Fenil and Bollywood

Posts Tagged ‘production house

Delhi-6 to rerelease a year later with a new tragic ending. The new version will have Abhishek Bachchan’s character dying

By Subhash K Jha (MUMBAI MIRROR; December 30, 2009)


A year after the release of the ill-received Delhi-6, director Rakeysh Omprakash Mehra is set to release the film with a new tragic ending.

The film was originally planned with Abhishek Bachchan’s character’s death at the end. Mehra, apparently with considerable pressure from his producer, UTV, decided to alter the ending to a happy one. Incidentally, Abhishek had strongly advised his director-friend against the ending.

Delhi 6

A member of the cast says, “Abhishek and Rakeysh had many arguments on the subject. The producers felt that audiences will react adversely to Abhishek’s character dying. Although Rakeysh was unhappy with it, he shot the alternate ending.”

Now a year later, the character Roshan will die in a new version of the film to be released very shortly. Confirming these developments, Rakeysh says, “I made a mistake. I should have gone with my original script with the tragic ending. Going by the reactions I got after I showed the newly edited film at the Venice Film Festival in September, I am sure this is the right version of Delhi-6.”

The new version will coincide with Rakeysh embarking on his next directorial project, apparently the historical Mirza Sahibaan, which the director is now in the process of casting.

Rakeysh Mehra

Rakeysh is also set to begin a professional story bank within his production house. The director says, “While there is an acute shortage of writers in our cinema, new writers seem to have no access to the mainstream banners. We want to give these writers a chance to bring their talents to our company.”

Rakeysh will also be introducing new directorial talent. “I am surprised at the number of new talented writer-directors who are coming to us with wonderful innovative ideas. I want to make these talented filmmakers a part of my team. I can’t make all the films that I want to. These directors can make some of them.”

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Akshay Kumar waives off his entire fee for Khatta Meetha and Tees Maar Khan. What effect will the actor’s decision have on the bloated market price of other stars?

By Meena Iyer (MUMBAI MIRROR; December 30, 2009)


It could be atonement for his past deeds, or should it read, atonement for his past fees. Trade circles say that Bollywood superstar Akshay Kumar who attained notoriety as the actor who was reportedly signed for as high a fee as Rs 71 crore for a film, has had a change of mind.

Reliable market sources say that the entire completion cost of Akshay’s next two films -Khatta Meetha directed by Priyadarshan and Tees Maar Khan directed by Farah Khan will reportedly not exceed Rs 35 crore.

So how did this miracle happen?

According to one trade source, “The cost of making Khatta Meetha and Tees Maar Khan will not include the actor’s fee.”

The same source adds that when Akshay realised that his films Chandni Chowk to China, Kambakkht Ishq and Tasveer lost money because of his individual fee as an actor, he decided to make a market correction.

Having studied the current Bollywood trade scene, the actor in concurrence with his filmmakers has decided not to charge a single penny for his films.

However, Akki’s banner Hari Om Productions is a co-producer on Khatta Meetha and Tees Maar Khan.

The actor explains the logic behind this drastic move of not charging his market fee, saying, “My fee for both films will be zero. If both films are hits, then my production house will stand to benefit by getting a part of the profits. If the film is average, the profit margin will automatically be reduced. However, it’s important to note here that even if the film flops, no one will lose money because the budget has been controlled. By not charging my personal remuneration as an actor, I’m making sure that these films will at least romp home with no losses.”

Trade sources say that the Akshay module is being closely watched by all actors who have home productions.

Some crew members of the much delayed Agent Vinod have opted out of the project for fear of being jobless after signing a contract with the production house

By Sonal Chawla (MUMBAI MIRROR; December 19, 2009)


Saif Ali Khan and Dinesh Vijan’s Agent Vinod, which finally seemed poised to take off, has been delayed again. Due to this, some crew members got fed up of waiting for the film to go on the floors and hence opted out of it to work in other viable projects.

The film was supposed to go on the floors in July, but Saif could not find time for Agent Vinod as he was busy with the promotions of Love Aaj Kal. Later, both Kareena and Saif got busy with Kurbaan and the film got postponed. Then Kareena’s dates were given away to the Bollywood version of Stepmom, so the film got delayed even further to January. Now, it is finally reported that the film will begin in the second half of the next year.

A source from the unit, who has backed out of the film, says, “We have been roped in for this project for over six months. We were first informed that the movie will go on the floors in December, which was then pushed to January. Finally, the other day, we got a call from the production house saying that the film might go on the floors by April and we need to sign the contract papers.”

It was the commitment to the project, which seemed on a shaky path that made them back out of it. The source adds, “How can we sign the contract papers? Once we sign the contract, we can’t work anywhere else. So, we will be jobless till this movie goes on the floors. Given this inconvenience, many of us have backed out of the film. We are not signing the contract as we don’t want to be bound with the production house for so many months. If we do sign the contract we will be twiddling our thumbs and not earning money. Some of us have moved on since there is no guarantee of when exactly the film will take off. Meanwhile, we are taking up some other projects,” adds the source.

Producer Dinesh Vijan remained unavailable for comment. Guess Agent Vinod and he were having a fictitious tete-a-tete.

The Pyaar Impossible promos will focus on Priyanka Chopra’s campus bomb avatar rather than Uday Chopra’s nerdy act, after the box-office failure of Rocket Singh…

By Subhash K Jha (MUMBAI MIRROR; December 18, 2009)


The failure of Rocket Singh – Salesman of the Year is making producers YRF rethink the strategy of their next release, Pyaar Impossible. With Ranbir Kapoor’s nerd act in Rocket Singh… not going down well with the audience, there is a huge question mark regarding the success of Pyaar Impossible.

The film has Yash Raj scion Uday Chopra playing the consummate geek who adores the campus beauty, Priyanka Chopra from far.

With the release just a few weeks away (January 8), there’s an air of panic at the production house. One of their regular actors says, “Pyaar Impossible was designed as a vehicle for Uday. However, with nerdy heroes not doing well, everyone feels that the timid act needs to be toned down, but now it’s too late.”

Yash Raj, who had earlier thought of weaving the promos around Uday’s nerd act, has decided that it is safer to play up Priyanka’s sexy avatar instead. They are now deflecting the marketing attention from his nerd act to focus on Priyanka’s campus bomb act. Even then there’s a problem because What’s Your Raashee? proved Priyanka can’t carry a film on her shoulders.”

Pyaar Impossible

Incidentally, last year, Yash Raj’s Rab Ne Bana Di Jodi, where Shah Rukh Khan played a nerd was a huge box-office success. Aditya Chopra was so inspired by the film’s success that the brief he gave at Yash Raj for 2009 was to go full-throttle with the saga of the underdog.

A source adds, “Pyaar Impossible is a litmus test for YRF. It was designed as a comeback vehicle for Uday. But then Rani Mukerji’s nerdy act in men’s clothes in Dil Bole Hadippa bombed. However, it was the box-office outcome of Rocket Singh where Ranbir plays the nerd with relish that has stunned YRF the most.”

When questioned about the non-viability of the underdog, Pyaar Impossible director Jugal Hansraj says that he is sure that the failure of nerdy heroes in 2009 will not adversely affect his film. “We have approached the character of the nerd in Pyaar Impossible realistically. Uday’s character has been depicted as a brilliant student at University who is socially challenged and has no friends. He plays a nerd in a subtle manner even though this is a light-hearted romantic film.”

CREATING AWARENESS: Satish Kaushik and Anupam Kher
It’s meant to address society as well as entertain, say duo

NIMISHA TIWARI Times News Network (BOMBAY TIMES; Aug 7, 2009)

Thirty-four years of friendship between Anupam Kher and Satish Kaushik have led the actor and director to form a production house called Karol Bagh and make a film titled Teree Sang. Manoj Mittal, another friend of the duo’s since their Delhi college days, completes the partnership. As for their maiden film…

“Did you know that the legal age for consensual sex is 16, while the legal age to get married is 18,” asks Kaushik, explaining that it is their mission to address social issues in an entertaining manner. “It’s almost a literal translation of my association with Satish in the last many years. We would like to make films that hopefully become box office hits on the basis of their content and social relevance,” adds Anupam.
Incidentally, Teree Sang — which releases today, enjoys the consent of principals of over 50 premiere schools in Delhi.

Kercy Daruwala, Managing Director of co-producer Sony Pictures India, says, “We are happy to be working with such senior filmmakers as Kaushik and Anupam and to introduce fresh talent. Teenage pregnancy is an issue that is relevant in Indian society today and has not been addressed by the film industry. We believe this film will encourage the nation to sit up and take notice of this important issue.”
nimisha.tiwari@timesgroup.com
Saif Ali Khan aka Chhote Nawab seems to have found his happy place
By Meena Iyer | TNN (BOMBAY TIMES; July 31, 2009)
Saif Ali Khan (in pic) is in a zen state. Personally, he is dating the most powerful and gorgeous girl in Bollywood; and professionally, well, he’s calling the shots too.

“I haven’t noticed whether other girls have stopped looking at me because I’m dating the best girl in town,’’ he says. “A lot depends on the vibe you give off. I hear unavailable men are more interesting to interesting women. That be as it may, I’m not particularly interested in a stranger of any sort right now.’’

Saif’s reason for setting up a production house is simple. He wants to make the films he believes in. “Everyone has their own home productions and no one is going to cast you in their films unless they can’t do it themselves,’’ he says.

He points out that the biggest filmmakers in the country — Aditya Chopra, Karan Johar , Sanjay Leela Bhansali — would ideally pitch for Shah Rukh Khan , Aamir Khan and Hrithik Roshan first. “If things don’t work out with these guys, then perhaps they’d come to me,’’ he says very matter-of-factly. “However, with setting up my own production house, I can make the films I wish to and give myself the parts I want to play. No other producer can give me the parental love that my own production can.’’

His maiden venture releases today and within a couple of months, he’s all set to get into Sriram Raghavan’s Agent Vinod, a spy-action-high-on-adrenaline-thriller with lady love Kareena Kapoor playing his screen muse. “Film production is an exciting job,’’ he confesses. “Balancing that in itself, apart from real life in terms of family and getting things done on time, has been challenging.’’

Personally too, he confesses to being blissful: “Life is a growing and changing process. I came into the world of interviews when I was 20 at a room in a Mumbai studio. In 19 years, I have grown, and the last two years have been very eventful. Personally and professionally I find myself in the right place. The rest of my life lies ahead of me but I feel confident and equipped to deal with most situations.’’

And the mention of sunshine (Kareena) brings a smile to his face.

“Everything is beautiful right now,’’ he says. “Kareena and I are on a path, let us enjoy that. For me, priority right now is to set up this production house, and I want Madam to stay the biggest star in the world for as long as she enjoys it. Everything else will follow in due course.’’


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