Fenil and Bollywood

Posts Tagged ‘nandita das

Anurag Kashyap finds an unusual hero to play a serial killer for the second film of the Mumbai trilogy – Nawazuddin aka Patna Presley of Emosonal Attyachaar

By Subhash K Jha (MUMBAI MIRROR; January 05, 2010)


Anurag Kashyap’s much talked-about Mumbai trilogy has found its third and final hero. While Aamir Khan stars in the first film, John Abraham will play the lead in the third. Now, the little-known but talented Nawazuddin who gave sterling cameo performances in 2009 in Nandita Das’s Firaaq, Kabir Khan’s New York, Anurag Kashyap’s Dev D (one of the two Patna Presleys singing Emosonal Attyachaar) and Black Friday, has been pencilled in as the lead in Kashyap’s second film in the Mumbai trilogy. It’s a huge leap for an actor from a village near Delhi.

More startling than his casting is the character that Nawazuddin plays. He plays Raman Raghav, India’s most brutal serial killer. In 1968, Raghav bludgeoned a number of pavement dwellers to death before he was caught and diagnosed with schizophrenia. (Sriram Raghavan has, in fact, made a documentary on the serial killer.)

Nawazuddin has been secretly reading up on Raman Raghav and looking at footage of the killer. When we spoke to him, Nawazuddin was taken aback. He said, “Anurag has asked me to keep it absolutely quiet. Yes, I’m playing the serial killer Raman Raghav in Anurag Kashyap’s film. It’s the biggest challenge of my career especially since superstars like Aamir and John feature in the other two films of the series.”

Nawazuddin, who has been trying to make a mark as an actor in Bollywood since 1996, has played the lead in Aamir Khan’s Peepli Live and Mangesh’s Dekh Circus too. Says the actor emotionally, “I’ve waited very long for this. I’ve struggled hard to get out of playing the cameo to the lead. Mumbai trilogy is my greatest challenge.”

Anurag Kashyap Nawazuddin

The dusky actor has made Mumbai her home – and Subodh Maskara her husband

By Subhash K Jha (MUMBAI MIRROR; January 05, 2010)


There aren’t very many Delhi-based Bollywood actors, but Nandita Das certainly figured high on the list. Even Aamir Khan – her co-star in 1947 Earth – had tried to convince her to move from Delhi to Mumbai to pursue her acting career, but she held strong. Now, Nandita has finally made Mumbai her home, post her recent marriage to environment entrepreneur Subodh Maskara.

Confirming the news, she sighs, “What I resisted doing for 13 long years has finally been done. I couldn’t imagine shifting to Mumbai for my career, but love did it.”

Nandita Das and Subodh Maskara

Subodh was introduced to Nandita by her friend Shahana Goswami (whom she directed last year in Firaq) and her boyfriend Milind Soman. “Milind and Shahana kept urging me to meet Subodh. But I’m the last person to believe in blind dates. But look at destiny, now I completely believe in instant love. When I was hesitant about meeting him, Subodh sent me a lovely e-mail. And I said, ‘Why not? Just have coffee with him?’ So we met. And immediately I knew this was it. Within five months of meeting him, I knew I wanted to marry him. We became soul mates seamlessly,” she recalls.

Nandita and Subodh got married according to Ashram Vidhi rites on January 2 at Subodh’s residence in Worli, which is now their marital home. “Only our parents – his parents and brother, my parents and my brother were there for the marriage. And of course, Shahana and Milind, who brought us together. We couldn’t possibly get married without them,” adds Nandita.

Meanwhile, friends like Paresh Rawal have been urging Nandita to direct another film. However, at the moment, she is content playing Mrs Nandita Maskara at her new home in Mumbai. So does she cook for her husband? Nandita gasps, “That would really be going too far, even further than my move from Delhi to Mumbai.”

Rani Mukerji to work with filmmaker Deepa Mehta in the screen adaptation of Salman Rushdie’s Midnight’s Children

By Subhash K Jha (MUMBAI MIRROR; January 04, 2010)


Last month, Rani Mukerji had a secret, productive and extremely encouraging meeting with author Salman Rushdie and director Deepa Mehta in Toronto. Rushdie and Mehta are coming together for a screen adaptation of the former’s celebrated Booker-winning novel Midnight’s Children. According to reliable sources, Rani met the author and the filmmaker for a good two hours and is now part of the screen adaptation. The buzz is Rushdie took a great fancy to her.

Rani Mukerji

Deepa is evasive about confirming Rani’s presence in Midnight’s Children. She says, “Yes, Salman Rushdie and I met her informally in Toronto, but nothing has been finalised.”

However, reliable sources insist Rani is part of the coveted project which already has Shabana Azmi, Seema Biswas and Nandita Das in its cast.

Hinting at the possibility of working with Rani, Deepa says, “I don’t know about Rani’s current box-office status but I have always wanted to work with her. I saw her work in Hey Ram, Black, Bunty Aur Babli and Veer-Zaara and loved it. She is among the best talent in India today. Whether it is Preity Zinta (Heaven On Earth), Shabana Azmi (Fire) or Seema Biswas (Water), I have always enjoyed working with strong, female actors.”

Rani too is on the lookout for a challenge that will take her beyond the roles she has done in Hindi cinema so far. Interestingly, she has never worked with a female director in her entire career. She came close to working with Mira Nair in The Namesake. She lost the prized role to Tabu because she didn’t want to play Abhishek Bachchan’s mother. Later, Abhishek too opted out of the project.

Deepa Mehta Salman Rushdie

By Joginder Tuteja, December 30, 2009 – 12:16 IST

Kareena Kapoor The likes of Imtiaz Ali, Rajkumar Santoshi, Vishal Bhardwaj, Balki and Prabhu Deva must be feeling disheartened. If only Rajkumar Hirani, Aamir Khan and Co. would have released 3 Idiots a week later, the competition was just amongst the five of them for Love Aaj Kal, Ajab Prem Ki Ghazab Kahani, Kaminey, Paa and Wanted respectively. However, due to the fact that 3 Idiots is a fantastic experience for millions of cine-goers and above all is pretty much fresh in audiences mind, it is the unanimous choice for one and all. Whether it is ‘aam junta’ or industry alike, there is no negative word around this movie. Instead, it has been universally hailed, acclaimed, appreciated and above all respected, which has proved once again that if a film is really well made, all bad blood is forgotten, all negative vibes are kept aside and all competition stays a distance away. Over to the Bollywood folks who (keeping certain exceptions aside) truly believe that 3 Idiots is the film of 2009.

Kareena Kapoor3 Idiots was the best film of 2009.

Sajid Khan – Best movie of the year was Avatar. Reason? It was not a film but an experience.

Shirish Kunder – For the sheer sincerity with which it has been made, 3 Idiots is simply the best by leaps and bound. Aamir has once again proved that he is the ISI mark of good cinema.

Piyush Jha3 Idiots was the best film that 2009 had to offer because it took a very relevant issue and banged home the point. Moreover, the icing on the cake was that it was thoroughly entertaining.

Kalki Koechlin Kalki – Best film of 2009 was Kaminey because it’s a furious and an intelligent film with great performances and music.

Aanand L Rai – For me the best movie in 2009 is 3 Idiots. It boasted of a brilliant screenplay and direction.

Suneel Darshan – 2009 ended on a positive note with two movies – Paa and 3 Idiots. Paa displayed refined performances by Mr. Bachchan and Vidya Balan. On the other hand 3 Idiots is a sincere attempt at entertainment with a soul.

Hasnain Hyderabadwaala – I enjoyed watching Wanted most. It was after a long time that I saw a complete masala film. Total paisa wasool!

Ramesh Taurani – Of course I believe that Ajab Prem Ki Ghazab Kahani was the best film of 2009. But so have been 3 Idiots, Paa, Wake Up Sid and Love Aaj Kal. All these films have been hugely entertaining.

Robby Grewal – It’s a one horse race – 3 Idiots.

Sadaa3 idiots was surely the best film of 2009. It was a complete film as it lacked nothing. Moreover, there was some very good message being delivered in an entertaining format.

Vaishali Desai Vaishali Desai – I loved both Avatar and 3 Idiots. Both films belonged to completely different genres. Avatar boasted of some breathtaking special effects and it was an entirely new experience. Whereas 3 Idiots is yet another cult film about the education system from Mr. Hirani.

Raksha Mistry – Call it ironical but the best of 2009 came at the very end. Yes, I am talking about 3 Idiots which is not just the best of 2009 but also one of the finest movies ever in all aspects.

Boney Kapoor – I have heard great things about 3 Idiots but I haven’t seen it yet. Of course Wanted was a complete package as it brought back the concept of hero, something which was in vogue years back when Amitabh Bachchan used to play such characters. Somehow such cinema had become extinct. Amongst other films, I also loved Love Aaj Kal. It’s entire approach was very fresh and everybody performed well. Its music was superb. The film was as mainstream as it gets and was a good blend of the old charm and new thinking. Even Paa was quite exciting. After a really long time came an Amitabh Bachchan film where he could showcase his talent. It was a neat and clean movie that really moved me. Moreover, in spite of having a sad tale on the surface, it was tackled in a very lighter vein. It reminded me of Hrisihikesh Mukherjee at his peak. Watching the film gave me the same feeling as I had when I watched Anand. Since Amitabh Bachchan’s effort didn’t show in the film, that itself reflects that how great an actor he is. Really, Imtiaz and Balki are two filmmakers to look out for. From Hollywood, it was Avatar all the way. I can’t think of a better movie visually. In fact it would take a really long time for anyone to match it technically; it has surpassed all films where technical wizardry and visual appeal is concerned. All the special effects have been taken to a different level altogether with Avatar.

Ken Ghosh – I am on a jury for an award, so I can’t really quote around the best or the worst of the year

Rohit Shetty – Best film of the year is 3 Idiots for sure. It makes you feel so good and happy after watching it.

Jagmohan Mundhra3 Idiots was the best movie of 2009.

Tanushree Dutta Tanushree Dutta – For me, the best films of 2009 would be 3 Idiots and Avatar.

Ruslaan MumtazKaminey was the best film of the year along with 3 Idiots

Sujoy Ghosh – I haven’t seen 3 Idiots but I’ll go with Paa. It’s a film which made me feel very good about life. It’s a film which took some of my fears away. It’s a film which taught me to look at different things normally. I really appreciated that. It’s a film which didn’t try to squeeze my balls for emotions. And of course Mr. Bachchan, Vidya, Balki, Illayaraja and P.C. Sreeram made it all possible.

Sophie Choudry – According to me, 2009 was filled with below par cinema both in Hollywood and Bollywood. Nonetheless, I really enjoyed 3 Idiots, Kaminey and Paa. They were all brilliantly made films.

Urvashi SharmaBaabarr is one of my favourite films from 2009 but I think 3 Idiots has broken all the records and is the best Hindi film of the year. From Hollywood, I loved both The Hangover and Avatar.

Kunal Deshmukh – I loved Avatar because it educates us to think ahead and learn so much. And of course 3 Idiots, as we all know today, is a fabulous movie. It brought home a message without shoving it down your throat.

Tusshar Kapoor Ananth Mahadevan – Though Paa and 3 Idiots are what I would define as ideal mainstream cinema (they made cine-going a pleasure after what seemed ages), if one has to select a film, my choice would be Nandita Das’ Firaaq. The four stories were moving accounts of the aftermath of human folly fuelled by political insanity. The critical eye may pick a few bones of contention, but the film was relevant, urgent, well enacted and most importantly, credibly treated.

Tusshar Kapoor – Which movie is best for me in 2009? Obviously, there is going to be just one answer – 3 Idiots.

BOLLYWOOD HUNGAMA.COM

By Bollywood Hungama News Network, December 31, 2009 – 12:22 IST

Best Film
3 Idiots
Dev D
Kaminey
Love Aaj Kal
Paa

Best Director
Anurag Kashyap – Dev D
Imtiaz Ali – Love Aaj Kal
R Balki – Paa
Rajkumar Hirani – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Actor (Male)
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Ranbir Kapoor – Ajab Prem Ki Ghazab Kahani
Ranbir Kapoor – Rocket Singh – Salesman Of The Year
Saif Ali Khan – Love Aaj Kal
Shahid Kapoor – Kaminey

Best Actor (Female)
Deepika Padukone – Love Aaj Kal
Kareena Kapoor – 3 Idiots
Katrina Kaif – New York
Priyanka Chopra – Kaminey
Priyanka Chopra – What’s Your Raashee?
Vidya Balan – Paa

Best Actor in a Supporting Role (Male)
Abhimanyu Singh – Gulaal
R Madhavan – 3 Idiots
Rishi Kapoor – Love Aaj Kal
Rishi Kapoor – Luck By Chance
Sharman Joshi – 3 Idiots

Best Actor in a Supporting Role (Female)
Arundhati Naag – Paa
Divya Dutta – Delhi-6
Gauhar Khan – Rocket Singh – Salesman Of The Year
Neha Dhupia – Raat Gayi Baat Gayi
Shahana Goswami – Firaaq

Best Actor in a Negative Role
Amole Gupte – Kaminey
Boman Irani – 3 Idiots
Kay Kay Menon – Gulaal
Mahesh Manjrekar – Wanted
Manish Choudhary – Rocket Singh – Salesman Of The Year

Best Actor in a Comic Role
D Santosh – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots
Paresh Rawal – De Dana Dan
Sanjay Mishra – All The Best
Vinay Pathak – Raat Gayi Baat Gayi

Best Background Music
Amit Trivedi – Dev D
Ilaiyaraja – Paa
Salim-Sulaiman – Rocket Singh – Salesman Of The Year
Shantanu Moitra, Atul Raninga, Sanjay Wandrekar – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Music
A R Rahman – Delhi-6
Pritam – Ajab Prem Ki Ghazab Kahani
Pritam – Love Aaj Kal
Pritam – Tum Mile
Vishal Bhardwaj – Kaminey

Best Playback Singer Female
Kavita Seth – Iktara – Wake Up Sid
Rekha Bhardwaj – Genda Phool – Delhi-6
Shreya Ghoshal – Zoobi Doobi – 3 Idiots
Shilpa Rao – Mudi Mudi – Paa
Sunidhi Chauhan – Mere Sang – New York

Best Lyrics
Amitabh Bhattacharya – Emosanal Attyachaar – Dev D
Irshad Kamil – Chor Bazari – Love Aaj Kal
Javed Akhtar – Sapnon Se Bhare Naina – Luck By Chance
Piyush Mishra – Ranaji – Gulaal
Prasoon Joshi – Man Ko Ati Bhavey – London Dreams

Best Story
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Anurag Kashyap, Aparna Malhotra, Raj Singh Chaudhary, Sanjay Maurya – Gulaal
Imtiaz Ali – Love Aaj Kal
Nandita Das, Shuchi Kothari – Firaaq
R Balki – Paa

Best Screenplay
Abhijat Joshi, Rajkumar Hirani, Vidhu Vinod Chopra – 3 Idiots
Anurag Kashyap, Vikramaditya Motwane – Dev D
Imtiaz Ali – Love Aaj Kal
Pankaj Advani – Sankat City
R Balki – Paa

Best Dialogue
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Imtiaz Ali – Love Aaj Kal
Anurag Kashyap, Vikramaditya Motwane – Dev D
R Balki – Paa
Vishal Bhardwaj – Kaminey

Best Editing
Aarti Bajaj – Dev D
Aarti Bajaj – Love Aaj Kal
Anil Naidu – Paa
Meghna Manchanda Sen, Sreekar Prasad – Kaminey
Rajkumar Hirani – 3 Idiots

Best Sound
Bishwadeep Chatterjee, Nihar Ranjan Samel – 3 Idiots
Dileep Subramaniam – Love Aaj Kal
Sanjay Maurya, Allwin Rego – Dev D
Shajith Koyeri, Subhash Sahu, P M Satheesh – Kaminey
Tapas Nayak – Paa

Best Special Effects
Charles Darby – Aladin
Prime Focus Ltd – Blue

Best Cinematography
C.K. Muraleedharan – 3 Idiots
P.C. Sreeram – Paa
Rajeev Ravi – Dev D
Shankar Raman – Frozen
Tassaduq Hussain – Kaminey

Best Art Directon
Acropolis, Rajnish Hedaa, Sumit, Snigdha Basu – 3 Idiots
Sabu Cyril – Aladin
Samir Chanda – Delhi-6
Samir Chanda – Kaminey
Sukanta Panigrahy, Helen Jones – Dev D

Best Choreography
Ahmed Khan – Prem Ki Naiiyya – Ajab Prem Ki Ghazab Kahani
Avit Dias – Aal Izz Well – 3 Idiots
Bosco- Caesar – Zoobi Doobi – 3 Idiots
Prasanna – Marjaani – Billu
Baawre – Vaibhavi Merchant – Luck By Chance

Best Action
James D Bomalick – Blue
Huan-Chiu Ku – Chandni Chowk To China
Shyam Kaushal – Kaminey
Tinu Verma – Acid Factory
Vijayan Master – Wanted

Most Promising Newcomer (Male)
Amole Gupte – Kaminey
Chandan Roy Sanyal – Kaminey
Navin Kaushik – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots

Most Promising Newcomer (Female)
Gauhar Khan – Rocket Singh – Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jesse Randhawa – Gulaal
Kalki Koechlin – Dev D
Mahie Gill – Dev D

Most Promising Debut Director
Ayan Mukerji – Wake Up Sid
Nandita Das – Firaaq
Pankaj Advani – Sankat City
Shivajee Chandrabhushan – Frozen
Zoya Akhtar – Luck By Chance

Best Child Artiste
Jahan Bativala – Little Zizou
Iyanah Bativala – Little Zizou
Rahul Kumar – 3 Idiots
Parzan Dastur- Sikandar
Pratik Katare – Paa

Best Ensemble Cast
Delhi-6
Firaaq
Gulaal
Luck By Chance
Sankat City

BOLLYWOOD HUNGAMA.COM

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Nandita Das is dating industrialist Subodh Maskara

By Mumbai mirror bureau (November 21, 2009)


Looks like love has come calling again for Nandita Das.The winsome actress who has won much national and international acclaim both as an actress and director is now seeing Subodh Maskara, an industrialist based out of Mumbai.

Nandita married her long time friend Saumya Sen some years back but is now divorced from him. Subodh has been married earlier too.

The couple is looking to buy a home together and have been spotted looking at flats in the Madhuli Building at Worli, itself famous as the building in which Harshad Mehta had several flats.

The 40-year-old Nandita has always been unconventional in her choice of films and has never shied away from controversial roles like Fire (1996).

BAAP RE BAAP: Amartya Sen and daughter Nandana

Nobel Laureate Prof. Amartya Sen discusses cinema exclusively for BT with actress daughter Nandana Sen in Mumbai

MARK MANUEL Times News Network (BOMBAY TIMES; October 25, 2009)


It’s funny, with a daughter like the lovely international actress Nandana Sen, you would have thought Nobel Prize economist Prof. Amartya Sen would be well informed about cinema. But he’s not. He knows just about five people connected with filmmaking. And these he counted for me with much difficulty and some prompting from Nandana. “I knew Satyajit Ray extremely well,” he began, “he and I studied at Santiniketan. I had huge admiration for him. And I know Mira Nair, Shyam Benegal, and, and… what’s his name, Mrinal Sen! I do know Nandita Das and like her films, also. And I met… what’s the name of the guy who acted with you in Rang Rasiya… I shook his hand? Randeep Hooda? Yes, I met him. I also met Amitabh Bachchan, whom I don’t know, and Shabana Azmi, who’s an old friend. I used to like her father’s poetry and now, I like her husband’s. And Salman Khan…”


He was in Mumbai to deliver a keynote lecture for the Indian Philosophy Congress yesterday and I was meeting the distinguished father and sexy daughter at his suite in the Taj. I was drinking coffee. The professor ordered a pot of Darjeeling tea. When it came, he was appalled. “This tea is too strong for Darjeeling,” he grumbled, “it’s got the strength of Assam.” Then to
Nandana, who was busy eating pistachios noisily, he said, “Chuck it in the sink!” He is unintentionally humorous, he speaks in a deep, rumbling voice, and he chooses his words carefully — as if aware that when Prof. Amartya Sen speaks, people hang onto his words even if he isn’t talking welfare economics. That’s his hobby horse. And he travels around the world at 76 on his Nobel Prize ticket, astonishing scientists and academicians with his philosophy on poverty, gender inequality and political liberalism. But I had got him onto cinema. And Prof. Sen was struggling.


“You’re wasting your time, I’m not knowledgeable about
films,” he said trying to discourage me. “You asking me who I like is like asking me a cooking recipe. I’m happy to tell you. But my recipe won’t alleviate the culinary world much!” Nandana, fortunately, was not having any of it. “Baba, you like Sharmila Tagore, isn’t she one of your favourites,” she chided him. “Yes,” Prof. Sen admitted. “And Katherine Hepburn… what a fantastic actress, so sharp and intelligent.” Then he surprised me by saying, “Jane Fonda, I know. I’ve had a couple of dinners with her. Her husband, Ted Turner, started the UN Foundation and was a trustee. So is my wife, Emma Rothschild. And the dinners where spouses gather, are quite impressive. There’s also Nelson Mandela.” But to come back to cinema, he doesn’t see too many films, though he thinks he’s seen all of Nandana’s. Rang Rasiya, in which she plays Raja Ravi Varma’s muse and appears topless in one breathtaking scene, Prof. Amartya saw at the London Film Festival and actually liked. “It’s not been released and nobody seems to know why,” he said querulously. “Has it been made for the archives? It would have been a great success in Europe and the US after receiving favourable notice in London.”


He hardly visits Mumbai. His work brings him to Delhi. And his
heart takes him to Kolkata. Now Prof. Amartya Sen looked out of the window at the Gateway and said, “I’ve not been here since the November disaster, but I have various memories here. The best one is of defeating the Australian cricket team! I was in the health club, exercising on the bike and watching a news channel, when they came in. They wanted the bike and to change the channel. I objected. They were a little assertive and gave me the democratic argument that there were more of them. But I was here first, I told them. Then their captain, Steve Waugh, came. He conceded that I had a point. I thought, no matter how poorly India did in cricket against Australia, I had done reasonably well!”