Fenil and Bollywood

Posts Tagged ‘Nauheed Cyrusi

In the process of eliminating handful of terrorists, we end up creating many more-this best describes the policies of Western developed powers who are hell bent on making the world more democratic but adopt inhuman ways to achieve the end point. Kurbaan throws light on this sensitive topic and thankfully treats it well. The flick throws a spate of questions and forces you to think, discuss and debate. But it doesn’t get preachy and hence it’s not like one of the several films on terrorism that are made for a niche audience. The film is thrilling, has some wonderful twist-n-turns and includes some moments of love and passion too. All this make Kurbaan one of the finest films of the year-one that can’t be missed!

The story of the movie: Ehsaan Khan (Saif Ali Khan) takes the job of a teacher in a university in Delhi where he comes across a psychology teacher, Avantika (Kareena Kapoor). He instantly falls in love and she also ends up liking him. But unfortunately, she’s called back to New York where she originally belongs. Realizing that it would be wrong to have a long-distance relationship, Ehsaan also moves to NYC with Avantika. But before that, they marry. After moving to New York, they buy a new house in a neighborhood full of Asians, conservative Muslims to be precise. The neighbours invite Ehsaan and Avantika for dinner so that they can get familiar with each other. Soon, Avantika realizes that things are not fine in the neighbourhood as they seem and finally, realization dawns upon her-she has been as used as a pawn in a dangerous game.

The beginning 20-25 minutes focuses on Saif-Kareena’s courtship and may not impress. It was the weakest part of the film and wasn’t treated well. But thinks take a good turn with the song Shukran Allah and when the couple shifts to New York. The film engrosses from the scene where the neighbours invite them for dinner. From this sequence, the film turns into a roller coaster ride with lots of unpredictable turns. The entry of Riyaaz (Vivek Oberoi) in the narrative adds to the icing on the cake.

The intermission point was brilliant and fortunately, unlike other films, Kurbaan doesn’t fall or gets slow in the post-interval portions. In fact, the 2nd half also keeps you hooked onto your seat. A number of sequences are memorable in this hour. Kirron Kher sharing the tragic story astonishes you and Kher’s mind blowing performance only enhances the impact. Same goes for the scene where Saif is nursing the wound with little help from Kareena after getting hit by a bullet. The way the blood tickles down and the way Saif screams-man, it gives goosebumps!

The last 30 minutes of the film is undoubtedly the best portion of the film. The tension that is created in the climax and the engrossing and captivating direction is truly appreciable. The film ends on an acceptable note.

Regarding the flaws, as mentioned before, the first 20 mins doesn’t work. Also, the film is full of violent and gory scenes which might not be liked by some sections. And the editing wasn’t upto the mark. More about it later!

Kurbaan is a rare film where the cast and most of the crew have worked exceptionally well in all respects. Saif Ali Khan was outstanding in his role. He looked dapper in his new look and performance wise, doesn’t provide even a miniscule chance of complain! Thus, Kurbaan can safely be added to the list of ‘finest performances of Saif’. This year has been particularly lucky for Saif with his home production Love Aaj Kal being a super hit and now even Kurbaan has been appreciated. His next Agent Vinod with Kareena is also expected to rock! Way to go Saif!

Kareena Kapoor has exposed as minimal as possible and still managed to look stunning. She’s always been delivering fine performances and in Kurbaan too, she does a perfect job. Watch out for the scenes where she discovers that she has been used and in the climax. She proves once again as to why she’s one of the top actresses today! Great going!

Vivek Oberoi steals the show with his wonderful act. In fact, his acts impact more than Saif-Kareena at several points in the film. Audiences as well filmmakers would surely sit up and take notice of this highly talented actor who was neglected in the past due to many reasons. He is expected to shine in his next films, Prince and Rakta Charitra too!

Kirron Kher, like Vivek, leaves a mark in several scenes. For a change, it was good to see her in a different kind of role than her usual stereotypical ones. Om Puri performs with ease. Dia Mirza looked charming and impresses with her special appearance. Nauheed Cyrusi does a fabulous job. Asheesh Kapur, who plays her husband, was great. Kulbhushan Kharbanda, Aakash Khurana and others were good.

Salim-Sulaiman’s music was haunting and songs suited the film well. Shukran Allah, Ali Maula and Kurbaan Hua are the three best songs. Ali Maula leaves a mark. The duo’s background score was electrifying and they may bag the Best Background Score award this year.

Anurag Kashyap and Niranjan Iyengar’s dialogues were sharp and top notch. Best dialogue of the film was, “Ek minute ke liye bhi ye mat sochna ki ye allah ka kaam hai!Parvez Feroze’ gory action enhanced the reality of the film. Asif Ali Shaikh’s editing wasn’t upto the mark. One can notice that desperate attempts were made to haphazardly cut down mini portions of scenes to reduce the duration of the film as much as possible. Not good!

Rensil D’Silva, the screenwriter-director scores in his dream debut. Although the direction wasn’t perfect, the film managed to make an impact and give out a strong message. The screenplay was undoubtedly intriguing.

And finally, kudos to Karan Johar for writing the film and also for producing such a hard hitting flick. KJo was criticized for making lovey-dovey films only. But with his last two films and Kurbaan, he has proved that he’s here not only to rake in moolah but also to provide fresh and interesting flicks! Hats off!

Some of the best scenes of the film:
1.       The songs Shukran Allah and Ali Maula
2.       Ehsaan and Avantika at the dinner in the neighbour’s house
3.       Avantika meets Dia
4.       The plane bombing sequence
5.       The intermission point
6.       Riyaaz at the Saif’s lecture
7.       Riyaaz’ quick conversation with Avantika at the mall
8.       The scene at the sandwich parlour
9.       The coffee scene
10.     The climax

On the whole, Kurbaan is an engaging and thrilling film that impresses and engrosses thoroughly! Go for it and have 160 minutes of captivating and thrilling time!

My rating-**** out of 5!

This review first appeared on MouthShut.com: http://www.mouthshut.com/review/Kurbaan-180014-1.html


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By Taran Adarsh, November 19, 2009 – 15:14 IST

Post 9/11, there’s anger, distrust, suspicion, uneasiness all around. Not a day passes when you don’t hear of terrorists killing civilians in the name of religion.

Many storytellers have, in the past, narrated stories about terrorists and their nefarious and despicable plans. But let me state one thing categorically. You haven’t watched a more profound, a more thought-provoking, a more dramatic story on this subject before KURBAAN. It’s not just the most powerful film to come out of Dharma Productions, it’s the most powerful film to come out of the Hindi film industry this year, thus far.

BY BOLLYWOOD HUNGAMA.COM

KURBAAN tries to penetrate into the psyche of not just the terrorist, but also someone who has been a helpless spectator all this while. This film is sure to spark off discussions and debates, although it must also be noted that it doesn’t take sides or gets preachy.

Rensil D’Silva has chosen a burning issue for his directorial debut, which is a complete departure from Karan Johar’s earlier films. For some inexplicable reasons, parallels are being drawn with FANAA [Aamir Khan, Kajol] and NEW YORK [John Abraham, Neil Nitin Mukesh, Katrina Kaif], but the fact remains that barring the backdrop of terrorism, there’s no similarity with those films.

I’ve often felt that certain films are beyond box-office. Movies are not meant to merely entertain, but enlighten and educate as well. They need to prick your conscience and in the process, make an attempt to make this world a better place. KURBAAN does just that and for this very reason, it deserves a double thumbs up.

Final word? Drop everything else you’re doing to watch KURBAAN. Movies like these need to be made, encouraged and lauded.

Avantika [Kareena Kapoor] is a teacher at a university in Delhi. She has come back from New York where she teaches, because her father [Aakash Khurana] has suffered a heart attack. During this period, she meets a Professor called Ehsaan Khan [Saif Ali Khan]. Soon, they begin seeing each other and love blossoms.

A few months later, Avantika receives a call from her university in New York, asking her to come back. Avantika breaks the news to Ehsaan. He, in turn, tells her he doesn’t mind coming to the States with her. But first they need to get married.

Soon after the marriage, they leave to start a new life in New York. They buy a house in an Indian neighbourhood and move in. Just as they are setting up home, their conservative Muslim neighbours invite them over for dinner. The next morning, Salma [Nauheed Cyrusi], one of the women Avantika met the night before at the dinner, visits her under the pretext of gifting her sweets.

When Avantika invites her in, Salma tells her that she is in grave danger. Nothing is what it seems. Salma pleads with Avantika to help her. What follows next is a series of incidents that sucks Avantika into a vortex of danger and intrigue. As her life spirals out of control, Avantika realizes that she is a pawn in a huge game.

KURBAAN has two stories running concurrently – the love story between Saif and Kareena and the story of Islamic terrorists. Rensil sets the stage in the initial 15 minutes itself, after which there’s a twist in the tale every 15-20 minutes, which catches you completely unaware. Rensil doesn’t borrow from the past, which makes the proceedings thoroughly captivating.

The highpoint is the 35-minute climax, which leaves you spellbound. The culmination to the story shakes you completely, largely because it’s pragmatic and has been executed most logically as well. In fact, filming the climax at the various underground tube stations must’ve been the toughest challenge for the director.

On the flip side, KURBAAN caters more to the intelligentsia or the thinking viewer and might not be lapped up whole-heartedly by those who survive on the staple diet of hardcore masala fares.

Some of the finest technicians in the business are associated with KURBAAN. Hemant Chaturvedi’s cinematography is super. The film bears an international look all through. Salim-Sulaiman’s music is well integrated in the narrative. At least two tracks merit a mention – ‘Shukran Allah’ and ‘Ali Maula’. Anurag Kashyap and Niranjan Iyengar’s dialogue are superb. The lines enhance the impact of several sequences. Thrills are, again, in sync with the mood of the film.

KURBAAN is embellished with superlative performances. Saif is extra-ordinary in a role that only proves his versatility once again. If he won your heart with a winning performance in LOVE AAJ KAL a few months ago, you need to watch this supremely talented actor underplay his part so beautifully in KURBAAN. As for Kareena, KURBAAN reiterates one fact yet again: She’s the best in the business. No two opinions on that! Watch her get those emotional sequences right, it’s incredible. Here’s a performance that truly merits the highest praise and admiration, besides fetching her awards and accolades.

Vivek Oberoi is fantastic. Matching Saif and Kareena at every step, KURBAAN should be the turning point in Vivek’s career. It’s a difficult role to portray and only an actor with a wide range could’ve portrayed this part so effectively. Om Puri is top notch and so is Kirron Kher. Kirron is marvellous, especially in the penultimate scene. Dia Mirza, Nauheed Cyrusi and Kulbhushan Kharbanda lend credibility to their brief roles.

On the whole, KURBAAN is the most powerful film to come out of the Hindi film industry in 2009, so far. The film has a captivating plot, gripping screenplay, super performances and a climax that shakes you up completely. Watching this movie should be on top of your agenda this week.

By Subhash K. Jha, October 20, 2009 – 12:03 IST

Salman Khan Two days after the tepid response to the latest Salman starrer Main Aurr Mrs Khanna, its shell-shocked debutant director Prem Soni was bracing himself to be written off as one-film wannabe-wonder.

Salman Khan restored Prem’s trust in his abilities when on Sunday night at a private family gathering, he embraced the shaken director and announced, “No matter what people say about Khanna, you are doing our next film.”

Relieved beyond belief, Prem Soni is now a bigger Salman fan than ever before. “The way Main Aurr Mrs Khanna has been received, I thought no one would want to touch me with a bargepole. So many announcements go down the drain if the first film doesn’t work.”

Relieved, Soni is still bewildered by the savage response to his maiden effort. “It was almost as if we made the worst film on this earth. I could smell the resentment against the film. There was definitely an attempt to write it off on the day of release.”

Salman who had just delivered a grand hit in Wanted showed his full faith in Main Aurr Mrs Khanna.

Says the director, “He completely believed in my film and his character. But since he was already so visible for Wanted, we decided to go easy on the publicity for Mrs Khanna. We were wrong. This was a different Salman and a different film. Not that aggressive promotion helps. But aggressive anti-publicity surely damaged my film.”

Whatever the response to the film at home, Main Aurr Mrs Khanna has been warmly received in Australia where the film is set and where a number of prominent Hindi films have been lately shot.

Says Prem Soni, “Melbourne is not just a location in my film. It’s one of the characters in the plot. Has anyone commented on how hard we worked on getting the locations right? Main Aurr Mrs Khanna is the first Indian film to be shot on an international airport. When I wrote my script a major part of drama was situated on an international airport.”

Salman, Sohail and Soni were very clear on the fact that they wanted to shoot on an international airport. “We didn’t want to erect a set depicting an airport. A set looks like a set no matter how authentic. I made contact with the authorities at several airports. We had the choice of shooting on the airport in three cities Geneva, New York and Melbourne. We chose Melbourne because after much discussion they offered us the best deal.”

And shooting on the bustling international airport in Melbourne was allowed absolutely free of cost. “Can you imagine? All we were told was to shoot in the nights when the air traffic was less dense. We paid nothing and we got complete and free access to shoot in the most restricted areas on the airport. We shot in an area past the immigration, so any of us could take an unauthorized flight to any part of the world. But all of us Kareena, Salman, Sohail, Yash Tonk, Nauheed Cyrusi and Bappi Lahiri, were very careful of our responsibility. We had been given a huge privilege and a diplomatic immunity. It wasn’t just us. It was India’s reputation at stake.”

Sighs Soni, “Has anyone noticed that Main Aurr Mrs Khanna is the only film to be shot on an airport since Steven Spielberg’s The Terminal? It’s so easy and so much fun to be clever at a film’s expense.”

BOLLYWOOD HUNGAMA.COM

By Taran Adarsh, October 16, 2009 – 11:22 IST

We love drama. That’s the staple diet of Bollywood films. Even television shows, till a few months ago, relied too heavily on dramatic moments and twists-n-turns, especially the saas-bahu shows. Of late, the reality shows rely on drama to boost the TRPs.

MAIN AURR MRS. KHANNA, directed by debutante Prem Soni, could’ve been an interesting story had the drama quotient been a bit stronger. What comes across is too simple and ordinary.

Actually, the problem lies in its writing. It wouldn’t be erroneous to say that Prem Soni, the director is letdown by Prem Soni, the writer. The writing gyrates from interesting to ordinary to unconvincing and that bogs the film down. The inconsistency is evident all through.

BY BOLLYWOOD HUNGAMA.COM

Final words? This Mr. and Mrs. Khanna won’t live happily ever after!

Raina [Kareena Kapoor], Samir [Salman Khan] and Akash [Sohail Khan] are three people whose lives get entwined at an international airport. Samir has to decide whether he wants to stay in the same city [Melbourne] that gave him so much and then took away everything or fly away to a new city [Singapore], to a new life.

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Raina has to decide whether her love and loyalty for her husband Samir, who left her to pursue success, is more justified than her faith and trust in her new-found friend, while Akash has to decide whether what he feels for a married woman is lust or true love and whether he’s justified in trying to win her at all costs, even at the cost of her marriage.

Now let’s analyse…
MAIN AURR MRS. KHANNA makes a promising start. The cracks in the relationship are evident when the husband starts facing problems on the professional front. He tries to re-locate to Singapore, but decides to send his wife to Delhi, to his parents’ home. Convincing!

The wife decides to stay back in Melbourne and suddenly meets an ‘angel’ [Sohail Khan] and a friend’s friend [Mahek Chahal], who gets her a job at the airport [within hours of meeting her] and a few scenes later, Mrs. Khanna shifts into a palatial mansion. Wowwwww! How can she afford a palace-like home in Melbourne from the salary that she gets, while working in a shop at the airport? Not convincing!

The wife and angel become friends. The angel is well aware of her marital status, yet loves her dearly. The woman trusts him as a friend. Convincing!

The husband re-surfaces [very quickly]. He’s now settled in Singapore, has even bought a house there, he returns to Melbourne to fetch his wife back. Complications arise when the marriage registration letter surfaces. Not convincing!

The question is, why didn’t the wife confide in her husband about it? That she had to do it for the work permit? Of course, she states subsequently that she didn’t want to complicate things further, but didn’t she ever realise that the truth would be out sooner or later?

Also, when the husband is in Singapore, there’s scant or zilch communication between the couple, which looks so unreal. There’s just one sequence of the wife calling her husband, but the husband isn’t responding to the call. Again, not convincing!

The ending is interesting, but the surprise appearance of Deepika Padukone looks forced in the script. Perhaps, it was incorporated so that Sohail doesn’t come across as a loser. Strangely, Deepika’s name is also Raina [also Kareena’s name in the film] and she too was in a relationship with a Samir [also Salman’s name], which looks fake.

Prem Soni has handled a few scenes well, but the writing is ineffectual. Dialogue, also by Prem, are wonderful at places. Sajid-Wajid’s music is tuneful. ‘Don’t Say Alvida’ and ‘Rabba’ are melodious compositions. The cinematography is striking. The locales of Melbourne give the film a perfect romantic setting.

Salman handles his part with maturity, but it’s a Kareena show all the way. She is remarkable and delivers a winning performance yet again. Sohail contributes to some light moments. Yash Tonk is alright. Mahek Chahal is perfect. Nauheed Cyrusi doesn’t get any scope.

The film has several star appearances: Deepika Padukone, Preity Zinta [okay], Dino Morea [hardly there for a few minutes] and Bappil Lahiri [yes, the veteran music composer has a proper role in the film].

On the whole, MAIN AURR MRS. KHANNA is weak in merits. At the box-office, the BLUE wave, followed by another strong opposition in ALL THE BEST will sideline MAIN AURR MRS. KHANNA completely. It’s a non-starter!

I’M NOT SUPERMAN: Akshay Kumar, host of Fear Factor Khatron Ke Khiladi, 9 pm on Colors, Monday to Thursday
Akshay Kumar teaches 13 gorgeous women to live life by facing their fears on the second season of his dangerous reality show

MARK MANUEL Times News Network (BOMBAY TIMES; September 7, 2009)

Fasten your seat belts tonight when you switch on Fear Factor Khatron Ke Khiladi on Colors at 9 pm. If anything, Bollywood Khiladi Akshay Kumar is reckoned to be in a newer, stricter and meaner avatar this second season of the dangerous reality show. And, if you think he’s putting on an act for the benefit of the 13 gorgeous women who are ready to do-or-die for him, the sometimes provoking, often inspiring host says, “No, no, no… there is one thing I absolutely adore about this show, and that is there is no acting. This is as free and as untamed as I can get in front of camera. When I am enthusiastic — I mean it; when I get angry that I don’t think they are trying hard enough for me, or their prestige — I damn well mean it. These ladies are fighting to survive. If they get lazy, they’ll get hurt. This is real, and if they needed that extra kick up the whistle… I gave it to them.”

Before putting his contestants through hell, Akshay attempted every stunt himself, and once convinced that they were all achievable… and by women, he invited the contestants to give it their best shot. But, after wrestling crocodiles, jumping from one plane to another and eating snakes… did he think they would stop screaming at a cockroach, lizard or rat? “These women have learned there’s nothing they can’t handle anymore. Men aren’t such a necessity, I’m afraid, us guys are going have to work a lot harder to impress our women now for sure. When all those housewives see these young pretty models dipping there heads into a box of screaming cockroaches and swimming with crocodiles, and coming out alive and feeling proud and amazed at their bravery, I know it will make them think twice before they scream for their husbands. It’s all about spreading the awareness that even if it scares you… try and conquer one thing a day that frightens you.”

And he is right, contestants of the first sea
son have told Akshay that, yes, by appearing on Fear Factor Khatron Ke Khiladi last year and facing their fears… they are now better women. “Once you’ve been on the show, there’s no going back into your shells. I’ve met many of my last year’s contestants at functions, on aeroplanes, in films. Their lives are hectic, but they’ll never forget how hard and how cold and how life-changing their experience was with me. It’s something you’ll never loose… The rest of their lives is going to be easy compared to what they endured on last year’s show.” But in his book, action is not all about conquering fears. “Some people love it, they live off danger, fear is like food for some of them. For me there are some stunts I’d love to do everyday, but there are some I would never wish to do again no matter how much you wanted to pay me. Action is an ‘art’ it’s not a fear. If we were all taught to jump out of planes as children, we wouldn’t be scared to do it now, would we? But like this show proves, there is nothing to fear in life apart from fear itself…” And, there’s one little secret of Akshay’s that Bruna Abdullah, Sushma Reddy, Carol Gracias, Jesse Randhawa, Mandira Bedi, Nauheed Cyrusi, Rosa Catalano, Rupali Ganguly, Sonika Kaliraman, Shonali Nagrani, Pia Trivedi, Shveta Salve and Anoushka Manchanda — his 13 lovely women on the show, ought to know. The fear that the Action King of Bollywood has not been able to overcome. “I can’t stand the Merry-Go-Round or the Spinning Tea Cups at a fun fair,” revealed Akshay. “I know it sounds lame, but hey, I never said I was ‘SuperMan’. My whole life I’ve made sure I’m the one standing with the bags so everyone else in my family can go on that ride (even my son doesn’t know this about me yet). But I just can’t stand spinning round and round and round, I don’t understand the excitement of that ride, it makes me cringe!” Well, there you are…

SIX HINDI FILMS THIS FRIDAY!

There would be no biggies for the next four weeks. The Ramzan month has commenced, during which a sizeable chunk of audience stay away from the theatres. Taking advantage of this, every year, a number of small and medium budget films hit the theatres in this holy month. The producers of such films hope that their film would do a good business in the absence of any biggie. Last year, ‘A Wednesday!’, 1920 and Welcome To Sajjanpur released during Ramzan and became hits.

And this year too, lots of small-budget films are all set to hit the screens. These films failed to get a proper release before the Ramzan as all weeks were booked by the biggies, owing to the producer’s strike which happened in summer. And this has resulted in a chaotic situation as around 20 films are planning to release in this month! 2 of them released last Friday-Shadow and Sikandar. In fact, tomorrow, as many as 6 films are all set to hit the theatres. These films are Daddy Cool, Kisaan, Quick Gun Murugun, Toss, Yeh Mera India and Love Khichdi!

Any layman can understand that it is indeed foolish for 6 films to release on a single day. And we should not forget the 2 Hollywood films that are also releasing tomorrow- Race To Witch Mountain and The Taking of Pelham 123. So this takes the number of films arriving tomorrow to 8! Madness!

But if observed, then producers don’t have much of a choice. If they won’t release their films now, then they won’t be able to do so till the end of 2009. Once the month of Ramzan ends, biggies will start releasing week after week. And releasing a small budget film with a biggie can be suicidal. So, they prefer releasing it with half-a-dozen other small films. Still, I fail to understand why only two films released last week and 6 films are releasing this Friday. What I mean is-2 of the films releasing tomorrow could have instead released last week. This would have made the situation less chaotic.

QGMOut of these 6, Quick Gun Murugan surely has an edge over the others. It is a spoof of western cowboy and Rajanikant films and its promos have been impressive. The film is releasing in 4 languages-English, Hindi and Tamil and Telegu. Kisaan (*Sohail Khan, Arbaaz Khan, Jackie Shroff, Dia Mirza, Nauheed Cyrusi and Rahul Dev) has the ability to do a great job in the North. Daddy Cool doesn’t have much chance. It is an official remake of the popular Hollywood film Death At a Funeral and is backed by Big Pictures. There are hardly any promos on TV which show as to what the film is actually about. Toss is the popular Ranvijay’s debut film, Yeh Mera India looks hard hitting while Love Khichdi’s promos started just a week ago! But these three films have dim chances of succeeding in this rat race due to no hype.

There’s a possibility that the next two weeks will also see 4/5/6 films releasing. God save all these films!
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DHAN TE NAN IS NOT ORIGINAL!

dhan te nanThe song which has taken the entire nation by storm, Kaminey’s Dhan Te Nan is not an original song! Yes, you read it right! It was used around a decade back in Gubbare, a popular serial at that time on Zee TV comprising of short comedy stories. But before you blame composer Vishal Bharadwaj of being Pritam-2, here’s the entire truth-Vishal Bharadwaj himself had composted the Gubbare’s Dhan Te Nan! In fact, he was also the director of the episode in which the song is played. And even the lyricist for both the songs is the same (Gulzar)!

Although Bharadwaj did some changes in Kaminey’s Dhan Te Nan, there are many similarities in both of these versions. Even the line ‘Teli ka tel’ was incorporated in the original song. I wonder, why no one’s sentiments were hurt at that time?! Anyways, I’ve uploaded the original below. Do watch it and have a laugh! DO NOT MISS IT!

P.S.: The actor in red coloured shirt…is he Sharman Joshi?


PLEASE VOTE IN THE BOLLYWOOD HALF-YEARLY AWARDS HERE, IN CASE YOU HAVENT: https://fenilandbollywood.wordpress.com/2009/08/11/fenils-half-yearly-awards-2009/
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GET READY FOR THE FINAL 2 BIGGIES OF THE SEASON!

Aha! This weekend would be fantastic! 2 biggies are all set to compete with each other! Some of the big names of the industry are associated with these 2 films. While Vishal Bharadwaj’s Kaminey is produced by the highly respected Ronnie Screwvala of UTV Motion Pictures and stars Shahid Kapoor and Priyanka Chopra, Life Partner is important as its Abbas-Mustan’s first produced film.

Talking about Kaminey, the film has created utmost curiosity since the time its promo was unveiled in Feb-end during Delhi-6. The teaser was novel and it really made moviegoers wait for the film. Not to forget, the director of the, Vishal Bharadwaj, is counted as one of the finest directors of Bollywood today. Shahid’s double role has impressed everyone and his pairing with Priyanka Chopra gave a new story to tabloids that they both are seeing each other. Then Mumbai Mirror newspaper stated as to how they broke up and that they are coming up with strange ideas so as to avoid bumping into each other while promoting Kaminey. But last week, they both came together at an event for promotion! Wonder what Mumbai Mirror has to say about this!

Shahid-Priyanka

The Dhan Te Nan song has further increased the hype for the film. So almost every moviegoer feel the film is going to rock. Thus, the film will surely take a great opening. Moreover, Friday 14th is a holiday (Gokulashtmi) and Independence Day is on Saturday. Also, Parsi New Year falls on Wednesday 19th. Moviegoers will definitely go for Kaminey in huge numbers during these holidays. Kaminey is such a lucky product, indeed!

However, Kaminey should turn out to be a good product, only then it’ll sustain in theatres for a long time and make a huge profit. Or else, it may fizzle out after a huge opening. Also, the film has been unfortunately awarded an ‘A’ certificate by the Censor Board. The film doesn’t have explicit violence or abusive words and Vishal tried to explain this but unfortunately, his plea fell on deaf ears. And due to this, the film may fail to attract the under-18 crowd.

LP

On the other hand, Life Partner is complete opposite of Kaminey! It looks like a light cute and funny film. The interesting part of it is that it’s the film of Abbas-Mustan as a producer. The director duo has provided finest films to the viewers since more than a decade. I always used to feel as to why they don’t turn into producers since they already are in the industry since a long time. Finally, they got into production and launched their production house, Burmawala Bros, with Life Partner as their first film. But they’ll be investing on film of every genre.

What interests you in the promos of Life Partner is the Fardeen-Genelia pairing-they look wonderful together! The film may turn out to be damn entertaining. However, it has a huge competition in the form of Kaminey and it may hugely affect Life Partner’s collections. Let’s hope both films turn out to be good and that both films are able to do a good job at the BO!

People staying in Mumbai, Thane and Pune won’t be able to catch both the films till Saturday as all theatres and multiplexes are closed down, thanks to swine flu scare. Cineplexes should start from Sunday onwards. Let’s hope it does!
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MERE DESH KI DHARTI SONA UGLE-REMIX!

The makers of Kisaan (*ing Sohail Khan, Arbaaz Khan, Jackie Shroff, Dia Mirza, Nauheed Cyrusi, Rahul Dev) have come up with a novel way of promoting their film. They have developed a remix of Upkaar’s famous song, Mere Desh Ki Dharti, and have incorporated in the film. The song has already started being aired on TV. The first thing that comes in my mind is that how the makers got the rights of the song. That’s all thanks to Salim Khan (father of Sohail and Arbaaz) who persuaded close friend Manoj Kumar to let them use the song.

I happen to see the song two days back and I was disappointed hugely. They have completely tampered with the song and the video doesn’t impress at all. That’s what I felt. I’ve uploaded the song below-please do watch and let me know your view on it!
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