Fenil and Bollywood

Posts Tagged ‘pritam

By Bollywood Hungama News Network, December 31, 2009 – 12:22 IST

Best Film
3 Idiots
Dev D
Kaminey
Love Aaj Kal
Paa

Best Director
Anurag Kashyap – Dev D
Imtiaz Ali – Love Aaj Kal
R Balki – Paa
Rajkumar Hirani – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Actor (Male)
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Ranbir Kapoor – Ajab Prem Ki Ghazab Kahani
Ranbir Kapoor – Rocket Singh – Salesman Of The Year
Saif Ali Khan – Love Aaj Kal
Shahid Kapoor – Kaminey

Best Actor (Female)
Deepika Padukone – Love Aaj Kal
Kareena Kapoor – 3 Idiots
Katrina Kaif – New York
Priyanka Chopra – Kaminey
Priyanka Chopra – What’s Your Raashee?
Vidya Balan – Paa

Best Actor in a Supporting Role (Male)
Abhimanyu Singh – Gulaal
R Madhavan – 3 Idiots
Rishi Kapoor – Love Aaj Kal
Rishi Kapoor – Luck By Chance
Sharman Joshi – 3 Idiots

Best Actor in a Supporting Role (Female)
Arundhati Naag – Paa
Divya Dutta – Delhi-6
Gauhar Khan – Rocket Singh – Salesman Of The Year
Neha Dhupia – Raat Gayi Baat Gayi
Shahana Goswami – Firaaq

Best Actor in a Negative Role
Amole Gupte – Kaminey
Boman Irani – 3 Idiots
Kay Kay Menon – Gulaal
Mahesh Manjrekar – Wanted
Manish Choudhary – Rocket Singh – Salesman Of The Year

Best Actor in a Comic Role
D Santosh – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots
Paresh Rawal – De Dana Dan
Sanjay Mishra – All The Best
Vinay Pathak – Raat Gayi Baat Gayi

Best Background Music
Amit Trivedi – Dev D
Ilaiyaraja – Paa
Salim-Sulaiman – Rocket Singh – Salesman Of The Year
Shantanu Moitra, Atul Raninga, Sanjay Wandrekar – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Music
A R Rahman – Delhi-6
Pritam – Ajab Prem Ki Ghazab Kahani
Pritam – Love Aaj Kal
Pritam – Tum Mile
Vishal Bhardwaj – Kaminey

Best Playback Singer Female
Kavita Seth – Iktara – Wake Up Sid
Rekha Bhardwaj – Genda Phool – Delhi-6
Shreya Ghoshal – Zoobi Doobi – 3 Idiots
Shilpa Rao – Mudi Mudi – Paa
Sunidhi Chauhan – Mere Sang – New York

Best Lyrics
Amitabh Bhattacharya – Emosanal Attyachaar – Dev D
Irshad Kamil – Chor Bazari – Love Aaj Kal
Javed Akhtar – Sapnon Se Bhare Naina – Luck By Chance
Piyush Mishra – Ranaji – Gulaal
Prasoon Joshi – Man Ko Ati Bhavey – London Dreams

Best Story
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Anurag Kashyap, Aparna Malhotra, Raj Singh Chaudhary, Sanjay Maurya – Gulaal
Imtiaz Ali – Love Aaj Kal
Nandita Das, Shuchi Kothari – Firaaq
R Balki – Paa

Best Screenplay
Abhijat Joshi, Rajkumar Hirani, Vidhu Vinod Chopra – 3 Idiots
Anurag Kashyap, Vikramaditya Motwane – Dev D
Imtiaz Ali – Love Aaj Kal
Pankaj Advani – Sankat City
R Balki – Paa

Best Dialogue
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Imtiaz Ali – Love Aaj Kal
Anurag Kashyap, Vikramaditya Motwane – Dev D
R Balki – Paa
Vishal Bhardwaj – Kaminey

Best Editing
Aarti Bajaj – Dev D
Aarti Bajaj – Love Aaj Kal
Anil Naidu – Paa
Meghna Manchanda Sen, Sreekar Prasad – Kaminey
Rajkumar Hirani – 3 Idiots

Best Sound
Bishwadeep Chatterjee, Nihar Ranjan Samel – 3 Idiots
Dileep Subramaniam – Love Aaj Kal
Sanjay Maurya, Allwin Rego – Dev D
Shajith Koyeri, Subhash Sahu, P M Satheesh – Kaminey
Tapas Nayak – Paa

Best Special Effects
Charles Darby – Aladin
Prime Focus Ltd – Blue

Best Cinematography
C.K. Muraleedharan – 3 Idiots
P.C. Sreeram – Paa
Rajeev Ravi – Dev D
Shankar Raman – Frozen
Tassaduq Hussain – Kaminey

Best Art Directon
Acropolis, Rajnish Hedaa, Sumit, Snigdha Basu – 3 Idiots
Sabu Cyril – Aladin
Samir Chanda – Delhi-6
Samir Chanda – Kaminey
Sukanta Panigrahy, Helen Jones – Dev D

Best Choreography
Ahmed Khan – Prem Ki Naiiyya – Ajab Prem Ki Ghazab Kahani
Avit Dias – Aal Izz Well – 3 Idiots
Bosco- Caesar – Zoobi Doobi – 3 Idiots
Prasanna – Marjaani – Billu
Baawre – Vaibhavi Merchant – Luck By Chance

Best Action
James D Bomalick – Blue
Huan-Chiu Ku – Chandni Chowk To China
Shyam Kaushal – Kaminey
Tinu Verma – Acid Factory
Vijayan Master – Wanted

Most Promising Newcomer (Male)
Amole Gupte – Kaminey
Chandan Roy Sanyal – Kaminey
Navin Kaushik – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots

Most Promising Newcomer (Female)
Gauhar Khan – Rocket Singh – Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jesse Randhawa – Gulaal
Kalki Koechlin – Dev D
Mahie Gill – Dev D

Most Promising Debut Director
Ayan Mukerji – Wake Up Sid
Nandita Das – Firaaq
Pankaj Advani – Sankat City
Shivajee Chandrabhushan – Frozen
Zoya Akhtar – Luck By Chance

Best Child Artiste
Jahan Bativala – Little Zizou
Iyanah Bativala – Little Zizou
Rahul Kumar – 3 Idiots
Parzan Dastur- Sikandar
Pratik Katare – Paa

Best Ensemble Cast
Delhi-6
Firaaq
Gulaal
Luck By Chance
Sankat City

BOLLYWOOD HUNGAMA.COM

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SURPRISE: Astrologers visiting Ajay Devgn and Konkona SenSharma in their house predict the arrival of an unexpected atithi on February 26, 2010. Coincidentally, their film Atithi Tum Kab Jaoge? will be releasing on the same day

A comedy that will warm the cockles of your heart is Ashwini Dhir’s promise for 2010
MEENA IYER Times News Network (BOMBAY TIMES; December 27, 2009)
Life is a party and some people live it up better than others.
In the spirit of fun and cheer, Ashwini Dhir wrapped up 2010’s heartwarming, slice-of-life flick Atithi Tum Kab Jaoge? in a 45-day schedule in and around Mumbai. Ashwini believes whatever the season, comedies are always welcome.
“Everyone wants a few laughs from time to time,’’ he reasons.
Starring Ajay Devgn, Konkona SenSharma and Paresh Rawal, Atithi Tum Kab Jaoge? is a light-hearted film based on a couple (Ajay and Konkona) who end up with an unexpected ‘atithi’ (Paresh Rawal) at their home.
Talking about the film, lead actor Ajay says, “The idea of having atithi come over is really exciting, but it can turn into a nightmare if the guest refuses to leave! The premise of the film is something that all of us must have experienced sometime or the other and the film will bring back those funny memories!”
Konkona adds, “Having lived alone in Mumbai for a long time, I’ve always enjoyed the company of atithi. They come as a breath of fresh air and spread cheer. Like Ajay says the subject is something everyone will identify with. So in a way, Atithi… is a film that will find an instant connect with its audiences”.
Produced by Warner Bros. Pictures and Wide Frame Films, Atithi… has Amita Pathak, daughter of Kumar Mangat, taking over the reins as a firsttime producer. The music score is by Pritam, choreography by Raju Khan, while the lyrics have been penned by Irshad Kamil. The film is slated to release on February 26, 2010.
While Katrina Kaif is trying her best to convince Prakash Jha to let her feature in an item song in Rajneeti, he is looking for another prominent actress as he doesn’t want Katrina to deviate from her staid role in the film

By Kunal M Shah (MUMBAI MIRROR; December 12, 2009)



Even though she has completely shed her glam doll image to play a politician in Prakash Jha’s Rajneeti, Katrina Kaif is reluctant to give up the jhatkas and matkas that are such an integral part of being a Bollywood actress.

So what if she plays a prim and propah neta in Rajneeti? It doesn’t stop her from wanting to dance to a club song in the film. While Katrina wants to let out her filmi side, filmmaker Prakash Jha doesn’t want her to deviate from her role and is currently looking out for another actress to perform in the song.
A source said, “No matter how serious his films are Prakash Jha usually makes it a point to have one much-talked about song. For Rajneeti, he has a club mix hip-hop number composed by Pritam. Katrina, who is the film’s lead actress, has expressed a keen interest in being part of the song.

However, Jha feels that he should get another established actress for the song and has already spoken to some likely candidates. Katrina clearly doesn’t want to give up on her image as a commercial actress and wants to feature in the song as after the initial few scenes in Rajneeti, she goes completely deglam. Getting to dance to this masala number was perhaps her way of ensuring that her sexy image remains intact. But knowing Jha he will get some other actress for the item song.”

Prakash Jha confirmed the news and said, “Yes, we have a club song which Katrina is extremely keen to do. But, I have yet to decide on several aspects of the song. Ranbir (Kapoor, lead actor of Rajneeti) is definitely not part of the song and I will soon finalise who will feature in the number.”

Completely denying the news, Katrina Kaif said, “Rubbish. I don’t know anything about this.”

By SHAHEEN PARKAR (Mid-Day; December 11, 2009)

Sushmita Sen and Kangna Ranaut will attempt to be just that for a song called Shakira Jaisi…

Hips Don’t Lie — ask Sushmita Sen and Kangna Ranaut. The stars are learning to shake their kamariyas like the Colombian singer who can wriggle her hips and more effortlessly.

The actresses are presently shooting for a song sequence for Anees Bazmee’s No Problem (it’s not a sequel to No Entry!). Music composer Pritam has composed a trademark Punjabi hip track that goes Shakira Jaisi Hile Lakhni…

Sush and Kangs, who play sisters in the flick, have been matching steps to Chinni Prakash’s choreography.
The two actresses will be making their moves in six yards. While Sushmita has draped herself in an Abu Jani sari worth Rs 4 lakh, Kangna settled for a Suneet Varma creation which costs Rs 3.5 lakh.

The song is being shot at the Filmistan Studios. Anil Kapoor, Sanjay Dutt, Akshaye Khanna, Paresh Rawal and Shakti Kapoor who feature in the film are also in the song that has been penned by lyricist Kumar (of Maa Ka Ladla fame).

Produced by Anil Kapoor, Rajat Rawail and Spice International, No Problem is slated to release in the third quarter of 2010.

Says Rawail, “We have been shooting for this track from Tuesday. Pritam has scored an extremely peppy song that tells them to shake like Shakira! It is a celebration song as Kangna is getting engaged to Akshaye in the film. The dance unfolds in their father Shakti Kapoor’s home — he plays the police commissioner.”

After a long schedule in South Africa, Bazmee has started the Mumbai leg of the film’s shoot. From next week, they will be shooting at various parts of south Mumbai.

H-twon in a sari
While you may have to wait a while to see Shakira in a sari (the outfit she wore during a Farah Khan choreographed performance at an awards show — seen alongside — doesn’t count as one), here are a list of Hollywood actresses who draped up.
Helen Mirren (at an awards show)
Katherine Heigl (in 27 Dresses)
The Pussycat Dolls (at an event)
Cameron Diaz (at a photoshoot)
Elizabeth Hurley (at an event)

Shakira Ve the last track that featured the name in the title. the fool n final gaana featured Ayesha Takia & Shahid Kapoor

By Joginder Tuteja, November 24, 2009 – 15:38 IST
One look at a working still from Ajay Devgn, Konkona Sen and Paresh Rawal starrer Atithi Tum Kab Jaaoge? and you are instantly reminded of License To Wed, an American film that was released a couple of years ago.

Right from the bedroom setting to the body language of the three principal characters (Robin Williams, Mandy Moore, John Krasinski) – it’s a case of an inspiration going a little too far. While in Atithi… , it’s Paresh Rawal who is the centre of attention (literally), in License To Wed it is Robin Williams who seems to be having all the fun as he comfortably places himself on the bed.

So, is the inspiration restricted only to the poster or is the story based on similar lines as well?

Kumar Mangat, producer of Atithi Tum Kab Jaaoge? refutes the allegation, “First and foremost what we have released is not the First Look or a poster from the film; it is just a working still from a song that we have shot. Moreover, we have just been inspired from the poster of License To Wed. Beyond that, there aren’t any more similarities.”

Atithi Tum Kab Jaaoge? is the story about an unwanted guest who enters the household of a married couple and lives for a long duration by continuously extending his stay. So much so, that the couple is exasperated and starts praying for his exit. While Ajay Devgn and Konkona Sen play the part of a married couple, Paresh Rawal is the uninvited guest.

On the other hand License To Wed, the film which was a moderate success in spite of being panned by critics, is the story of John and Mandy, a much in love couple, who go through a marriage preparation course, as suggested by Reverend Frank (Robin Williams). However, Frank makes their love life miserable as he demands chastity, bugs their apartment, initiates arguments, has them care for robot twins, creates friction and raises doubts.

As is quite apparent, the storyline of both Atithi Tum Kab Jaaoge? and License To Wed is quite different. Apparently, Kumar Mangat was inspired by a real life incident at his own place when a guest refused to leave him for a long duration.

“This happened a year back”, laughs Mangat when reminded of the incident, “We were glad to have him home. However, it became a pain of sorts when he didn’t seem to be budging at all. It was amusing to begin with but later it all turned really frustrating. Meanwhile, Ashwani (writer and director of the film) also came up with the story idea of Atithi… and we decided to make a full fledged feature film.”

Incidentally, germ of Atithi…. is in a story titled Tum Kab Jaaoge Atithi which was penned by noted satirist Late Sharad Joshi. However, Mangat has purchased rights of the story.

With lyrics by Irshad Kamil and music by Pritam, Atithi Tum Kab Jaaoge? is all set for a 26th February release.

BOLLYWOOD HUNGAMA.COM

LAUGH SOME MORE: Ajay Devgn, Paresh Rawal and Konkona SenSharma in a still from the film
Three National Award winning artistes pool talent for a full-blown commercial comedy

MEENA IYER Times News Network (BOMBAY TIMES; November 17, 2009)

Remember Amita Pathak? She’s the girl who made her debut opposite Adhyanan Suman in Haal-e-Dil. Now Amita is back wearing the producer’s hat. The 20-something has just launched her banner Wide Frame Films. And, she is combining forces with Hollywood giant Warner Bros Pictures India to make her first production — Atithi Tum Kab Jaoge? — a subtle satire which when translated means, ‘Guest when will you leave?’

Amita says, “The story idea is mine. We had a guest at home for three months who over-stayed his hospitality. And it lead to so many funny and frustrating situations. When I narrated this to my director (Ashwini Dhir) and to my father (Kumar Mangat) they felt it made the perfect premise for a rip-roaring comedy. And that’s how Atithi Tum Kab Jaoge? was born.”
Amita even managed to get not one but three National Award winning artistes — Ajay Devgan, Konkona Sen Sharma and Paresh Rawal to greenlight her project almost immediately.

Says Ajay, the leading man, “I liked the script because it is very real… and has some slice-of-life comic situations. It is also very cleverly written and the humour in the dialogue makes it very likeable. I’m sure people from all walks of life will identify with this because every home must have had a guest who has been the bane of their lives.”

The music for this film is by the hot-shot composer Pritam and the film will release globally on February 26, 2010. “The script of Atithi… itself is a non-stop laugh riot and when you add the comical talents of Ajay, Paresh and Konkona, we have a winner at the box office,” says Denzil Dias, Deputy Managing Director (Theatrical) , Warner Bros. Pictures India.
meena.iyer@timesgroup.com

TM

Any kind of calamity, whether natural or man-made, is immediately picked up by the film fraternity to capture the event in celluloid. The 26 July 2005 Mumbai deluge was one of the biggest natural disasters in India in this decade and surprisingly, no film, comprising A-listers was based on it yet. Finally, Tum Mile takes the initiative. It’s a love story and the floods serve as a backdrop. Unfortunately, the ‘flood’ connection wasn’t utilized well and hence, the film fails to impress fully.

The story of the movie: Akshay (Emraan Hashmi) and Sanjana (Soha Ali Khan) become friends when they both were based in Cape Town. Although Akshay was struggling painter and Sanjana was a creative writer cum environmentalist and a daughter of a rich billionaire (Sachin Khedekar), they both hit off well and fall in love. They decide to move in. Unfortunately, both face problems, more so because of Akshay’s financial insecurity. Finally, both have to break up. Six years later, they meet each other once again in a London-Mumbai flight. Things have drastically changed for both Akshay and Sanjana now. However, once they land in Mumbai, they have to go through a roller coaster ride as heavy rains have crippled the entire city. The date was July 26, 2005. They have no choice but to be together in this dark time.

Let’s get one thing straight-although Tum Mile was promoted as a film based on floods, it is actually not. 70% of the film is Emraan-Soha’s flashback in Cape Town. The remaining 30% focuses on the deluge. However, the story wonderfully moves from the present to flashback and back and that’s why the film works a bit.

The first scene of the film is in fact the best one! Weather dept officials who were more interested in playing cards than looking at the warning they received about a downpour just a day before July 26 is a rocking scene! It gives an indication that how the careless attitude of these officials led to a disaster.

The first half of the film has no glitches. The flashback portion begins wonderfully and goes ahead nicely too. Also the scene inside the flight were well executed. The intermission point was scary. However, problems start in the second hour. The flashback scenes quite dragged. Director Kunal Deshmukh could and should have had a crisp narrative. The problems faced by the couple in the floods were engrossing but the climax disappointed. The way both Emraan and Soha accept each other in the climax (after the rains stopped) seemed little indigestible, because their interactions with each other was very limited during the time of crisis. But then it is said, “When you bond during a crisis, the bonding goes deep”. So maybe only the very limited bonding was more than enough for the characters!

The visual effects in the film at some places were tacky and could have been better. The film also exhibits some of the actual footage depicting the horrors of 26/7. But that doesn’t work. Also, factual errors can be noticed-the lead actors are shown wading through chest-deep water in Lower Parel area of Mumbai. However, nothing of that sort had happened there on that day.. In fact, it was in the suburban areas like Juhu, Kalina etc where water had arisen till the first floors. However, some of the horrors of that day were wonderfully captured. Most notable is how the central locking system caused the death of many inside the car after their car’s doors and windows failed to open.

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Emraan Hashmi and Soha Ali Khan carry the film on their shoulders wonderfully. Emraan delivers a sparkling performance and proves that he’s one of the best performers around. He looked charming, esp in the flashback portions. However, his bespectacled look in the present track is not as great as the similar one he had in Gangster. But still, he manages to do a great job. Watch out for him when he’s high-tempered and in the scene where he enthusiastically paints Soha. A fine actor indeed!

Soha Ali Khan too comes up with a brilliant performance-one of the best of her careers after RDB and Khoya Khoya Chand. She appears confident and it’s great to see that she slipped into her role so easily. Actually, she wasn’t the original choice-Esha Deol was offered the role initially. After she refused due to some reason, Soha was approached!

Mantra, who plays Emraan’s pal, also gives a confident performance. Sachin Khedekar was impressive. Others were good.

Pritam’s music was one of the USPs of the film. The 3 songs which completely rock are the title song, Tu Hi Haqeeqat and Dil Ibaadat. Watch out for Dil Ibaadat-it was just brilliantly executed!

Prakash Kutty’s cinematography was flawless. So was the design.

There was nothing wrong in the story; it was the screenplay that failed at places. Ideally, equal emphasis should have been there for both the tracks. The flood portions were underutilized. Although Kunal Deshmukh’s first venture Jannat was fantastic, Tum Mile isn’t, unfortunately.

Some of the best scenes of the film:
1.       The first scene
2.       Akshay restructures Sanjana’s cake
3.       The title song and Dil Ibaadat
4.       Akshay’s confrontation with the curator
5.       Sachin Khedekar’s only scene
6.       Akshay and Sanjana’s argument the next day
7.       The intermission point
8.       Akshay and Sanjana in the bus and in cracked building

On the whole, Tum Mile unfortunately doesn’t work in totality. Performances and music were brilliant but the film was too dragged for no reason. But the film doesn’t bore even for a moment and the first half was great. Watch it if you are an Emraan/Bhatt fan!

My rating-** ½ out of 5!

This review first appeared on MouthShut.com: http://www.mouthshut.com/review/Tum_Mile-179553-1.html

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By Taran Adarsh, November 13, 2009 – 11:17 IST

In TUM MILE, a couple faces two storms. The storm within, when they come face to face after their breakup. The storm outside, when a natural calamity strikes Mumbai on 26th July, 2005 [unprecedented rainfall devastated Mumbai on this date].

After JANNAT, director Kunal Deshmukh [KD] chooses a love story yet again. It’s about an estranged couple, but the wallpaper in TUM MILE is the Mumbai floods. Naturally then, the expectations from TUM MILE are colossal, given the fact that TUM MILE is the first film that attempts to chronicle the natural calamity on celluloid, with seriousness.

BY BOLLYWOOD HUNGAMA.COM

Had KD limited himself to narrating the ups and downs in a live-in relationship, TUM MILE may’ve struck a chord. But if you’re attempting a disaster movie [its promotions send out strong signals], you’d be eager to know how KD recreates the horrors of 26th July on celluloid. Let’s not forget, the catastrophe is still etched in our memory and has tremendous recall-value.

//

While KD succeeds in depicting the tiffs between the lovers, it’s the disaster aspect that doesn’t make much of an impact. That’s because you strongly feel that the infamous Mumbai floods should’ve been given more prominence, instead of using it as a tool to take the story forward.

26th July, 2005 rang an ominous bell for most, but amidst all the chaos and the tragedy, it re-united two star-crossed ex-lovers.

Two people [Emraan Hashmi, Soha Ali Khan] meet after a hiatus of six years. What starts off as a seemingly innocuous encounter on the same flight back to Mumbai, ends up as a rollercoaster ride through some of the darkest hours of Mumbai, as they see the city get swamped with disaster and loss… and are forced to stick together in this time of crisis.

26th July, 2005 remains etched in your memory and I’m sure, every Mumbaikar would’ve a story to tell vis-à-vis what transpired with them or their beloved/relatives/friends/acquaintances on that fateful day. TUM MILE also highlights the dilemma of a couple, who once shared a beautiful relationship, but have moved on in life after they split, till they meet again on 26th July.

Opposites attract and so do Emraan and Soha in TUM MILE. Although their story goes back and forth several times, the narrative doesn’t confuse the viewer one bit. So far, so good.

But the problem lies in integrating the natural calamity with the love story. Even if you’re a non-Mumbaikar, you’d vividly recall the images that were flashed on news channels continuously or perhaps, you may’ve watched the footage on internet. But in TUM MILE, the nature’s fury doesn’t come across strongly or effectively. In a few scenes, yes, you do draw parallels with real life, but the impact it ought to make is just not there. Something is amiss!

KD has handled the love story very well. The tiffs between Emraan and Soha are so identifiable. The ‘Dil Ibaadat’ song in particular completely moves you. But how one wishes the film would’ve focussed more on the characters’ attempts to escape or cope with the disaster or its aftermath.

Pritam’s music is melodious to the core. The cinematography does justice to the beauty of South Africa [romantic portions] and also during the flood sequences. But the usage of stock footage, at places, doesn’t work. The computer graphics could’ve been better and more effective.

Emraan takes giant strides as an actor. He continues to surprise in film after film. Grossly under-rated despite having delivered competent performances in the past, here’s hoping that people wake up to this talented actor after TUM MILE. Like Emraan, Soha too has evolved into a truly fine actor and TUM MILE proves it. The best part is, Soha is extremely natural and that’s what makes her sequences so believable.

Sachin Khedekar is there for just one sequence. Mantra, as Emraan’s friend, is confident.

On the whole, TUM MILE caters to the youth mainly. At the box-office, the Vishesh Films – Emraan Hashmi combo has cultivated a strong fan-base over the years and coupled with good music, which is also very popular, the film should find itself in the comfortable zone. However, the super-strong opposition in 2012 [also highlighting a disaster on celluloid and which has had a wide release in India] might eat into its business at places.

WHY PEOPLE DOWNLOAD SONGS?

The current scenario for the music industry is bad. Almost everyone is interested in downloading songs from the internet rather than buying audio CDs. A person may be having a strong word against piracy of movies but not against that of songs available on the internet. And there are various reasons for these-a pirated print of a movie may be of bad quality but pirated versions of songs are always perfect. In fact, there’s hardly any difference in quality in the downloaded version and CD version of a song. Secondly, one has to shell out 160 bucks to buy an audio CD but songs on the net are available for free of cost! Also, the songs are on the net are available on the very day that it is released in the market. Thus, this kind of piracy is thriving and people of all classes are downloading songs and stuffing them in their PCs or their phones and iPods.

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The reason why I am talking about this is because of Tum Mile, the film which is releasing tomorrow. The wonderful songs of this film were out some 3-4 days before its official release in the market! Websites like songs.pk proudly mentioned on the home page that ‘Tum Mile-Exclusive’! The news spread like wild fire and its songs got the maximum number of downloads. This, of course, infuriated the director (Kunal Deshmukh), the producer (Mahesh Bhatt) and the music director (Pritam) who felt that this would hit the music sales. Mahesh Bhatt, on the other hand, saw a positive side to this tragedy. In his words, “Pirates have declared Tum Mile music a hit. I guess they know more than everyone else. They got to the consumer even before we opened sales. This pretty much speaks volumes about the kind of excitement that the product has generated over the months. The black-waala’s word is always more reliable than that of the critic!

Notwithstanding the anger and positive side to this incident, no one bothered to ask as to how the songs got leaked to the internet in the first place. Some insider was involved, without doubt. Also, why no step is taken to stop piracy of songs? I feel the biggest reason as to why people download songs is because of the price of the audio CD which costs 160 bucks. Ironically, a VCD of a film nowadays is available at as low as Rs. 40! Then why the hell is audio CD priced so much? It’s high time that the prices are reduced to 50 or 60 bucks and I am sure that this will curb illegal downloading by almost 40-50%. Unfortunately, no one wants to do it.

Talking about the film, it stars Emraan Hashmi and Soha Ali Khan and is based on the July 26 Mumbai floods. It is directed by Kunal Deshmukh, whose first film Jannat took a surprisingly huge opening and became one of the big hits of 2008. Tum Mile is also expected to open huge. But like everytime, it will be the content that would decide whether or not the film would sustain in the following days. Anything that comes from Bhatt stable is always interesting so let’s hope Tum Mile rocks!

P.S.: An interesting joke is being circulated on the net since 3 days. Keeping in mind the sudden showers in Mumbai since Tuesday, the SMS reads, “Now the Bhatts have made it rain to promote Tum Mile!
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AWKWHO WILL WATCH AAO WISH KAREIN?

The other release tomorrow is Aao Wish Karein (AWK), which marks Aftab’s debut as a producer. He has also acted in the film along with Aamna Sharif. It seems more like a kiddie film but unfortunately, like most Hindi films, no attempt was made to publicize AWK well. The film is not on the ‘movies to watch’ list on kids and thus, this would be yet another flop of 2009.
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AJAB PREM-4TH BIGGEST OPENER OF ALL TIMES!

Last Friday’s release Ajab Prem Ki Ghazab Kahani has thrown a surprise. No one expected it to open so huge. It is on the no 4 slot of biggest openers of all times after collecting Rs 24.5 crores in 3 days! The first week collections are expected to close at around 41 crores. It may also cross Love Aaj Kal’s first week collect of Rs 42.87 crs which are the highest first week collections of 2009. Kudos to the entire team of this film!

This post first appeared on MouthShut.com: http://www.mouthshut.com/diary/jgdiortto/Fenils-Bollywood-Talk74

By Joginder Tuteja, November 9, 2009 – 12:12 IST

Rajkumar Santoshi After speaking to Raj Kumar Santoshi, one can be rest assured that his zany sense of humour is not restricted to the characters that he brings on screen. He may state amusing things with a dead pan expression but scratch the surface and you would realise that the man has quite a few valid points to make. One such point is around the entire mentality of filmmakers from the current generation who have a ready ‘excuse’ of leaving their brains at home when walking in for a film. In a holds-no-bar two part conversation with Joginder Tuteja, Raj Kumar Santoshi challenges this new way of presenting films before the audiences and wonders if this trend would make him corrupt as well in years to come.

Ajab Prem Ki Ghazab Kahani has opened to a huge response all over. Some smart marketing and pitching worked in it’s favour?
See, we were very clear from the very beginning that this wasn’t an over the top comedy that we were offering. Also, unlike so many filmmakers out there, we were never apologetic in telling audience what our film was all about. We never urged our audiences to leave their brains at home. Why should they? Shouldn’t films allow audiences to use some parts of their brains at least? Why should that be the case? This is why I never wanted my audiences to leave their brains behind. Please bring all your organs with you in the theatre; don’t leave anything behind.

We never urged our audiences to leave their brains at home. Why should they?

But in the trend of some out and out slapstick comedies or action thrillers, makers do make declarations for audiences to leave their brains behind.
This reflects on their confidence level. Maybe they themselves aren’t confident of what they have made. Even slapstick requires some intelligence when it is being made. Have you ever heard Walt Disney stating something like ‘please leave your brains behind’ before the release of their films?

You have been in the industry for a couple of decades now and have seen changing trends. It is nice to see you bouncing back in a big way with Ajab Prem… However, how do you look at the entire filmmaking process and the economics involved today?
Frankly, I am disturbed. Today, people are making films just for 3 days. ‘Bas opening lag jaaye picture ki…’ is the kind of statement which is heard ever so often. They don’t care whether they have made a good or a bad film; all they care for is if the moolah has been recovered in the opening weekend or not. Once they are done with the film, they don’t even care about it after it’s release. They just move on. There is just no sense of ownership any more. Where has the entire passion gone? All passion seems to be reserved now towards giving a stylish look to the film and promoting it to the hilt so that box office numbers come up fast. Quality has taken a back seat and quantity is on the fore front today. By hook or by crook, it’s just the opening that seems to be mattering for most. That’s not filmmaking for sure.

Today, people are making films just for 3 days. ‘Bas opening lag jaaye picture ki…’

But money does talk at the end of the day?
What money are we talking about? Within an opening weekend of the film’s release, we see huge declarations being made. ‘This movie has made 60 crores, 80 crores, 100 crores in 3 days flat’. Kahan se number aaye ye saare? And then this entire figure occupies more than 90% of the film’s poster with the name of the film relegated somewhere at the bottom. Filmmakers feel that at the end of the day, history will remember the number, not the film. If this is the way a film should look, i.e. only a box office number, then I am afraid it is not a healthy trend.

Rajkumar Santoshi Today, your own film Ajab Prem… is expected to project huge numbers too due to it’s massive opening…
I am glad that has happened. I made the film with the right intent and went by my instinct. I wasn’t following a formula here. Everything just fitted in perfectly for Ajab Prem…, right from getting the right producers like TIPS who have done such a fabulous job in marketing films like Race and Kismat Konnection or getting such a fantastic musical score by Pritam or having the best young actors like Ranbir Kapoor and Katrina Kaif on board. I am ecstatic with the film’s success because I now won’t have to follow the trend of other filmmakers; I would be able to conceive a film and make it the way I want to without compromising on my core ethics.

So dabbling in varied genres would continue for Raj Kumar Santoshi?
Definitely. I have always told stories that I have felt like telling at any point of time without worrying about trends. Ghayal and Damini were action and drama flicks at the very beginning of my career. Andaz Apna Apna which is so much considered to be a cult classic decade and a half down the line, was a comedy where I shifted gears. Ghatak was an emotional action film. Pukar was an espionage thriller. Khakee had a lot of drama to it. Lajja was about women power. Halla Bol was revolutionary. Today, Ajab Prem… is a comedy. Tomorrow, I may make an entirely different film. That’s the way I have been.

Come back tomorrow for Part 2 of the conversation where Raj Kumar Santoshi reacts on digs taken on him by other filmmakers, delay in completion of his films, failure of Family and Halla Bol and how he is quite sure that Ranbir and Katrina are sure shot superstars just round the corner.

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