Posts Tagged ‘october 9’
Every character is involved in a series of madcap situations, but Sanjay says he was hesitant to do a scene that had slight overtones of a gay relationship. Praising director Rohit Shetty, he says, “He assuaged all my apprehensions and before you knew it, I was actually enjoying the scene.’’ Well, and what is that famous scene? Sanju reminisces, “There is a scene in which I’m fast asleep, and an equally drowsy Ajay, who mistakes me for his girlfriend Bipasha Basu, climbs on top of me and tries to seduce me.’’
Laughing his guts out, Sanju adds, “Like I said, I’m also fast asleep in the scene with my head covered, so initially I’m enjoying Ajay’s affections but when I realise what is happening, I freak.’’
The smile doesn’t leave his face. “It’s something I’ve never done before. But like I said, All The Best is a complete fun film and there are many such funny situations. Despite all my initial reservation about some of the comic scenes, once I got into character, I just decided to go ahead and have a ball shooting for it.”
For someone who looks so casual about his work, Sanjay is said to have an elephant’s memory, he can mouth three page dialogues after just glancing through it a couple of times. “When you’re doing comedy, the first take is invariably the best because most often it comes straight from the heart. Trying to replicate the same magic over and over again sometimes doesn’t work,’’ he reveals.
OMAR QURESHI Times News Network (BOMBAY TIMES; October 9, 2009)
It’s just so easy to hit a soft target. That’s what Rani Mukerji seems to have become for some sections of media — simply because she refuses to respond; holding onto dignity above clarification. But it was time. I had a tough time cajoling her, until she relented. Rejoicing at the accolades she’s got for her superlative act(s) in Dil Bole Hadippa! she was in a happy place. Here’s the Queen Bee in a rare exclusive, about media and more…
The media thinks you take the ‘I-will-talkwhen-I-want-to’ stance too often…
I haven’t changed a bit over the years. But yes, journalism has changed a lot. It’s not my nature to take calls from the media and talk each time I get an SMS about any issue. If it’s something that makes sense to me, I’d probably answer, but not when I’m busy working or spending time with my family. I know that as an actor I have to talk to the media so they can tell the audiences about me. But when that becomes completely wrong and baseless, I switch off and withdraw.
It upset you that people referred to Dil Bole Hadippa! as your ‘comeback film’…
They’re probably trying to use the word ‘she has reinvented herself’. But they end up using ‘comeback’. Which is strange because ‘comeback’ is a phrase used for actresses who get married, have babies and then come back; and none of the two things are happening in my life.
You still get upset when the media writes badly about you?
I don’t get upset. It’s because most of them are the kind of reporters who don’t know me, who’ve never met me in their life. So I don’t care. But what bothers me is when they test my intelligence and make me out to be a person I’m not. Not portraying me correctly to my fans.
You mean like persistent rumours of your marriage?
Exactly! When they write stories about my marriage, I feel really funny and strange. They keep linking me with a certain person. And they’ve been proclaiming that I’m getting married for over last three years. Every six months they decide on a venue and a date. But the date keeps shifting, simply because it’s unsubstantiated. And the media keeps passing it on, like a relay race.
The rumours keep pointing to Aditya Chopra…
I’m not thinking about marriage at all. I’m focusing on my work. There are so many things I want to do. Not that marriage will stop me from doing films. If I’ve found a person with whom I can spend the rest of my life with, yes, I need to marry. Today I don’t think that it’s about the biological clock at all. Marry when you’re ready is the mantra. But I am single, yaar. Can I shout that out?
There was talk that your attempt to ‘patch-up’ Salman with SRK, on Salman’s TV show, upset both of them…
Not true. I don’t get into anybody’s life. I’m too caught-up with my own life. They are my friends and I share a great relationship with them, but I prefer steering clear of controversies.
Not too many actresses say nice things behind your back…
I can’t relate to these things. I’ve genuinely not bitched about anybody behind their back. The fact is that if an actress has made a name for herself — it speaks a lot about her. It takes a lot of hard work and dedication to be in this industry where people are ready to pull you down. So, I respect every actress simply because they must have something to be able to make a name for themselves.
SHARIN WADER BUTANI Times News Network (BOMBAY TIMES; October 8, 2009)
“All six actors — Irrfan Khan, Dia Mirza, Fardeen Khan, Aftab Shivdasani, Manoj Bajpayee, Dino Morea and Danny Denzongpa, have added a clear definition to their roles,” said Mumbai Mantra CEO Andrey Purushottam, adding, “Bollywood action has come of age and this film proves just that.”
The one person who had the time of his life working inside this “factory” was director Suparn Verma. “If the cast and crew, while shooting the scenes, thought that they could have probably died, then let me tell you… they could have! The scenes were dangerous,” said Suparn. There’s not a single place in Cape Town where they’ve not blown a car or had a helicopter chase. “By the time we had completed shooting, the place looked like a war zone,” laughed Suparn, giving all the credit to action director Tinu Verma.
Dia Mirza, who has surprised all with her daredevil acts, said, “I insisted on doing the stunts myself. I’ve proved that I can kick some butt too!” she said. Irrfan had other reasons for signing the film. He said, “I asked the director, ‘You think this will work, the critics will like the film?’ He said, ‘NO’. So I said, ‘Hell, man, let’s do it’.”
Fardeen is confident that the film will keep audiences at the edge of their seats. “The plot is such that you don’t know what the other person is going to do next,” said the actor.
By Subhash K Jha (MUMBAI MIRROR; October 09, 2009)
Almost overnight, Vivek Oberoi who’s doing Ram Gopal Varma’s two-part marathon bio-pic Rakta Charitra, has slipped into the Telugu version of the film as well. Earlier, Vivek was slated to do only the Hindi version, while a new Telugu actor Aadhi was supposed to act in the Telugu version with veteran Mohan Babu as NT Rama Rao. But then Ram Gopal Varma did a look test with Vivek Oberoi.
A source close to Vivek says, “When Ramu did a look test, he immediately decided that Vivek was the right actor to play the role in both the versions. The only problem was, Vivek didn’t know how to speak Telugu… Or so Ramu thought. Actually, Vivek knows better Telugu than Ramu, although the latter is from Andhra Pradesh.” Vivek’s father Suresh Oberoi is from Andhra Pradesh and Vivek is familiar, though not fluent, in Telugu. The source adds, “Vivek has now employed a Telugu tutor in Hyderabad who is teaching the actor the nuances of the language. Fortunately, Vivek is a fast learner. He also insists on talking only in Telugu to everyone in Hyderabad, including his director who can barely speak his mother tongue.”
On October 1, Ranbir was enthusiastically promoting Wake Up Sid in Ahmedabad, when he got an SOS call from producer Ramesh Taurani, who wanted him to shoot a promotional track for Ajab Prem ki Ghazab Kahani. Strapped for time, poor Ranbir protested that he will reach Mumbai only the next afternoon and catch an early morning flight out to Bhopal the day after.
Ramesh thought that Ranbir could still use the rest of his day in Mumbai to shoot the track. He requested the star to give up five-six hours for the track. Ranbir sportingly agreed.
Unfortunately, for the overworked star, the shoot continued till 6am the next morning. Left with no time to go home, Ranbir sent a boy to collect his luggage and headed straight for the airport. He was scheduled to be in Bhopal for Prakash Jha’s Rajneeti.
When Taurani landed on the sets at 6am, he profusely apologised to Ranbir for taking up double the time that he had asked for. Ranbir graciously waved aside the apology, and did not mind shooting for the track at such short notice.
Gracious or not, all work and no play may just make Ranbir a dull boy!
Posted October 9, 2009on:
Contrary to what our usually reliable sources tell us, both Farah Khan and Asin have denied that the actress has declined to act in Farah’s next movie Happy New Year (Asin snubs Farah Khan, Thursday, October 8). While Farah insisted that she is still at the scripting stage and there is no question of offering the film to anyone, Asin too said that while she and the Om Shanti Om director were friends, they had not yet discussed working on a film.
“Please tell me which heroine will refuse my film and that too with Shah Rukh as hero?” texted an irate Farah. So ladies, apologies all around, and a kick in the rear to our mischievous source.
|READ THE RUMOUR HERE|
Boney Kapoor is reviving his film that has been pending for five years, Milenge Milenge. Two songs have been newly recorded by Himesh Reshammiya, who has gone back on his self-imposed, no-outside-composition diktat, to honour a professional commitment made by him six years ago. However, Kareena Kapoor and Shahid Kapoor, the lead pair of the film, who share a far-from-cordial relationship, will not be shooting for the songs.
Though Kareena refused to comment, a source close to her says, “Kareena is more than happy to extend all cooperation to producer Boney Kapoor and director Satish Kaushik, but she won’t shoot an extra songs for the film. Shahid is a closed chapter.”
A music video for the newly-recorded Himesh track was also planned as part of the film’s promotion. How ever, there would be no joint appearances by Shahid and Kareena for the publicity either. Director Satish Kaushik, at his wit’s end, has decided to use the footage that he already has for the two songs.
Confirming the news, Kaushik says, “Neither Shahid nor Kareena will shoot any more for the film. We’ll use the footage that we have for the two songs in the beginning and end-titles and for the promotional video.”