Fenil and Bollywood

Posts Tagged ‘Neil Nitin Mukesh

Neil Nitin Mukesh will make his relationship with his girlfriend Priyanka Bhatia official in 2010

By Subhash K Jha (MUMBAI MIRROR; December 25, 2009)


Neil Nitin Mukesh and his designer girlfriend Priyanka Bhatia will officially announce their relationship in 2010. They might also tie the knot in the coming year.

Neil is surprisingly candid on the matters of the heart. He says, “Priyanka and I spend so much time together, so making it official is hardly going to make a difference to our equation. There’s absolutely no family pressure on either of us. In fact, God forbid, if we ever decide not to carry our relationship further our parents will disown us.”

Neil and his girlfriend might soon get engaged. He tells us, “It’s just a matter of exchanging rings. Otherwise our relationship is as official as it gets.”

Neil doesn’t rule out the possibility of marriage in 2010 either. He reveals, “Neither Priyanka nor I see marriage as a hindrance to our career and ambitions. She’s a very talented designer. And we would both like to grow together and individually. Some of our most successful actors from Amitabh Bachchan to Shah Rukh to Hrithik are happily married. Gone are the days when heroes used to hide their girlfriends and wives.”

Neil would also like his future wife to design clothes in all his films. “She knows what looks good on me. And I take her advice about what to wear anyway. I don’t think I’d like to be dressed up by anyone else more than Priyanka.”

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Cast: NEIL NITIN MUKESH, SOHA ALI KHAN, KAY KAY MENON, SHAHANA GOSWAMI, KARAN NATH

Producer: TUTU SHARMA

Director: SUDHIR MISHRA

Source: BOLLYWOOD HUNGAMA.COM

Filmmakers known for fairytale romances are now making movies with terrorism as the backdrop, finds Harshada Rege

It could be a reaction post the 26/11 terror attacks or just the fact that terrorism is a global phenomena, but filmmakers have never before been so keen to highlight this evil on the big screen. And the emphasis on this is laid by the fact that two production houses known for their romantic films, have taken a huge leap and have made movies on this topic. We are talking about Yash Chopra’s production house that’s known for movies like Chandni, Lamhe and Dilwale Dulhaniya Le Jayenge; and Karan Johar who has made feel-good movies like
Kuch Kuch Hota Hai and Kabhi Khushi Kabhie Gham to the more recent Dostana and Wake Up Sid. Yash Chopra’s banner has already brought out its offering on terrorism in the form of New York that was directed by Kabir Khan and starred John Abraham, Katrina Kaif and Neil Nitin Mukesh. Karan on the other hand produced the recently released and highly-acclaimed Kurbaan that stars Saif Ali Khan, Kareena Kapoor and Vivek Oberoi. While the movie is what Karan calls a “love story” it was a subject that Karan couldn’t stop thinking about. He asked Rensil D’Silva to write and develop it for him. He later asked Rensil to direct the project. “The story addresses this evil that has become a global phenomena,” he says.
But it was director Kunal Kohli, who surprised everyone with Fanaa in 2005. Easily one of the most successful films that had terrorism as the backdrop, Fanaa handled the issue very well. “Movies that are relevant to that particular time always click with the audience. Like Naya Daur or Namak Haraam that the audience remembers for those particular eras,” points Kunal, who has also directed Hum Tum, Mujhse Dosti Karoge! and Thoda Pyaar Thoda Magic. Speaking about Fanaa he says that the movie worked because it was a Hindi ‘picture’. “It had the right elements put together. It’s is very important to make your film entertaining. If you feel socially responsible and want to give a message you have to make it entertaining and not sound preachy,” he says. He feels that people liked the movie because the common man was the protagonist. “People found Rehan (Aamir Khan’s character) like any other man. He was a guide and a very mard character. He wasn’t just a boy, but a man,” says Kunal.
A trade pundit says, “As long as the director doesn’t get confused between making a love story or a film on terrorism it’s fine. In the end the audience has to feel for the characters.” Managing the commercial aspect and sending out a social message can be difficult. “Yes, it is very difficult. But that’s what the audience expects from you,” says Kunal.

BOMBAY TIMES (November 26, 2009)

WE CARE: Ranbir Kapoor, Neha Dhupia, Mugdha Godse and Neil Nitin Mukesh
Bollywood stars join Mumbaiites in 26/11 music video

NICOLE DASTUR Times News Network (BOMBAY TIMES; November 23, 2009)

Karan Johar, Farhan Akhtar, Ranbir Kapoor, Ajay Devgn, Yash Chopra, Boman Irani, Nandana Sen, Neha Dhupia, Neil Nitin Mukesh, Mugdha Godse, Ramesh Taurani, Gul Panag — just a couple of Bollywood log who will be part of a special song-cum-music video dedicated to the 26/11 terror attacks. The video, conceptualised and produced by Viraf Patel, directed by Arjun Sablok and composed by Monty Sharma, will go on air on the 26th itself and will also feature the aam junta — Mumbaiites from all stratas of society and all walks of life — besides the Bollywood brigade.

“The song will be interspersed with the stars and the people giving out their own personal, heartfelt messages, the crux of which will be ‘I am Indian’, ‘Main Hindustani Hoon’, ‘Main Bharatiya Hoon’… the variations of the same statement is a deliberate attempt to reflect the diversity and unity of India. Although the terrorists struck Mumbai, every Indian was affected. The aftermath was pan-Indian. The idea of the single is to stir the emotions of every Indian,” says Viraf of the music video which will be aired on all television channels.

By Taran Adarsh, November 19, 2009 – 15:14 IST

Post 9/11, there’s anger, distrust, suspicion, uneasiness all around. Not a day passes when you don’t hear of terrorists killing civilians in the name of religion.

Many storytellers have, in the past, narrated stories about terrorists and their nefarious and despicable plans. But let me state one thing categorically. You haven’t watched a more profound, a more thought-provoking, a more dramatic story on this subject before KURBAAN. It’s not just the most powerful film to come out of Dharma Productions, it’s the most powerful film to come out of the Hindi film industry this year, thus far.

BY BOLLYWOOD HUNGAMA.COM

KURBAAN tries to penetrate into the psyche of not just the terrorist, but also someone who has been a helpless spectator all this while. This film is sure to spark off discussions and debates, although it must also be noted that it doesn’t take sides or gets preachy.

Rensil D’Silva has chosen a burning issue for his directorial debut, which is a complete departure from Karan Johar’s earlier films. For some inexplicable reasons, parallels are being drawn with FANAA [Aamir Khan, Kajol] and NEW YORK [John Abraham, Neil Nitin Mukesh, Katrina Kaif], but the fact remains that barring the backdrop of terrorism, there’s no similarity with those films.

I’ve often felt that certain films are beyond box-office. Movies are not meant to merely entertain, but enlighten and educate as well. They need to prick your conscience and in the process, make an attempt to make this world a better place. KURBAAN does just that and for this very reason, it deserves a double thumbs up.

Final word? Drop everything else you’re doing to watch KURBAAN. Movies like these need to be made, encouraged and lauded.

Avantika [Kareena Kapoor] is a teacher at a university in Delhi. She has come back from New York where she teaches, because her father [Aakash Khurana] has suffered a heart attack. During this period, she meets a Professor called Ehsaan Khan [Saif Ali Khan]. Soon, they begin seeing each other and love blossoms.

A few months later, Avantika receives a call from her university in New York, asking her to come back. Avantika breaks the news to Ehsaan. He, in turn, tells her he doesn’t mind coming to the States with her. But first they need to get married.

Soon after the marriage, they leave to start a new life in New York. They buy a house in an Indian neighbourhood and move in. Just as they are setting up home, their conservative Muslim neighbours invite them over for dinner. The next morning, Salma [Nauheed Cyrusi], one of the women Avantika met the night before at the dinner, visits her under the pretext of gifting her sweets.

When Avantika invites her in, Salma tells her that she is in grave danger. Nothing is what it seems. Salma pleads with Avantika to help her. What follows next is a series of incidents that sucks Avantika into a vortex of danger and intrigue. As her life spirals out of control, Avantika realizes that she is a pawn in a huge game.

KURBAAN has two stories running concurrently – the love story between Saif and Kareena and the story of Islamic terrorists. Rensil sets the stage in the initial 15 minutes itself, after which there’s a twist in the tale every 15-20 minutes, which catches you completely unaware. Rensil doesn’t borrow from the past, which makes the proceedings thoroughly captivating.

The highpoint is the 35-minute climax, which leaves you spellbound. The culmination to the story shakes you completely, largely because it’s pragmatic and has been executed most logically as well. In fact, filming the climax at the various underground tube stations must’ve been the toughest challenge for the director.

On the flip side, KURBAAN caters more to the intelligentsia or the thinking viewer and might not be lapped up whole-heartedly by those who survive on the staple diet of hardcore masala fares.

Some of the finest technicians in the business are associated with KURBAAN. Hemant Chaturvedi’s cinematography is super. The film bears an international look all through. Salim-Sulaiman’s music is well integrated in the narrative. At least two tracks merit a mention – ‘Shukran Allah’ and ‘Ali Maula’. Anurag Kashyap and Niranjan Iyengar’s dialogue are superb. The lines enhance the impact of several sequences. Thrills are, again, in sync with the mood of the film.

KURBAAN is embellished with superlative performances. Saif is extra-ordinary in a role that only proves his versatility once again. If he won your heart with a winning performance in LOVE AAJ KAL a few months ago, you need to watch this supremely talented actor underplay his part so beautifully in KURBAAN. As for Kareena, KURBAAN reiterates one fact yet again: She’s the best in the business. No two opinions on that! Watch her get those emotional sequences right, it’s incredible. Here’s a performance that truly merits the highest praise and admiration, besides fetching her awards and accolades.

Vivek Oberoi is fantastic. Matching Saif and Kareena at every step, KURBAAN should be the turning point in Vivek’s career. It’s a difficult role to portray and only an actor with a wide range could’ve portrayed this part so effectively. Om Puri is top notch and so is Kirron Kher. Kirron is marvellous, especially in the penultimate scene. Dia Mirza, Nauheed Cyrusi and Kulbhushan Kharbanda lend credibility to their brief roles.

On the whole, KURBAAN is the most powerful film to come out of the Hindi film industry in 2009, so far. The film has a captivating plot, gripping screenplay, super performances and a climax that shakes you up completely. Watching this movie should be on top of your agenda this week.

STILL FRIENDS? Deepika Padukone
Deepika Padukone keeps herself busy with work

MEENA IYER Times News Netowrk (BOMBAY TIMES; November 19, 2009)


A few days before Diwali, Deepika Padukone was a girl deeply in love. Despite her own work assignments, the leggy beauty was shunting between Mumbai, Bangalore and Bhopal just to be able to spend quality time with beau Ranbir Kapoor. Just when they were crowned the hottest couple of Bollywood, came the news that they had decided to part ways. BT even heard a diva, with chocolate-like complexion, telling people on the sets of a comedy film that the hotshot couple had made a clean break. But if rumours are to be believed, the embers haven’t died down yet. True, Ranbir and Deepika are no longer the couple they used to be, but the two still exchange a dozen phone calls everyday. While one may or may not give credence to this, it’s very clear that the young actors don’t want to ruin a friendship they’ve shared even if the ‘fondness’ levels have dipped. Besides, both are smart enough to understand that being in the same industry, they will cross each other’s paths everytime. Meanwhile, instead of wallowing in self pity, Deepika has decided to keep herself immersed in work. The girl has green lighted Ashutosh Gowarikar’s Khelien Hum Jee Jaan Se with Abhishek Bachchan; Kunal Kohli’s next with Imran Khan and Pradeep Sarkar’s film with Neil Nitin Mukesh. She’s expected to fly to the US on a work assignment around November 20, do two new commercial endorsements and then there’s also Kartik Calling Kartik and Houseful which she has to complete.


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