Fenil and Bollywood

Posts Tagged ‘Krrish

After handing over Kites to Brett Ratner to cut the Hollywood version of Kites, Rakesh Roshan is all gung ho about directing the sequel to Krrish himself

By Sonal Chawla (MUMBAI MIRROR; December 10, 2009)


Rakesh Roshan has always been very possessive about his home productions. It has been reported that Rakesh Om Prakash Mehra was taken onboard to direct Krrish 3. But after the debacle of Delhi 6, Rakesh Roshan doesn’t want to take any chances and has decided to direct the film himself.

A source reveals, “Hrithik is more comfortable working with his father. He is also helping him with the script. They want it to attain Hollywood standards and are leaving no stone unturned to make it work. Though, senior Roshan was convinced of Mehra’s directorial credentials, Hrithik was skeptical.”

Mehra or no Mehra, the scripting is in process. The source continues, “Presently, the father-son duo is busy with Kites and don’t want to hamper the post-production. Only after the release of Kites, they will start working on Krrish 3. Whenever Hrithik is not shooting and is at home, he joins his father and the team of writers and takes part in discussions on every detail pertaining to the film.”

Rakesh Roshan confirms, “I am directing Krrish 3. I am still in the scripting process and there is still time for the movie to go on the floors.” When asked about Rakesh Mehra’s earlier involvement, he says, “We had spoken to Mehra, but he got busy with Delhi 6 and we were busy with Kites, so nothing was finalised.”

However, Mehra says, “I was never directing Krrish 3.”

Bharati Dubey | TIMES NEWS NETWORK (THE TIMES OF INDIA; October 18, 2009)


Want to net Indian tourists? Woo Shah Rukh Khan or Amitabh Bachchan. It’s a simple formula that several foreign countries seem to be following to boost tourism.


In a first, Khan has just been signed on by the Korean Tourism Organisation as its cultural ambassador to promote tourism as well as to encourage Indian film-makers to shoot in Korea. With SRK promising to use everything from taekwondo to the Korean countryside for his next home production, Korean Consul General Dong Yern Kim is all smiles: “I am confident that Shah Rukh Khan’s appointment will enhance awareness and interest about Korea among his fans.’’


The Bollywood bait has been utilised by countries to promote tou
rism for a long time now. Invite Bollywood film-makers to shoot, offer them hospitality, incentives and the works, and then watch the movie act as a powerful advertisement for India’s outbound tourist market, which is growing at the second fastest rate in the world.


Even before any concerted efforts were begun to market countries, however, there was Yash Chopra, the man who launched film tourism’s Indian chapter. Chopra regularly used UK and Switzerland as the backdrop for his lavishly mounted, chiffon-saris-in-the-Swiss Alps phantasmagorias, and thanks to him, Indian tourist traffic to Switzerland spiralled by almost 30%. Similarly, after Rakesh Roshan shot Kaho Naa Pyaar Hai in New Zealand, the desi footfall went up manifold—Roshan was even honoured by the New Zealand prime minister for promoting tourism.


Recently, the Singapore Tourism Board invested $6.3 million under its ‘Film in Singapore’ scheme that subsidises international film productions by up to 50%.

Thailand is new filmy favourite
Krrish was the first Bollywood film to opt for this scheme, and the annual Indian tourist traffic to Singapore immediately after its release went up from 60 lakh to 70 lakh.


Lately, there’s been a change in the Bollywood list of favourite locales. Switzerland and Dubai are no longer as hot as they used to be—it’s Thailand that tops the list of new favourites, with South Africa a close second. Others include Mauritius, the US, the UK, Nambia, Canada, Italy, Austria and Sri Lanka. “More and more countries are aggressively wooing Bollywood to shoot their films,’’ says producer Rajat Rawail. “Israel, Ireland and Poland are the three new players. Then there’s Fiji Islands, whose government is even willing to give producers a payback of 35% of the cost incurred on shooting. All of them have realised that the exposure their countries gets through our films is huge.’’


Says Sudhanshu Hukku, director, Locations, a firm that organises destinations for film-makers. “Today the world is taking cognisance of the fact that Indian films do leverage huge tourism. The Indian film industry, the world tourism boards and film commissions need to work together. They need to work out Indian film-specific incentives such as tax rebates, subsidies, air
fare support etc, which provide opportunities through in-film branding for tourism.’’


Strangely, India has been unable to similarly promote itself through outside films. Although the government has sanctioned nearly 19 international projects to be shot in India, there is still a lot of reluctance because of the red tape involved. Angelina Jolie went back with a bad taste in her mouth after shooting A Mighty Heart. Udaishankar Pani, who has been the line producer for Gandhi and Salaam Bombay, says, “It is getting extremely difficult to shoot in India because of the red tapism and the number of clearances one has to seek.”


A SIZZLING JODI: Aishwarya Rai Bachchan and (right) Hrithik Roshan. For more pictures of the stars, visit http://photogallery.indiatimes.com
… says Aishwarya Rai Bachchan who’s doing a third film with the Bollywood hunk, and with Sanjay Leela Bhansali

SUBHASH K JHA Times News Network (BOMBAY TIMES; August 13, 2009)


Big news is that Aishwarya Rai Bachchan is making a third film with Sanjay Leela Bhansali called Guzaarish after Hum Dil De Chuke Sanam and Devdas, and it stars Hrithik Roshan. The actress, trapped in the dense forests of Kerala with husband Abhishek for Mani Ratnam’s Ravana, took a call and spoke to BT about it. “We’ve evolved together, grown as individuals and artistes, we’re both similar — totally driven and passionate, the passion is mutually addictive, we don’t meet for months, but every time we meet — we pick up the threads effortlessly,” said Ash about her filmmaker friend.


But, Guzaarish is going to be different from their first two films. “This time we aren’t going into the glamour zone,” said Ash. “Sanjay was so excited when he found the right script for us to work together in. ‘This is it,’ he said. For the first time I didn’t even read the script before I said yes. It’s a very real, very intense drama. I respect filmmakers like Sanjay, Mani Ratnam and Shankar who make the films they do because
they have to. The family that I’ve married into, this belief and faith in the work we do is predominant. Ma or Pa only go into projects with complete conviction. I follow that faith.”


She laughed when asked whether filmmakers who wanted Aishwarya Rai Bachchan would settle for no other actress, “I don’t know, but when I am not able to do a project they discuss the alternatives with me. I treasure that relationship with my directors where they don’t see me as just their heroine but a collaborator even if I’m unable to do their films.” That apart, Ash is thrilled to be working with Hrithik again. They were offered Mission Kashmir soon after Hum Dil De Chuke Sanam, but she couldn’t meet the schedule, so her role was done by Preity Zinta. Then they almost did Krissh, but that, too, didn’t materialise.


Hrithik has admitted that the former Miss World is his favourite costar. “We did an ad-film together before working in Dhoom 2 and Jodhaa-Akbar. Hrithik, Sanjay and I are like-minded people — very focussed and passionate about our work. The two films Hrithik and I did were poles apart and now Sanjay’s film takes us into a totally different territory.

Like I said, there’s no glam zone in this one. I go completely by my convictions. I chose to do Dhoom 2 after ten years in the industry and not at the start of my career. I was
just cracking a genre. And then I moved on. On the other hand, I was content being totally deglam in Guru. If I get loved by my audience for it, then nothing like it,” she said.

Far away from the public eye, Hrithik Roshan is just like any other father who bonds with, and also disciplines, his two sons at home
By Subhash K Jha (MUMBAI MIRROR; July 28, 2009)

Hrithik Roshan

Hrithik Roshan, who feels he hasn’t been able to spend enough time with his younger son Hridaan, who is fourteen months old, now intends to make up for lost time.

“I’ve been shooting most of the time. I’ve hardly had time to be with him. Hridaan smiles at everything and everyone. He’s quite a smiley baby,” says the proud papa.

As for the elder son, three-year-old Hrehaan, Hrithik says he’s a super-hero. “Sometimes  for half a day Hrehaan is Krrish and  for  the other half of the day he is Spiderman or Superman. So he’s flying around the house all day. Sometimes he falls and gets hurt but that’s okay. He’s fantastic.”

Hrithik loves everything to be well-placed in the house. “Hrehaan is allowed to  go as crazy  as he wants in the house, as long as he puts all the toys back. I’ve never stopped him from doing anything. Even when he was just a one-and-a-half year old and he banged the DVD player, I reasoned rather than shouted at him,” he says.

All fathers believe that their children are the smartest. And Hrithik is no different. Seemingly ordinary things take on a special glow just because it’s one’s child who is being discussed. “Hrehaan wakes up early in the morning and puts on the DVD player to watch any films he wants. He holds the DVD in the centre hole because he doesn’t want it to get scratched. He also puts on the air conditioner himself. It’s amazing,” adds Hrithik.

At the moment, Hrehaan’s favourite films are Spiderman and Krrish.

Commenting on how much he is willing to invest both physically and emotionally in a film, Hrithik says, “The big question I always ask myself before doing a film is, can I give my right arm for it? If the answer is yes, then I’m on. For Kites, I can give both my arms.”

On second thoughts, he says, “Considering what I went through with my knees, I take that back. Nothing matters more than your health. Now when I pray for my sons, I pray for their good health.”

Luck5

Since a couple of years, we are bombarded with adventurous reality shows, where contestants do dangerous stunts or stay for 3 months in an enclosed house equipped with video cameras or spend 2 months in jungle or reveal their deepest secrets in front of the family and also the entire country! The motive of all the participating contestants is to win and take home a big moolah. The film Luck goes a step ahead. No, it isnt a reality show but the setting reminds you of one. Except, that one small mistake by the contestant and he/she is dead! A saga of such an extremely dangerous game of death, Luck entertains and thrills fully! Unfortunately, it comes with its share of flaws too! More on it later!

The story of the film: Muusaa Bhai (Sanjay Dutt) is a big name in the world of gambling and betting. He has come up with the concept of human betting and assembles 15 ‘lucky’ people from all around the world to South Africa. Tamang (Danny Denzogpa) helps Muusaa unearth these ‘hidden treasures’ who are favoured by luck-Ram Mehra (Imran Khan) is in a debt of Rs. 20 crore, all thanks to his father who is no more. Retd Major Jawar Pratap Singh (Mithun Chakraborthy) urgently needs Rs. 25 lakhs for his wife’s treatment. Shortcut (Chitrashi Rawat) is a camel racer in Pakistan who has the ability to win in the race even though her camel has a limp! Serial killer Raghav (Ravi Kishan) wonderfully cheats death. And finally, Ayesha (Shruti Haasan) who has already won in the game of human betting once and is back again. In addition, there are some more from the rest of the world. All of them have one thing in common-they all possess luck. There will be only one winner and survivor in the end who’ll go home with 20 crores. Who will that be?

Luck has everything needed for an exciting action packed adveturous thriller-thrilling background score, top-class sound design, action sequences that are out of the world and outstanding sequences. The first scene of the film (see pic below) sets the mood wonderfully. In fact, the initial scene turns out to be one of the best shot scenes of Indian cinema!

Luck6

The first hour concentrates mostly on the background of all the characters. There was a possibility that the film would have turned boring at this point. However, the film has some interesting moments in this portion as well. The film takes a turn when the contestants reach South Africa. All the challenges given to them was well executed and keeps the viewers on the edge of the seat. The climax was brilliant and the surprise towards the finale was very interesting and witty!

However, unfortunately, the film has some glithces too, which could had been easily avoided by the screenwriters. The biggest goof was undoubtedly Ravi Kishan being released from the prison. What was funny and nonsensical was the reason behind his release-watch it and you’ll feel like hurling a shoe on the screen! Other glitches in the flm:
Tamang (Danny) in debt of Rs. 3 lakhs on one side and on the other, he is riding in an expensive SUV and daily spending 50 bucks on lottery!
-The real identity of Ayesha-the flashback didnt quite make sense
-The song ‘Aazma-Luck is the Key‘, sung by Shruti Haasan herself, missing from the film!

With so many brilliant performers, it becomes difficult to judge who was the best. Sanjay Dutt rocks with his brilliant performance! He has already an expert in essaying such ‘bhai’ roles and therefore, performs in Luck with ease. But one wont find him repetitive-everybody would love him for sure! Keep rocking Sanju Baba!

Luck4

Imran Khan is an actor to watch! He had already proved his worth in Jaane Tu…Ya Jaane Na and also in Kidnap, he was brilliant. In case of Luck, he was impressive, especially in the beginning and in the climax where the focus was all on him. Debutant Shruti Haasan is here to stay. Along with good looks and great voice, she has the confidence and capability to carry off even the most challenging roles. She’s possibly winning Best Debut (Female) Award this time!

Chitrashi Rawat was a charmer! She had charmed everyone in Chak De! India (and also in Fashion) and now does it again in Luck too! Mithun Chakraborthy is natural as always. Danny Denzogpa turns out to be the scene stealer. He was completely in form and gives in an master performance! He’s also going to be seen next in Acid Factory, where he is expected to score another sixer. Danny’s back! Ravi Kishan gives a brilliant performance and does a perfect job.

Newcomer Snita Mahey is a perfect lookalike of Angelina Jolie! However, she hardly has anything to do in the film. Same goes for Rati Agnihotri. Others were good.

Salim-Sulaiman‘s music was catchy but could had been better. The best song was ‘Aazma‘. ‘Khudaya Ve’ is also a good composition.

Director Soham Shah hires the same crewman that he had for his debut venture, Kaal-cinematographer Santosh Thundiyil, composers Salim-Sulaiman, action director Allan Amin and sound designer Dwarak Warrier. None of them let Soham down and each of them excel in their departments. Santosh Thundiyil‘s cinematography was eye-catching. The talented lesnman’s last film was Krrish, 3 years back. I wonder where was he all these years! Dwarak Warrier‘s sound design was electrifying, especially in the initial scene. Allan Amin as expected did a fabulous job. The action scenes were no less than a Hollywood flick! Amar Mohile provided the background score, which hugely added to the thrill.

Soham Shah and Rensil D’Silva wrote the screenplay of the film. The screenplay was gripping at several places and helped in maintaining a steady flaw. But at times, the film also fell, thanks to the screenplay.

Finally, Soham Shah alone wrote the story and the directed the film. Overall, he did a great job. The film uses lots of effects and is loaded with style. And this at times took a toll on the proper execution of the film. But Soham surely has a long way to go!

Some of the best scenes of the film:
1. The first scene of the film
2. Ram taking up the ‘lighter’ challenge (brilliant scene!)
3. Shortcut and Ayesha’s entry
4. The first challenge
5. Raghav trying to strike a conversation with Ram and Major
6. The helicopter and underwater challenge sequence
7. The last 15 minutes

On the whole, Luck is a fabulous entertainer which works inspite of its flaws. It is made stylishly and has some thrilling and electrifying action sequences. If you are the kind who likes action dhamakas like Dhoom and Dhoom:2, Luck is for you! Go for it!

My rating-*** 1/2

This review first appeared first on MouthShut.com: http://www.mouthshut.com/review/Luck-171841-1.html

Luck3

PG

If a play is successful, it doesn’t necessarily mean that its cinematic adaption too would work. Paying Guests just confirms this. Based on a successful play, the film would have clicked even if it had some minor loopholes. But alas, the film falls at several places. Besides, the weak direction spoil the things more.

The story of the movie: Bhavesh (Shreyas Talpade), Parag (Jaaved Jaffery) and Parikshit (Aashish Chowdhary) live as paying guests at the place of Kiska (Asrani) in Bangkok. Due to bad luck, one day, all three of them are thrown out of their respective jobs. At this point of time enters into the scene, Parikshit’s cousin Jayesh (Vatsal Seth), who arrives at Bangkok to work as an architect. Bad times are still not over for the three paying guests as they are thrown out by Kiska. They now desperately search for a new landlord, who would give them a room at cheaper rate. Finally, they get one such person-Ballu Singh (Jhonny Lever), who is coincidentally the former employer of Bhavesh. He is willing to rent his house only on one condition-the paying guest should be married!  And so, Bhavesh and Parag take the guise of women and pretend to be Parikshit and Jayesh’s wives, Karishma and Kareena, in front of Ballu and his wife (Delnaaz Paul)! What follows is madness!

Problems with Paying Guests are many. The biggest culprit is of course the execution. The screenplay also is to blame. The idea at hand was wonderful-four friends trying to fool a landlord (This idea was wonderfully utilized in Dostana recently). However, it was not fully tapped.

To add more drama in the story, the writer had added two villains-Chunkey Pandey and Inder Kumar. But both of them don’t help to improve things much. And the climax-you have to see it to believe it! Akbar, Salim, Ravana, Thakur, Spider Man, Phoolan Devi, Shehanshah, Krrish and even Osama-all come under one roof (and on one stage) and perform! What’s more, Spider Man calls Ravana his best friend who in turn gets smitten by Anarkali! It can’t crazier than this! Although this spoof-filled climax does manage to make you laugh, it was one of the most stupid climaxes of all time!

PG3

So any plus point in the film? Fortunately, yes! Besides nice performances, the film has some funny entertaining moments here and there which manage to raise a few laughs. The scene where the four friends are making fun of Asrani without knowing that he’s standing right at the back works well. Another funny sequence-Delnaaz believing that Shreyas is pregnant! Many such scenes succeed in entertaining.

Performance-wise, Shreyas Talpade was certainly the best one. Comedy has always been his forte and he performs perfectly, as per his character demanded. He was also very impressive in his women-act. He certainly deserves to be nominated for Best Comic Role!

Jaaved Jaffery and Ashish Chowdhary, too give a good a performance. Ashish was particularly excellent in the scenes with Neha Dhupia. Vatsal Seth, like everytime, looks charming. Jhonny Lever was as usual funny. Delnaaz Paul fails to make the viewers laugh. Same for Chunkey Pandey who was irritating. I wish he can repeat his Apna Sapna Money Money magic. Inder Kumar was horrible. Paintal was bearable.

The film also has four heroines-Neha Dhupia, Celina Jaitly, Sayali Bhagat and Riya Sen, who add to the glamour quotient in the film. However, only Neha Dhupia succeeds in making a mark. In one scene, one could clearly see her grey hair!

Sajid-Wajid’s music was plain average. Songs were added unnecessarily in the film. 2 songs-‘Jack & Jill’ and the title song stand out. P Shelvakumar’s cinematography was good. Although the film is shot in Pataya, its scenic locales were not showed much in the film. Dialogues, especially the ones mouthed by the four actors and Jhonny were funny. But the lines of Delnaaz, Chunkey and Inder were plain horrible.

Paritosh Painter impressed one and all with his screenplay and dialogues in Dhamaal. He has also directed plays, many of which are super-hits. Unfortunately, Paritosh fails to deliver this time. Paritosh is a great play director, but couldn’t do justice as a film director. The story (also penned by him) was good and could have been made into a better film. Better luck next time, Paritosh!

The only good scenes in the film:
1.   The first scene
2.   Bhavesh getting a call from a 7 star hotel
3.   The four friends making fun of Kiska (Asrani)
4.   Chunkey trying to rape Shreyas
5.   Delnaz assuming that Shreyas is pregnant
6.   Scenes of Paintal

On the whole, Paying Guests is a disappointment. It makes you laugh, but only in very few places. It’s better to avoid it and instead watch it on VCD/DVD/Cable later!

My rating-** out of 5!

This review first appeared on MouthShut.com: http://www.mouthshut.com/review/Paying_Guests-169841-1.html