Fenil and Bollywood

Posts Tagged ‘LONDON DREAMS

WHERE ARE THE ROLES? Lara Dutta, Bipasha Basu, Sonam and (above) Vidya Balan

They’re not studio hopping in 2010 because there’s no work

MEENA IYER Times News Network (BOMBAY TIMES; January 5, 2010)

The Bollywood men are sorted. Shah Rukh Khan is committed to doing one film in 2010 with Kareena Kapoor (RA 1). Aamir Khan may or may not even do that much. Salman Khan is introducing 20-something Sonakshi Sinha (Dabangg) to audiences. Ranbir Kapoor is romancing Priyanka Chopra (Anjaana Anjaani) and Katrina Kaif (Rajniti). Akshay Kumar is serenading Deepika Padukone (Houseful), Southern hottie Trisha (Khatta Meetha) and Aishwarya Rai Bachchan (Action Replayy). Ajay Devgn wants Bebo (Golmaal-3)! The five or six men who matter at the box office have their screen partners more or less sorted. If they sign new films, they once again want the top five Bollywood girls to prance with them. So what happens to the rest? Well, well. “As usual the expiry date for heroines in Bollywood is getting shorter and shorter, their shelf life is cramped,’’ says trade consultant Amod Mehra. He continues, “Except the top four girls actually —whichever order you place them in — whether it is Kareena, Katrina, Priyanka and Deepika, the other girls have slipped into oblivion.’’ A top hero (from the lot mentioned above) adds, “One of the heroines is so desperate for work, she is actually contemplating doing a film with an art film actor. The reason for her desperation is understandable. Last year we saw B-town beauties Preity Zinta and Rani Mukherji being phased out. In 2010, at least half-a-dozen girls of the existing lot will be quietly shown the gate.’’ Another trade source points out that Bollywood has enough talent and glamour to keep it going. However, the men on top definitely want either the Top 5 or they want someone completely ‘virgin’. Vidya Balan says she would much rather do just Ishqiya that revolves around her completely and follow it up with one Chenab Gandhi — again a pivotal role for her. But the fact of the matter is that even a volcano of talent like Vidya is left with little choice. Honestly, how many regular films can she find herself fitting into? Bipasha Basu and Lara Dutta also have just one/two films on hand. Asin Thottumkal hasn’t shot for a single film all through 2009. Post Ghajini she greenlighted only London Dreams and the 19th Step. London Dreams tanked and the 19th Step was shelved. Youngsters like Genelia D’Souza and Sonam Kapoor have promise but are still to make the box office grade. The fact is that 90 per cent of the B-town girls are more visible at advertisement commercial shoots, ribbon-cutting ceremonies, stage concerts and television reality shows. It is the money from these add-on revenue streams that keeps their world going around. Films? Well, what’s that?

By Bollywood Hungama News Network, December 31, 2009 – 12:22 IST

Best Film
3 Idiots
Dev D
Kaminey
Love Aaj Kal
Paa

Best Director
Anurag Kashyap – Dev D
Imtiaz Ali – Love Aaj Kal
R Balki – Paa
Rajkumar Hirani – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Actor (Male)
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Ranbir Kapoor – Ajab Prem Ki Ghazab Kahani
Ranbir Kapoor – Rocket Singh – Salesman Of The Year
Saif Ali Khan – Love Aaj Kal
Shahid Kapoor – Kaminey

Best Actor (Female)
Deepika Padukone – Love Aaj Kal
Kareena Kapoor – 3 Idiots
Katrina Kaif – New York
Priyanka Chopra – Kaminey
Priyanka Chopra – What’s Your Raashee?
Vidya Balan – Paa

Best Actor in a Supporting Role (Male)
Abhimanyu Singh – Gulaal
R Madhavan – 3 Idiots
Rishi Kapoor – Love Aaj Kal
Rishi Kapoor – Luck By Chance
Sharman Joshi – 3 Idiots

Best Actor in a Supporting Role (Female)
Arundhati Naag – Paa
Divya Dutta – Delhi-6
Gauhar Khan – Rocket Singh – Salesman Of The Year
Neha Dhupia – Raat Gayi Baat Gayi
Shahana Goswami – Firaaq

Best Actor in a Negative Role
Amole Gupte – Kaminey
Boman Irani – 3 Idiots
Kay Kay Menon – Gulaal
Mahesh Manjrekar – Wanted
Manish Choudhary – Rocket Singh – Salesman Of The Year

Best Actor in a Comic Role
D Santosh – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots
Paresh Rawal – De Dana Dan
Sanjay Mishra – All The Best
Vinay Pathak – Raat Gayi Baat Gayi

Best Background Music
Amit Trivedi – Dev D
Ilaiyaraja – Paa
Salim-Sulaiman – Rocket Singh – Salesman Of The Year
Shantanu Moitra, Atul Raninga, Sanjay Wandrekar – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Music
A R Rahman – Delhi-6
Pritam – Ajab Prem Ki Ghazab Kahani
Pritam – Love Aaj Kal
Pritam – Tum Mile
Vishal Bhardwaj – Kaminey

Best Playback Singer Female
Kavita Seth – Iktara – Wake Up Sid
Rekha Bhardwaj – Genda Phool – Delhi-6
Shreya Ghoshal – Zoobi Doobi – 3 Idiots
Shilpa Rao – Mudi Mudi – Paa
Sunidhi Chauhan – Mere Sang – New York

Best Lyrics
Amitabh Bhattacharya – Emosanal Attyachaar – Dev D
Irshad Kamil – Chor Bazari – Love Aaj Kal
Javed Akhtar – Sapnon Se Bhare Naina – Luck By Chance
Piyush Mishra – Ranaji – Gulaal
Prasoon Joshi – Man Ko Ati Bhavey – London Dreams

Best Story
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Anurag Kashyap, Aparna Malhotra, Raj Singh Chaudhary, Sanjay Maurya – Gulaal
Imtiaz Ali – Love Aaj Kal
Nandita Das, Shuchi Kothari – Firaaq
R Balki – Paa

Best Screenplay
Abhijat Joshi, Rajkumar Hirani, Vidhu Vinod Chopra – 3 Idiots
Anurag Kashyap, Vikramaditya Motwane – Dev D
Imtiaz Ali – Love Aaj Kal
Pankaj Advani – Sankat City
R Balki – Paa

Best Dialogue
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Imtiaz Ali – Love Aaj Kal
Anurag Kashyap, Vikramaditya Motwane – Dev D
R Balki – Paa
Vishal Bhardwaj – Kaminey

Best Editing
Aarti Bajaj – Dev D
Aarti Bajaj – Love Aaj Kal
Anil Naidu – Paa
Meghna Manchanda Sen, Sreekar Prasad – Kaminey
Rajkumar Hirani – 3 Idiots

Best Sound
Bishwadeep Chatterjee, Nihar Ranjan Samel – 3 Idiots
Dileep Subramaniam – Love Aaj Kal
Sanjay Maurya, Allwin Rego – Dev D
Shajith Koyeri, Subhash Sahu, P M Satheesh – Kaminey
Tapas Nayak – Paa

Best Special Effects
Charles Darby – Aladin
Prime Focus Ltd – Blue

Best Cinematography
C.K. Muraleedharan – 3 Idiots
P.C. Sreeram – Paa
Rajeev Ravi – Dev D
Shankar Raman – Frozen
Tassaduq Hussain – Kaminey

Best Art Directon
Acropolis, Rajnish Hedaa, Sumit, Snigdha Basu – 3 Idiots
Sabu Cyril – Aladin
Samir Chanda – Delhi-6
Samir Chanda – Kaminey
Sukanta Panigrahy, Helen Jones – Dev D

Best Choreography
Ahmed Khan – Prem Ki Naiiyya – Ajab Prem Ki Ghazab Kahani
Avit Dias – Aal Izz Well – 3 Idiots
Bosco- Caesar – Zoobi Doobi – 3 Idiots
Prasanna – Marjaani – Billu
Baawre – Vaibhavi Merchant – Luck By Chance

Best Action
James D Bomalick – Blue
Huan-Chiu Ku – Chandni Chowk To China
Shyam Kaushal – Kaminey
Tinu Verma – Acid Factory
Vijayan Master – Wanted

Most Promising Newcomer (Male)
Amole Gupte – Kaminey
Chandan Roy Sanyal – Kaminey
Navin Kaushik – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots

Most Promising Newcomer (Female)
Gauhar Khan – Rocket Singh – Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jesse Randhawa – Gulaal
Kalki Koechlin – Dev D
Mahie Gill – Dev D

Most Promising Debut Director
Ayan Mukerji – Wake Up Sid
Nandita Das – Firaaq
Pankaj Advani – Sankat City
Shivajee Chandrabhushan – Frozen
Zoya Akhtar – Luck By Chance

Best Child Artiste
Jahan Bativala – Little Zizou
Iyanah Bativala – Little Zizou
Rahul Kumar – 3 Idiots
Parzan Dastur- Sikandar
Pratik Katare – Paa

Best Ensemble Cast
Delhi-6
Firaaq
Gulaal
Luck By Chance
Sankat City

BOLLYWOOD HUNGAMA.COM

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

ANY LESSONS LEARNT FROM 2009 MISTAKES?

Overall 2009 was a disappointing period for Bollywood. As what Ak_India mentioned in his DP that only 8% of films succeeded in this year which is very shocking. Many films got a nice opening and were well received by audiences as well as critics. Still, the films were hailed as Flop or Average due to their high costs. And that was one of the biggest reasons behind the debacle of many films. Films like Billu, Delhi-6, Kambakkht Ishq, Kaminey, Wake Up Sid, All The Best, London Dreams, De Dana Dan etc could had been super hits were they not produced and sold for such high prices. The problem of sky-high costs was accelerated by the wrong release time. Due to the producer-multiplex feud, no movies were released in the lucrative April and May period. As a result, as soon as strike ended, films after films started pouring every Friday. Obviously, common man cannot be expected to watch all films that release and thus, many films failed or did low business. For instance, All The Best could had been successful if it had not released with Blue. Aladin would have fared better had it not clashed with London Dreams. Jail would have got lots of audience if it had not released with the super hit Ajab Prem Ki Ghazab Kahani.

Unfortunately, there is no concrete solution for the 2nd problem. Due to the strike, there is still a huge backlog that needs to be cleared and hence, in 2010 too, one might find multiple releases on lots of Fridays. But the cost of the film can definitely be cut down and the best solution is that the actors slash their prices. Why do superstars like Akshay Kumar charge 20+ crores? And why do producers agree to pay them? Biggie actors should not be given more than 8 or 9 crores. And if this upsets them, then they should be paid more but only if their film succeeds at the box office. This kind of arrangement would benefit all. Movies that are made for 40-50 crores at present would be finished in less than 30 crores. Thus, such film will have high chances of recovering their costs too.

Sadly, no one is thinking of enforcing such an alternative. And as the chapter of 2009 closes, we could see multiple releases even in the last week. Today (i.e. last day of 2009), 3 small films are slated to release-Raat Gayi Baat Gayi (RGBG), Accident On Hill Road (AOHR) and Bolo Raam (BR). It is obvious that all 3 of these films are going to flop. If only one film had hit the screens today, it would have chances of profiting. But no film will profit in this rat race. Not to forget, the 3 Idiots craze is still going on. Hence, all these films have dug their own graves by releasing today. RGBG looks like a complete entertainer; AOHR may work if it has a well-written climax. BR may be hard hitting but it will surely have lowest collections. When will these people learn?
——————————-
MOVIES THAT WILL ROCK IN 2010-PART 1

The following are the films that have big stars and have highest chances of succeeding at the box office. 2 of them are listed below and the rest will be discussed next week [lack of space 😦 ]:



MY NAME IS KHAN: A winner for sure! Although the film looks serious, it has managed to arouse curiosity. And anyways, the name of Shah Rukh Khan is enough to make almost everyone sit up and take notice. Kajol being paired opp SRK is like an icing on the cake. Also it has talented actors like Jimmy Shergill which, I don’t think, will be revealed in promos till the flick releases on Feb 12. The first look of the film made people assume that it’s based on terrorism. However, it’s not! To quote SRK, “It’s a love story with an epic feel(Bombay Times). MNIK is thus expected to work not only in India but overseas too.

RAAVAN/RAVANA: Mark my words; this one would rock big big time! Unfortunately, when Bolly websites are discussing 2010 biggies, they aren’t mentioning this flick. There are many reasons as to why this film is special. Firstly, it is directed by talented-creative Mani Ratnam who never goes wrong. Secondly, it’s a present day version of Ramayana. And thirdly and the best part, the star cast and the characters that they play are just out of this world! Aishwarya Rai Bachchan plays Sita but Abhishek Bachchan isnt playing Rama! Instead, he’s Raavan in the film, i.e. the villain! Southern actor Vikram is Rama! Guess who plays Hanuman? None other than apna Govinda! Just imagine-Govinda in Mani’s film! Cool isnt it? Nikhil Dwivedi and Southern beauty Priyamani completes the main cast. The film is bi-lingual-it was shot in Tamil too but with slight change of cast. Vikram who plays Rama in Hindi version is Raavan in the Tamil version (hats off!). Prithviraj Sukumaran instead is Rama in Tamil version! Aishwariya Rai is acting in both the versions! The film is expected to release in May. Make sure you don’t miss it at any cost!

TO BE CONTINUED NEXT THURSDAY!

(AND WISHING EVERYONE A VERY HAPPY NEW YEAR!)

This post first appeared on MouthShut.com: http://www.mouthshut.com/diary/hdbhmtlmp/Fenils-Bollywood-Talk81

IT’S TIME TO REJOICE!

Although 2009 is considered as a black year for Bollywood, the last 3 ½ months have proved to be profitable not only for producers, distributors and exhibitors but also for viewers. There were at least half a dozen commercially successful films like Wanted, Wake Up Sid, All The Best, Ajab Prem Ki Ghazab Kahani, De Dana Dan and Paa. Also, flops like Dil Bole Hadippa, What’s Your Raashee?, Do Knot Disturb, Blue, London Dreams, Tum Mile, Kurbaan etc did manage to bring audiences to theatres in its first 3 days of release. Also, we got two Hollywood blockbusters, 2012 and Avatar. And tomorrow’s release 3 Idiots is expected to be the biggest hit of 2009. This Aamir Khan flick is been given one of the widest releases. If all turns out to be well, 3 Idiots may become the biggest blockbuster ever, breaking even Ghajini’s record (which at present is the biggest Bollywood hit).

People are coming to theatres. So many movies are running successfully. Unfortunately, no is celebrating it and no trade analyst is coming forward to discuss about it. Ironically, during bad times, every producers, distributor and trade pundits will come forward and state as to ‘how our industry is going through a crisis’. Somehow, we have become more negative in our approach. We love to live in bad times! Come on guys, pop the champagne and enjoy the good time!

TICKET RATES INCREASED FOR 3 IDIOTS


Watching 3 Idiots shall turn out to be an expensive affair. Knowing that people are going to come for sure to watch this Aamir Khan flick, Vidhu Vinod Chopra and the distributors of the film have urged multiplexes and single screens across the country to increase the ticket rates for 3 Idiots. Even morning shows which had a meager price of Rs 60 or 80 is now sold for 160 or 180 and even 200 bucks. A prominent multiplex in South Mumbai (Inox, Nariman Point) takes away the cake by charging Rs 290 for the 11:30 am show! And for the evening and night shows, the least said, the better!

Surprisingly, hardly any Bollywood intellectuals have spoken against this unfair practice. All of them are concerned only with the problem of piracy. Why? Because it concerns them-they face huge losses because of pirated DVDs. And they don’t need to care for the inflated ticket prices since they can either afford it or they get to see films free of cost in preview screenings!

But all of them have failed to see the point that one of the biggest reasons for piracy is the expensive ticket rates. Reducing the ticket prices will automatically reduce piracy to a certain extent. But instead of applying this idea, ticket rates are increasing, thus giving a boost to piracy. Producers and distributors are only concerned with extracting maximum profits. And when viewers shun theatres due to high prices, they will again come up with ‘industry going through crisis’ stuff when the fact is that they only created the situation in the first place! Very very sad!

This post first appeared on MouthShut.com: http://www.mouthshut.com/diary/chfdltslp/Fenils-Bollywood-Talk80

CHECK OUT THE PROMO OF MY NAME IS KHAN HERE!

By Faridoon Shahryar, December 16, 2009 – 23:10 IST

Click above for more event stills

My Name Is Khan and I am not a terrorist…this line from the First Look promo of Shahrukh-Kajol propelled ‘My Name Is Khan‘ hits you with an incredible force that sends shivers of goose pimples within. Obviously the paramount question is that whether the SRK-Kajol chemistry works magic again. Yes, it does…Big Time. It seems the duo are meant to fall in love and transmit that love-electricity on celluloid to millions of people across the world.

MNIK promo successfully opens a window to what the basic story is, whips up an engaging drama and leaves you panting for more. Rizwan’s (Shahrukh) disability is blanketed by Mandira’s (Kajol) overwhelmingly deep affection. How 9/11 changes lives forever and for some strange innocent reason Rizwan wants to meet up with the President Of America. There’s a strong resistance and guns blaze on the roads of suspicion.

There are two significant lines that stay with you when the promo is over. First one is: He believed that if you do good deeds…good things will happen to you. And the second is: We are stronger than our fears. It seems that the Writing will be the strong point of ‘My Name Is Khan‘ and undoubtedly Karan Johar is treading a territory that in all probability will enrich the Indian film industry.

The production design looks top notch, cinematography is world class and the look of both Shahrukh and Kajol is different from what we’ve seen them in before. There’s a small section of a song ‘Noor-e-Khuda’ which comes at the beginning of the promo and it seems Shankar-Ehsaan-Loy have redeemed themselves after an average ‘London Dreams’. The background score sounds very attractive too.

Kajol’s breakdown scene sends chills down your spine. What a volcano of a talent she is. Shahrukh’s intense sincerity binds your attention from the first frame of the promo till its last. This may be the turning point in the career of Shahrukh Khan, the fantastic actor, who amazed earlier with magnificence in ‘Chak De India’.

It goes without saying that the First Look promo of ‘My Name Is Khan‘ whets your appetite for the real thing. One of the finest First Look promos in recent times.

BOLLYWOOD HUNGAMA.COM

Deepika Padukone has replaced Asin in Ashutosh Gowarikar’s historical Khelenge Hum Jee Jaan Se

By Sonal Chawla (MUMBAI MIRROR; November 06, 2009)

Asin’s loss is Deepika Padukone’s gain. Three days ago, we reported that Asin has opted out of Ashutosh Gowarikar’s Khelenge Hum Jee Jaan Se with Abhishek Bachchan. The buzz is that Deepika has bagged that role.

 

A source says, “After Asin walked out of the film citing date issues, Ashutosh considered Genelia D’Souza, Sonam Kapoor and Deepika Padukone. But it was Deepika who landed the role. She is more than happy to be working with Ashu sir and immediately grabbed the role. For the first time, she is paired with Abhishek and is very excited to be working in a period film (the film is about the Chittagong Uprising). Deepika has already started preparing for her role.”

Commenting on why Asin backed out of the role, our source says, “Asin didn’t feel her role was substantial and backed out after a month of signing the film. The actress seems to be getting choosy about her work after her recent film, London Dreams bombed at the box-office. She doesn’t want to take a risk after her launch in Bollywood with Aamir Khan.”

Sunita Gowarikar said, “Yes. Deepika is on. We are really looking forward to working with her.”

Unhappy with her role, Asin opts out of Ashutosh Gowarikar’s Khelenge Hum Jee Jaan Se citing date problems

By Kunal M Shah (MUMBAI MIRROR; November 03, 2009)

 

Asin

Ashutosh Gowarikar’s film Khelenge Hum Jee Jaan Se has suffered a major jolt, now that its leading lady has walked out of the film. Asin, who was to play the female lead opposite Abhishek Bachchan, opted out citing date problems. Apparently, Asin was not too happy with her role and hence left the film.

Our source revealed, “Asin was excited about working with Ashutosh Gowrikar, but after hearing the script, she mulled over it and opted out. She has said that she has date problems, whereas actually, she is not happy with her character in the film. And after the lukewarm response to her last film London Dreams, Asin wants to be absolutely convinced of what she does next. Also, recently, Ashutosh delivered a turkey in the form of What’s Your Raashee? So, Asin does not want to take anymore chances.”

Ashutosh remained unavailable for comment.

By Joginder Tuteja, November 2, 2009 – 15:43 IST

Anthony D'Souza This has becomes a trend of sorts. No sooner does a film hit the screens or is ready for release, stories start floating around how its maker is ready with the plans of making his next. It may be mere speculation, a PR plug or a confirmed report but the fact that it does get the film (which is about to get released) noticed. In certain instances a filmmaker knows the origin of the news. However, there also have been cases where he himself is flabbergasted with such information floating around. What may just turn be a thought over a mug of coffee is elevated to the scale of being confirmed to such an extent that it appears as if the film would get on floors within a week of the news making headlines.

Diwali releases went through the same syndrome with glowing announcements around the next projects of Rohit Shetty (All The Best) and Prem Soni (Main Aurr Mrs Khanna). While Rohit was said to be caught in a dilemma of choosing his next film between the sequel to Golmaal and All The Best, Prem confirmed that Salman Khan had green lighted another project for him.

Something similar happened to Anthony D’Souza as well who happened to share certain thoughts about his next assignments with a few associates. The next thing he heard, there were projects like airborne thriller Aerial and a sequel to Blue all set to be kick started. What’s more, he had apparently also signed one of his favourite actors from the industry and close friends – John Abraham.

However, a fortnight after the release of Blue, Anthony D’Souza a.k.a. Tony is ready to term this information as sheer rumour that doesn’t come with any basis. He denies working on either Blue 2 or Aerial and also dispels the theory that he has signed John for his next.

“All of these are mere speculations and I have no clue from where have they originated. All I said was that I would love to work with John since he is a close friend. He is the one who got me in the industry and I owe him a lot. Tomorrow if a project works out well for both of us then we would be game for working together. However, this isn’t something that I am stating today after Blue; I have maintained this for a year now. If this admiration and gratitude of mine is sensationalised by some and posted as twisted headlines, then I can’t help it, right? On a lighter note, I have always been forthcoming in admitting my love for Hollywood. However, that doesn’t mean that Francis Ford Coppola has sanctioned a film for me”, jokes Tony.

There have also been talks that other than John, the principal cast of Blue is coming together with him again. What does the filmmaker has to say about that?

Anthony D'Souza “As much as I love John and would want him in my films, there is no project for which he has signed on the dotted line yet. Neither is that the case with Mr. Akshay Kumar, Mr. Sanjay Dutt, Zayed, Lara or Katrina. They are all great actors and I would love to work with all of them together again. But no, there is no film which is happening with them at the moment”, Tony sets the record straight.

Where does that leave so-called announcements like Blue 2 and Aerial? The moment Blue hit the screens and took a very good opening; a sequel seemed to be offering. Also, knowing Tony’s penchant for action adventure, it was being stated that he would now take his cast and crew in the air with Aerial. There have also been theories around him making a trilogy of such action adventure cinema.

“These are nothing but overzealous minds at work”, laughs Tony, “For the records, I am neither doing Blue 2 nor Aerial. These are all speculations. Yes, I have a penchant for making action flicks and my next would belong to that genre as well. However, it won’t necessarily have an adventure element to that. Whether it would be Blue 2 or something else? Well, for all you know, it could be Red or Yellow“, he laughs, “Seriously, it’s too early to be even talking about it. I am still in the process of fleshing out a subject. Let things take their due course and we would make the right announcements. Till then, let’s enjoy Blue.”

Well, with another rumour biting the dust, one looks forward to how the trend continues for weeks to come. Whether there would be more in the offering around adventures of Aladin? Whether London Dreams may lead way for New York Dreams? Would Ranbir have many more stories to tell after Ajab Prem Ki Ghazab Kahani? Or if Aamir Khan would be bringing in four idiots for his next assignment after Three Idiots?

Of course, we are waiting!

BOLLYWOOD HUNGAMA.COM

By Taran Adarsh, October 30, 2009 – 08:26 IST

In real life, if you feel your colleague is far more superior to you in intelligence, talent, charisma, efficiency, chances are you might feel the heat. Jealousy, generally, stems from there. In the process, the best of relations get strained. LONDON DREAMS, directed by Vipul Shah, talks of two musicians, thick pals actually, and how jealousy drives a wedge in their friendship.

Let’s clear a few myths before discussing the positive and negative factors of this film. LONDON DREAMS is not BAIJU BAWRA. LONDON DREAMS is not ROCK ON!!, ABHIMAAN, YAARANA or SAAJAN either [a section of the industry wants us to believe that]. The truth is, LONDON DREAMS borrows from Milos Forman’s brilliant film AMADEUS [1984], which was based on Salieri and Mozart’s life. In fact, Suneel Darshan too had made a film based on AMADEUS called SHAKALAKA BOOM BOOM [2007; Bobby Deol, Upen Patel].

BY BOLLYWWOD HUNGAMA.COM

LONDON DREAMS is a complete departure from Vipul Shah’s earlier outings, AANKHEN, WAQT, NAMASTEY LONDON and SINGH IS KINNG [produced by Vipul, directed by Anees Bazmee]. This film is about relationships and tends to get very real and intense, in the post-interval portions specifically. The scale of LONDON DREAMS is gigantic and the execution of concerts [it’s about a band] sweeps you off your feet.

//

In terms of execution, it wouldn’t be erroneous to state that LONDON DREAMS is amongst Vipul Shah’s most accomplished works to date. Also, it boasts of incredible performances by Salman Khan and Ajay Devgn. But there are hiccups too and it’s these deficiencies that bog the film down!

They were childhood friends. But they had little in common except their family’s connection with music. While Arjun’s [Ajay Devgn] life was consumed by a passionate drive to get on stage and realize his grandfather’s unfulfilled dream, Mannu [Salman Khan] was content with remaining a child at heart with no higher ambition than enjoying the good things in life.

As Arjun forges a band with Zoheb [Rannvijay Singh], Wasim [Aditya Roy Kapur] and Priya [Asin], a music enthusiast from a conservative South Indian family, far away in Punjab, music becomes a survival tool for Mannu, who takes to playing in wedding bands in his village.

Arjun gets Mannu to London and makes him a part of the band, but soon realizes he’s created the biggest threat and obstacle to his own ambitions.

Mannu, with his inherent musical gift, becomes an instant darling of the crowds. Arjun’s unbearable pangs of jealousy and insecurity only worsen when Mannu also unwittingly woos and wins his secret love, Priya. As he battles his inner demons, Arjun slowly devises a sinister plan to destroy his best friend.

It takes time to get into Ajay’s world [its Ajay who’s narrating the story here]. The film moves back and forth and it’s only when the two buddies, now adults, meet that you realize where the story is headed. The first hour depicts the two extreme characters – Ajay, who’s an introvert and who cannot think of anything but his goal and Salman, a happy-go-lucky guy, laidback and fun-loving, least focused.

The narrative has some interesting moments in the first hour, but the actual story unravels only towards the second half. The first half, frankly, only sets things up for the explosive drama that is to follow. The wheels start moving when Ajay plays a vicious game and hatches a conspiracy to ruin his buddy’s career.

It’s the second hour that does the trick. You can’t help but carry several sequences in your heart, even after you’ve made an exit from the auditorium…

  • Note the scene when Salman makes four different tunes from the original tune created by Ajay.
  • Note the scene when Ajay meets an inebriated Salman and professes revenge, while Salman is completely clueless about Ajay’s sinister plans.
  • Note the scene when the band arrives in London after a 3-city concert and they’re received by aggressive mediapersons.

But there’re roadblocks too. Shankar-Ehsaan-Loy’s music is a downer. LONDON DREAMS is about a rock band, about music, about concerts and the music had to be the soul of the film. Unfortunately, it’s not! The songs have been filmed in the most energetic fashion, but how one wishes the music was one of the strengths of the film.

Also, the film could’ve concluded when the two friends re-unite at the station. Adding one more song thereafter only dilutes the impact of the emotionally correct sequence that has just been witnessed. Besides, the song in question hasn’t been promoted either, so it only comes across as an aberration.

Prior to that, Ajay’s outburst at the end of the concert is far from convincing. The film has a real feel, real characters and real situations, but the outburst looks unreal and is one of the drawbacks, from the writing point of view. It’s just not convincing!

Besides, Ajay’s childhood character is shown fleeing from the airport and making it big in a foreign land [London], without any support whatsoever. It’s unpalatable!

Vipul Shah has handled this intricate subject well, but the writing could’ve been tighter. Sejal Shah’s cinematography is super. Brownie points for capturing the concerts brilliantly. Salim-Sulaiman’s background score matches international standards.

Both Salman and Ajay vie for top honours. Salman has a role that the junta would take to instantly and the actor too endears himself to the viewers. He’s stupendous. When it comes to displaying intensity on screen, very few can live up to the standards set by Ajay. To state that he packs in a power-packed performance would be an understatement. They, in fact, compliment each other wonderfully well.

Asin is admirable and pairs off very well with Salman. She is sure to have a new name after this film – Chennai Express [that’s how Salman addresses her affectionately, all through the film]. Om Puri has a brief role. Aditya Roy Kapur is very good and registers an impact. Rannvijay Singh doesn’t get much to do, except throw nasty looks at Salman. Manoj Pahwa provides some funny moments. Brinda Parekh is okay.

On the whole, LONDON DREAMS has superb performances from its principal cast and several emotionally-charged sequences as its two trump cards. But its biggest drawback is its climax and also the music, which is the weakest link of the movie. At the box-office, the film should appeal more to the multiplex audience than the masses. Business at big centres, especially at metros, should be better, but mini-metros and towns will be a contrast.

BOOKED! Salman Khan at a theatre ticket counter in Delhi. For more pictures of the actor, log on to http:// photogallery.indiatimes.com

That’s what people said to Sallu selling tickets at the BO

AYANDRALI DUTTA Times News Network (BOMBAY TIMES; October 29, 2009)

When people went to get the advance tickets for the Salman Khan-Ajay Devgn-Asin starrer London Dreams at a multiplex in Daryaganj in Delhi, they had to jostle way more than the average crowd that gathers at theatres for advance bookings. One reason for that could have been that the guy selling tickets at the ticket window was Sallu bhai himself ! Although the superstar arrived three hours late to open the advance booking for the film, the enthusiasm of the thousand-strong crowd seemed undimmed, and it became difficult even for the police to control it. But Sallu was undaunted, and with his trademark nonchalance, said, “Yehi Dilli hai!”
The strange part was that the crowd that followed Salman was mainly male. But why? “Arre, anyone can be my fan,” he said with a smile. Remembering the days when he himself went to the movies in crowded theatres, Salman said, “I had watched Arjun, starring Sunny Deol. I must say, what a crowd it drew.” That’s from one crowd-puller to another, but Delhi moviegoers are surely not throwing away one particular ticket they bought for this movie!