Fenil and Bollywood

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After closing the year with films such as PAA and 3 IDIOTS, the year 2010 sure looks bigger and brighter for Reliance BIG Pictures with a mixed bag of films ranging from mainstream and masala to regional and art house.

With maverick directors such as Shyam Benegal, Mani Ratnam, Anurag Basu, Shaji N Karun, Rituparno Ghosh and Buddhadeb Dasgupta bringing the best out of Hrithik Roshan, Barbara Mori, Abhishek Bachchan, Aishwarya Rai Bachchan, Mamootty, Boman Irani, Jishu Sengupta, Indraneil Sengupta, Kangana Ranaut amongst many others the Reliance BIG Pictures slate is sure to watch out for!

Have a sneak peek into Reliance BIG Pictures’ slate of films for the year 2010:

view KITES movie stills
KITES

KITES:

A truly international film KITES tells the story of a young con-man who lives ‘life’ in Las Vegas, always ready to make fast money in any way possible, always looking for the big score. Directed by Anurag Basu and produced by Rakesh Roshan the film stars Hrithik Roshan, Barbara Mori, Kangana Ranaut and Kabir Bedi. It is shot in Mumbai, New Mexico, Las Vegas, and Los Angeles. The film will have and Indian and international version which will release simultaneously. Brett Ratner, best known for the RUSH HOUR series, FAMILY MAN starring Nicholas Cage and X-MEN THE LAST STAND is currently at work on the English version of KITES and tailoring it to appeal it to an international audience.

view WELL DONE ABBA movie stills
WELL DONE ABBA

WELL DONE ABBA:

WELL DONE ABBA is the story of Armaan Ali, a driver working in Mumbai. He takes leave for a month to find a husband for his teenage daughter, who lives in a small locality close to Hyderabad. Armaan Ali returns to work only after 3 months. His young employer wants to sack him but is persuaded to listen to the reason why Armaan got so delayed.

Directed by Shyam Benegal stars Boman Irani, Minissha Lamba, Sammir Dattani, Ila Arun, Sonali Kulkarni, Ravi Kishen, Rajit Kapur, Ravi Jhankal and Yashpal Sharma.

RAAVAN:

Abhishek Bachchan and Aishwarya Rai Bachchan come on screen together in Mani Ratnam’s RAAVAN – a modern day adaption of the epic Ramayan, being readied in Hindi, Tamil and Telugu.

MIRCH:

Directed by Vinay Shukla MIRCH revolves around the protagonist Maanav, a committed struggling filmmaker whose girlfriend Ruchi, a successful film editor, arranges for him to meet film producer Nitin, who is not very convinced about Maanav’s script. Maanav then suggests four stories on infidelity, woven together by a common story.

The film stars Konkana Sen Sharma, Raima Sen, Shahana Goswami, Shreyas Talpade, Rajpal Yadav, Boman Irani, Sushant Singh, Arunoday Singh and Prem Chopra with special appearances by Saurabh Shukla & Tisca Chopra.

view CHALOO MOVIE movie stills
CHALOO MOVIE

CHALOO MOVIE:

The police raid a theatre where movie tickets of a very successful film are being sold in black. When Police Inspector Sher Khan interrogates Khoji, a man in his 20s, he claims that he is the director of the very film whose tickets he is selling in black. The cynical Sher Khan puts Khoji behind bars after which he receives two phone calls – one from the Police Commissioner and another from the dreaded don ‘WC’, both of whom support Khoji’s detention. A hilarious turn of events reveal who Khoji is, whether he is really the film’s director, why is he selling his film’s tickets in black and what do the Police Commissioner and don ‘WC’ want from Khoji.

Starring Rajpal Yadav, Shekhar Suman, Divya Dutta, Hrishta Bhatt and Sayali Bhagat, CHALOO MOVIE is directed by Vinod Pande.

Reliance BIG Pictures, the most committed motion picture company producing regional films in 8 Indian languages is working persistently towards taking them beyond the conventional Diaspora

The slate of films includes:

KUTTY SRANK: Shaji Karun’s Malayalam film KUTTY SRANK starring Mamooty, Kamilini Mukherjee, Padmapriya and Meenakumari brings out three distinct personalities of a dead boat-man from the perspective of three women each of whom claims to be his wife.

ABOHOMAAN
ABOHOMAAN

ABOHOMAAN: Rituparno Ghosh’s Bengali film ABOHOMAAN starring Dipankar De, Mamata Shankar, Ananya Chatterjee, Jishu Sengupta and Ria Sen brings to the screen a sensational relationship between a film-director, a young actress and a wife who swears to ruin her husband’s life and career and a son who gets caught in the cross-fire in this extravagant drama.

JANALA: Buddhabed Dasgupta’s Bengali film JANALA starring Tapas Paul, Swastika Mukherjee and Indraneil Sengupta is the journey of a solitary man against the wrath of circumstances when he decides to pursue his little impulsive dream.

IJJODU: by the maestro M S Sathyu is a film about a photo journalist who finds an interesting girl who has been exploited on the name of religion. He succeeds in breaking her blind belief but fails to accept her to give her an alternative life. This Kannada flick stars Meera Jasmine and Anirudh.

GLAMSHAM.COM

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It’s always a pleasure to see a meaningful flick which entertains as well enlightens. Rajkumar Hirani is the master of such flicks (his forthcoming 3 Idiots is also expected to be the same). Rocket Singh also falls in this category. Although it is laden with some glitches, overall it gives you a great time and also teaches you some valuable lessons which we may have forgotten or ignored because of living in this fast-paced urban ‘corporatized’ life!

The story of the movie: Harpreet Singh Bedi (Ranbir Kapoor) has just graduated with low marks but is determined to enter into the world of sales. He justified himself as ‘number kam hai dimaag nahi’! With his confidence and ‘never quit’ attitude, he lands as a trainee in the reputed company, AYS. But he soon realizes that in this professional field, the people worked with the most unprofessional attitude! He always believed in working honestly and caring for the customers. He even attempted to apply his principles which received a sharp reaction from his seniors. Harpreet was then denounced and humiliated. And this is when he realized that instead of merely being an observer, he’ll be the change he wants to see! From here begins the journey of Harpreet aka Rocket Singh!

One won’t take to Rocket Singh instantly, esp in the first hour. This hour focuses more on establishing characters. Also the film hasn’t applied sync sound system well due to which one has difficulty in deciphering some of the dialogues. But after some time in the film, we get ‘accustomed’ to it!

But there are some sequences in the first hour that deserve a mention. The ‘complaint’ scene was great and the boss’ (Manish Choudhari) angry reaction looked quite real. Also watch out when Ranbir is humiliated by the boss with his ‘zero-value’ theory. It was a bit over the top but made an impact.

But the second hour is when the film rocks big time! Ranbir creating a company within a company and popularizing it with his honest ways and making partners was damn interesting. The pre-climax wonderfully built up tension but the climax was dragged a bit. Maybe, the lengthy dialogue should have been a bit crisp. It would have made a better impact.

But nonetheless, the film manages to put its message across in a cool manner. It’s a must for all in the sales field or anyone dealing with customers…maybe it will inspire them to adopt more ‘human’ and honest ways of working!

Without a doubt, it’s Ranbir Kapoor who carried the film fabulously on his shoulders and came up with a great performance. He looked charming even in his sardar look and managed to do a great job-as great as he did in Wake Up Sid and Ajab Prem Ki Ghazab Kahani. The film may unfortunately not work at the BO but Ranbir will surely be appreciated and Rocket Singh will be remembered as one of his best performances!

Prem Chopra as Ranbir’s paa played his part well. D. Santosh (famous for his Rajguru act in The Legend of Bhagat Singh) was outstanding! In fact, he delivers better performance than Ranbir in many of the scenes involving both of them! Watch out for him!

Besides these, the rest of actors were all newbies but leave a mark. Gauhar Khan as Koyna looks stunning and gives a top-class performance. Her career in Bollywood is on the right track with this film! Shazahn Padamsee gets very little scope but manages to impress. Mukesh Bhatt as Chotelal was just brilliant! And finally, the other two actors who leave a maximum impact as Ranbir and Santosh are Naveen Kaushik (as Nitin) and Manish Choudhari. Both were wonderful and if the film impresses, then they are also to be credited!

Salim-Sulaiman’s music doesn’t make a mark as song-and-dance isn’t part of this film. Pocket Mein Rocket is missing from the film. But their background score like everytime was fabulous.

Vikash Nowlakha’s cinematography was flawless. Manas Choudhury, the sync sound recordist, could have done a better job.

Jaideep Sahni has written the story, screenplay, dialogues and lyrics. His work was exceptional in all four. Only the screenplay could have been a tighter in the climax and easy in the initial portions. But the best part is-his Khosla Ka Ghosla magic is wonderfully seen in some of the scenes which really makes the film impressive.

This is Shimit Amin’s weakest directorial venture, simply because his last two flicks, Ab Tak Chappan and Chak De! India are considered as classics. But still even in his weak performance, he impresses! Watch out for how he has paid attention to little details to make the film look as realistic and closer to real life as possible. Watch out for the beginning portions when the credits appear-observe how the simple articles found in every household are impressively highlighted. Overall, a good job, could have been better and best wishes for the next project!

Some of the best scenes of the film:
1.     Harpreet’s first interview
2.     Harpreet’s complaint box ‘kaarnama
3.     Boss reacts to Harpreet’s kaarnama!
4.     Colleagues scold Harpreet
5.     The intermission point
6.     Koyna joins Harpreet
7.     Harpreet and his boss’ telephonic conversation (best scene of the film!)
8.     Boss finds out the truth (amazing!)
9.     The final scene

On the whole, Rocket Singh is a feel-good film and should be seen by all sales professionals and corporates. A must watch for Ranbir too. Go for it to have a different kinda experience!

My rating-*** out of 5!

This review first appeared on MouthShut.com: http://www.mouthshut.com/review/Rocket_Singh-181580-1.html

By Taran Adarsh, December 11, 2009 – 17:13 IST

Some films absorb you instantly, from the very outset. But it takes time to get into the world of a salesman who thinks from his heart.

Come to think of it, ROCKET SINGH – SALESMAN OF THE YEAR is about a simpleton, but the story of his struggle and accomplishment isn’t the kind that would charge you or make you charter a similar path in life. Also, the story of an underdog who comes up the hard way should make you feel euphoric in the end, right? But ROCKET SINGH – SALESMAN OF THE YEAR doesn’t.

BY BOLLYWOOD HUNGAMA.COM

Frankly, ROCKET SINGH – SALESMAN OF THE YEAR is more of a documentary on the life of a salesman. It’s a decent film, no two opinions on that, but the question is, [a] Is the story powerful enough to excite you and [b] Does it grab your attention in entirety? Sadly, the answer to both the questions is in the negative.

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There’s another problem and this is strictly from the point of those seeking entertainment. A Yash Raj film with Ranbir Kapoor [after AJAB PREM KI GHAZAB KAHANI] essaying the title role, coupled with fun-filled promos [‘Pocket Mein Rocket Hain’] might make you assume that it would offer loads of entertainment, but this has barely a song or two, as good as no romance and hardly any comic moments – the recipe for most Hindi movies.

In a nutshell, ROCKET SINGH – SALESMAN OF THE YEAR is a dull and dry experience.

Harpreet Singh Bedi [Ranbir Kapoor] has just graduated and his marks are, well, let’s say a little embarrassing. But marks never stopped him from dreaming of an exciting and adventurous career, and they never will.

He takes a deep, positive breath and dives into the world of sales, rumoured to be an ultra cool career. It’s everything he dreamt of, with its smooth dressing, smoother talking men and women who can sell ice to an Eskimo, dreams to an insomniac and a lifetime mobile connection to a dying man. But soon, his idea of success begins clashing with the strange ways of these ‘professionals’ and ‘bosses’ he looked up to.

ROCKET SINGH – SALESMAN OF THE YEAR may be based on a simpleton’s life, but the viewer gets a hang of things only towards the second hour. The entire first hour is devoted to establishing the characters and also getting used to the way sales persons go about their business.

There’s not much excitement in the first hour, barring a few attention-grabbing scenes that pop up intermittently. The story just flows, with the viewer not reacting much to the proceedings. But things change for better towards the post-interval portions when the protagonist and his colleagues’ lives get complicated.

At least two sequences deserve a mention here. The first, when Ranbir and his boss have a lengthy telephonic conversation. The second, when the boss realises his folly and apologises to Ranbir. But, unfortunately, the culmination to the story doesn’t give the feeling of euphoria or victory. Ideally speaking, it should have. That’s one of the reasons why the impact is missing.

Shimit Amin is an efficient storyteller and he has been most faithful to the plot, but if the plot itself has its limitations, there’s not much he can do to boost the proceedings. Jaideep Sahni has had the courage to narrate a new story, but the story is one-dimensional. Also, there screenplay is devoid of songs, romance and entertainment, which will go against the film completely.

Salim-Sulaiman’s background score is effectual. Vikash Nowlakha’s cinematography is alright.

Ranbir Kapoor is an exceptional actor and ROCKET SINGH – SALESMAN OF THE YEAR mirrors this fact. The actor underplays his part beautifully, which only goes to prove that he’s equally at ease essaying straight-out-of-life roles. Prem Chopra is exceptional. A number of new faces enact pivotal roles here, but the ones who stand out are Ranbir’s boss Puri and colleague Nitin. Both are fantastic.

D. Santosh is first-rate. Gauhar Khan leaves a strong impression. Shazahn Padamsee doesn’t get any scope.

On the whole, ROCKET SINGH – SALESMAN OF THE YEAR is more of a documentary on the life of a salesman. Lack of music, romance and entertainment, coupled with zilch hype, will go against the film. A colossal disappointment!

By Taran Adarsh, November 27, 2009 – 10:52 IST

Be forewarned. DE DANA DAN is the most bizarre film from the maharaja of laughathons, Priyadarshan. Not even in your wildest dream you’d think that Priyadarshan would place almost an entire film in a hotel and have its entire cast, comprising of 26 [or is it 27?] characters, most of them weirdos, interacting with each other. Brings back memories of BLAME IT ON THE BELLBOY? May be!

But Priyadarshan needs to be credited for pulling it off. There are times when you laugh hysterically at the most outlandish jokes and situations. There are times when a raised eyebrow or a wide-open jaw makes you break into a guffaw.

BY BOLLYWOOD HUNGAMA.COM

Be cautioned. DE DANA DAN is a loud film, with each and every character screaming on top of his/her voice, with the characters shouting, running, even floating and swimming in the end.

But what do you expect in a Priyadarshan film that has a title like DE DANA DAN? The promos never promised path-breaking or thought-provoking cinema that would give birth to debates and discussions. So why look for logic in this one?

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DE DANA DAN makes no qualms of narrating a story you haven’t heard before. Here, the story is non-existent and it’s left on Priyadarshan to mix-n-match those two dozen characters and keep the momentum alive for the next 2.45 hours.

DE DANA DAN promises laughter and entertainment and sticks to its promise. This one’s not for the hard-nosed types, but for those who worship escapist cinema. Who want to chuckle, giggle and chortle at those mindless jokes. In short, DE DANA DAN is a pure dhamaal entertainer!

Nitin [Akshay Kumar] is a butler, cook, driver, watchman, gardener to a wealthy female industrialist [Archana Puran Singh] in Singapore. Like any young man, Nitin too dreams of a better life. He desperately wants to become rich and marry the love of his life, Anjali [Katrina Kaif], who supports him financially.

Ram [Suniel Shetty], Nitin’s best friend, also came to Singapore with the dream of striking it rich, but ended up a courier delivery man. He falls for Manpreet [Sameera Reddy], but her high society parents will never approve of marriage, not unless Ram has lots and lots of money.

In the midst of all this is Harbans [Paresh Rawal], a shrewd businessman, who’s looking for ways to multiply his income and avoid his debtors. He decides the best way would be to marry his son [Chunky Pandey] off to a girl whose parents can give him a large dowry. He is introduced to Manpreet’s parents at a function and is impressed by their social status. He introduces himself as a well-established businessman, impresses them and they decide to get Manpreet and Harbans’ son married.

With several factors working against them, Nitin and Ram soon reach a dead end in their relationships. When both receive ultimatums from their girlfriends, they realize that only a life of vice can help them out of their misery. They come up with an audacious plan to kidnap someone important and demand a ransom.

The kidnapping goes awry and both hide at a local hotel while waiting for the ransom money. But misfortune is never far and the kidnapping spirals out of control.

Meanwhile, Manpreet’s wedding reception is being held at the same hotel that Nitin and Ram are hiding in. Soon, they are joined by a motley set of characters including a Chinese Don [Asrani], a hired assassin [Johny Lever], a ACB police inspector [Sharat Saxena], a club dancer [Neha Dhupia], an ambassador [Vikram Gokhale], a young frustrated double crossing wife [Aditi Govitrikar], a letch [Shakti Kapoor], a drunken waiter [Rajpal Yadav] and a dead body nobody wants to check into the hotel.

DE DANA DAN is atypical Priyadarshan film that has the unmistakable stamp all over it. But, at the same time, DE DANA DAN is erratic and uneven – energetic at times, lethargic at places. Also, the culmination to the film is very similar to the director’s earlier works, with the entire cast running helter-skelter.

On the flip side, you miss Akshay’s presence in the second hour. He disappears [gets locked in a cupboard] for at least 20 minutes and the focus, hence, shifts to the other characters. His fans will miss his presence, for sure. Besides, the film tends to get very lengthy towards the second half and overtly verbose too.

Director Priyadarshan is synonymous with comedies and the ace storyteller promises laughter in abundance. Handling so many characters, plus making a film on mistaken identities could be very tough, but the director gets it right. Pritam’s music is alright, while the RDB track, ‘Paisa’, is the pick of the lot. Salim-Sulaiman’s background score is energetic. K. Ahambaram’s cinematography is alright.

The review would be incomplete if one ignored the dialogue writer’s [Jay Master] contribution to the film. The lines are laced with wit and soaked in humour and bring the house down on several occasions.

DE DANA DAN has so many characters that it gets difficult to pinpoint or single out any one actor. Akshay is at his best in a Priyadarshan film and DE DANA DAN proves it. Suniel is natural to the core. Paresh is incredible; he pitches in a superb act. Katrina and Sameera don’t have much to do. Amongst the plethora of actors, Johny Lever, Neha Dhupia, Manoj Joshi, Asrani, Vikram Gokhale and Archana Puransingh deserve special mention.

On the whole, DE DANA DAN is targeted at the masses and it delivers laughter in abundance. Leave your brains behind to enjoy this madcap entertainer!


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