struggling filmmaker whose girlfriend Ruchi, a successful film editor, arranges for him to meet film producer Nitin, who is not very convinced about Maanav’s script. Maanav then suggests four stories on infidelity, woven together by a common story.

The film stars Konkana Sen Sharma, Raima Sen, Shahana Goswami, Shreyas Talpade, Rajpal Yadav, Boman Irani, Sushant Singh, Arunoday Singh and Prem Chopra with special appearances by Saurabh Shukla & Tisca Chopra.

view CHALOO MOVIE movie stills
CHALOO MOVIE

CHALOO MOVIE:

The police raid a theatre where movie tickets of a very successful film are being sold in black. When Police Inspector Sher Khan interrogates Khoji, a man in his 20s, he claims that he is the director of the very film whose tickets he is selling in black. The cynical Sher Khan puts Khoji behind bars after which he receives two phone calls – one from the Police Commissioner and another from the dreaded don ‘WC’, both of whom support Khoji’s detention. A hilarious turn of events reveal who Khoji is, whether he is really the film’s director, why is he selling his film’s tickets in black and what do the Police Commissioner and don ‘WC’ want from Khoji.

Starring Rajpal Yadav, Shekhar Suman, Divya Dutta, Hrishta Bhatt and Sayali Bhagat, CHALOO MOVIE is directed by Vinod Pande.

Reliance BIG Pictures, the most committed motion picture company producing regional films in 8 Indian languages is working persistently towards taking them beyond the conventional Diaspora

The slate of films includes:

KUTTY SRANK: Shaji Karun’s Malayalam film KUTTY SRANK starring Mamooty, Kamilini Mukherjee, Padmapriya and Meenakumari brings out three distinct personalities of a dead boat-man from the perspective of three women each of whom claims to be his wife.

ABOHOMAAN
ABOHOMAAN

ABOHOMAAN: Rituparno Ghosh’s Bengali film ABOHOMAAN starring Dipankar De, Mamata Shankar, Ananya Chatterjee, Jishu Sengupta and Ria Sen brings to the screen a sensational relationship between a film-director, a young actress and a wife who swears to ruin her husband’s life and career and a son who gets caught in the cross-fire in this extravagant drama.

JANALA: Buddhabed Dasgupta’s Bengali film JANALA starring Tapas Paul, Swastika Mukherjee and Indraneil Sengupta is the journey of a solitary man against the wrath of circumstances when he decides to pursue his little impulsive dream.

IJJODU: by the maestro M S Sathyu is a film about a photo journalist who finds an interesting girl who has been exploited on the name of religion. He succeeds in breaking her blind belief but fails to accept her to give her an alternative life. This Kannada flick stars Meera Jasmine and Anirudh.

GLAMSHAM.COM

Back off is what Sussanne Roshan seems to be conveying to leading lady Monikangana Dutta on the sets of Guzaarish. The latter is now wary of shooting a lovemaking screen with Hrithik

By Sonal Chawla (MUMBAI MIRROR; December 26, 2009)


Rumours of her husband’s alleged intimacy with Kites’s co-star Barbara Mori has invoked a fierce need in Sussanne to protect her turf. She is now keeping a sharp eye on Hrithik and is not about to take any chances. The insecurity probably stems from hurt over the increasing reports about Hrithik’s roving eye.

On October 29, Mumbai Mirror disclosed that Monikangana and Hrithik Roshan have a passionate lovemaking and kissing scene in Sanjay Leela Bhansali’s ambitious venture Guzaarish. The potential for trouble is undeniable. An alert Sussanne is now making her presence felt on the sets of Guzaarish. Her strict supervision is making the leading lady Monikangana distinctly uncomfortable.

Hrithik Roshan Sussanne Roshan

Apparently, Bhansali’s new find has confided in him, begging out of the lovemaking scene. Monikangana seems to be developing cold feet due to Sussanne’s prying and her presence on the sets.

The story goes that Bhansali wanted Hrithik and Monikangana to spend quality time together, so that the passionate scene seems effortless and natural on screen. A source says, “However, Sussanne used to intrude on their space often. She even followed Hrithik to Goa. Feeling anxious, Monikangana thought that it would be better if she expressed her reservations to the director. Frankly, Monikangana did the right thing. She was sensing that Sussanne seemed to be indirectly conveying to her in no uncertain terms that Hrithik is her husband. That was the limit.”

That puts the director in a spot, and he has to skillfully work his way around the situation. “It is unlikely that Bhansali will humour Monikangana’s apprehensions. But if he goes ahead with his plan, we wonder if he will succeed in shooting a crackling lovemaking scene with a wary leading lady,” adds our source.

Monikangana Dutta
(Pic: yogen shah)

While Monikangana remained unavailable for comment, Bhansali’s spokesperson refused to acknowledge the problem. He said, “There is no lovemaking or kissing scene between Monikangana and Hrithik in Guzaarish.”

Hrithik Roshan, say his friends, is slowly unraveling as he finds that forbidden love is just that… forbidden

By Mumbai Mirror Bureau (December 24, 2009)




Karan Johar doesn’t just manage to get his celebrity guests to open their hearts and reveal their innermost secrets on his TV show, he is also their confidante in real life.

No surprise then to know that Hrithik Roshan confides in him about the dilemmas that trouble him.

Reliable sources have told Mumbai Mirror that recently Hrithik confessed to Karan that he was just not able to get Kites co-star Barbara Mori out of his mind and the effort to keep up the façade of being happily married to Sussanne is tearing him apart. Though these rumours are not new the fact that Hrithik spoke to someone about it just shows how much it is affecting him. Reports also say that Hrithik has made it quite clear to directors close to him that he would be willing to green-light projects that required him to star with Barbara but no one has taken the bait yet, as they all wait to see the reaction to Kites.

Hrithik Roshan and Karan Johar
(Pic: Yogen Shah)

The rather prim and proper Hrithik has also become a party animal, and friends around him are worried that he overindulges. Said a worried co-star, “Hrithik used to be one of the most balanced people around but suddenly one hears that he and his cronies, which include several well-known names, party almost every night and some of the things that go on there are alarming. Everyone in the industry knows about this, but no one will talk.”

Despite this, Hrithik continues to be one of the most professional actors; he reaches on time and is present on sets even when he is not required for a scene. His films are liked by the audience across the board and he only gets better as an actor as he challenges himself with every film he does.

Hrithik is fed-up of his beard and can’t wait to finish shooting for Guzaarish

By Kunal M Shah (MUMBAI MIRROR; December 11, 2009)


Although it has been a while since Hrithik Roshan has grown a beard for Sanjay Leela Bhansali’s Guzaarish, he is getting antsy as he can’t shave it off till he is shooting for the film.

Those close to Hrithik know that he abhors growing a beard, which is precisely why he used a fake one for Kites. Unfortunately for him, he wasn’t allowed to use a fake beard in Guzaarish. As a result, he wants to complete the film’s shooting as soon as possible, much as he likes working with Bhansali.

A source said, “Hrithik has never liked sporting a beard. Give him his clean-shaven look any day. He is getting quite restless and has been telling his friends that he can’t wait to shave off the beard even though some of his friends complimented him on his new look. He agreed to grow it only because it is a Bhansali film.”

“Despite his discomfort, Hrithik is happy that he gave bulk dates for Guzaarish and one of its key schedules is currently on at Mehboob Studios. The film shooting should be complete by the end of this year,” added the source.

Hrithik Roshan was unavailable for comment.

After handing over Kites to Brett Ratner to cut the Hollywood version of Kites, Rakesh Roshan is all gung ho about directing the sequel to Krrish himself

By Sonal Chawla (MUMBAI MIRROR; December 10, 2009)


Rakesh Roshan has always been very possessive about his home productions. It has been reported that Rakesh Om Prakash Mehra was taken onboard to direct Krrish 3. But after the debacle of Delhi 6, Rakesh Roshan doesn’t want to take any chances and has decided to direct the film himself.

A source reveals, “Hrithik is more comfortable working with his father. He is also helping him with the script. They want it to attain Hollywood standards and are leaving no stone unturned to make it work. Though, senior Roshan was convinced of Mehra’s directorial credentials, Hrithik was skeptical.”

Mehra or no Mehra, the scripting is in process. The source continues, “Presently, the father-son duo is busy with Kites and don’t want to hamper the post-production. Only after the release of Kites, they will start working on Krrish 3. Whenever Hrithik is not shooting and is at home, he joins his father and the team of writers and takes part in discussions on every detail pertaining to the film.”

Rakesh Roshan confirms, “I am directing Krrish 3. I am still in the scripting process and there is still time for the movie to go on the floors.” When asked about Rakesh Mehra’s earlier involvement, he says, “We had spoken to Mehra, but he got busy with Delhi 6 and we were busy with Kites, so nothing was finalised.”

However, Mehra says, “I was never directing Krrish 3.”

By Bollywood Hungama News Network, December 4, 2009 – 14:06 IST Shahrukh Khan
After Aamir, it’s now the turn for King Khan to don the grey wig for a brand. Shahrukh Khan this time has done something unprecedented and innovative, by portraying the role of a 75-year-old grandfather, romancing Tanvi Azmi as his wife.

This is for the latest Dishtv campaign that gives viewers a chance to see Shahrukh Khan in an all new avatar. In the second TVC, Shahrukh Khan is paired with Tisca Chopra where he brings home an orphan girl child who settles into the family only after an experience with Dishtv.

Some of the best creative personalities in the country have come together to create this campaign. The creative idea was conceptualized by Ad industry veteran and celebrated lyricist, Prasoon Joshi and the McCann World Group team. The commercials have been directed by the much acclaimed Anurag Basu, (director of films like Life in a Metro, Gangster and the upcoming film Kites). Eminent fashion photographer Tarun Khiwal is the man behind the still photo campaign.

The television commercials are part of the brand’s new brand positioning of ‘Ghar Aayi Zindagi‘ and convey everyday beautiful emotions, through real life situations, of families rejoicing together with their loved ones. In line with the core message of the campaign, Shahrukh Khan will bring alive warm family moments that tug at the heartstrings. Indeed, SRK is the best man for this job.

IN A NEW AVATAR: Shah Rukh in Dish TV’s new campaign
Yes, this is Shah Rukh, and this is how he’ll look when he turns 75! The actor plays an old, bald man in an upcoming ad for Dish TV

APARAJITA MUKHERJEE Times News Network (BOMBAY TIMES; December 4, 2009)

If Shah Rukh Khan’s portrayal of an old man in the movie Veer Zaara left you wanting for more, then here’s something to look out for. In an upcoming ad for Dish TV, SRK has donned an avatar of a 75-yearold man who romances his wife behind closed doors by dancing with her. Anurag Basu, of Kites fame, who’s directed this ad says, “The story is very cute. Tanvi Azmi is playing Shah Rukh’s wife. They’re hiding inside their room and are dancing.” Anurag, together with adman Prasoon Joshi, the brain behind the concept, planned the look and the ad. “We didn’t know if SRK will agree to the idea. I didn’t want to make him Veer Zaara kinda old. It had to be different. So, pehle Shah Rukh ko buddha banaya humne pictures mein, and then showed it to him. He was very sporting and loved the idea,” says Anurag.
While his contemporaries are playing college-students in movies, isn’t it a leap of faith for SRK to add 30 years to his real age? Prasoon says, “He liked the script a lot. Probably he never got a script like that before. His first reaction was, ‘Well, I love it!’ He probably he trusted my work. He didn’t take time to say yes.” Prasoon adds, “Everybody has been going wow over the ad. He has emoted really well. There is a beautiful chemistry between him and Tanvi Azmi.” The bald look in the ad, says Shah Rukh, was something he was excited about since he’s very sure that he’d never lose hair in real life! When asked how his wife, Gauri Khan, reacted to the way he looked, Anurag responded, “Shah Rukh called his make-up guy and gave him the brief on how to do his look. After the whole get-up was done, he did something very cute. He clicked a picture of himself and sent it to Gauri on the phone, asking, ‘Will you still love me when I am old and look like this?’ I am sure he will look much more handsome when he is old!”