Fenil and Bollywood

Posts Tagged ‘rajat kapoor

By Taran Adarsh, January 1, 2010 – 12:32 IST

After almost five years, accomplished actor Saurabh Shukla returns to the director’s chair with RAAT GAYI, BAAT GAYI?, a film that’s making the right buzz. Making an adult comedy that talks of one night stand is tough. But giving the serious issue a humorous take is tougher.

RAAT GAYI, BAAT GAYI? is about relationships and also looks at the philanderers, who, despite being committed, don’t mind having a PYT in a closet, for no strings attached fun.

You may draw parallels with THE HANGOVER because the protagonist can’t recall anything that happened the previous night. But it must also be said that the film throws a few surprises, which makes it completely different from any film, past or present.

BY BOLLYWOOD HUNGAMA.COM

But there’s one factor that throws a spanner. There’s not much meat in the story. Also, it unravels at an excruciatingly slow pace. In fact, the wheels start moving only towards the penultimate 20 odd minutes, when the answers start coming.

In a nutshell, RAAT GAYI, BAAT GAYI? offers a few laughs, not laughter unlimited!

Rahul [Rajat Kapoor] wakes up with a bad hangover after a party the night before. There, he had met a sexy young woman Sophia [Neha Dhupia]. They got drunk and there were sparks flying. But Rahul doesn’t remember what happened after that. Did they go all the way?

His wife Mitali [Irawati Harshe Mayadev] is in a particularly bad mood and Rahul suspects that she might know about his little escapade last night. Rahul starts chasing his night, trying to retrieve it, trying to find out what really happened.

His friends Saxena [Dalip Tahil] and Amit [Vinay Pathak] are going through their own marital crisis of sorts. Driven to his wits end, he realizes that he must meet Sophia again to get the answers.

Almost three decades ago, Basu Chatterjee made an adult comedy called SHAUKEEN, which told the story of three men who eye a pretty girl, who’s completely oblivious of their intentions. In this film too, director Saurabh Shukla looks at three men with a roving eye.

Sadly, the screenplay [writers: Saurabh Shukla and Rajat Kapoor] falls woefully short in terms of generating interest. In fact, till three-fourths of the movie, there’s not much movement in the story, except for a few humour-laden sequences. It also moves lethargically and is unnecessarily slack.

Ankur Tewari’s music is strictly functional. Fuwad Khan’s cinematography captures the varied moods well.

The film scores in the performance department. Every member of the cast – Neha Dhupia, Rajat Kapoor, Vinay Pathak, Dalip Tahil, Irawati Harshe Mayadev, Anu Menon, Navniit Nisshan and Aamir Bashir – deliver fine performances. Especially Rajat and Vinay. Ranvir Shorey, Makrand Deshpande and Sudhir Mishra appear in cameos.

On the whole, RAAT GAYI, BAAT GAYI? doesn’t work.

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Source: IBOS

BY SUBHASH K JHA

Raat Gayi Baat Gayi
Starring Rajat Kapoor, Neha Dhupia,Irawati Harshe, Vinay Pathak,Anuradha Menon, Dalip Tahil ,Navneet Nishan, Aamir Bashir
Directed by Saurabh Shukla
Rating: ***

Somewhere on the second-half of this slightly seductive jigsaw about a one-night scam, filmmaker Sudhir Mishra shows up as Neha Dhupia’s father who drops in to have a chat with his sullen sultry daughter on the way to the airport. Little does the stoic Mishra know beti-babe has two men stashed away in a cupboard in the living room that looks consciously like a prop on a stage- set.

Quirky sex comedies are allowed their moments of eccentricity. Last time we saw a benevolent patriarch stop over in transit was Sanjay Dutt in Rohit Shetty’s comedy All The Best.

Maybe at this point Shukla deliberately wanted to introduce an element of staged comedy.After all, isn’t the world a stage? Shakespeare got there first. But hell. Saurabh Shukla is panting from behind to catch Sheakespeare’s comedy of ‘eros’ in a modern context.

Saurabh Shukla(who can be quite a funny-guy on demand) has made a quirky sometimes-crisp sometimes-placid look-see at marriage and infidelity. The seductively – paced work is set at a party hosted by a loud Punjabi clueless woman(played with much gusto by Navneet Nishan) whose amiable husband Dalip Tahil we soon come to know, is cheating on his plump wife with the svelte seductress on the block played by Neha Dhupia who seems to invite more male attention than is healthy for any girl with a respectable appetite. And we aren’t talking about her tummy.

Tahil isn’t alone. Vinay Pathak(playing the goofy slightly stupid and undiplomatic regular guy once again) is cheating on his wife Anuradha Menon(the hilarious Veejay Lola trying hard not to be funny,and succeeding) by checking out porn on the internet.

“At your age?” tut-tuts Tahil before himself being caught with his pants down. Though nothing much up at his age.

But our main potential philanderer is Rahul( Rajat Kapoor,as suave in his sleaziness as ever), married to the sullen Irawati Harshe who befriends the all-round resident siren(Dhupia) at a party , gets drunk and then forgets whether he actually did anything naughty or not. Hangover, anyone?

“I can do it even when I’m drunk, no problem there,” Rahul (Rajat Kapoor)says vainly to his porn-fed pal.One of the problems here is that everyone speaks in Hindi because…well, they’re part of a Hindi film when they’re characters who would be comfortable in English. Having said this and that, the characters seem to be effortlessly conscious of their authentic bearings. None of the performers strays from the not-so-straight and borrowed path of betrayal, deception and infidelity.

The Rahul-Mitali marriage has a twist in its tail at the end. It doesn’t shock you. It just makes you sigh. Saurabh Shukla’s direction embarks on a journey through one night of steamy sensations. The revelations are hardly shocking, just diverting.

Stylishly cut(Sankalp Meshram’s editing is amazing in its austerity) the material’s chic movement doesn’t quite justify the content. But the narrative has moments that spill out the acerbity underlining urban marriages which are at best functional and at their worst, lies told to keep up an appearance of domestic smoothness.

The film exudes the scent of intelligence and competence. The actors all know their jobs. Most of them have earlier been through this kind of sexual-moral dilemma in some form or the other. The cutting edge is missing . But the proceedings never get cumbersome.

By JOGINDER TUTEJA (GLAMSHAM.COM)

view RAAT GAYI BAAT GAYI movie stills
RAAT GAYI BAAT GAYI

RAAT GAYI BAAT GAYI releases on the last day of the year, 31st December. If this wasn’t surprising enough, the fact is that the date also falls on a Thursday. Wait, there is more. There are two more films slated for release on the same day – ACCIDENT ON HILL ROAD and BOLO RAAM, hence adding on to the crowd. Moreover, there is this entire 3 IDIOTS euphoria which is expected to spill over well into the second week. With so much happening around the release of this Neha Dhupia, Rajat Kapoor and Vinay Pathak starrer, was it a justified decision to arrive on this day?

“Yes, coming on 31st December is a very good decision”, says director Saurabh Shukla who has earlier made MUDDA – THE ISSUE and CHEHRA, “I will give you two reasons for that. First and foremost the film is actually about a party. Since it would be party mood for all on 31st Dec and 1st January, the story in the film fits in perfectly well with real life too.”

He goes on to explain the second reason. “Those who may not catch it on 31st December night would want to do so on the next day since it’s a holiday. And that’s because after 31st December hangover, there are only two ways to fight it. One is to drink again and another is to actually go for a movie. This is why our suggestion is ‘Why to drink again when you can have some good time in theaters while watching a movie?’

HOT! Neha Dhupia in a still from Raat Gayi Baat Gayi

One-night stands are harmless as long as you are not hurting anyone, says Neha Dhupia in a candid chat with BT

ROSHNI K OLIVERA Times News Network (BOMBAY TIMES; December 30, 2009)

Neha Dhupia made headlines with her line ‘In India only SRK and Sex sell’. Now the focus is on her again with Pritish Nandy Communications’ Raat Gayi Baat Gayi releasing tomorrow. The movie, produced by Rangita Pritish Nandy and directed by Saurabh Shukla, won the best film award at the HBO Asian International Film Festival in New York last month. Neha plays the mysterious gorgeous woman hunted down by Rajat Kapoor, Vinay Pathak and Dalip Tahil, after a night of lots of drinking, sex and zero memory! Ask her if it’s a bold role and she replies candidly, “If you are asking in terms of skin show, then no. But if being bold is a state of mind, then yes.” That’s Neha for you. Not one to mince words, the actress speaks to BT about relationships, sex and movies…

What’s your take on one-night stands?
The problem with one-night stands is that you end up hurting so many people. As long as you are not hurting any one, it’s fine.

In Raat Gayi Baat Gayi you have a onenight stand with a married man…
There are seven characters in the film! Why do you assume it’s my character who’s had the one-night stand? Are you assuming that because I am attractive… Not fair!

Do you think the Indian audience is opening up to sex in movies?
Dev D was a big hit. Indian audiences are open to fantastic scripts. Raat Gayi… is a funny kind of a thrilling experience that takes you through a drunken night. You don’t really know what happened last night. The film is packed with a lot of emotions and it is very relatable. You can relate to one or the other character.

You’ve done movies of various genres… what’s your favourite?
It’s very hard for me to say that. Right from my roles in Singh Is Kinng, De Dana Dan, Mithya, Ek Chaalis Ki Last Local to Raat Gayi Baat Gayi, everything is challenging and at the same time everything is easy. I don’t over-intellectualise the whole acting medium. I’m not working because I have to work. I’m working because I really enjoy doing so.

Are you happy with the way your career has shaped up so far?
I am. I had made a few mistakes, but I don’t regret anything. They have been learning experiences. I have come a long way, but I also have a long way to go…

WHEN FILMS DON’T GET A TIMELY RELEASE…

RAAT GAYI BAAT GAYI:

Last week’s discussion of The Hangover brings to my mind another topic of the upcoming film Raat Gayi Baat Gayi (RGBG) which is all set to release on December 31. Presented by Percept, produced by Pritish Nandy and Rajat Kapoor and directed by Saurabh Shukla, RGBG stars Vinay Pathak, Rajat Kapoor, Neha Dhupia Anu Menon, Navneet Nishan and Dalip Tahil. The film was announced 2 years back in 2007 and it’s ready since a long long time. But due to some reason, the film which could have released earlier this year is now finally releasing (and anyways, when Percept is involved, then that film is bound to get postponed!!).

On the other hand, The Hangover released this year and took the world by storm. Unfortunately, RGBG’s plot is very similar to that of The Hangover. While The Hangover was a story of four friends going to LA for a bachelor party only to wake up the next morning and not remembering a thing, RGBG involves three men who attend a party with their wives and where they come across a sexy lady. The men get drunk and when they wake up next day, they couldn’t remember what happened after meeting the lady. So the amnesic angle is common in both of the films but the situations are drastically different.

However, RGBG is not a copy of Hangover as the script of RGBG was written way back and the shooting was also completed last year, some 7-8 months before Hangover released. But the damage is done-a huge section of moviegoing audience has already thrashed RGBG as a ‘copy’. Teasers of RGBG are uploaded on YouTube with the title ‘Promo-Raat Gayi Baat Gayi (Hangover Remake)’. Madness!

Now it remains how RGBG is received by the audience and critics. The exciting news is that it won the Best Film Award at the HBO’s South Asian International Film Festival held in New York in Oct-Nov. This again is an indication of the originality of the script of the film! I hope the lesson is learnt-let’s not waste time in releasing our films.

KHALLBALLI:

Khallballi, on the other hand, seems like a copy of De Dana Dan (but it’s not)! This flick too is ready since a long time. Directed by Ajay Chandok (director of flops like Nehlle Pe Dehlla, Team-The Force etc), it stars Nikhil Dwivedi (who debuted in My Name Is Anthony Gonsalves), Southern siren Sada, Rajpal Yadav, Suresh Menon, Johny Lever, Zakir Hussain, Asrani, Vrajesh Hirjee, Tiku Talsania, Chunky Pandey and many others. The promos of the film began somewhere in September last year and the film was scheduled to release on Jan 9, 2009. But it was pushed forward and since then, there has been no news on the film.

The producer of the film, Azam Khan who had carved out a wise promotional strategy for Phoonk, had even thought of a similar idea for Khallballi. During Phoonk, anyone sitting throughout the film without getting scared was to be given 5 lakhs. For Khallballi, the produced challenged anyone to sit through the film with a straight face without any signs of laughter. And the reward here was double-Rs. 10 lakhs!

After the film got postponed indefinitely, the contest was thrown out of the window and Azam Khan is now busy with Phoonk-2! Even if Khallballi gets a release in near future, it’ll be dubbed as a ‘poor man’s De Dana Dan’ as the plot in both films are almost same-the lovers and other interesting characters inside a hotel leading to mistaken identities and helter-skelter in the end! Very unfortunate!

CHECK OUT KHALLBALLI’S PROMO BELOW!


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GET READY FOR AVATAR’S RELEASE


The biggest flick of all time, Avatar is hitting the screens tomorrow. Directed by James Cameron of Titanic fame, the film is expected to provide a fresh outstanding experience of cinema. The makers are recommending the viewers to watch it in 3D. But everywhere, the film is releasing in 3D in handful of theatres. Anyways, Avatar seems a must watch film and all those wanting to have some exciting experience should definitely watch it!

This post first appeared on MouthShut.com: http://www.mouthshut.com/diary/hbddsuolp/Fenils-Bollywood-Talk79

By Taran Adarsh, December 1, 2009 – 08:37 IST


Actor-writer-director Saurabh Shukla surfaces with his new directorial assignment RAAT GAYI, BAAT GAYI? after a hiatus. After almost five years, to be precise. “I was disheartened after MUDDA and CHEHRAA. I didn’t want to make movies just for the heck of it. But I will make up for the lost time by releasing three movies back to back, starting with RAAT GAYI, BAAT GAYI?,” Saurabh smiles.

Just recently, RAAT GAYI, BAAT GAYI? was honoured at the South Asian International Film Festival in New York. “I was thrilled,” he doesn’t hide his feelings, but is quick to add, “I wish to clarify, RAAT GAYI, BAAT GAYI? is not a ‘festival film’. It’s a film that the audience of today can relate to instantly. In fact, the term ‘festival film’ doesn’t exist anymore. Even hardcore commercial films are showcased at distinguished festivals.”

Reportedly, there are similarities between RAAT GAYI, BAAT GAYI? and THE HANGOVER. “The two films are poles apart. I’d also like to clarify that I started RAAT GAYI, BAAT GAYI? much before THE HANGOVER was made. In fact, there’s an interesting story behind RAAT GAYI, BAAT GAYI?. The seeds of this film were sown at a party that I attended long back. I was feeling terribly bored and kept staring at people aimlessly. The next morning, I narrated the episode to Rajat [Kapoor], who suggested that I write a story revolving around a party. That’s how the story of RAAT GAYI, BAAT GAYI? took shape,” Saurabh states.

Incidentally, RAAT GAYI, BAAT GAYI? will be the last release of his year. The makers plan to release the film on Thursday, December 31.

BOLLYWOOD HUNGAMA.COM

By Taran Adarsh, August 7, 2009 – 11:06 IST

Two observations before I ‘dissect’ TEREE SANG…

  • One, it’s often said that veterans find it extremely difficult to change with times, adapt to new-age cinema.
  • Two, it’s often said that a capable director has the potential to unearth new talent and polish their skills.

The two observations hold true for Satish Kaushik, who’s known for dramatic/masala entertainers and who changes gears so swiftly with TEREE SANG.

Now let’s begin… First and foremost, TEREE SANG is not JUNO. The resemblance starts and ends with an adolescent getting pregnant. TEREE SANG is not KYA KEHNA either. TEREE SANG mirrors what’s happening in society vividly. But, at the same time, it’s not dark or disturbing, nor does it get preachy.

BY BOLLYWOOD HUNGAMA.COM

But there’re minor issues. Certain portions make this real story look filmy and that robs the film of its freshness. It becomes another BOBBY and LOVE STORY at one point. More on that later!

Yet, all said and done, TEREE SANG is fresh and engrossing in most parts. Recommended!

Maahi [Sheena Shahabadi], the only child of the Puri family [Rajat Kapoor, Neena Gupta], is a bubbly 15-year-old Delhi girl. She belongs to a prosperous family and has the best of material comforts. Kabir [Ruslaan Mumtaz], a 17-year-old, has a middle class background [Satish Kaushik, Sushmita Mukherjee Bundela].

Maahi and Kabir become friends. On a camping trip on New Year’s Eve, after getting a little tipsy, the young couple get intimate. Soon, Maahi gets pregnant. What follows is a journey of accepting one’s mistakes and owning up to it.

Satish Kaushik steps into a new territory with TEREE SANG and throws a pleasant surprise at viewers. The entire first half is so real, so identifiable and the execution of the subject is so interesting that you get instantly drawn into Kabir and Maahi’s worlds. The passionate kiss that they share, which leads to a sexual encounter, is also maturely depicted on screen by the director.

But it’s the second hour that’s problematic. It becomes yet another version of BOBBY and LOVE STORY, with the kids eloping and the warring parents thirsting for each other’s blood. These portions don’t appeal primarily because too much seems to happen too soon. A roof over the head, a spacious mansion with all amenities and necessities in place, an instant job et al… all this in a matter of a few days in a new township seems so unreal.

Thankfully, the film comes on track in the penultimate portions. The moment the girl calls up her father and set things straight – from this point onwards, TEREE SANG is back on its feet. Of course, the courtroom drama could’ve been far more impactful.

Despite the blemishes in its writing, there’s no denying that TEREE SANG is easily amongst Satish Kaushik’s most accomplished works. Sachin-Jigar’s music has that freshness that this subject demands and at least two songs deserve a strong mention, especially ‘More Saiyyan’. The camerawork is vibrant at places.

Ruslaan underplays his part beautifully. The best part is, it’s not one of those conventional roles that show the hero flexing his muscles or beating up 10 people at the same time. He enacts the boy next door part with complete understanding. Sheena is a surprise. Dew-fresh and adorable, the debutante looks perfect for the part. Her confidence and performance, both are wonderful.

Rajat Kapoor is excellent. Neena Gupta is natural. Satish Kaushik delivers a winning performance. The viewers will love him. Sushmita Mukherjee Bundela is first-rate. Anupam Kher, in a brief role, is perfect.

On the whole, TEREE SANG has a new story tell and that is its biggest USP. At the box-office, the film may be a slow starter, but has the merits to pick up with word of mouth if the youth as also the family audiences take to it.


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