Fenil and Bollywood

Posts Tagged ‘Prince

Badly Burnt In Year Gone By, Industry Looks To Strong Content

Bharati Dubey | TNN (THE TIMES OF INDIA; January 3, 2010)


Pursue excellence and success will pursue you,’’ was what Aamir Khan’s character philosophised in 3 Idiots. But when the lights dimmed and audiences sat down after the National Anthem, what greeted them on screens for most part of the year was average, even poor fare, making 2009 the annus horribilis of the first decade of the 21st century. More than 200 films, with Rs 1500 crore at stake, released last year but almost Rs 1000 crore sank in the sea of mediocrity without a bubble, the sharks-andsexy bikini Blue leading the pack.
Added to it was the multiplex strike which cost around Rs 350 crore, upset release dates forcing films to share Fridays and dent each others’ collections. A multiplex source said, “Cannibalisation caused by big films’ release dates clashing could have been avoided.’’


The year began with Chandni Chowk To China that lost 50% of its Rs 65-crore budget. And marketing blitzkreigs couldn’t save a Blue and Kambakkht Ishq and the audience clearly showed content was king with surprise hits like DevD, New York, WaKe Up Sid and Ajab Prem ki Gajab Kahani. DevD made Rs 6 crore, collected Rs 25 crore at the box office while its ancillary rights made another Rs 5 crore and there are still more satellite runs to be sold. Trade experts also put films like Love Aaj Kal, Ajab Prem ki Gajab Kahani, Wanted among the certified hits, followed by profitable films like Paa, All The Best, De Dana Dan and Raaz 2.


But Bollywood’s loss was Hollywood’s gain, with films like 2012 and Avatar (that collected a whopping Rs 50 crore so far) filling the void for good entertainment.


It was left to And Aamir Khan to play Santa Claus third year in a row, with 3 Idiots the biggest hit of the year. It grossed a phenomenal Rs 100 crore in India in the first four days, and Rs 175 crore worldwide till December 31, even denting into collections of Avatar. Trade analyst Amod Mehra said, “What Ghajini collected in a week, this film has done in three days.


Corporates didn’t really have a great year in 2009 and after the bloodbath in the first half of the year, most of them avoided buying films outright, with even 3 Idiots being released on commission.


Thus 2010 dawns to vastly altered realities — purse strings have tightened by cautious corporates; big banners are no guarantee for success and may dish out big turkeys instead; marketing and stars don’t sell, a good story does; and the days of astronomical fees are over.


“Audiences are very smart, the content ultimately will guide their choices and approval. Marketing and hype will only work if content supports that hype. We may not have a Blue this year but projects like Veer and Prince are costly and prima facie look difficult in terms of recoveries,’’ says a trade expert.


So when Akshay Kumar, blamed for soaring star prices, announced towards the end of 2009 that he would not charge any fee for Farah Khan’s Tees Maar Khaan, it was a lifeline for the industry that had almost gone into the ICU.


Says Amod Mehra, “It is not that people did not come to watch Akshay Kumar films in 2009, it is just that the budgets of the films were so high and his remuneration was almost 40% of those budgets, so recoveries were not possible despite a good opening. But now that the actors are looking at sharing profit with the producer after the cost of the film has been recovered like in the case of Aamir Khan’s 3 Idiots then it will be fair enough. Cutting down of star prices will definitely reduce the budget of films and they will become viable and that is definitely going to be the trend in 2010.”


The year thankfully doesnt have a Rs 100-crore Blue in its line-up. Last year most production houses scrapped films as star prices were not viable. In fact, it is learnt Saif Ali Khan is reworking the budget of his next film Agent Vinod starring Kareena and himself. In fact, 2010 is short on mega projects as budget constraints ensured very few got on the floors in 2009.


The first biggie of 2010 will be Veer,
followed by Rann, My Name is Khan, Action Replay, Kites and House Full in the first half of the year. The second half of the year would have Sanjay Leela Bhansali’s Guzarish and Patiala House.


The action in 2010 seems definitely more in mid-size and multiplex projects that would have strong and clutterbreaking content. “There are a lot of films this year that may not topline the Khans or Hrithik Roshan but still have a decent line-up of names and would be thematically different. Tight budgets and good content seem to be the mantra in the decision making corridors of Bollywood. Each company is carefully evaluating its options and are not getting carried away,’’ says Priti Shahni of Indian Films. Corporates, for instance, have decided to take films only on commission, and not buy them outright.


Shahid Kapoor’s Chance Pe Dance, Striker starring Rang De Basanti’s Siddharth, Aamir Khan Productions’ Peepli Live, Vishal Bharadwaj’s Ishqiya would release in the first half of 2010.


Generation-next too would be making its presence felt with Ranbir Kapoor in Anjana Anjani and Rajneeti, Imran Khan in I Hate Love Stories, Sonam Kapoor in Ayesha, and Deepika Padukone in House Full.


As the record breaking run of 3 Idiots that has spilled over to 2010 has shown, great content along with great pre-release buzz make the perfect mix.


2010: Coming Soon
RAJNEETI (Naseeruddin Shah, Nana Patekar, Ajay Devgn, Katrina Kaif and Ranbir Kapoor) BUDGET: 50 cr


DHOBI GHAT (Aamir Khan, Prateik Babbar) BUDGET: 15 cr


RAAVANA (Abhishek Bachchan, Aishwarya Rai Bachchan) BUDGET: 50 cr


TEEN PATTI (Amitabh Bachchan, Sir Ben Kingsley) BUDGET: 35 cr


VEER (Salman Khan, Zarine Khan) BUDGET: 50 cr


RANN (Amitabh Bachchan) BUDGET: 25 cr


ISHQIYA (Vidya Balan, Naseeruddin Shah, Arshad Warsi) BUDGET: 20 cr


MY NAME IS KHAN (Shah Rukh Khan, Kajol) BUDGET: 50 cr


KITES (Hrithik Roshan, Barbara Mori) BUDGET: 50 cr


ACTION REPLAY (Akshay Kumar, Aishwarya Rai) | BUDGET: 35 cr


GUZAARISH (Hrithik Roshan, Aishwarya Rai Bachchan) BUDGET: 50 cr


ANJAANA ANJAANI (Ranbir Kapoor, Priyanka Chopra) BUDGET: 40 cr


AGENT VINOD (Saif Ali Khan, Kareena Kapoor) BUDGET: 40 cr

Figures are an approximate estimation

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Vivek Oberoi on love, life and a fresh innings in Bollywood

By Kunal M Shah (MUMBAI MIRROR; November 27, 2009)


• You have got some good reviews for your role in Kurbaan.

Yes. I have not stopped smiling since the film’s release. At one of the trials, Bebo (Kareena Kapoor) and Saif (Ali Khan) did tell me that I was good in the film. Then Karan (Johar) and Rensil (D’Silva)also told me the same thing. I had not seen the film till then as I was shooting in Hyderabad. It was a nice feeling when Karan told me ‘finally you make me proud.’ I saw the film just a day before its release and I had knots in my stomach. I was very nervous but I was with people who have always been kind to me. There were Shah Rukh and Gauri, Imran and his fiancée Avantika, Yash uncle, Davidji (Dhawan). They all hugged me and said I was good.

• Why have you not done a romantic film after Saathiya?

Honestly, I really don’t know. Kurbaan has got a romantic track but Mission Istanbul and Shootout At Lokhandwala had zero romance. I have not done an out-and-out romantic film and I am really looking forward to doing one.

• People are saying that you have changed and that you want to leave the controversies behind and concentrate only on your work.

I wanted this for a really long time. However, after Shootout… things did not fall in place. Almost four years ago, when I did Omkara, I saw Saif getting under the skin of the character Langda Tyagi. I loved the work ethics. That’s when I thought that I should stop doing what I was doing, but I had a backlog to finish. Then my close friend Amit Chandra sat me down and helped me streamline my life so that I could practically achieve what I was trying to. Now, I have learnt not to take anything for granted.

• How did Ramu and you patch up?

I don’t think patch up is the right word as we were never at loggerheads. I will never have the audacity to say anything against Ramu and as an artiste, I will always be indebted to him for giving me Company. But when he called me and told me ‘I will never work with you again’, I was shocked. Now, when he called me and said that he had something for me, I was so happy. When I met him, he said that he could see the same passion in my eyes again and gave me Rakta Charitra. I felt exactly the same on the first day of Rakta Charitra that I felt on the first day on the sets of Company. Ramu made me feel so comfortable.

• You have done some amazing stunts in Prince, something which you are not known for.

Yes. Kookie Gulati is quite a whiz kid. I did so many things that I cannot possibly explain — right from learning how to skateboard, doing parkour, learning cable work, to action training. I had to put so many things into my system that after the training session, things became easier.

• You have said that you are done with apologising to people.

I made a mistake and it is human to make mistakes. Personally, I think it’s humbling and it’s also building character to stand up and say I made a mistake and please forgive me. It is always an ego-based thing to say that why should I apologise. It is a real man who can say ‘I am sorry’ and that too in public. I have said sorry to the assistant director whom I was rude to, I have said sorry to the movie star whom I had a fight with and I even said sorry to the director I snapped at.

In the process of eliminating handful of terrorists, we end up creating many more-this best describes the policies of Western developed powers who are hell bent on making the world more democratic but adopt inhuman ways to achieve the end point. Kurbaan throws light on this sensitive topic and thankfully treats it well. The flick throws a spate of questions and forces you to think, discuss and debate. But it doesn’t get preachy and hence it’s not like one of the several films on terrorism that are made for a niche audience. The film is thrilling, has some wonderful twist-n-turns and includes some moments of love and passion too. All this make Kurbaan one of the finest films of the year-one that can’t be missed!

The story of the movie: Ehsaan Khan (Saif Ali Khan) takes the job of a teacher in a university in Delhi where he comes across a psychology teacher, Avantika (Kareena Kapoor). He instantly falls in love and she also ends up liking him. But unfortunately, she’s called back to New York where she originally belongs. Realizing that it would be wrong to have a long-distance relationship, Ehsaan also moves to NYC with Avantika. But before that, they marry. After moving to New York, they buy a new house in a neighborhood full of Asians, conservative Muslims to be precise. The neighbours invite Ehsaan and Avantika for dinner so that they can get familiar with each other. Soon, Avantika realizes that things are not fine in the neighbourhood as they seem and finally, realization dawns upon her-she has been as used as a pawn in a dangerous game.

The beginning 20-25 minutes focuses on Saif-Kareena’s courtship and may not impress. It was the weakest part of the film and wasn’t treated well. But thinks take a good turn with the song Shukran Allah and when the couple shifts to New York. The film engrosses from the scene where the neighbours invite them for dinner. From this sequence, the film turns into a roller coaster ride with lots of unpredictable turns. The entry of Riyaaz (Vivek Oberoi) in the narrative adds to the icing on the cake.

The intermission point was brilliant and fortunately, unlike other films, Kurbaan doesn’t fall or gets slow in the post-interval portions. In fact, the 2nd half also keeps you hooked onto your seat. A number of sequences are memorable in this hour. Kirron Kher sharing the tragic story astonishes you and Kher’s mind blowing performance only enhances the impact. Same goes for the scene where Saif is nursing the wound with little help from Kareena after getting hit by a bullet. The way the blood tickles down and the way Saif screams-man, it gives goosebumps!

The last 30 minutes of the film is undoubtedly the best portion of the film. The tension that is created in the climax and the engrossing and captivating direction is truly appreciable. The film ends on an acceptable note.

Regarding the flaws, as mentioned before, the first 20 mins doesn’t work. Also, the film is full of violent and gory scenes which might not be liked by some sections. And the editing wasn’t upto the mark. More about it later!

Kurbaan is a rare film where the cast and most of the crew have worked exceptionally well in all respects. Saif Ali Khan was outstanding in his role. He looked dapper in his new look and performance wise, doesn’t provide even a miniscule chance of complain! Thus, Kurbaan can safely be added to the list of ‘finest performances of Saif’. This year has been particularly lucky for Saif with his home production Love Aaj Kal being a super hit and now even Kurbaan has been appreciated. His next Agent Vinod with Kareena is also expected to rock! Way to go Saif!

Kareena Kapoor has exposed as minimal as possible and still managed to look stunning. She’s always been delivering fine performances and in Kurbaan too, she does a perfect job. Watch out for the scenes where she discovers that she has been used and in the climax. She proves once again as to why she’s one of the top actresses today! Great going!

Vivek Oberoi steals the show with his wonderful act. In fact, his acts impact more than Saif-Kareena at several points in the film. Audiences as well filmmakers would surely sit up and take notice of this highly talented actor who was neglected in the past due to many reasons. He is expected to shine in his next films, Prince and Rakta Charitra too!

Kirron Kher, like Vivek, leaves a mark in several scenes. For a change, it was good to see her in a different kind of role than her usual stereotypical ones. Om Puri performs with ease. Dia Mirza looked charming and impresses with her special appearance. Nauheed Cyrusi does a fabulous job. Asheesh Kapur, who plays her husband, was great. Kulbhushan Kharbanda, Aakash Khurana and others were good.

Salim-Sulaiman’s music was haunting and songs suited the film well. Shukran Allah, Ali Maula and Kurbaan Hua are the three best songs. Ali Maula leaves a mark. The duo’s background score was electrifying and they may bag the Best Background Score award this year.

Anurag Kashyap and Niranjan Iyengar’s dialogues were sharp and top notch. Best dialogue of the film was, “Ek minute ke liye bhi ye mat sochna ki ye allah ka kaam hai!Parvez Feroze’ gory action enhanced the reality of the film. Asif Ali Shaikh’s editing wasn’t upto the mark. One can notice that desperate attempts were made to haphazardly cut down mini portions of scenes to reduce the duration of the film as much as possible. Not good!

Rensil D’Silva, the screenwriter-director scores in his dream debut. Although the direction wasn’t perfect, the film managed to make an impact and give out a strong message. The screenplay was undoubtedly intriguing.

And finally, kudos to Karan Johar for writing the film and also for producing such a hard hitting flick. KJo was criticized for making lovey-dovey films only. But with his last two films and Kurbaan, he has proved that he’s here not only to rake in moolah but also to provide fresh and interesting flicks! Hats off!

Some of the best scenes of the film:
1.       The songs Shukran Allah and Ali Maula
2.       Ehsaan and Avantika at the dinner in the neighbour’s house
3.       Avantika meets Dia
4.       The plane bombing sequence
5.       The intermission point
6.       Riyaaz at the Saif’s lecture
7.       Riyaaz’ quick conversation with Avantika at the mall
8.       The scene at the sandwich parlour
9.       The coffee scene
10.     The climax

On the whole, Kurbaan is an engaging and thrilling film that impresses and engrosses thoroughly! Go for it and have 160 minutes of captivating and thrilling time!

My rating-**** out of 5!

This review first appeared on MouthShut.com: http://www.mouthshut.com/review/Kurbaan-180014-1.html


Playboy Vivek Oberoi finds love on the sets of Prince. It’s his co-star Neeru Bajwa

By Vickey Lalwani (MUMBAI MIRROR; October 14, 2009)

Vivek Oberoi, who has been single after his relationship with Aishwarya Rai ended on a bitter note in mid-2005, is fast gaining the reputation of being an incorrigible flirt. The single and ready to mingle Vivek has found a new agony aunt and is taking her advice seriously. Apparently, Kareena Kapoor had advised him to get a steady partner (on the sets of Karan Johar’s Kurbaan), and it’s hard for Vivek to ignore such wise counsel.

After his reported link-ups with Vidya Balan, Minissha Lamba and Sonam Kapoor in the recent past, the latest on his list is the pretty TV actress Neeru Bajwa, who is his co-star in Kumar Taurani’s forthcoming film Prince — It’s Showtime. And this bonding was not restricted to just lunch, coffee and dinner.

Our source revealed, “Thankfully, Vivek and Kookie did not fight over Neeru, or it might have disrupted the shoot. Soon, Neeru’s ‘friendship’ with Vivek and Kookie became the hot topic of conversation on the set.”

Naturally, Neeru stood to benefit from her ‘dosti’ with Vivek and Kookie — and she did. “Originally, she was supposed to do a very small role. But soon, her role increased and kept increasing with each passing day. First, Kookie added a song which was picturised on her, subsequently he added a few extra scenes which featured her,” our source revealed.

After Neeru made an impression in a few Punjabi movies, she starred in Shrishti Arya’s TV show Guns and Roses, shook a leg in Nach Baliye 2 with her live-in boyfriend Amit Sadh (Fear Factor, Bigg Boss 1). There were rumours that she and Amit had tied the knot. Thereafter, she virtually disappeared.

She made a public appearance only at director Arif Sheikh’s wedding on January 26 this year, where she hung around with Vivek Oberoi who also attended the wedding. Then she was seen at Kumar Taurani’s 50th birthday party on July 11, where Vivek was again present.

When we called Neeru, she laughed and said, “I hope Vivek is still enamoured by my beauty. He is a great co-star. I don’t know if there was any attraction, but I was very nervous because I was doing my first Hindi film. Vivek, Kookie and I are good friends, we hung out and got along awesomely.”

Neetu admitted that she and Amit are not a couple anymore. “Amit and I parted ways long ago. We hadn’t married,” she said.

As for her role being increased in Prince, Neeru said, “Hmm… not really. Yes, I have a big role. There was a little mystery about a song as to who will do it. Eventually, I did it.”

Kookie Gulati, who was an associate director for Ken Ghosh’s Ishq Vishk and Fida, did not deny that he and Neeru hang out together. He added, “Neeru and I are good friends. That’s it. Nothing more. I have not increased her role. The film is still being edited by a very professional editor in France. And I have no clue if she was close to Vivek. That’s between them.”

Kites2

IT’S ALL IN THE NAME: Poster of Kites

Bollywood has given up HAHK and DDLJ for short and simple English titles

AAKANKSHA NAVAL-SHETYE Times News Network (BOMBAY TIMES; September 15, 2009)

Bollywood has rediscovered the KISS (Keep It Short and Simple) rule, at least where film titles are concerned. Having had its fill of long names — Bollywood’s now high on short words, and most of them straight off the English vocabulary rack. Sample this: almost 20 films this year had English titles and there are almost 30 more to come… from Blue to Wanted and Radio to Kites. Trade pundits attribute this to several reasons. “Almost every title has been exhausted. Others have been blocked by producers before hand. Filmmakers have to come up with unique titles and English words give an instant youth connect,” explains trade analyst Komal Nahta, adding, “Even Dilwale Dulhaniya Le Jayenge was shortened to the English DDLJ.”

Trade analyst Taran Adarsh agrees, claiming that it’s a healthy trend looking at global cinema, “Bollywood films have an international audience. Ever since English lyrics in Hindi songs became a hit, filmmakers began exploring these options. As long as the title suits the content of the film, it’s bound to work.” Vashu Bhagnani, whose next film is titled Do Knot Disturb, adds, “When the masses can accept English songs and words in our films, why not
titles? The audience targeted is largely the youth and they can easily identify with such names.” Rohit Shetty, director of All the Best and Golmaal Returns, defended his titles, “Words like Welcome, All The Best, Luck, and No Problem work well even with the non-English speaking masses in the interiors. These titles have tested positive with the multiplex audience so it’s a win-win scenario all across.”

Trade analysts also believe TV has made English and ‘Hinglish’ popular. “Thanks to the serials, talk shows and advertisements, ‘Hinglish’ has become well-accepted. So if the words are simple and part of daily usage, the names are more likely to work than not,” say trade analysts.

However, filmmaker Vipul Shah, whose films — Singh is Kinng, London Dreams and Action Replayy — all have English names, has a different take. “London Dreams is the name of a band associated with my film, whereas Action Replayy was the name of my play done several years ago. So, the name has to show some connection with the film theme and should not be a random word,” he says. Will the trend of long names that kickstarted with Hum Aapke Hain Kaun pave way for English shorties? Time will tell.

My Name is KhanENGLISH SHORTIES RELEASED THIS YEAR
Fox, Luck, Three, Life Partner, Daddy Cool, Sankat City, Shortkut: The Con is On, Quick Gun Murugan, Bachelor Party, Bad Luck Govind, Chandni Chowk To China, Luck By Chance, Victory, The Stoneman Murders, 13B, Straight, Team, Runway, Let’s Dance, Morning Walk, Perfect Mismatch, Shadow, Toss

ENGLISH SHORTIES TO COME
Blue, Wanted, All the Best, London Dreams, Acid Factory, What’s Your Raashee?, 3 Idiots, Eight, Fast Forward, Shoebite, My Name Is Khan, Jail, Do Knot Disturb, Paa, Radio, Season Greetings, Chase, Kites, Wake Up Sid, Prince, Rocket Singh: Salesman of The Year, No Problem, Road Movie, Accident on Hill Road, Action Replayy

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