Fenil and Bollywood

Posts Tagged ‘Producer

By Taran Adarsh, January 5, 2010 – 08:28 IST

Shahid Kapoor, Deepika Padukone Leading choreographer Ahmed Khan hasn’t directed a film for a while now. His last [directorial] venture FOOL & FINAL opened a few years ago and his next venture, PAATHSHAALA, produced by his company, opens worldwide on 9th April. Ahmed is now gearing up to start his new venture, which, according to sources, will star Ahmed’s buddy Shahid Kapoor and Deepika Padukone in lead roles.

Ahmed expressed complete surprise when this writer called to verify the news. “Sure, I am working on a script and it will star Shahid, but I haven’t thought of anyone yet. I would like to cast Katrina and Deepika both, but the script has to take shape first,” Ahmed clarifies.

He continues, “The script seems exciting now, but may not excite me after a point. So only when I am through with the final script, will I take a call on the casting.” Point noted!

BOLLYWOOD HUNGAMA.COM

‘3 Idiots’ director Rajkumar Hirani accuses novelist Chetan Bhagat of slander

By TNN (January 04, 2010)

A still from 3 Idiots

Director Rajkumar Hirani is flabbergasted by author Chetan Bhagat’s allegation that 3 Idiots was majorly copied from his bestseller Five Point Someone without giving him due credit. Terming it a “clear case of defamation”, Hirani says they may take legal action against Bhagat for flouting their contract.

“It’s a clear case of defamation because contractually what he (Bhagat) was bound, he was given. Now why is he slandering us? We are consulting our lawyers. But that’s a call Mr. Vinod Chopra has to take. He is the producer of the film,” Hirani told IANS.

“I am sure it’s defamation because lots of people I know are wondering about the issue (due to Bhagat’s allegation) In lots of Twitter and Facebook sites we have been abused saying, ‘we won’t watch Hirani’s film or Abhijat’s film’. This kind of muck is flying all over the place. I think Vinod Chopra is looking into it, I guess he will follow the legal path,” he added.

Hirani clarified that once Bhagat had given the rights to make a film on his book, there shouldn’t be any “percentage issue”.

Hirani maintained that the basic plot of the film is completely different from the book.

“In the book, there is no bet between the two friends, the journey to find their friend is not there, the child delivery scene, the ‘Balatkar’ scene, the two weddings where they crashed these key scenes are not in the book. There are certain similarities, which I am not denying, but we had bought the rights for that.

“We can use 100 per cent of it. What does he (Bhagat) mean by 70 per cent? Are we supposed to pay more money for using 70 per cent? Are we supposed to give different credit for 70 percent? I do not understand this percentage controversy,” said Hirani.

Baghat has reportedly posted a blog saying he should have got a prominent place in the rolling credits. He also said that he was not shown the final script.

Reacting to his allegations, Hirani said: “We have officially bought the rights for the film. We drew a contract with him and it clearly mentions about the position of his credit. With open eyes he had seen the contract, consulted his lawyer and signed the agreement.

“In the contract, we have said that the title would be given in the rolling credits. We haven’t changed the font size. We haven’t increased the speed of the title. It’s exactly there where it was agreed to be,” said Hirani.

The director, who has a hattrick of hits – Aamir Khan starrer 3 Idiots, Munnabhai M.B.B.S. and Lage Raho Munna Bhai, says after signing the contract with Bhagat, they were not obliged to show the script to the author.

“I was not obligated to narrate the script to him. I have bought the script from him and I am supposed to use it the way I want to use it. I had changed the script drastically, so out of good gesture I wanted him to know it has changed so much and if he feels he doesn’t want to be associated with the film, he can tell me.

“He heard the script for four hours and readily agreed to stay associated, saying ‘I want to stay associated with the film, it’s a fine script’ which he has said in your (IANS) interview too. He signed a Non-Disclosure Agreement. Now he writes in his blog ‘I wanted to see the final script and it was not shown to me’. It is a blatant lie, he is telling,” Hirani added.

Asked if Bhagat could have a vested interest in kicking up the controversy, he said: “I guess there is a motivation to create the controversy so that people read the book and see the film.”

Hirani says that they never relied on controversies to publicise their creative work.

“Our film is doing exceedingly well. It’s beyond my dignity to create a controversy for a film. We have never sold our soul for our cinema. I’m not stooping to that level to sell my cinema or make extra money.

“When you talk of that percentage thing, it creates a curiosity to read that book and judge the film.”

Would he again adapt Bhagat’s book?

“This came as a shock to me that suddenly he is trying to hog the limelight; suddenly he is trying to take away the credit from the screenwriters who slogged for three years to modify the script. He doesn’t understand the difference between book writing and writing for a film. If he continues doing these things, I would rather not associate with him.”

Currently Hirani is working on two scripts with Abhijat Joshi. One among them is Munna Bhai Chale America, while the other one is a completely different plot. He will start shooting either of them by the end of 2010.

After closing the year with films such as PAA and 3 IDIOTS, the year 2010 sure looks bigger and brighter for Reliance BIG Pictures with a mixed bag of films ranging from mainstream and masala to regional and art house.

With maverick directors such as Shyam Benegal, Mani Ratnam, Anurag Basu, Shaji N Karun, Rituparno Ghosh and Buddhadeb Dasgupta bringing the best out of Hrithik Roshan, Barbara Mori, Abhishek Bachchan, Aishwarya Rai Bachchan, Mamootty, Boman Irani, Jishu Sengupta, Indraneil Sengupta, Kangana Ranaut amongst many others the Reliance BIG Pictures slate is sure to watch out for!

Have a sneak peek into Reliance BIG Pictures’ slate of films for the year 2010:

view KITES movie stills
KITES

KITES:

A truly international film KITES tells the story of a young con-man who lives ‘life’ in Las Vegas, always ready to make fast money in any way possible, always looking for the big score. Directed by Anurag Basu and produced by Rakesh Roshan the film stars Hrithik Roshan, Barbara Mori, Kangana Ranaut and Kabir Bedi. It is shot in Mumbai, New Mexico, Las Vegas, and Los Angeles. The film will have and Indian and international version which will release simultaneously. Brett Ratner, best known for the RUSH HOUR series, FAMILY MAN starring Nicholas Cage and X-MEN THE LAST STAND is currently at work on the English version of KITES and tailoring it to appeal it to an international audience.

view WELL DONE ABBA movie stills
WELL DONE ABBA

WELL DONE ABBA:

WELL DONE ABBA is the story of Armaan Ali, a driver working in Mumbai. He takes leave for a month to find a husband for his teenage daughter, who lives in a small locality close to Hyderabad. Armaan Ali returns to work only after 3 months. His young employer wants to sack him but is persuaded to listen to the reason why Armaan got so delayed.

Directed by Shyam Benegal stars Boman Irani, Minissha Lamba, Sammir Dattani, Ila Arun, Sonali Kulkarni, Ravi Kishen, Rajit Kapur, Ravi Jhankal and Yashpal Sharma.

RAAVAN:

Abhishek Bachchan and Aishwarya Rai Bachchan come on screen together in Mani Ratnam’s RAAVAN – a modern day adaption of the epic Ramayan, being readied in Hindi, Tamil and Telugu.

MIRCH:

Directed by Vinay Shukla MIRCH revolves around the protagonist Maanav, a committed struggling filmmaker whose girlfriend Ruchi, a successful film editor, arranges for him to meet film producer Nitin, who is not very convinced about Maanav’s script. Maanav then suggests four stories on infidelity, woven together by a common story.

The film stars Konkana Sen Sharma, Raima Sen, Shahana Goswami, Shreyas Talpade, Rajpal Yadav, Boman Irani, Sushant Singh, Arunoday Singh and Prem Chopra with special appearances by Saurabh Shukla & Tisca Chopra.

view CHALOO MOVIE movie stills
CHALOO MOVIE

CHALOO MOVIE:

The police raid a theatre where movie tickets of a very successful film are being sold in black. When Police Inspector Sher Khan interrogates Khoji, a man in his 20s, he claims that he is the director of the very film whose tickets he is selling in black. The cynical Sher Khan puts Khoji behind bars after which he receives two phone calls – one from the Police Commissioner and another from the dreaded don ‘WC’, both of whom support Khoji’s detention. A hilarious turn of events reveal who Khoji is, whether he is really the film’s director, why is he selling his film’s tickets in black and what do the Police Commissioner and don ‘WC’ want from Khoji.

Starring Rajpal Yadav, Shekhar Suman, Divya Dutta, Hrishta Bhatt and Sayali Bhagat, CHALOO MOVIE is directed by Vinod Pande.

Reliance BIG Pictures, the most committed motion picture company producing regional films in 8 Indian languages is working persistently towards taking them beyond the conventional Diaspora

The slate of films includes:

KUTTY SRANK: Shaji Karun’s Malayalam film KUTTY SRANK starring Mamooty, Kamilini Mukherjee, Padmapriya and Meenakumari brings out three distinct personalities of a dead boat-man from the perspective of three women each of whom claims to be his wife.

ABOHOMAAN
ABOHOMAAN

ABOHOMAAN: Rituparno Ghosh’s Bengali film ABOHOMAAN starring Dipankar De, Mamata Shankar, Ananya Chatterjee, Jishu Sengupta and Ria Sen brings to the screen a sensational relationship between a film-director, a young actress and a wife who swears to ruin her husband’s life and career and a son who gets caught in the cross-fire in this extravagant drama.

JANALA: Buddhabed Dasgupta’s Bengali film JANALA starring Tapas Paul, Swastika Mukherjee and Indraneil Sengupta is the journey of a solitary man against the wrath of circumstances when he decides to pursue his little impulsive dream.

IJJODU: by the maestro M S Sathyu is a film about a photo journalist who finds an interesting girl who has been exploited on the name of religion. He succeeds in breaking her blind belief but fails to accept her to give her an alternative life. This Kannada flick stars Meera Jasmine and Anirudh.

GLAMSHAM.COM

By Taran Adarsh, December 29, 2009 – 08:11 IST

Raaja Mukherjee, who has been associated with a lot of television serials as a producer, is now working on his first home production – LIFE ISE GALE LAGA LE. It is written and directed by Yogesh Pagare. Shooting is scheduled to start in January 2010 and the film is expected to be wrapped up in 45 days.

Asked if Rani will also star or will have any role to play in or around the movie, Raaja replied, “Rani’s good wishes and support is always there for her family and in all their ventures.”

Starring Adhyayan Suman, Divya Dutta, Sushant Singh, Aushima Sawhney, Rishi, Rahul Dev, introducing Vaibhavi Upadhyay, Puneet Vashist, Anita Hassanandani and Himani Shivpuri, LIFE ISE GALE LAGA LE is a reverse journey from death to life. The tracks are composed by music director Lalit Pandit.

BOLLYWOOD HUNGAMA.COM

By Devansh Patel, December 10, 2009 – 08:21 IST

Abhishek Bachchan Indian cinema’s finest premiere comes to an end. People all over the world are doing the monkey dance. Such is the hysteria. Facebook status of various friends read that all those who’ve watched Paa proclaim it to be one of the biggest hits of it’s time. It’s strange, but it’s true, a newly wed couple decided to watch Paa and postponed their honeymoon for a day. Is Paa becoming a revolution in itself? UK’s Harrow Observer columnist and Bollywood Hungama’s London correspondent Devansh Patel asked a few rapid fires to the Paa himself, Abhishek Bachchan, on the feedback he’s been receiving or has received so far. “The kind of reactions that I have been getting be it on facebook or twitter or via SMS or via email has been overwhelming. Overwhelming because I still haven’t managed to answer all of them, there have been so many of them! And without trying to sound very pompous I think 99% of it is all very very positive. The response has been fantastic, I don’t think I have ever received response to any of my films like the way we have received for Paa“, answers Bachchan junior. We recall the day when Big B was all tears after watching Abhishek perform in Guru and so we asked the multi-talented Abhishek, “Did that happen to you while you were watching Amitabh Bachchan as Auro?” Surprisingly, he replied, “Yes”, and after a long pause, said, “No too, because every time I got sucked into the film and tried to react to it emotionally, the producer in me would wake up and try and find ways that I could have done certain things better. So for me, it was like balancing – being an actor and a producer, and a lot of times the producer in me would not allow me to be the actor whole heartedly. So although I do think its Pa’s best performance till date, I still feel that as a producer I could have performed a lot better.”

For the two days after the film was released, all the social networking sites were flooded with comments, suggestions and some interesting and thought provoking reasons to go and watch Paa. One such interesting suggestion read – Don’t you feel that a film like Paa should be doing the rounds of the international film festivals and should be screened especially for the BAFTA members? To which Abhishek comments, “I think that’s being a bit presumptuous, I am more than happy that our Indian audience and the Indian diaspora is watching the film – I think film festivals and BAFTA and all are although very prestigious, are things that the international jury will decide. If that is the fate of the film, I am happy. What I am most excited about is that our audience is currently enjoying the film.” Getting Abhishek Bachchan over the phone these days is like making a call to the White House. AB is a busy man and an even busier producer. All the running around has boiled down to many one liners – Paa is a hit! Paa is a super success and Paa is inspirational. One last question to the busy man, “How content is the producer today?” we ask. The answer was filled with content. Abhishek replies, “I am very content, it’s been just a few days since the release and my film is already in overflow which means it has covered its costs, I am in profits. So as a producer, economically speaking, I am very happy!”

BOLLYWOOD HUNGAMA.COM

Himesh Reshammiya and Radio producer Ravi Agarwal have been buying tickets in bulk just to show that their film is making money

By Sonal Chawla (MUMBAI MIRROR; December 08, 2009)


Is Himesh Reshammiya his own biggest fan? Buzz is that he is himself buying tickets of his recently released Radio. Though hundreds of tickets have been sold (or bought) there are just a handful of viewers in the cinema halls. Fact is that Radio, which released on December 3, Thursday, is faring abysmally at the box-office.

Manoj Desai of G7 multiplex said, “Someone comes to my theatre and does block booking. Har ek show mein block booking hota hai toh management ko tajjub hota hai aur accha bhi lagta hai ki jaa rahi hai tickets.”

However Himesh emphatically denies the allegation. “It’s a false allegation just to prove that some tickets are being bought by the production house or my people. The tickets can be bought directly from the manager if the production guys want them. Anyway, what difference will a few tickets make in the overall impact of the collection. It’s baseless, that all I can say. The producer has recovered his cost even before the film’s release and it is a target-audience film, where my performance has been appreciated. There is no need to prove any theatre collections to make it a hit. There is no reason to do so by anyone.”

A famous suburban multiplex’s manager revealed, “Radio is a very bakwaas film and if such radio jockeys are born, then all our FM stations will shut down.”

When quizzed about the production house of Radio buying tickets in bulk, the manager said, “They are buying hundreds of tickets every day just to show that the film is doing well but actually, the theatre is empty. About 20 odd tickets are bought by the public and Himesh buys about hundred tickets. For every show, he buys tickets saying he wants to show the film to his relatives and friends. One day Himesh’s men come, the other day someone from the producer’s end comes to buy tickets while on the third day somebody from the actress’s side buys tickets in bulk. No one really comes to watch the film. The theatre is empty as no one (associated with those who are part of the film) comes to see it even for free. They are barely 20-25 people in the theatre.”

When asked how he knows that the ticket buyers are sent by Himesh, the manager replied, “Unke chamchon ke zabaan pe lagaam nahin hai. Even my booking guys are very smart, they ask for letters if one does bulk booking. That’s when they end up saying that the tickets are being bought for Himesh’s relatives and friends.”

When asked why his staff asks for letters, he said, “We normally don’t do bulk bookings. Samjho 100 aatankwadi aagaye toh the end ho gaya na?”

When we called producer Ravi Agarwal to know the collections of Radio, he said, “The collection is superb. Mumbai has got a good collection almost 75-80 per cent. People thought Himesh was a single theatre hero but he is doing very well in multiplexes too.”

When asked if he has done corporate bookings or bought bulk tickets, Agarwal said, “I have notdone any bookings. We had to give tickets to our media partners.” Are tickets being bought by people from his production house? “I am not that big a producer to make a film and also only buy its tickets. These are rumours,” he said.

When we spoke to another multiplex manager to know the collection of Radio, he said, “Friday saw 54 per cent and Saturday 47 per cent.”

Are the theatres empty, despite tickets being bought in bulk? “People are coming but the number of people coming in is not equal to the number of tickets being sold. Sometimes it happens that the people distribute the tickets but often people don’t turn up. We can’t predict that.”

“We manage to get the collections and whatever tickets are sold out, irrespective of people turning up or not, he is paying us cash and we are earning money. We don’t exactly ask who comes to buy tickets.”

Yusuf M Sheikh, the Mumbai distributor, said, “It is a very decent film and has picked up really well over the weekend. Friday morning was a little slow because there was a Thursday night paid preview. It tends to happen that when one watches a movie on a Thursday night, Fridays are slow. I am not saying it has done an excellent job but has picked up very well on Saturday, Sunday and has got a nice collection.”

When quizzed about theatre being empty and bulk bookings being done by the production house, Sheikh said, “Are you mad? I don’t know who is telling you these stories? What makes you think so? This is not the case at all. Tell me which corporates have bought these tickets. I’ll give them my next film also. If that were the case then Radio would have major collections everywhere. I have visited each and every theatre and this was not the case anywhere.”

S Balakrishnan | TNN (THE TIMES OF INDIA; December 8, 2009)

Mumbai: Film producer Ravi Kapoor has received a threat from gangster Ravi Pujari for ‘allegedly’ showing his wife in an objectionable manner in his forthcoming film.


Kapoor has produced a film—World Cupp 2011—which seeks to expose cricket matchfixing and the role of the underworld. One of the scenes shows Pujari’s wife consuming liquor and laying bets on a match. Kapoor said he received a call from the elusive Pujari who abused and threatened him. He wanted all references to his wife to be deleted from the movie, failing which he threatened to eliminate Kapoor.


“My maiden movie is based on real-life incidents and it is shocking that the underworld is now censoring Hindi movies,’’ Kapoor said on Monday. “Luckily, I recorded the telephone conversation so I have proof of the threat. I have complained to the crime branch,’’ he added. Pujari is based in an undisclosed foreign location from where he is conducting his operations, said sources. He was earlier with Chhota Rajan, but is on his own now. He has, in the past, targeted director Mahesh Bhatt and noted criminal lawyer Majid Memon.


The film uses the original names of gangsters like Dawood Ibrahim, Chhota Rajan, Ravi Pujari, Chhota Shakeel et al. It also deals with Pujari’s attempt on the life of Bhatt.


“I will reveal the real reason for Ravi Pujari’s boys opening fire on Bhatt. I will also show why Chhota Rajan had attacked drug dealer Amjad Quereshi. I have openly taken the names of underworld figures who are implicated in match-fixing rackets because I want people to know the truth about cricket’’ Kapoor said. Kapoor said he has directed the film himself “as no other director was ready to take up this assignment.’’ He has also referred to big bookies like Shobhan Mehta, Laxmi Thane et al by their original names in the film, which is due for release on December 18.

Television actress Narayani Shastri is dating producer Rahul Agarwal

 

By Vickey Lalwani (MUMBAI MIRROR; December 01, 2009)

 

A lot is brewing between actress Narayani Shastri and the producer of Red Alert, Rahul Agarwal. Although Narayani isn’t part of Rahul’s film, he invited her to attend the premiere of the film with its cast and crew at the International Film Festival of India (IFFI) in Goa, last week.

Unit hands of Red Alert felt that Narayani was given extra special treatment in Goa. An insider from the unit said, “Narayani stayed in the same hotel with the entire cast of Red Alert. Rahul took very good care of her.”

Another source said, “Narayani spent quantity as well as quality time with Rahul in Goa. She took a lot of interest in the film. She was constantly with Rahul during the film’s premiere and he couldn’t stop blushing whenever they were together. Rahul is so fond of her now that he has cast her in his next film Na Ghar Ke Na Ghat Ke. Rahul will direct and also act in his next film while Narayani has bagged the lead role.”

Rahul simply laughed off the rumours and said, “We were just colleagues and then, we became very good friends. Narayani and I do hang out together. Frankly, there is nothing wrong in caring

Rahul Agarwal

about someone, is there? Narayani has amazing screen presence. I wonder why no filmmaker has discovered this yet. In Goa, I also discovered that she is quite popular. So what if she was in Goa with the team of Red Alert? She came to support me, what’s wrong in that?”

On the other hand, Narayani said, “Rahul is a superb guy and we share a great rapport but I am not dating him.”

Aamir Khan may be the most powerful man in Bollywood today giving successive hits as actor, producer and director but his eyes still gleam with unexpected animation as he sits down to do an interview. Here he is, candid and uncut

By Indu Mirani (MUMBAI MIRROR; November 20, 2009)


• In 3 Idiots you play a guy from 20 to 24 years, while you are actually 44. How old are you in your head?

I still imagine myself to be 18 or 22. The other day I was at the birthday of someone who I had always thought of as older than me in my head, an uncle type person. I asked him, how old he was that day and he said 30 and I got a shock because suddenly I realised that I was 14 years older than him. I am, of course, 44, which is middle-aged, but somewhere in my head I am lost in the 18-20 age group.

 

• Did that help you play this character?

No. But given that it is necessary to get into the head of a character when you are jumping age lines, it gets more challenging. Jumping age lines, jumping accents, or jumping sexes like my playing a woman is always tough. I had actually told Raju to take someone younger but he insisted he could see me in the role. He said, “In real life, you are so close to Rancho, (the character that I am playing) I feel if you are saying what Rancho is saying people will believe it. What Rancho says is the philosophy of the film and I need someone who people will believe in.”

• You exude a lot of confidence on screen. Are you really a very confident person inside?

I think I am average, in the sense that most people are confident to a certain degree, people go through self doubt. I too go through self doubt. I am given to thinking, “Am I doing the right thing?” I only do things that I enjoy, that’s my first rule. I must be happy in what I am doing. If I am not happy doing an ad, I won’t do it. I don’t do it for commercial reasons. Yes of course I am earning money while I am doing it, but that’s not the core reason for doing it. This ultimately shows in my work, otherwise I am as confident or diffident as the next man. I also need reassurance like everyone else. I also need people to say “I liked your film”.

• When you were directing yourself in Taare Zameen Par was there anything about you as an actor that disturbed you as a director?

I have to say no. The actor and director in me saw eye to eye. Yes, when I see the film today, there are moments where I feel the scene could have been pitched differently. But that is in retrospect. That’s the corrective process in me when I am watching any of my work.

• In hindsight which of your successful films needed the most correction?






One of them would be Fanaa, the other would be Ishq, both highly successful films. In the first half of Fanaa, the character was pitched too filmy. I would have pitched him slightly different. In fact, Kunal (Kohli) and I had a long discussion about it. I would have made the character more real and more layered because as human beings we don’t have a singular emotion. When I am playing a character my attempt is that it should not be single dimensional, it should be layered. Ishq again had a lot of broad strokes and it’s also a very successful film.

• As a director do you have an actor wish list?

I am not sure whether I am thinking as a director right now. I think at heart I am still an actor. Of course now that I have taken the first step and directed one film, I am more open to listening to stories. Actually I have a very strange answer. While I am not in the mood of a director just now the opposite is also true. I think like a filmmaker. Coming back to your question, my wish list would really depend upon what the script is. So my casting would really be based on who can best play a certain part and who will suit the role. Each and every person connected to the film should feel that he is in love with it.

• Does success isolate you?

Success can be extremely isolating. And often, for multiple reasons. When you are successful, a celebrity, especially an actor, your stardom is like a magnet. It’s like the sun. (In fact, I wonder who coined this term ‘star’. Because every star is actually a sun). Because you are a star, every one is attracted to you for different reasons, some valid, some invalid. Some honourable, some not so honourable. But, as a human being our bandwidth is limited. So often what happens is that we need to shut off. It is humanly impossible to deal with so many things.

Have you noticed that stars, never make eye-contact when they are out in public. The moment you make eye-contact, you have to engage. And it’s not that we don’t like engaging. I love engaging with people. But I get tired. How many people can I engage with? That’s the nature of the beast. That’s the nature of my profession.

You have been reportedly meeting people you met on social networking sites. Does engaging with them help you perform in some way?

Now people know that it’s me on the blog, but there was a time when they didn’t. The idea behind it was to interact with strangers. Because the minute a person knows who I am, he reacts to me in a particular way. He may or may not share certain ideas with me. Or the attitude of sharing will change. The fiber of the communication will change. But if the person doesn’t know who I am, which the Internet allows, then he’s freer. That was the kind of interaction I valued a lot. There were a few people who I found to be particularly engaging. Or unusual. And those were the few people to whom I revealed who I am.

If I felt that I had a certain rapport with someone, then I no longer felt comfortable hiding, or lying about who I am. If I have reached a level of engagement of this kind, I need to tell the person who I am. So then it happened that I took three-four people into confidence.

• Since you have just completed 3 Idiots with Raju Hirani, the director of the Munnabhai series, tell me an instant recall of a Munnabhai moment?

I would say jaadu ki jhappi. That’s my big recall moment from Munnabhai. Both, Munnabhai MBBS and Lage Raho Munnabhai are my favourite films in the last five-seven odd years. They are great wholesome entertainment, which connect with you on a human level. Really connect with you on a human level.

Going back to one of your earlier questions, one of the key reasons for me doing this film, despite the fact that I am double the age of the character is Raju. I was so keen to work with Raju and I could see that Raju was excited about casting me in the film. Iske saath mereko film karne hain yaar. Agar isko lagta hain main bees saal ka ho jaata hoon toh main ho jaata hoon. Kyunki ye itna kamaal ka director hai, iske saath mereko kaam karna hain yaar.

Over the years all my professional decisions have been absurd. Its absolutely right for someone to tell me – ke tu 42 ka hain aur tu 22 ka character play kar raha hain. It may be an idiotic decision but all my decisions are idiotic. 3 idiots ka idiotic decision.

When I told anyone that I was making a film on dyslexia, they said I was mad.

When I signed Rang De Basanti, usse pehle Bhagat Singh aur Azad Singh par char filmey aa chuki thi. It was a crazy decision. My sister called me up in the evening and asked, “What are you doing?” I told her I signed a film, it’s the fifth remake of Bhagat Singh.She started laughing. She said abhi flop hui hain chauthi, aur tum paanchvi karoge. It was a bizarre decision.

Lagaan is another example. Today it is known as successful film but at that time it was a disastrous decision. None of my decisions have been practical.

How easy or difficult it is to forgive past mistakes?

Earlier, I was much more unforgiving as a person; not only towards others but also towards myself. I was extremely unforgiving of my own mistakes. In the past four or five years, I have undergone a change as a human being. I have become more forgiving of myself and others. I see it as a very positive change in myself. One of the powerful things in the world is the power of forgiveness. Its what Jesus Christ and other great philosophers have said.

Also, forgiveness comes with the genuineness of the person’s intentions. If someone has done something to hurt me and then comes and says, “Sorry Aamir”, but does not feel it, then forgiveness does not come into the picture. But if a person genuinely feels ki usse galti hui hai, then you should forgive him. It’s the same for yourself, if you realise that you’ve done some wrong, you should forgive yourself. It’s one of the most healing things.

Today we have become very unforgiving people. It may be an ethnic problem, or a community’s problem or a country’s, or in your relationships, with your wife, children, parents, we get very very unforgiving and we hold that against them. We wear it as a badge which says ‘main tujhe kabhi maaf nahi karoonga’.

I used to be like this.

Like two peas in a pod

Sometime ago we had asked Imran Khan to rate himself and Aamir on a scale of 1 to 10, according to a few parameters…

Aamir rates Imran according to the same parameters…

 

Good looks

Aamir – I won’t rate myself as I don’t like it. Imran is exceedingly good looking. I’d give him a 9.
Imran – I would put us both at a 7 at this point just because of how young and great he is looking

Patience

Aamir on Imran-
8 or 9
Imran – Aamir is a 10 and I am 9.5. We are both tremendously patient people. Again because I’m younger, I’m that 0.5 percent less patient but I am the supremely patient being that you’ll meet

Quest for perfection

Aamir on Imran- He is extremely committed so 8
Imran – Aamir is a 10, I’m probably an 8

Spontaneity

Aamir on Imran- 8
Imran – Aamir is 6, I’m a 7

Acting talent

Aamir on Imran – 6. He is good but he has a long way to go.
Imran – I put myself at a 6, I put him at a 10. I so honestly think he is the best actor in the country today

Communication skills

Aamir on Imran – 4
Imran – Mine aren’t too good. I’m not good at all, so 5 for me and him I don’t know, maybe a 7. Yeah he is better than me.

Charm

Aamir on Imran – 8
Imran – I am more charming than he is definitely; he is not a charming person. He is 5. I’m an 8.

Tendency to lose temper

Aamir – We lose our temper, but we can handle it. We don’t react. So, I would give him a 2.
Imran – One and one

Fidelity to spouse or girlfriend

Aamir – He is scoring a 100 on that one right now. So 10.
Imran – That’s a 10 for both. We are both very staid, solid guys.

3 Idiots

Katrina Kaif turns producer with the French love story À la folie… pas du tout (He loves me… he loves me not)

By Sonal Chawla (MUMBAI MIRROR; November 17, 2009)


Katrina Kaif

Katrina Kaif had earlier announced her plans to be a producer with a French film. The buzz is that she is remaking the French film, À la folie… pas du tout (He loves me… he loves me not).

Kaif will play the role of the protagonist played by Audrey Tautou in the French film.

A source close to Katrina says, “Katrina fell in love with the film after she saw it. In fact, she wanted to make the film the very moment she saw it. The actress has already spoken to the concerned people and will acquire the rights of the film soon. French actress Audrey Tautou has won a lot of accolades for this film.”

Katrina is keen to have Vipul Shah as the director. “The film is filled with emotions and Katrina strongly believes that Vipul will be able to translate it onto the big screen. The film is a love story about a young artist who sees the world through rose-tinted glasses, especially when it comes to her love. The cast of the film is yet to fall in place. The film will go on the floors next year,” adds the source.

Although Katrina denied the story, a source close to her insists that the news is true.

About À la folie… pas du tout

He Loves Me He Loves Me Not

The film is about main protagonist, Angélique’s love life with a married doctor. She is a successful art student who has won a scholarship while the doctor’s wife is expecting their first child. The film captures the tumultuous relationship between Angélique and her lover, wherein Angélique tries to commit suicide, tries to kill her lover and ends up in a mental asylum. The epilogue of the film is set five years later, when she is released from the mental asylum.