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Badly Burnt In Year Gone By, Industry Looks To Strong Content

Bharati Dubey | TNN (THE TIMES OF INDIA; January 3, 2010)


Pursue excellence and success will pursue you,’’ was what Aamir Khan’s character philosophised in 3 Idiots. But when the lights dimmed and audiences sat down after the National Anthem, what greeted them on screens for most part of the year was average, even poor fare, making 2009 the annus horribilis of the first decade of the 21st century. More than 200 films, with Rs 1500 crore at stake, released last year but almost Rs 1000 crore sank in the sea of mediocrity without a bubble, the sharks-andsexy bikini Blue leading the pack.
Added to it was the multiplex strike which cost around Rs 350 crore, upset release dates forcing films to share Fridays and dent each others’ collections. A multiplex source said, “Cannibalisation caused by big films’ release dates clashing could have been avoided.’’


The year began with Chandni Chowk To China that lost 50% of its Rs 65-crore budget. And marketing blitzkreigs couldn’t save a Blue and Kambakkht Ishq and the audience clearly showed content was king with surprise hits like DevD, New York, WaKe Up Sid and Ajab Prem ki Gajab Kahani. DevD made Rs 6 crore, collected Rs 25 crore at the box office while its ancillary rights made another Rs 5 crore and there are still more satellite runs to be sold. Trade experts also put films like Love Aaj Kal, Ajab Prem ki Gajab Kahani, Wanted among the certified hits, followed by profitable films like Paa, All The Best, De Dana Dan and Raaz 2.


But Bollywood’s loss was Hollywood’s gain, with films like 2012 and Avatar (that collected a whopping Rs 50 crore so far) filling the void for good entertainment.


It was left to And Aamir Khan to play Santa Claus third year in a row, with 3 Idiots the biggest hit of the year. It grossed a phenomenal Rs 100 crore in India in the first four days, and Rs 175 crore worldwide till December 31, even denting into collections of Avatar. Trade analyst Amod Mehra said, “What Ghajini collected in a week, this film has done in three days.


Corporates didn’t really have a great year in 2009 and after the bloodbath in the first half of the year, most of them avoided buying films outright, with even 3 Idiots being released on commission.


Thus 2010 dawns to vastly altered realities — purse strings have tightened by cautious corporates; big banners are no guarantee for success and may dish out big turkeys instead; marketing and stars don’t sell, a good story does; and the days of astronomical fees are over.


“Audiences are very smart, the content ultimately will guide their choices and approval. Marketing and hype will only work if content supports that hype. We may not have a Blue this year but projects like Veer and Prince are costly and prima facie look difficult in terms of recoveries,’’ says a trade expert.


So when Akshay Kumar, blamed for soaring star prices, announced towards the end of 2009 that he would not charge any fee for Farah Khan’s Tees Maar Khaan, it was a lifeline for the industry that had almost gone into the ICU.


Says Amod Mehra, “It is not that people did not come to watch Akshay Kumar films in 2009, it is just that the budgets of the films were so high and his remuneration was almost 40% of those budgets, so recoveries were not possible despite a good opening. But now that the actors are looking at sharing profit with the producer after the cost of the film has been recovered like in the case of Aamir Khan’s 3 Idiots then it will be fair enough. Cutting down of star prices will definitely reduce the budget of films and they will become viable and that is definitely going to be the trend in 2010.”


The year thankfully doesnt have a Rs 100-crore Blue in its line-up. Last year most production houses scrapped films as star prices were not viable. In fact, it is learnt Saif Ali Khan is reworking the budget of his next film Agent Vinod starring Kareena and himself. In fact, 2010 is short on mega projects as budget constraints ensured very few got on the floors in 2009.


The first biggie of 2010 will be Veer,
followed by Rann, My Name is Khan, Action Replay, Kites and House Full in the first half of the year. The second half of the year would have Sanjay Leela Bhansali’s Guzarish and Patiala House.


The action in 2010 seems definitely more in mid-size and multiplex projects that would have strong and clutterbreaking content. “There are a lot of films this year that may not topline the Khans or Hrithik Roshan but still have a decent line-up of names and would be thematically different. Tight budgets and good content seem to be the mantra in the decision making corridors of Bollywood. Each company is carefully evaluating its options and are not getting carried away,’’ says Priti Shahni of Indian Films. Corporates, for instance, have decided to take films only on commission, and not buy them outright.


Shahid Kapoor’s Chance Pe Dance, Striker starring Rang De Basanti’s Siddharth, Aamir Khan Productions’ Peepli Live, Vishal Bharadwaj’s Ishqiya would release in the first half of 2010.


Generation-next too would be making its presence felt with Ranbir Kapoor in Anjana Anjani and Rajneeti, Imran Khan in I Hate Love Stories, Sonam Kapoor in Ayesha, and Deepika Padukone in House Full.


As the record breaking run of 3 Idiots that has spilled over to 2010 has shown, great content along with great pre-release buzz make the perfect mix.


2010: Coming Soon
RAJNEETI (Naseeruddin Shah, Nana Patekar, Ajay Devgn, Katrina Kaif and Ranbir Kapoor) BUDGET: 50 cr


DHOBI GHAT (Aamir Khan, Prateik Babbar) BUDGET: 15 cr


RAAVANA (Abhishek Bachchan, Aishwarya Rai Bachchan) BUDGET: 50 cr


TEEN PATTI (Amitabh Bachchan, Sir Ben Kingsley) BUDGET: 35 cr


VEER (Salman Khan, Zarine Khan) BUDGET: 50 cr


RANN (Amitabh Bachchan) BUDGET: 25 cr


ISHQIYA (Vidya Balan, Naseeruddin Shah, Arshad Warsi) BUDGET: 20 cr


MY NAME IS KHAN (Shah Rukh Khan, Kajol) BUDGET: 50 cr


KITES (Hrithik Roshan, Barbara Mori) BUDGET: 50 cr


ACTION REPLAY (Akshay Kumar, Aishwarya Rai) | BUDGET: 35 cr


GUZAARISH (Hrithik Roshan, Aishwarya Rai Bachchan) BUDGET: 50 cr


ANJAANA ANJAANI (Ranbir Kapoor, Priyanka Chopra) BUDGET: 40 cr


AGENT VINOD (Saif Ali Khan, Kareena Kapoor) BUDGET: 40 cr

Figures are an approximate estimation

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Saturday 2nd January 2010 09.00 IST

Boxofficeindia.Com Trade Network

The three new releases of the week Accident On Hill Road, Bolo Raam and Raat Gayi Baat Gayi all opened to a dull response at the box office.

Three Idiots has unparalleled first week business of around 80 crore nett. All circuit records have been torn apart from Bihar, Orissa and Assam. The eighth day is off to a huge start and is like a first Sunday of big ticket films. ALL TIME BLOCKBUSTER

Rocket Singh – Salesman Of The Year fell in week three and will end its business on around 20 crore nett. BELOW AVERAGE

Paa dropped in week four with around 1.25 crore nett business. The four week total is around 30 crore nett. SEMI HIT

Here’s what we suggest you bring out the popcorn for
MUMBAI MIRROR; January 01, 2010

Karthik Calling Karthik

Farhan Akhtar’s next film is a story of a lovable loser whose chance meeting with his namesake changes his life forever. Karthik Calling Karthik has a star-studded credit list which includes Deepika Padukone, Javed Akhtar and Shankar, Ehsaan and Loy. Considering Farhan acts in the movies he either directs or produces, it seems like he is bent on wanting to typecast himself as the underdog. Weird but true!


My name is Khan

Bollywood’s biology lessons continue with My Name Is Khan. With 9/11 as the backdrop, the movie follows Rizwan Khan (SRK) who suffers from Asperger’s Syndrome. This is an autistic disease that makes the victim devoid of empathy. This, of course will give rise to many comical situations, just like Paa did. The film brings together the electrifying pair of Shah Rukh Khan and Kajol back on the silver screen. Add Karan Johar to the mix and you have a surefire hit. But come on, what is the film industry going to explore next, the common cold?


Raajneeti

A modern-day political rendition of the Mahabharata, Raajneeti boasts of an A-list star cast – Ajay Devgan, Arjun Rampal, Ranbir Kapoor, Nana Patekar, Vivek Oberoi, Manoj Bajpai and Katrina Kaif. The movie will use the dilemmas the characters in the book went through, and draw parallels with it in reel life. Katrina Kaif is reportedly playing the role of Sonia Gandhi in the movie. After all both of them are quite similar: accent – check; powerful woman – check; foreign descent – check; relationship with Salman Khan – no one really knows.


Kites

Kites follows the story of Hrithik Roshan, a salsa dancer who falls in love with his student. Language barriers don’t matter here, love conquers almost all. But ‘something’ happens and it’s up to another student Kangna Ranaut to save the day. Maybe Sussanne walks into the movie or some other terrifying event occurs, we don’t know yet. But we hope the movie does better than Hrithik’s personal life.


Raavana

A modern day rendition of the mythological text, Raavana will get Aishwariya and Abhishek on the silver screen together for the first time after getting hitched. The movie has been plagued with problems – floods, elephants stomping around the set, maybe a higher power is sending a message through all of this. We won’t say anything, let the box-office decide.


Action replay

In Action Replay, a man ages backwards… Hmm, let’s see where have we heard this story before? A clear rip-off of the Hollywood hit, Benjamin Button, the film will feature Akshay Kumar and Aishwarya Rai. Director Vipul Shah is back with Akshay Kumar and hopes his dream run will continue.


Teen Patti

As much as producer Ambika Hinduja denies it, Teen Patti’s plot seems like a rip-off of the Hollywood blockbuster 21. The film features three ace actors, Ben Kingsley (supposedly not doing a cameo), Big B and Madhavan. With the help of a unique algorithm, Amitabh who plays a mathematical genius leads a team of college students to make a lot of money. Does Amitabh hold the algorithm for the movie’s success or will this be just another failed spin-off?


Houseful

Akshay Kumar has a slew of releases lined up next year and Houseful, the laugh-riot is one of them. The story follows Akshay who is very unlucky in life and is trying to find true love. The women helping him achieve this goal are Deepika Padukone, Lara Dutta and Jiah Khan. In real life, however, we think it’s the other way around. Akshay will end up teaching Deepika more than two expressions, Lara how to sign movies and Jiah Khan how not to be dropped from the one-odd film she has signed.


No Problem

Anees Bazmee has three mega comedy films lined up next year. One of them is No Problem which has quite a star cast – Anil Kapoor, Sanjay Dutt, Akshaye Khanna, Sushmita Sen, Kangna Ranaut, Paresh Rawal and Sunil Shetty. The film is a love story of impossible proportions. Another impossible proposition is Kangna actually makes people laugh after making them weep all these years.


Well Done Abba

Shyam Benegal has been travelling the world with his latest film, Well Done Abba. The satirical movie sees Boman Irani play two roles. Fitting two Bomans in one shot is a feat in itself and a testament to Benegal’s directorial skills. The movie follows the journey of Armaan Ali, a driver from Mumbai, who is out to find his daughter’s (Minissha Lamba) beau. Minissha, who has been alternating between commercial and semi-art house cinema, is reportedly playing a strong role in the film.


Guzaarish

The film that is loosely based on Whose Life is it Anyway? has Hrithik playing a paraplegic radio jockey.  The film seems like a cry-till-your-tearbuds-dry-out movie – it explores the dilemma of euthanasia. Hrithik who believes in challenging himself till the cows come home, reportedly, spent hours in the wheelchair when not required to shoot, to get into the head of the character. Hrithik and Aishwarya reunite after Dhoom 2, and with Sanjay Leela Bhansali directing, it becomes one of the most awaited films in 2010, never mind Saawariya.


Road, Movie

Indian cinema has been through many fascinating twists and turns but none quite as romantic as touring cinemas.  Essentially this means that the owner of one mounts the film projector on the back of a truck and the projectionist travels the length and breadth of a state with the truck, stops wherever there is a pilgrimage or a mela and projects the films he is carrying onto a white curtain which is then viewed by the locals sitting on both sides of the screen. Dev Benegal has made Road, Movie about one such projectionist (Satish Kaushik) and the young owner (Abhay Deol) and the adventures they have as they show their movies. The film has been very well received on the festival circuit.


Anjaana Anjaani

After playing twelve characters in What’s Your Raashee?, we’re sure Priyanka Chopra has become a stranger to herself, especially after the film tanked. Siddharth Anand, director of Ta Ra Rum Pum and Salaam Namaste, tries a romcom with Anjaana Anjaani. Starring Ranbir Kapoor and Priyanka, the film shows two strangers who fall in love and the journey they take together.


Aisha

Abhay Deol’s love for Delhi continues with his Bollywood release, Aisha where he plays another spoilt, rich Delhi brat. His character is modelled on Mr Knightly from Jane Austen’s novel, Emma. The movie is a romantic comedy that explores horrible mismatches. It also has a strong female role that has been bagged by Sonam Kapoor.  Whether Sonam is strong enough for the film after two failed films (read: Saawariya and    Delhi-6) is another matter.


Khelein hum jee jaan sey

Ashutosh Gowariker is no stranger to large canvasses (think Lagaan, Swades, Jodhaa Akbar) so it’s no surprise that he is now filming another humongous project, Khelein Hum Jee Jaan Sey, which revolves around the Chittagong Uprising in the pre Independence days. After What’s Your Raashee?, this is another film adapted from a book, Do and Die by Manini Chatterjee. Abhishek Bachchan and Deepika Padukone lead the star cast and Nitin Chandrakant Desai leads the crew. Hopefully Ashutosh’s version of history will not be challenged,  the way Jodhaa Akbar was.


Knock out

Inspired’ from the Hollywood masterpiece Phone Booth, Mani Shankar will look to re-create the magic in Bollywood. A man is trapped inside a phone booth, not because the door is stuck, but an assassin has a sniper rifle trained on him.  Kangna plays the role of a journalist, Irrfan plays a cop and Sanjay Dutt the assassin.


I Hate Luv Storys

A true-blue rom-com, I Hate Luv Storys brings together the very glamourous Sonam Kapoor and the man with the melting eyes, Imran Khan. Described as a love story not meant to happen but which does happen, it is the story of a man who does not believe in love and a girl who does. They meet on a film set; a milieu the director Punit Malhotra is very familiar with, having cut his teeth on Karan Johar’s sets as an assistant director; and sparks fly.


1-800-Love

When you have a tag line that says, ‘From the makers of Ghajini and Jaane Tu…’ you know you’re in for a commercial roller-coaster. Abbas Tyrewala dons the director’s hat for 1-800-LOVE again and the music score is Rahman’s handiwork. A telephone call connects two people – one who wants to die, the other who is searching for meaning in life. They meet, fall in love, yada yada… If you are watching the movie and you get bored of John Abraham’s three expression repertoire, close your eyes and maybe the music will do the trick for you.


Tees Maar Khan

Tees Maar Khan has gotten more publicity that it ever dreamed of just because Shah Rukh Khan is not playing a role in Farah Khan’s film. But it does seem like SRK has rubbed off on the new lead actor, Akshay Kumar. Kumar plays a ‘stylish’ (metrosexual) conman in the film. He will be joined by Akshaye Khanna, but the female lead has not yet been confirmed.


Hook Ya Crook

Finally, Bollywood gets a movie that shows hope in combining two things that Indians love best – cinema and cricket. Viraj Pradhan (John Abraham) dreams of being a cricketer but is a repeat offender who gets thrown into a maximum security prison. The jail is a haven for cricket players, but Viraj wants much more, he wants to be part of the men in blue. The film has reportedly roped in Indian cricketers for the movie but going by the ads on TV, the word ‘acting talent’ isn’t part of the Indian cricket team’s vocabulary.


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By Joginder Tuteja, December 31, 2009 – 16:43 IST

Yesterday, we went across the B-town and found that 3 Idiots was the unanimous choice when it came to the best that 2009 had to offer. The closest contender was Paa while Avatar led from the front when it came to Hollywood flicks. However, it was quite a divided opinion when it came to the worst of 2009. Quite a few names popped up, some big (Delhi 6, Chandni Chowk To China), some small (Dil Bole Hadippa), some relatively unknown (Videsh – Heaven on Earth, Victory) and a few completely irrelevant (Deshdrohi). There was also an emotional angle involved with a filmmaker or two criticizing their own effort (Sikandar). Read on:

Ramesh TauraniVictory, which came at the beginning of the year, stays on to be the worst film of 2009 for me.

Shirish Kunder Shirish Kunder – (Smiles) Yes, there is one movie which is really the worst for me. Still, I can’t name it since it’s been made by people known to me!

Kalki – Worst of the year was Billu (Barber) because it was just a series of music videos and nothing else.

Sajid Khan Sajid Khan – Worst movie of the year was Delhi 6. Really, I had a lot of expectations from the film but it turned out to be such a disappointing fare.

Hasnain Hyderabadwaala – The worst film of 2009 is Dil Bole Hadippa. Really, what were the makers thinking? Audiences were taken for granted that the protagonist out there won’t be able to differentiate between a girl and a boy despite a different physicality and voice.

Jagmohan Mundhra Jagmohan Mundhra – I have to pick two films here – Chandni Chowk To China and Kambakkht Ishq.

Rituparna Sengupta – There is nothing really which is worst for me because every movie has some effort going in there.

Ruslaan MumtazBlue is the worst movie of the year

Piyush Jha Piyush Jha – Even though I directed it, I believe worst film of the year was Sikandar. That’s because no one saw it and the media totally ignored its significance. Perhaps that happened because Sikandar didn’t have stars/big backers/comic entertainment. Whatever is the reason, the fact is Sikandar was ignored, and that is the real truth.

Sonu Sood Sonu Sood – (Smiles) Even as the entire year is through, I still can’t decide on one worst movie. Maybe I have missed it.

Suneel Darshan – 2009 started with its worst film Chandni Chowk to China It was a ‘directionless’ disaster that disrespected the viewer’s sensibility.

Sadaa – You are asking me about the worst film of the year? You know what; there have been so many that I don’t even care to remember.

Boney Kapoor Boney Kapoor – Preity Zinta’s Videsh – Heaven on Earth was the worst that 2009 had to offer.

Robby Grewal – Worst of the lot would be Deshdrohi (the film had a staggered release across 2008 and 2009)

Ananth Mahadevan – If I pick one WORST FILM of the year, I might just stir up a hornet’s nest. For, another one might cry out that it was more deserving. So let sleeping dogs lie!

Aanand L Rai – For me, the worst movie in 2009 was Delhi 6. It was a very fine concept and from a rock solid director. Still, it failed.

Hansika Motwani Hansika Motwani – I don’t really wish to pick and choose the worst film of the year because for me every movie is good. I know what are the kind of difficulties that we actors go through so it would be wrong on my part to say that this or that movie was bad!

Tusshar Kapoor – Worst of 2009 would be all those films that were released during the strike. Ha ha ha!

Kunal Deshmukh Kunal DeshmukhChandni Chowk To China was the worst film of the year. What a waste of effort. They could have done so much with the film but that was not the case to be.

Raksha Mistry – Isn’t it ironical that the first film which I saw in 2009 stays on to be worst for me? I am talking about Chandni Chowk To China. Maybe I was expecting a lot from the film’s association with Warner Bros. But then it neither had any locations of China nor Chandni Chowk. Worse, it had no story!

BOLLYWOOD HUNGAMA.COM

By Joginder Tuteja, December 30, 2009 – 12:16 IST

Kareena Kapoor The likes of Imtiaz Ali, Rajkumar Santoshi, Vishal Bhardwaj, Balki and Prabhu Deva must be feeling disheartened. If only Rajkumar Hirani, Aamir Khan and Co. would have released 3 Idiots a week later, the competition was just amongst the five of them for Love Aaj Kal, Ajab Prem Ki Ghazab Kahani, Kaminey, Paa and Wanted respectively. However, due to the fact that 3 Idiots is a fantastic experience for millions of cine-goers and above all is pretty much fresh in audiences mind, it is the unanimous choice for one and all. Whether it is ‘aam junta’ or industry alike, there is no negative word around this movie. Instead, it has been universally hailed, acclaimed, appreciated and above all respected, which has proved once again that if a film is really well made, all bad blood is forgotten, all negative vibes are kept aside and all competition stays a distance away. Over to the Bollywood folks who (keeping certain exceptions aside) truly believe that 3 Idiots is the film of 2009.

Kareena Kapoor3 Idiots was the best film of 2009.

Sajid Khan – Best movie of the year was Avatar. Reason? It was not a film but an experience.

Shirish Kunder – For the sheer sincerity with which it has been made, 3 Idiots is simply the best by leaps and bound. Aamir has once again proved that he is the ISI mark of good cinema.

Piyush Jha3 Idiots was the best film that 2009 had to offer because it took a very relevant issue and banged home the point. Moreover, the icing on the cake was that it was thoroughly entertaining.

Kalki Koechlin Kalki – Best film of 2009 was Kaminey because it’s a furious and an intelligent film with great performances and music.

Aanand L Rai – For me the best movie in 2009 is 3 Idiots. It boasted of a brilliant screenplay and direction.

Suneel Darshan – 2009 ended on a positive note with two movies – Paa and 3 Idiots. Paa displayed refined performances by Mr. Bachchan and Vidya Balan. On the other hand 3 Idiots is a sincere attempt at entertainment with a soul.

Hasnain Hyderabadwaala – I enjoyed watching Wanted most. It was after a long time that I saw a complete masala film. Total paisa wasool!

Ramesh Taurani – Of course I believe that Ajab Prem Ki Ghazab Kahani was the best film of 2009. But so have been 3 Idiots, Paa, Wake Up Sid and Love Aaj Kal. All these films have been hugely entertaining.

Robby Grewal – It’s a one horse race – 3 Idiots.

Sadaa3 idiots was surely the best film of 2009. It was a complete film as it lacked nothing. Moreover, there was some very good message being delivered in an entertaining format.

Vaishali Desai Vaishali Desai – I loved both Avatar and 3 Idiots. Both films belonged to completely different genres. Avatar boasted of some breathtaking special effects and it was an entirely new experience. Whereas 3 Idiots is yet another cult film about the education system from Mr. Hirani.

Raksha Mistry – Call it ironical but the best of 2009 came at the very end. Yes, I am talking about 3 Idiots which is not just the best of 2009 but also one of the finest movies ever in all aspects.

Boney Kapoor – I have heard great things about 3 Idiots but I haven’t seen it yet. Of course Wanted was a complete package as it brought back the concept of hero, something which was in vogue years back when Amitabh Bachchan used to play such characters. Somehow such cinema had become extinct. Amongst other films, I also loved Love Aaj Kal. It’s entire approach was very fresh and everybody performed well. Its music was superb. The film was as mainstream as it gets and was a good blend of the old charm and new thinking. Even Paa was quite exciting. After a really long time came an Amitabh Bachchan film where he could showcase his talent. It was a neat and clean movie that really moved me. Moreover, in spite of having a sad tale on the surface, it was tackled in a very lighter vein. It reminded me of Hrisihikesh Mukherjee at his peak. Watching the film gave me the same feeling as I had when I watched Anand. Since Amitabh Bachchan’s effort didn’t show in the film, that itself reflects that how great an actor he is. Really, Imtiaz and Balki are two filmmakers to look out for. From Hollywood, it was Avatar all the way. I can’t think of a better movie visually. In fact it would take a really long time for anyone to match it technically; it has surpassed all films where technical wizardry and visual appeal is concerned. All the special effects have been taken to a different level altogether with Avatar.

Ken Ghosh – I am on a jury for an award, so I can’t really quote around the best or the worst of the year

Rohit Shetty – Best film of the year is 3 Idiots for sure. It makes you feel so good and happy after watching it.

Jagmohan Mundhra3 Idiots was the best movie of 2009.

Tanushree Dutta Tanushree Dutta – For me, the best films of 2009 would be 3 Idiots and Avatar.

Ruslaan MumtazKaminey was the best film of the year along with 3 Idiots

Sujoy Ghosh – I haven’t seen 3 Idiots but I’ll go with Paa. It’s a film which made me feel very good about life. It’s a film which took some of my fears away. It’s a film which taught me to look at different things normally. I really appreciated that. It’s a film which didn’t try to squeeze my balls for emotions. And of course Mr. Bachchan, Vidya, Balki, Illayaraja and P.C. Sreeram made it all possible.

Sophie Choudry – According to me, 2009 was filled with below par cinema both in Hollywood and Bollywood. Nonetheless, I really enjoyed 3 Idiots, Kaminey and Paa. They were all brilliantly made films.

Urvashi SharmaBaabarr is one of my favourite films from 2009 but I think 3 Idiots has broken all the records and is the best Hindi film of the year. From Hollywood, I loved both The Hangover and Avatar.

Kunal Deshmukh – I loved Avatar because it educates us to think ahead and learn so much. And of course 3 Idiots, as we all know today, is a fabulous movie. It brought home a message without shoving it down your throat.

Tusshar Kapoor Ananth Mahadevan – Though Paa and 3 Idiots are what I would define as ideal mainstream cinema (they made cine-going a pleasure after what seemed ages), if one has to select a film, my choice would be Nandita Das’ Firaaq. The four stories were moving accounts of the aftermath of human folly fuelled by political insanity. The critical eye may pick a few bones of contention, but the film was relevant, urgent, well enacted and most importantly, credibly treated.

Tusshar Kapoor – Which movie is best for me in 2009? Obviously, there is going to be just one answer – 3 Idiots.

BOLLYWOOD HUNGAMA.COM

By Bollywood Hungama News Network, January 1, 2010 – 00:01 IST

Vidya Balan She is the epitome of ‘V’ulnerability, ‘I’ndian-ness, ‘D’earness, ‘Y’outh, and ‘A’ttitude. For those in the know, will surely know whom we are referring to. But for the uninitiated, she is the one and only Vidya Balan, who celebrates her birthday today. Not many know that this Gen-Next’s Dream Girl started her affair with the camera with the Malyalam movie ‘Chakram‘, a film in which she was paired opposite the southern superstar Mohanlal. And as far as the ad world is concerned, it was the Surf Excel commercial that paved the way for the ‘Excel-lent’ actress into the silver screen. And the resultant of this was the Pradeep Sarkar directed Parineeta, a film that gave Bollywood its very own Superstar in Vidya Balan.

Vidya repeated the success of Parineeta with films like Lage Raho Munna Bhai, Guru, Salaam-e-Ishq: A Tribute To Love, Bhool Bhulaiyaa, Heyy Babyy and the more recent smash hit Paa. Vidya has everything that is required of a Diva. In other words, it becomes totally needless, to say that Vidya is definitely a Diva in the making.

Friends, please join Bollywood Hungama as we wish this Diva named Vidya Balan, a very happy Birthday!

Do post your wishes below!

By Bollywood Hungama News Network, December 31, 2009 – 12:22 IST

Best Film
3 Idiots
Dev D
Kaminey
Love Aaj Kal
Paa

Best Director
Anurag Kashyap – Dev D
Imtiaz Ali – Love Aaj Kal
R Balki – Paa
Rajkumar Hirani – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Actor (Male)
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Ranbir Kapoor – Ajab Prem Ki Ghazab Kahani
Ranbir Kapoor – Rocket Singh – Salesman Of The Year
Saif Ali Khan – Love Aaj Kal
Shahid Kapoor – Kaminey

Best Actor (Female)
Deepika Padukone – Love Aaj Kal
Kareena Kapoor – 3 Idiots
Katrina Kaif – New York
Priyanka Chopra – Kaminey
Priyanka Chopra – What’s Your Raashee?
Vidya Balan – Paa

Best Actor in a Supporting Role (Male)
Abhimanyu Singh – Gulaal
R Madhavan – 3 Idiots
Rishi Kapoor – Love Aaj Kal
Rishi Kapoor – Luck By Chance
Sharman Joshi – 3 Idiots

Best Actor in a Supporting Role (Female)
Arundhati Naag – Paa
Divya Dutta – Delhi-6
Gauhar Khan – Rocket Singh – Salesman Of The Year
Neha Dhupia – Raat Gayi Baat Gayi
Shahana Goswami – Firaaq

Best Actor in a Negative Role
Amole Gupte – Kaminey
Boman Irani – 3 Idiots
Kay Kay Menon – Gulaal
Mahesh Manjrekar – Wanted
Manish Choudhary – Rocket Singh – Salesman Of The Year

Best Actor in a Comic Role
D Santosh – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots
Paresh Rawal – De Dana Dan
Sanjay Mishra – All The Best
Vinay Pathak – Raat Gayi Baat Gayi

Best Background Music
Amit Trivedi – Dev D
Ilaiyaraja – Paa
Salim-Sulaiman – Rocket Singh – Salesman Of The Year
Shantanu Moitra, Atul Raninga, Sanjay Wandrekar – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Music
A R Rahman – Delhi-6
Pritam – Ajab Prem Ki Ghazab Kahani
Pritam – Love Aaj Kal
Pritam – Tum Mile
Vishal Bhardwaj – Kaminey

Best Playback Singer Female
Kavita Seth – Iktara – Wake Up Sid
Rekha Bhardwaj – Genda Phool – Delhi-6
Shreya Ghoshal – Zoobi Doobi – 3 Idiots
Shilpa Rao – Mudi Mudi – Paa
Sunidhi Chauhan – Mere Sang – New York

Best Lyrics
Amitabh Bhattacharya – Emosanal Attyachaar – Dev D
Irshad Kamil – Chor Bazari – Love Aaj Kal
Javed Akhtar – Sapnon Se Bhare Naina – Luck By Chance
Piyush Mishra – Ranaji – Gulaal
Prasoon Joshi – Man Ko Ati Bhavey – London Dreams

Best Story
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Anurag Kashyap, Aparna Malhotra, Raj Singh Chaudhary, Sanjay Maurya – Gulaal
Imtiaz Ali – Love Aaj Kal
Nandita Das, Shuchi Kothari – Firaaq
R Balki – Paa

Best Screenplay
Abhijat Joshi, Rajkumar Hirani, Vidhu Vinod Chopra – 3 Idiots
Anurag Kashyap, Vikramaditya Motwane – Dev D
Imtiaz Ali – Love Aaj Kal
Pankaj Advani – Sankat City
R Balki – Paa

Best Dialogue
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Imtiaz Ali – Love Aaj Kal
Anurag Kashyap, Vikramaditya Motwane – Dev D
R Balki – Paa
Vishal Bhardwaj – Kaminey

Best Editing
Aarti Bajaj – Dev D
Aarti Bajaj – Love Aaj Kal
Anil Naidu – Paa
Meghna Manchanda Sen, Sreekar Prasad – Kaminey
Rajkumar Hirani – 3 Idiots

Best Sound
Bishwadeep Chatterjee, Nihar Ranjan Samel – 3 Idiots
Dileep Subramaniam – Love Aaj Kal
Sanjay Maurya, Allwin Rego – Dev D
Shajith Koyeri, Subhash Sahu, P M Satheesh – Kaminey
Tapas Nayak – Paa

Best Special Effects
Charles Darby – Aladin
Prime Focus Ltd – Blue

Best Cinematography
C.K. Muraleedharan – 3 Idiots
P.C. Sreeram – Paa
Rajeev Ravi – Dev D
Shankar Raman – Frozen
Tassaduq Hussain – Kaminey

Best Art Directon
Acropolis, Rajnish Hedaa, Sumit, Snigdha Basu – 3 Idiots
Sabu Cyril – Aladin
Samir Chanda – Delhi-6
Samir Chanda – Kaminey
Sukanta Panigrahy, Helen Jones – Dev D

Best Choreography
Ahmed Khan – Prem Ki Naiiyya – Ajab Prem Ki Ghazab Kahani
Avit Dias – Aal Izz Well – 3 Idiots
Bosco- Caesar – Zoobi Doobi – 3 Idiots
Prasanna – Marjaani – Billu
Baawre – Vaibhavi Merchant – Luck By Chance

Best Action
James D Bomalick – Blue
Huan-Chiu Ku – Chandni Chowk To China
Shyam Kaushal – Kaminey
Tinu Verma – Acid Factory
Vijayan Master – Wanted

Most Promising Newcomer (Male)
Amole Gupte – Kaminey
Chandan Roy Sanyal – Kaminey
Navin Kaushik – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots

Most Promising Newcomer (Female)
Gauhar Khan – Rocket Singh – Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jesse Randhawa – Gulaal
Kalki Koechlin – Dev D
Mahie Gill – Dev D

Most Promising Debut Director
Ayan Mukerji – Wake Up Sid
Nandita Das – Firaaq
Pankaj Advani – Sankat City
Shivajee Chandrabhushan – Frozen
Zoya Akhtar – Luck By Chance

Best Child Artiste
Jahan Bativala – Little Zizou
Iyanah Bativala – Little Zizou
Rahul Kumar – 3 Idiots
Parzan Dastur- Sikandar
Pratik Katare – Paa

Best Ensemble Cast
Delhi-6
Firaaq
Gulaal
Luck By Chance
Sankat City

BOLLYWOOD HUNGAMA.COM

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Bollywood lets its hair down as 2009 comes to an end and raises its hopes for 2010

TEAM BT Times News Network (BOMBAY TIMES; December 31, 2009)

AMITABH BACHCHAN: In the New Year, the entire family is hoping to do the kind of work that would please the audience and carry the company forward. Our New Year wishes? May 2010 bring peace and well-being. May it fill us with pride as a nation. May our glory spread further. May we progress in all walks of life. And may the year keep me alive to witness the country, the film industry and my family prosper and progress. I look forward to the coming year passing peacefully.
KATRINA KAIF: I couldn’t hope for a better New Year’s day. I’m in London with my sisters and brother having the time of my life. We have lots of fun when we all are together. After I started working I have hardly seen my siblings. So meeting them is always special and a festival to mark our meeting, is the cherry on the cake. My mother forced me to leave my cell phone behind in Mumbai, so I’m almost cut off from Bollywood. What hopes for 2010? Lots of hard work and hopefully hits.


SHAH RUKH KHAN: I will be at home (Mannat) with Gauri, Aryan, Suhana and a couple of close friends like Karan Johar. Being with close family is the one thing I truly cherish.


AKSHAY KUMAR: Tina, Aarav and I are in Goa. I normally take a vacation from December 29 to January 2 because it includes a double celebration. Tina’s birthday on December 29, and then the New Year’s eve party. Honestly what can be better than spending time with your loved ones? This is a commitment I have made to my family.


DEEPIKA PADUKONE: I will be home in Bangalore with my parents and my sister. Then I go to Goa to wrap up the last fortnight on Ashutosh Gowarikar’s film. Every year I hope that the following year is as exciting as the previous year and I’m very happy with the way my professional life is going. Hope 2010 is the same.


RANBIR KAPOOR: I start shooting for Siddharth Anand’s film in the US from January 2. Since I didn’t wish to be in an aircraft on New Year’s eve, I left India on December 27. My entire family is in Dubai as tomorrow is my paternal grandmother’s birthday and the family is treating her to a one-week holiday there. I wish I could join them!


KAREENA KAPOOR: Saif and I are in England. We are catching up with Saif ’s Oxford batchmates and their spouses. I’m dying to wear my fur coat and sniff the English chill… looking and feeling every inch a diva. We work hard all the year around to make this happen, so let me enjoy myself.

BIPASHA BASU: I’m performing tonight. Then there will be a small get-together with friends. I always like to keep my New Year’s plans uncluttered. Home is the best place to be on any special occasion. And New Year will be a nonfilmy evening at home. Beyond that my only resolution for 2010 is, love yourself.

VIDYA BALAN: I bring in 2010 with my birthday tomorrow… no one can forget it! What hopes do I have for 2010? Oh plenty! After watching Mr Bachchan at work in Paa, I realised being focussed on your work to the point of shutting out everything else is not something I need feel guilty about. Now I’m all set to be seen as this full-blown, seductive, sexually-charged woman in Ishqiya. It brings an entirely new perspective to my personality for the audience. That’s what I’m hoping for in 2010… to find new aspects to my personality through the roles I play.

AJAY DEVGN: Kajol, Nysa, my parents, cousins, sister and her family and I will all be at our Karjat farm house. We’re planning an extended holiday. I start work only from January 2, so does Kajol. So in the meantime it is going to be a huge, long party.


AMRITA RAO: I wonder what 2010 has in store for me… Resolutions sound nice to the ears but adhering to them is a matter of destiny!


AMISHA PATEL: I have a show in Dubai. I will be working and then I will take a holiday. I always like working on New Year’s day because I feel you will then be working throughout!

RITESH DESHMUKH: Friends and I are contemplating how to ring in the New Year. It’s not compulsory to indulge in anything fancy, even a quiet time with good friends does the trick!


ARSHAD WARSI: I am looking forward to three releases in 2010. Will start Raju’s film next year so it’s going to be an eventful year. I haven’t a plan for New Year as yet. I’ll be with family and friends.


ANUSHKA SHARMA: I don’t do much for the New Year. Actually I do nothing. I just wish my family and go to bed.


SHABANA AZMI: As usual I’ll be with my family and a few close friends for the New Year.


IRRFAN KHAN: On every festive occasion I try to visit my mother in Jaipur. But for the New Year I made plans to be home. Beyond the New Year I’ve made no plans. I’ve noticed every time I’ve chalked out a plan for myself, life has humbled me. I leave all my plans to God.


MUGHDA GODSE: I am dancing at a live performance in Delhi tonight and will spend New Year with family and close friends. I’ve a horror film tentatively titled Help coming up for release. My co-star Bobby Deol is such a sweetheart. I hope to find a guy like him this year. Where are all the gentlemen?”


HEMA MALINI: I won’t be doing anything much for New Year. I’ll be with my family and rehearsing for my dance show which is on January 2.


POOJA BEDI: I’m having a small get-together on the terrace of my beachfront penthouse with flowers, candles and an incredible view of the entire city, with my father, my children and a few loved ones.

SUSHMITA SEN: I normally travel overseas. However, Alisah, my younger daughter, can’t travel abroad yet because she doesn’t have a passport. Hence it will have to be a beach resort in India.

ASIN: For me it will be a quiet New Year with family. I wanted to make it for Christmas itself, however I will ring in the New Year at my family home in Kerala.

After closing the year with films such as PAA and 3 IDIOTS, the year 2010 sure looks bigger and brighter for Reliance BIG Pictures with a mixed bag of films ranging from mainstream and masala to regional and art house.

With maverick directors such as Shyam Benegal, Mani Ratnam, Anurag Basu, Shaji N Karun, Rituparno Ghosh and Buddhadeb Dasgupta bringing the best out of Hrithik Roshan, Barbara Mori, Abhishek Bachchan, Aishwarya Rai Bachchan, Mamootty, Boman Irani, Jishu Sengupta, Indraneil Sengupta, Kangana Ranaut amongst many others the Reliance BIG Pictures slate is sure to watch out for!

Have a sneak peek into Reliance BIG Pictures’ slate of films for the year 2010:

view KITES movie stills
KITES

KITES:

A truly international film KITES tells the story of a young con-man who lives ‘life’ in Las Vegas, always ready to make fast money in any way possible, always looking for the big score. Directed by Anurag Basu and produced by Rakesh Roshan the film stars Hrithik Roshan, Barbara Mori, Kangana Ranaut and Kabir Bedi. It is shot in Mumbai, New Mexico, Las Vegas, and Los Angeles. The film will have and Indian and international version which will release simultaneously. Brett Ratner, best known for the RUSH HOUR series, FAMILY MAN starring Nicholas Cage and X-MEN THE LAST STAND is currently at work on the English version of KITES and tailoring it to appeal it to an international audience.

view WELL DONE ABBA movie stills
WELL DONE ABBA

WELL DONE ABBA:

WELL DONE ABBA is the story of Armaan Ali, a driver working in Mumbai. He takes leave for a month to find a husband for his teenage daughter, who lives in a small locality close to Hyderabad. Armaan Ali returns to work only after 3 months. His young employer wants to sack him but is persuaded to listen to the reason why Armaan got so delayed.

Directed by Shyam Benegal stars Boman Irani, Minissha Lamba, Sammir Dattani, Ila Arun, Sonali Kulkarni, Ravi Kishen, Rajit Kapur, Ravi Jhankal and Yashpal Sharma.

RAAVAN:

Abhishek Bachchan and Aishwarya Rai Bachchan come on screen together in Mani Ratnam’s RAAVAN – a modern day adaption of the epic Ramayan, being readied in Hindi, Tamil and Telugu.

MIRCH:

Directed by Vinay Shukla MIRCH revolves around the protagonist Maanav, a committed struggling filmmaker whose girlfriend Ruchi, a successful film editor, arranges for him to meet film producer Nitin, who is not very convinced about Maanav’s script. Maanav then suggests four stories on infidelity, woven together by a common story.

The film stars Konkana Sen Sharma, Raima Sen, Shahana Goswami, Shreyas Talpade, Rajpal Yadav, Boman Irani, Sushant Singh, Arunoday Singh and Prem Chopra with special appearances by Saurabh Shukla & Tisca Chopra.

view CHALOO MOVIE movie stills
CHALOO MOVIE

CHALOO MOVIE:

The police raid a theatre where movie tickets of a very successful film are being sold in black. When Police Inspector Sher Khan interrogates Khoji, a man in his 20s, he claims that he is the director of the very film whose tickets he is selling in black. The cynical Sher Khan puts Khoji behind bars after which he receives two phone calls – one from the Police Commissioner and another from the dreaded don ‘WC’, both of whom support Khoji’s detention. A hilarious turn of events reveal who Khoji is, whether he is really the film’s director, why is he selling his film’s tickets in black and what do the Police Commissioner and don ‘WC’ want from Khoji.

Starring Rajpal Yadav, Shekhar Suman, Divya Dutta, Hrishta Bhatt and Sayali Bhagat, CHALOO MOVIE is directed by Vinod Pande.

Reliance BIG Pictures, the most committed motion picture company producing regional films in 8 Indian languages is working persistently towards taking them beyond the conventional Diaspora

The slate of films includes:

KUTTY SRANK: Shaji Karun’s Malayalam film KUTTY SRANK starring Mamooty, Kamilini Mukherjee, Padmapriya and Meenakumari brings out three distinct personalities of a dead boat-man from the perspective of three women each of whom claims to be his wife.

ABOHOMAAN
ABOHOMAAN

ABOHOMAAN: Rituparno Ghosh’s Bengali film ABOHOMAAN starring Dipankar De, Mamata Shankar, Ananya Chatterjee, Jishu Sengupta and Ria Sen brings to the screen a sensational relationship between a film-director, a young actress and a wife who swears to ruin her husband’s life and career and a son who gets caught in the cross-fire in this extravagant drama.

JANALA: Buddhabed Dasgupta’s Bengali film JANALA starring Tapas Paul, Swastika Mukherjee and Indraneil Sengupta is the journey of a solitary man against the wrath of circumstances when he decides to pursue his little impulsive dream.

IJJODU: by the maestro M S Sathyu is a film about a photo journalist who finds an interesting girl who has been exploited on the name of religion. He succeeds in breaking her blind belief but fails to accept her to give her an alternative life. This Kannada flick stars Meera Jasmine and Anirudh.

GLAMSHAM.COM

Everyone knows Kangna Ranaut, the accomplished actress of today. Here, she talks of her past and how it has made her the person she is

By Indu Mirani (MUMBAI MIRROR; December 29, 2009)


• What sort of a child were you?

I was very quiet. I used to suck my thumb. Other kids would never play with me and I would be sitting in one corner. There was something very strange about me. I didn’t live in the present. I was always in a dream world. I would be dreaming about the shows that I watched like Aladdin or Snow White and I would want to go to their world. My father would hate that I sucked my thumb, he would slap me and put my finger down and then I would cry.

• Were your parents strict with you?

I was never a naughty child, never troubled my mother. If you ask my parents they will say that I was very quiet, very peaceful and very scared of them. If they asked me to sit somewhere after five hours I would still be there. (laughs)

• Did you lead a very restricted life?

Yeah, I did. I wasn’t allowed to leave home after 6 o’clock so I would always make sure that I would go out late in the night. Then when my parents would say something like, ‘Andhera ho gaya hai, tum late aayi,’ I would just say ‘yes’. Slowly I became a person who wouldn’t listen to anyone. My father would be very upset with the clothes that I would wear. I don’t know what I wanted to prove. Now when I go home, I usually wear a salwaar kameez and wonder, why was I torturing them? (laughs)

A lot of the restriction came from living in a joint family. I remember having the biggest fights with my grandfather and every one’s jaw would just drop. Nobody had the guts to answer back to him and I was only 12 when I started doing so. He is an IAS officer and had lived all his life in Mumbai and for some strange reason he would always say that first all the males of the family would eat and then the females. I didn’t approve of rules like that and would insist on joining the men at the table. He would leave the table. My parents were quite embarrassed because of me.

• When was the first time you fell in love?

I was quite young. He was my English teacher, a very good looking guy and I was just a 13-year-old. That was the time I became aware of my sexuality. We were very comfortable with each other because he had been my teacher since I was eight or nine. But when I was thirteen and he would say, ‘Beta come here..’ or something like that, I would think what’s wrong with him, he doesn’t have to talk this way (laughs aloud). That was a beautiful romance because in my mind I used to romance him and he would be teaching me.

• How does living in a small town (Manali) compare to living in Mumbai?

These are two completely different worlds. This one is completely fake and that one is the real world. In Manali people live with animals. They feed them fodder and clean them too. So much of nature is involved there that you stay balanced. Here you deal with cars, roads, buildings and if you see a beggar, you treat him like a building and you treat a building like a human being. There is no reality here. I see so much of balance there, I see no balance here.

• What were you studying in Delhi?

Basically I went there for my vacations and then I decided to take admission in some college. Then I met a few people there and got into theatre. If you ask me honestly, I cannot recollect that time. I was like an animal, just wandering around. If someone was going to a modelling agency, I too would go with that person. I wasn’t aware of my actions at all which is a very pathetic and shameful way to live but I was living a life like that.

• So coming to Mumbai was also a part of that life?

Yes, my agency Elite sent me to Mumbai. I didn’t ask why I am going to Mumbai or what I will do in Mumbai. I came to Mumbai because I thought everybody came to Mumbai after Delhi. Then one fine day I stopped taking calls from the agency. I stopped going to the auditions. I used to go to town taking trains to give auditions and then within seven days of it all I was fed up. Then I said, ‘Forget it! I am not going to any audition as I don’t get any work.’

• Isn’t it all difficult for a young girl to manage?

It is and that’s what gets you into trouble. How do people get into problems? Actually they are the biggest problems for themselves. I got carried away with the life here, the nightlife, discos and the whole city life.

• You didn’t have any aspirations?

From childhood I would tell my parents and I would become somebody very famous. They used to be very rude to me when I would say this but for me it was always a matter of fact. I knew I was going to be what I wanted to be even if I had no idea what that was.

• And when you were rejected at the auditions, did it  dent in your confidence?

It did. I went through a lot of insecurities. I was leading a very random life for a year before I got Gangster. Before that too, I was supposed to do a few films. I didn’t have any concept of A grade or B grade cinema. I had hardly seen 10 films in my life. So if someone said, come to this audition, we want to sign a film with you, I would sign it. Fortunately for me, those films never took off. My parents would tell me that I would never be anyone and they would say all sort of negative things and I would think maybe they were right. I would think of myself as a loser in every sense, not only professionally but also in my personal life. That would scare me but also it wouldn’t last.

• Is there anything that you hated about yourself and wanted to change?

I hated everything about myself, my life, everything. When I came here, I was very uncomfortable about the clothes that I wore. I used to wear those really cheap clothes, buy them from streets and wear them and I would look so funny. I used to feel funny, not that I looked funny. Those dresses were not appropriate and no one should go out on the streets in them. They were fine for parties but I had no concept of what to wear and when. And I looked like a 16-year-old coming from some village trying to be modern. Not that I was dumb, I was intelligent but it was just so weird that people kept looking at me not very respectfully and I hated being so uncomfortable. If I had been wearing just jeans and a T-shirt, nobody would have noticed me. That was worse because if you are looking for assignments and modelling work and if nobody notices you then it’s terrible. So I was uncomfortable in every way. I never became friendly with anyone. Life was strange without parents, proper food, proper house, nothing at all in place. I hated everything around me and the way I was. I would go on for weeks and weeks without thinking where I was heading. That was a phase I remember and someday I will definitely make a movie on that.

• Was there peer pressure to do things?

I would do whatever others did. It didn’t matter if I liked it or not. It wasn’t peer pressure definitely but because I wanted to be one of them or maybe I wanted to prove that I belonged to this world, I went on like that for years and years. I didn’t hate it at that point of time. If I would have hated it, I would have changed it. But I had no clue what was wrong with my life. It took me two years to realise who I really am. Not that I hated it but I wasn’t happy either.

Were you lonely?

Loneliness was never a problem because whenever I was lonely I would do something that would make me happy. My problem was that I had too many people around me and they never let me be alone. Before I became an actress, I would go for auditions with people, have coffee and come back, normal life, not very different from Delhi. Then after I became an actress, there were designers, ADs, people who roam around the whole day on the sets. They kind of open those doors for you. You get shocked with what is happening around you but you don’t show it. This is how your new life starts and it just takes over.

• You also got into some wrong relationships

Well, when you get into a relationship it’s not wrong at that point of time and I won’t consider anything wrong with them. For me, I have been in two relationships till now, and both have been beautiful in their own way. It was I who was a random soul, and I still am. I still have so many things to learn in life. I am not a perfect person, nobody is perfect. So whatever experience one goes through is because of oneself.

Did you at anytime realise that you were in relationship that you shouldn’t be in?

See, relationships are not that important in my life. I don’t feel any pressure to say that love means everything and blah blah! For me, I don’t think love is something which will make me complete. It’s who I am. I have something to prove and I have a strong urge to do certain things in life. And if I don’t do that, I will be a very unhappy person. I never gave that kind of priority to any relationship. If I would have done that I would have been in a happy relationship and an unhappy career. I am clear about my priorities now. People at times judge me. They say that she says her priority is her career and her ambitions… but that’s ok. I am not ashamed of the fact that it actually is.

Today I am done with dating. Now if I get into a relationship, it will be with a proper plan. Now I would want to be with a man with whom I can see a future and give it more time and energy. If I see a man turning into my husband in the near future then only will I go ahead with a relationship. This is what life or age does to you. You can preserve your innocence but at the same time you cannot deny the fact that you cannot sometimes take another chance with life.

• So that means you are not going to fall wildly in love now because you are first going to look into the husband aspect of it.

Yeah. That’s true actually; otherwise I have always fallen in love first and then seen the right and wrong of it.

• You are too young to reach this decision. At this age people are still having flings.

Yes, if you start little late. But I started too early. (laughs) I started at 16. (laughs loudly)

• Are you still edgy?

That’s a very difficult question because to explain who I was is very difficult even for me. I mean nobody knows who they really are. Right now, I am definitely not the person who I want to be. There is still a lot to achieve but I am also definitely not the person I hated to be. I am okay now, peaceful,  but I want to be a better person in future. I am sure the better part of me is still to come.

Who do you want to be?

I just want to be a person whose very presence makes people smile. I want to have positivity and grace as a woman. When I came here, I was a tomboy. Not even a tomboy, I was something between a guy and a girl. I want to be a nicer human being so that when I look at myself I should feel proud of myself. Right now I don’t feel proud of myself. Earlier I used to feel shit about me. Whatever I said, I did, everything was wrong. I would always say the wrong thing at the right time. Now I don’t do those things which make me hate myself. I don’t beat myself up everyday when I go home. I am peaceful. But I am not even the person who would be so proud of herself.

• Are you ever fake?

Yes, I sometimes say things for the sake of saying things. Like the most common thing that I would say, “How are you?” makes me feel so fake. I prefer to say, “Kaise hain aap?” that makes me realise what I am saying. When I say it, I do really mean, kaise hain aap? So I am watching myself.

• When you were in trouble at any point in your life, have you taken any favours from your friends?

I have never ever taken any favour from anyone in my life. I have never called up any friend to discuss my problems or ask them for solutions. I have really great friends who claim to stand by my side when I am in trouble. I have been in trouble but never had the courage to test them because if my time was already bad, I wouldn’t want one more shock. So I never really tested my friends.

• When you say you never had the courage, you mean you were scared that they would not be by your side?

I don’t know. I never had the courage to discuss my problems with people around. I have always shown the happier side of me and I will continue to do that. It’s not my friend’s duty or concern to help me out with my troubles. I think it’s unfair to do so.

The presence of friends makes me uncomfortable. It distracts me from the situation. It’s the same with my parents. Even in childhood when I was in trouble, I would lock myself up in my room and would not leave my room until I had solved the problem. I have a lot of faith in my strength but parents and friends get so weak and I just think handling them is much more difficult than handling the situation.

• How do you manage to look so different in every film? Is it deliberate?

Honestly, it is. It bores me to death to be the same because for me it’s a character that I have to get into. So I change everything that I can. So I kind of do the fun things so people are shocked but I don’t like myself looking the same all the time.

Sometimes it can be embarrassing. Recently, at the Paa premiere, one of my co-stars was treating me like a fan. It was only when I said, ‘I am Kangna,’ that he realised that it was me. It’s so embarrassing, we work together for 60 days and they don’t recognise me. It has happened with me a lot. When I was in theatre, my guru used to tell me that it is a blessing in disguise. At times he would give me a guy’s role. He said that you have a face which can be moulded into anything. But another thing that really matters is whether my hair is curly or straight. It changes me so much that sometimes I too wonder about the look. It’s very good for a double role though.