Fenil and Bollywood

Posts Tagged ‘neha dhupia

By Taran Adarsh, January 1, 2010 – 12:32 IST

After almost five years, accomplished actor Saurabh Shukla returns to the director’s chair with RAAT GAYI, BAAT GAYI?, a film that’s making the right buzz. Making an adult comedy that talks of one night stand is tough. But giving the serious issue a humorous take is tougher.

RAAT GAYI, BAAT GAYI? is about relationships and also looks at the philanderers, who, despite being committed, don’t mind having a PYT in a closet, for no strings attached fun.

You may draw parallels with THE HANGOVER because the protagonist can’t recall anything that happened the previous night. But it must also be said that the film throws a few surprises, which makes it completely different from any film, past or present.

BY BOLLYWOOD HUNGAMA.COM

But there’s one factor that throws a spanner. There’s not much meat in the story. Also, it unravels at an excruciatingly slow pace. In fact, the wheels start moving only towards the penultimate 20 odd minutes, when the answers start coming.

In a nutshell, RAAT GAYI, BAAT GAYI? offers a few laughs, not laughter unlimited!

Rahul [Rajat Kapoor] wakes up with a bad hangover after a party the night before. There, he had met a sexy young woman Sophia [Neha Dhupia]. They got drunk and there were sparks flying. But Rahul doesn’t remember what happened after that. Did they go all the way?

His wife Mitali [Irawati Harshe Mayadev] is in a particularly bad mood and Rahul suspects that she might know about his little escapade last night. Rahul starts chasing his night, trying to retrieve it, trying to find out what really happened.

His friends Saxena [Dalip Tahil] and Amit [Vinay Pathak] are going through their own marital crisis of sorts. Driven to his wits end, he realizes that he must meet Sophia again to get the answers.

Almost three decades ago, Basu Chatterjee made an adult comedy called SHAUKEEN, which told the story of three men who eye a pretty girl, who’s completely oblivious of their intentions. In this film too, director Saurabh Shukla looks at three men with a roving eye.

Sadly, the screenplay [writers: Saurabh Shukla and Rajat Kapoor] falls woefully short in terms of generating interest. In fact, till three-fourths of the movie, there’s not much movement in the story, except for a few humour-laden sequences. It also moves lethargically and is unnecessarily slack.

Ankur Tewari’s music is strictly functional. Fuwad Khan’s cinematography captures the varied moods well.

The film scores in the performance department. Every member of the cast – Neha Dhupia, Rajat Kapoor, Vinay Pathak, Dalip Tahil, Irawati Harshe Mayadev, Anu Menon, Navniit Nisshan and Aamir Bashir – deliver fine performances. Especially Rajat and Vinay. Ranvir Shorey, Makrand Deshpande and Sudhir Mishra appear in cameos.

On the whole, RAAT GAYI, BAAT GAYI? doesn’t work.

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By Bollywood Hungama News Network, December 31, 2009 – 12:22 IST

Best Film
3 Idiots
Dev D
Kaminey
Love Aaj Kal
Paa

Best Director
Anurag Kashyap – Dev D
Imtiaz Ali – Love Aaj Kal
R Balki – Paa
Rajkumar Hirani – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Actor (Male)
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Ranbir Kapoor – Ajab Prem Ki Ghazab Kahani
Ranbir Kapoor – Rocket Singh – Salesman Of The Year
Saif Ali Khan – Love Aaj Kal
Shahid Kapoor – Kaminey

Best Actor (Female)
Deepika Padukone – Love Aaj Kal
Kareena Kapoor – 3 Idiots
Katrina Kaif – New York
Priyanka Chopra – Kaminey
Priyanka Chopra – What’s Your Raashee?
Vidya Balan – Paa

Best Actor in a Supporting Role (Male)
Abhimanyu Singh – Gulaal
R Madhavan – 3 Idiots
Rishi Kapoor – Love Aaj Kal
Rishi Kapoor – Luck By Chance
Sharman Joshi – 3 Idiots

Best Actor in a Supporting Role (Female)
Arundhati Naag – Paa
Divya Dutta – Delhi-6
Gauhar Khan – Rocket Singh – Salesman Of The Year
Neha Dhupia – Raat Gayi Baat Gayi
Shahana Goswami – Firaaq

Best Actor in a Negative Role
Amole Gupte – Kaminey
Boman Irani – 3 Idiots
Kay Kay Menon – Gulaal
Mahesh Manjrekar – Wanted
Manish Choudhary – Rocket Singh – Salesman Of The Year

Best Actor in a Comic Role
D Santosh – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots
Paresh Rawal – De Dana Dan
Sanjay Mishra – All The Best
Vinay Pathak – Raat Gayi Baat Gayi

Best Background Music
Amit Trivedi – Dev D
Ilaiyaraja – Paa
Salim-Sulaiman – Rocket Singh – Salesman Of The Year
Shantanu Moitra, Atul Raninga, Sanjay Wandrekar – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Music
A R Rahman – Delhi-6
Pritam – Ajab Prem Ki Ghazab Kahani
Pritam – Love Aaj Kal
Pritam – Tum Mile
Vishal Bhardwaj – Kaminey

Best Playback Singer Female
Kavita Seth – Iktara – Wake Up Sid
Rekha Bhardwaj – Genda Phool – Delhi-6
Shreya Ghoshal – Zoobi Doobi – 3 Idiots
Shilpa Rao – Mudi Mudi – Paa
Sunidhi Chauhan – Mere Sang – New York

Best Lyrics
Amitabh Bhattacharya – Emosanal Attyachaar – Dev D
Irshad Kamil – Chor Bazari – Love Aaj Kal
Javed Akhtar – Sapnon Se Bhare Naina – Luck By Chance
Piyush Mishra – Ranaji – Gulaal
Prasoon Joshi – Man Ko Ati Bhavey – London Dreams

Best Story
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Anurag Kashyap, Aparna Malhotra, Raj Singh Chaudhary, Sanjay Maurya – Gulaal
Imtiaz Ali – Love Aaj Kal
Nandita Das, Shuchi Kothari – Firaaq
R Balki – Paa

Best Screenplay
Abhijat Joshi, Rajkumar Hirani, Vidhu Vinod Chopra – 3 Idiots
Anurag Kashyap, Vikramaditya Motwane – Dev D
Imtiaz Ali – Love Aaj Kal
Pankaj Advani – Sankat City
R Balki – Paa

Best Dialogue
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Imtiaz Ali – Love Aaj Kal
Anurag Kashyap, Vikramaditya Motwane – Dev D
R Balki – Paa
Vishal Bhardwaj – Kaminey

Best Editing
Aarti Bajaj – Dev D
Aarti Bajaj – Love Aaj Kal
Anil Naidu – Paa
Meghna Manchanda Sen, Sreekar Prasad – Kaminey
Rajkumar Hirani – 3 Idiots

Best Sound
Bishwadeep Chatterjee, Nihar Ranjan Samel – 3 Idiots
Dileep Subramaniam – Love Aaj Kal
Sanjay Maurya, Allwin Rego – Dev D
Shajith Koyeri, Subhash Sahu, P M Satheesh – Kaminey
Tapas Nayak – Paa

Best Special Effects
Charles Darby – Aladin
Prime Focus Ltd – Blue

Best Cinematography
C.K. Muraleedharan – 3 Idiots
P.C. Sreeram – Paa
Rajeev Ravi – Dev D
Shankar Raman – Frozen
Tassaduq Hussain – Kaminey

Best Art Directon
Acropolis, Rajnish Hedaa, Sumit, Snigdha Basu – 3 Idiots
Sabu Cyril – Aladin
Samir Chanda – Delhi-6
Samir Chanda – Kaminey
Sukanta Panigrahy, Helen Jones – Dev D

Best Choreography
Ahmed Khan – Prem Ki Naiiyya – Ajab Prem Ki Ghazab Kahani
Avit Dias – Aal Izz Well – 3 Idiots
Bosco- Caesar – Zoobi Doobi – 3 Idiots
Prasanna – Marjaani – Billu
Baawre – Vaibhavi Merchant – Luck By Chance

Best Action
James D Bomalick – Blue
Huan-Chiu Ku – Chandni Chowk To China
Shyam Kaushal – Kaminey
Tinu Verma – Acid Factory
Vijayan Master – Wanted

Most Promising Newcomer (Male)
Amole Gupte – Kaminey
Chandan Roy Sanyal – Kaminey
Navin Kaushik – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots

Most Promising Newcomer (Female)
Gauhar Khan – Rocket Singh – Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jesse Randhawa – Gulaal
Kalki Koechlin – Dev D
Mahie Gill – Dev D

Most Promising Debut Director
Ayan Mukerji – Wake Up Sid
Nandita Das – Firaaq
Pankaj Advani – Sankat City
Shivajee Chandrabhushan – Frozen
Zoya Akhtar – Luck By Chance

Best Child Artiste
Jahan Bativala – Little Zizou
Iyanah Bativala – Little Zizou
Rahul Kumar – 3 Idiots
Parzan Dastur- Sikandar
Pratik Katare – Paa

Best Ensemble Cast
Delhi-6
Firaaq
Gulaal
Luck By Chance
Sankat City

BOLLYWOOD HUNGAMA.COM

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Source: IBOS

BY SUBHASH K JHA

Raat Gayi Baat Gayi
Starring Rajat Kapoor, Neha Dhupia,Irawati Harshe, Vinay Pathak,Anuradha Menon, Dalip Tahil ,Navneet Nishan, Aamir Bashir
Directed by Saurabh Shukla
Rating: ***

Somewhere on the second-half of this slightly seductive jigsaw about a one-night scam, filmmaker Sudhir Mishra shows up as Neha Dhupia’s father who drops in to have a chat with his sullen sultry daughter on the way to the airport. Little does the stoic Mishra know beti-babe has two men stashed away in a cupboard in the living room that looks consciously like a prop on a stage- set.

Quirky sex comedies are allowed their moments of eccentricity. Last time we saw a benevolent patriarch stop over in transit was Sanjay Dutt in Rohit Shetty’s comedy All The Best.

Maybe at this point Shukla deliberately wanted to introduce an element of staged comedy.After all, isn’t the world a stage? Shakespeare got there first. But hell. Saurabh Shukla is panting from behind to catch Sheakespeare’s comedy of ‘eros’ in a modern context.

Saurabh Shukla(who can be quite a funny-guy on demand) has made a quirky sometimes-crisp sometimes-placid look-see at marriage and infidelity. The seductively – paced work is set at a party hosted by a loud Punjabi clueless woman(played with much gusto by Navneet Nishan) whose amiable husband Dalip Tahil we soon come to know, is cheating on his plump wife with the svelte seductress on the block played by Neha Dhupia who seems to invite more male attention than is healthy for any girl with a respectable appetite. And we aren’t talking about her tummy.

Tahil isn’t alone. Vinay Pathak(playing the goofy slightly stupid and undiplomatic regular guy once again) is cheating on his wife Anuradha Menon(the hilarious Veejay Lola trying hard not to be funny,and succeeding) by checking out porn on the internet.

“At your age?” tut-tuts Tahil before himself being caught with his pants down. Though nothing much up at his age.

But our main potential philanderer is Rahul( Rajat Kapoor,as suave in his sleaziness as ever), married to the sullen Irawati Harshe who befriends the all-round resident siren(Dhupia) at a party , gets drunk and then forgets whether he actually did anything naughty or not. Hangover, anyone?

“I can do it even when I’m drunk, no problem there,” Rahul (Rajat Kapoor)says vainly to his porn-fed pal.One of the problems here is that everyone speaks in Hindi because…well, they’re part of a Hindi film when they’re characters who would be comfortable in English. Having said this and that, the characters seem to be effortlessly conscious of their authentic bearings. None of the performers strays from the not-so-straight and borrowed path of betrayal, deception and infidelity.

The Rahul-Mitali marriage has a twist in its tail at the end. It doesn’t shock you. It just makes you sigh. Saurabh Shukla’s direction embarks on a journey through one night of steamy sensations. The revelations are hardly shocking, just diverting.

Stylishly cut(Sankalp Meshram’s editing is amazing in its austerity) the material’s chic movement doesn’t quite justify the content. But the narrative has moments that spill out the acerbity underlining urban marriages which are at best functional and at their worst, lies told to keep up an appearance of domestic smoothness.

The film exudes the scent of intelligence and competence. The actors all know their jobs. Most of them have earlier been through this kind of sexual-moral dilemma in some form or the other. The cutting edge is missing . But the proceedings never get cumbersome.

By JOGINDER TUTEJA (GLAMSHAM.COM)

view RAAT GAYI BAAT GAYI movie stills
RAAT GAYI BAAT GAYI

RAAT GAYI BAAT GAYI releases on the last day of the year, 31st December. If this wasn’t surprising enough, the fact is that the date also falls on a Thursday. Wait, there is more. There are two more films slated for release on the same day – ACCIDENT ON HILL ROAD and BOLO RAAM, hence adding on to the crowd. Moreover, there is this entire 3 IDIOTS euphoria which is expected to spill over well into the second week. With so much happening around the release of this Neha Dhupia, Rajat Kapoor and Vinay Pathak starrer, was it a justified decision to arrive on this day?

“Yes, coming on 31st December is a very good decision”, says director Saurabh Shukla who has earlier made MUDDA – THE ISSUE and CHEHRA, “I will give you two reasons for that. First and foremost the film is actually about a party. Since it would be party mood for all on 31st Dec and 1st January, the story in the film fits in perfectly well with real life too.”

He goes on to explain the second reason. “Those who may not catch it on 31st December night would want to do so on the next day since it’s a holiday. And that’s because after 31st December hangover, there are only two ways to fight it. One is to drink again and another is to actually go for a movie. This is why our suggestion is ‘Why to drink again when you can have some good time in theaters while watching a movie?’

HOT! Neha Dhupia in a still from Raat Gayi Baat Gayi

One-night stands are harmless as long as you are not hurting anyone, says Neha Dhupia in a candid chat with BT

ROSHNI K OLIVERA Times News Network (BOMBAY TIMES; December 30, 2009)

Neha Dhupia made headlines with her line ‘In India only SRK and Sex sell’. Now the focus is on her again with Pritish Nandy Communications’ Raat Gayi Baat Gayi releasing tomorrow. The movie, produced by Rangita Pritish Nandy and directed by Saurabh Shukla, won the best film award at the HBO Asian International Film Festival in New York last month. Neha plays the mysterious gorgeous woman hunted down by Rajat Kapoor, Vinay Pathak and Dalip Tahil, after a night of lots of drinking, sex and zero memory! Ask her if it’s a bold role and she replies candidly, “If you are asking in terms of skin show, then no. But if being bold is a state of mind, then yes.” That’s Neha for you. Not one to mince words, the actress speaks to BT about relationships, sex and movies…

What’s your take on one-night stands?
The problem with one-night stands is that you end up hurting so many people. As long as you are not hurting any one, it’s fine.

In Raat Gayi Baat Gayi you have a onenight stand with a married man…
There are seven characters in the film! Why do you assume it’s my character who’s had the one-night stand? Are you assuming that because I am attractive… Not fair!

Do you think the Indian audience is opening up to sex in movies?
Dev D was a big hit. Indian audiences are open to fantastic scripts. Raat Gayi… is a funny kind of a thrilling experience that takes you through a drunken night. You don’t really know what happened last night. The film is packed with a lot of emotions and it is very relatable. You can relate to one or the other character.

You’ve done movies of various genres… what’s your favourite?
It’s very hard for me to say that. Right from my roles in Singh Is Kinng, De Dana Dan, Mithya, Ek Chaalis Ki Last Local to Raat Gayi Baat Gayi, everything is challenging and at the same time everything is easy. I don’t over-intellectualise the whole acting medium. I’m not working because I have to work. I’m working because I really enjoy doing so.

Are you happy with the way your career has shaped up so far?
I am. I had made a few mistakes, but I don’t regret anything. They have been learning experiences. I have come a long way, but I also have a long way to go…

Priyadarshan has always come up with zany comedies but De Dana Dan takes away the cake. In your entire life, you would have not seen such complicated and bizarre film ever, nor would you see it in future! There are some 25 characters; the entire action takes place inside a luxurious hotel and misunderstandings galore in the film. In fact, the flick thrives on misunderstandings and mistaken identities! However, like many other pathetic comedy flicks attempted this year, this doesn’t disappoint all thanks to Priyadarshan’s excellent handling and execution!

The story of the movie: Nitin Bankar (Akshay Kumar) works for Archana (Archana Puran Singh), a rich lady in Singapore and who loves her pet dog named Moolchandji the most! Nitin’s only friend is Ram (Suniel Shetty). While Nitin is in love with Anjali (Katrina Kaif), Ram loves Manpreet (Sameera Reddy). However, both Anjali and Manpreet are born and brought up in rich families and their families would not like their daughters to marry financially unstable men. So Nitin and Ram come up with plan to get quick money-they decide to kidnap Moolchandji in exchange of a huge ransom from Archana! Without realizing that the kidnapping has gone awry, both hide in the luxurious Pan Pacific Hotel waiting for the ransom. Unfortunately, there are more colourful, anti-social, gadbad-types people in the hotel at that time! And then starts the mother of all misunderstandings, mistaken identities and unlimited, uninterrupted laughter for the viewers!

There is absolutely no logic whatsoever in De Dana Dan. There are some big big loopholes in the story too! But if you are lover of masala Hindi comedies, then you won’t mind at all as there is so much fun happening in the film every second! Except during the songs, you won’t get a chance to yawn or check out the time in your watch or look anywhere else than the screen!

The first half is where the characters are introduced and established which is perfectly done. The asli mazaa begins when Nitin and Ram hatch the kidnap plan. The actual kidnapping and the events that follow was brilliant! Also, there are lots of tracks going on in the film, each one which is well written and worked upon. There is Harbans Chadda (Paresh Rawal) who is deep in debt and who wants to marry off his son Nonny (Chunky Pandey) to the best amir khandaan ki ladki; there is Brij Mohan Oberoi (Manoj Joshi) who is happy to marry off her manglik daughter Manpreet to Nonny; then there is smart theif cum club dancer (Neha Dhupia), Harban’s unfaithful wife Pammi (Aditi Govitrikar), a killer on a mission Peshawarwala (Johny Lever), an oversmart waiter Duggu (Rajpal Yadav), an Indian ambassador Paramjeet Lamba (Vikram Gokhale) and her wife (Supriya Karnik), Anjali’s dad Kakkad (Tinu Anand), Anti-corruption cop (Sharat Saxena) and a letch (Shakti Kapoor) (I hope I haven’t left anyone). Whew! With so many characters with interesting characteristics, Priyadarshan and the writing team excellently links up unrelated characters creating multiple mistaken identities, all which provide laughter unlimited!

The first half is laced with 4 songs but still the flick didn’t turn boring. However, it was the 2nd half where at a point, everything gets too monotonous and you want the flick to end. In fact, the film is close to 2 hrs 45 minutes. However, the climax again takes the film up and it was the most weird and bizarre climax I have ever witnessed! Once again, I state that don’t watch the flick if you can’t stand any nonsense in films. Or else you’ll surely faint watching the nonsense climax! But for those who love comedies, the climax will surely entertain!

With so many characters, it becomes difficult to decide who the best was. In fact all put their best foot forward and contribute well. Akshay Kumar was like everytime rocking! His films may not entertain everytime but he always impresses. In fact, it was so great to see a fantastic Akshay Kumar film after so long (the last such film was Welcome, 2 years back). Keep rocking Akki! Suniel Shetty gives an amazing performance and it was great to see him after a long time! Watch out for him in his next, Red Alert!

From the rest, the ones who impress and provide maximum laughs are Paresh Rawal, Archana Puran Singh, Johny Lever and Vikram Gokhale. Vikram Gokhale particularly entertains a lot! The rest-Asrani, Chunky Pandey (he had no role at all!), Manoj Joshi, Rajpal Yadav, Supriya Karnik, Tinu Anand and Sharat Saxena also did a nice job but it got overshadowed in presence of so many actors. Producer Ratan Jain is also there in the film!

As for the heroines, Katrina Kaif has the meatiest role and sizzles full on in the song Gale Lag Ja. Neha Dhupia gives a bindass performance. Sameera Reddy looks charming but hardly has any dialogues. Aditi Govitrikar’s performance was flawless.

Music was fine. Baamulaiza, Gale Lag Ja and Rishte Naate are the best songs of the lot. K Ahambaram’s cinematography was too shaky in some scenes which didn’t work. Salim-Suliaman’s background score, as usual, was flawless. Sabu Cyril’s production design deserves special appreciation especially for the climax where the entire hotel gets flooded. Some parts of the hotel were recreated in Mumbai, it was flooded and shot and it was so accurately done that it’s impossible to distinguish the actual hotel in Singapore from the set! Great work! But at the same time, disappointed to see enormous quantity of water wasted under the guise of entertainment!

Finally, we come to the writers and director. Suresh Krisshnan’s story was unusual. Jay Master’s dialogues were amazing and also contribute to the entertainment quotient in the film! And this is undoubtedly Priyadarshan’s one of the finest works! It requires guts and courage to screenwrite a film with so many complicated and tangled scenes and then directing it and also giving it a proper conclusion. Any other director would have either failed miserably or would have run away midway! So hats off to Priyan….keep giving us such films!

This time, there would be no section of Best Scenes….there are some 3 to 4 dozen memorable scenes, half of which I can’t even recollect now but enjoyed while watching! So please excuse this time!

On the whole, De Dana Dan is one of the most complicated comedies of all time. Those who love Priyadarshan and his slapstick comedies should not even think of missing it!

My rating-**** out of 5!

This review first appeared on Mouthshut.com: http://www.mouthshut.com/review/De_Dana_Dan-181702-1.html

LOOKING AHEAD: Neha Dhupia
Neha Dhupia reveals her filmi fundas in a candid chat with BT

HARSHADA REGE (BOMBAY TIMES; December 2, 2009)

You have been a part of many multi-starrers, is that a formula for success?
If there was a formula for success I would pay pots and pots of money and buy it (laughs). But seriously, I feel that while choosing your films, all one needs to do is follow your gut feeling and have faith in the project.

You tried your hand at some unconventional stuff with Ek Chalis Ki Last Local, Mithya and Dasvianiya. What kind of response did you get for them? And are you going to be part of more such films?
I have got a fabulous response for all the different cinema that I have attempted, and am looking forward to a lot more in the future. My film Raat Gayi, Baat Gayi? just won the viewers choice award at a film festival. That will be my next release after De Dana Dan. I agree it’s a mixed bag, but I wouldn’t want it any other way.

How important are hits to you?
While making a film we put in a lot of hardwork, and the only way it gets appreciated is when the audience views it and it becomes a hit… unless the critics are really kind (laughs).

After doing realistic and masala movies, do you want to see yourself doing an absolute rom-com kind of movie?
Yes, I would love to, I am screaming out loud that is my most favourite genre. I hope someone’s listening. But on a serious note, I have done one that’s in the same space… it’s called Pappu Can’t Dance Saala and will be releasing soon.

You and boyfriend Ritwik Bhattacharya have been going steady for some time now. So, are wedding bells in the offing?
Not at all!